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Engraving Figurative Prints

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Medium: Engraving
The Bath - Etching by A. Suares - 1926
Located in Roma, IT
The Bath is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

Nude - Etching by A. Suares - 1926
Located in Roma, IT
Nude is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

Nudes - Etching by A. Suares - 1926
Located in Roma, IT
Nudes is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

Lovers - Etching by A. Suares - 1926
Located in Roma, IT
Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout. Good condition...
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

The Dream - Etching by A. Suares - 1926
Located in Roma, IT
The Dream is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditi...
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

Lovers on Horse - Etching by A. Suares - 1926
Located in Roma, IT
Lovers on Horse from Illustrations for Cressidra, is a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Including a Passepartout. Good ...
Category

1920s Symbolist Engraving Figurative Prints

Materials

Etching, Drypoint

THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861
Located in Portland, ME
After Homer, Winslow. THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861 IN AID OF THE CITY POOR. Wood engraving after a drawing by Homer, published in Harper'...
Category

Mid-19th Century Engraving Figurative Prints

Materials

Engraving

La femme dans l’arbre de l’été.
Located in Malmo, SE
La femme dans l’arbre de l’été. Publisher GKM. Unframed. Edition of 30 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, ...
Category

1990s Contemporary Engraving Figurative Prints

Materials

Engraving

PICNIC
Located in Portland, ME
Bacon, Peggy. PICNIC. Drypoint, 1926. Titled and signed in pencil. 5 7/8 x 8 3/8 inches. Printed on laid paper with deckle on four sides. Very faint matstain, else in excellent c...
Category

1920s Engraving Figurative Prints

Materials

Drypoint

THE CLINIC
Located in Portland, ME
Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...
Category

1930s American Modern Engraving Figurative Prints

Materials

Drypoint

Noir et bleu.
Located in Malmo, SE
Publisher GKM. Edition: 50 ex. Unframed. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à co...
Category

1980s Contemporary Engraving Figurative Prints

Materials

Engraving

Les Caprices Pinces Princiers (Frank Hunter Authenticated)
Located in Aventura, FL
From Les Diners De Gala. Photo lithograph with a separate original engraving titled Spoon on Crutches. Hand signed by Salvador Dali. Hand numbered 170/395. Frame size approx 29 x ...
Category

1970s Surrealist Engraving Figurative Prints

Materials

Paper, Engraving, Lithograph

In the Café. [Man in a Top hat in front of a Coffee House Window...]
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It was published in an edition of 110 hand signed impressions by Propyläe...
Category

1920s Impressionist Engraving Figurative Prints

Materials

Drypoint, Etching

King & queen - Figurative Etching Print Monochromatic Surreal Black & white
Located in Warsaw, PL
Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...
Category

2010s Contemporary Engraving Figurative Prints

Materials

Drypoint, Paper

A hybrid - Figurative drypoint print, Monochromatic, Surrealist, Minimalist
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category

2010s Contemporary Engraving Figurative Prints

Materials

Paper, Drypoint

Rouge et bleu
Located in Malmo, SE
Publisher GKM. Edition: 50 ex. Unframed. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à co...
Category

1980s Contemporary Engraving Figurative Prints

Materials

Engraving

Fruhling
By Josef Siccard-Redl
Located in New York, NY
Siccard-Redl, Josef. Fruhling, Ca 1910. Color wood engraving, Signed and titled in pencil by the artist. Little is known of this artist other than he worked in Vienna during the ...
Category

1910s Vienna Secession Engraving Figurative Prints

Materials

Engraving

Woman - XXI Century, Contemporary Figurative Print, Black And White
Located in Warsaw, PL
Limited edition, one of 10 copies. KRYSTYNA JASZKE She graduated from the Academy of Fine Arts in Wrocław where she studied at the faculty of Painting and Sculpture at the atelier of...
Category

2010s Other Art Style Engraving Figurative Prints

Materials

Mezzotint, Paper

With a chameleon (Red version) - XXI Century, Black And White Figurative Print
Located in Warsaw, PL
Limited edition, one of 10 copies. KRYSTYNA JASZKE She graduated from the Academy of Fine Arts in Wrocław where she studied at the faculty of Painting and Sculpture at the atelier of...
Category

2010s Other Art Style Engraving Figurative Prints

Materials

Mezzotint, Paper

Perpetuum Mobile LXXX Black and White Mezzotint
Located in Lake Worth Beach, FL
Perpetuum Mobile LXXX signed and title size 27"5x39"3 framed 44"5x33"4 Tomasz Winiarski was born in 1982 in Bielsko- Biala, Poland. In the ye...
Category

2010s Abstract Geometric Engraving Figurative Prints

Materials

Mezzotint, Paper

LE PETIT ENTERREMENT (The Small Funeral)
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category

1880s Engraving Figurative Prints

Materials

Drypoint, Etching

The Meeting - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Meeting is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

The Herd - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft stroke...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

The Well - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Well is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

The Nursing - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

In the Church - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In the Church is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sho...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

Horse Drivers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Horse Drivers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sho...
Category

Late 19th Century Old Masters Engraving Figurative Prints

Materials

Engraving, Etching

The Speech - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Speech is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

Old Woman with Stick - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Old Woman with Stick is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

The Farmers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Farmers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized throu...
Category

Late 19th Century Old Masters Engraving Figurative Prints

Materials

Engraving, Etching

Cocoons - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Cocoons is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

In The Garden - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In The Garden is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sh...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

The Descent of the Herds - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Descent of the Herds is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft st...
Category

Late 19th Century Modern Engraving Figurative Prints

Materials

Engraving, Etching

Tynemouth Castel - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Tynemouth Castel is an etching realized in 1845 by Edward Francis Finden. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" The artwork...
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving, Etching

Flamborough Head - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Flamborough Head is an engraving on paper realized by E.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Dundee - Engraving by Charles James Richardson - 1838
Located in Roma, IT
Dundee is an engraving on paper realized by C. Richardson in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Abbey of Arbroath - Engraving by Thomas Higham - 1838
Located in Roma, IT
Abbey of Arbroath is an engraving on paper realized by T. Higham in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Hull - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Hull is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Berwick - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Berwick Head is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Banff - Engraving by Robert Waths - 1838
Located in Roma, IT
Banff is an engraving on paper realized by R. Waths in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Harwich - Engraving by Edward Francis Finden - 1838
Located in Roma, IT
Harwich is an engraving on paper realized by E. Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Meeting - Etching by Hégésippe Moreau - 1838
Located in Roma, IT
Meeting is a lithograph on paper realized by Hégésippe Moreau in 1838. The artwork is in good condition. Hégésippe Moreau (1810-1838) was a French l...
Category

1830s Modern Engraving Figurative Prints

Materials

Engraving

Yarmouth - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Yarmouth is an etching realized in the Early-20th Century by E. Finden. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving

The Quay, Yarmouth - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
The Quay, Yarmouth is an etching realized in the Early-20th Century by J.Sands. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving

Dunstanborough Castle - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Dunstanborough Castle is an engraving realized in 1845 by E.Finden. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving

Slaines Castle - Near Peterhead - Engraving by Robert Brandard - 1845
Located in Roma, IT
Slaines Castle - Near Peterhead is an engraving realized in the 1845 by R.Brandard. signed on plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving

Dunstanborough Castle - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Dunstanborough Castle is an engraving realized in 1845 by W.Finden. Signed in plate. The artwork is realized in a well-balanced composition.
Category

1840s Modern Engraving Figurative Prints

Materials

Engraving

'Jones Island' original woodcut engraving by Gerrit Sinclair
Located in Milwaukee, WI
The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...
Category

1930s American Modern Engraving Figurative Prints

Materials

Woodcut, Engraving

Figures - Drypoint by Mino Maccari - Mid-20th Century
Located in Roma, IT
Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,3/40. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category

Mid-20th Century Modern Engraving Figurative Prints

Materials

Paper, Drypoint, Etching

Figures - Drypoint by Mino Maccari - Mid-20th Century
Located in Roma, IT
Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition 1/12. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category

Mid-20th Century Modern Engraving Figurative Prints

Materials

Paper, Drypoint, Etching

Self Portrait - Drypoint after Giuseppe Viviani - 1983
Located in Roma, IT
Self Portrait is a drypoint realized after Giuseppe Viviani in 1983. Hand signed and numbered. 1983 edition of 100 prints. Signed by the Artist widow "Eralda Benso Viviani". Refe...
Category

1980s Modern Engraving Figurative Prints

Materials

Drypoint

Jeunes Filles Sur le Port
Located in New York, NY
Jean-Emile Laboureur, Jeunes Filles Sur Le Port, 1920, engraving, signed in pencil [also initialed and dated in the plate]. Reference: Godefry, Sylvain Laboureur 200, second state of...
Category

1920s Art Deco Engraving Figurative Prints

Materials

Engraving

"Le Portrait Termine, " Original Drypoint signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Portrait Termine" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (21/50) in...
Category

1970s Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Le Rêve - Etching and Drypoint by Anselmo Bucci - 1917
Located in Roma, IT
Le Rêve-from "Le Croquis du Front Italien" is an Artwork, Drypoint, realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 18/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper and some foxing. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...
Category

1910s Modern Engraving Figurative Prints

Materials

Etching, Drypoint

ICE CREAM
Located in Portland, ME
Bacon, Peggy (American, 1895-1987). ICE CREAM. Flint 6. Drypoint, 1918. Edition size not known, but likely very small. Titled "Ice Cream," dated "Nov. 19...
Category

1910s Engraving Figurative Prints

Materials

Drypoint

Spring Night Greenwich Village
Located in New York, NY
Spring Night, Greenwich Village--1930, Drypoint and Sand Ground.McCarron 85, only state. Edition 92. Signed in pencil. Signed in the plate, lower rig...
Category

1930s Engraving Figurative Prints

Materials

Drypoint

Ragged Peasant with His Hands Behind - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Ragged Peasant with His Hands behind Him, Holding a Stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piec...
Category

19th Century Old Masters Engraving Figurative Prints

Materials

Engraving

Old Woman Sleeping - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Old Woman Sleeping is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of t...
Category

19th Century Old Masters Engraving Figurative Prints

Materials

Engraving

Philosopher with an Hourglass - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Philosopher with an Hourglass is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...
Category

19th Century Old Masters Engraving Figurative Prints

Materials

Engraving

Man Crying Out - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Man Crying Out is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 1...
Category

19th Century Old Masters Engraving Figurative Prints

Materials

Engraving

Engraving figurative prints for sale on 1stDibs.

Find a wide variety of authentic Engraving figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Charles Amand Durand, Mino Maccari, and Franz von Bayros (Choisi Le Conin). Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving figurative prints, so small editions measuring 0.04 inches across are also available

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