Paper Figurative Prints

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. . The artwork represents an interesti...

Raul Anguiano (Mexico, 1915-2006) 'Retrato', 2001 aquatint on paper 15.6 x 12.6 in. (39.5 x 32 cm.) Edition of 50 ID: ANG-201 Unframed

This calendar advertisement poster for White Horse cigarettes was produced by Hu Boxiang, a famous commercial advertising artist in Shanghai during th...

Woodcut on mulberry paper (diptych) Each image 18x24 in. Edition of 6. Framing is additional $700.

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Wildwood by Chris Keegan [2022] limited_edition and hand signed by the artist Screen print Edition number 50 Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:38 cm x ...

Pietro Ruffo - Exhibition Poster is an offset print realized for the exhibition by Pietro Ruffo at Galerie Di Meo in 2011. Good conditions.

Ebony and the Swans is a limited edition photopolymer etching by Rosie Emerson, this print has a mysterious and enchanting nature to it given composition and tonal colours. Rosie Eme...

Bele Bachem Kindesgeburt (B/W) Lithograph on Velum Year: 1968 Size: 27.65x21.1in Signed, dated and inscribed by hand Dry Stamp lower left Edition: 50 Publi...

Portrait of Anger - Multilayer Woodblock in Ink on Paper Bold and saturated woodblock print of a screaming man by Michael Dow (American, 20th Century). The man is centered in this m...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Keith Haring Cover Art SFMMA 1984: Published by the San Francisco Museum of Modern Art on the occasion of ‘The Human Condition SFMMA Biennial III’ 28 June-26 August 1984. Cover art created by Keith Haring specifically for the exhibit. Includes work by Jenny Holzer (reverse cover) with a foreword by Shirley Davis. An introduction by Henry T. Hopkins is followed up with essays by Dorothy Martinson, Wolfgang Max Faust, Achille Bonito Olivia, Klaus Ottman, and Edward Kienholz...

Screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition of 95. Artwork is in excellent condition. Mr. Brainw...

"Nelson Dominguez (Cuba, 1947) 'Madre (gris/victor guadalajara detras)', 2005 mixed media on paper Velin Arches 300 g. 19.7 x 19.7 in. (50 x 50 cm.) Prueba de Estado (P.E) ID: DOM-211"

Francisco Toledo (Mexico, 1940-2019) 'Caimanes III', 1989 woodcut, lithograph on paper 17.2 x 23.7 in. (43.5 x 60 cm.) Unframed

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Luis Enrique Camejo (Cuba, 1957) 'Sábanas blancas', 2022 sugar aquatint on paper Canson 320 g. 28.2 x 20.9 in. (71.5 x 53 cm.) Edition of 15 Unframed

Girafe is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower margin in pencil. . The artwork represents an inte...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

The Skeleton is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publis...

My Parents is a modern artwork realized by Alberto Savinio in 1944-1947. Black and white lithograph. Hand-signed in pencil on the lower right. Edition of 32 prints, this piece is a...

Namiko Prado Arai (Mexico, 1963) 'La regadera', 2003 silkscreen on paper Guarro Super Alpha 250g. 39.4 x 27.6 in. (100 x 70 cm.) Edition of 50 ID: PRA-301 Unframed

Night time is a modern artwork realized by Orfeo Tamburi and Giorgio Vigolo in 1945. Black and white lithograph. Both pages are hand-signed in pencil and the left one is dated 1945....

Sweet Land of Liberty is a limited edition screen print on archival museum board with hand-applied gold leaf by Jayson Lilley. Jayson Lilley is available online and in our gallery at...

"Love" Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availabl...

Juan Carlos Alom (Cuba, 1964) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-203 Un...

A rare and original illustrated boxed folio of The Journals of Susanna Moodie, arguably Margaret Atwood’s finest work of poetry. In it, she adopts the ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Etching on paper. Hand signed and numbered by Peter Max. From the edition of 99. Frame size approx 27 x 24 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...

Signed color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...

Portrait of Woman is a Lithograph realized by Jean De Caldain (1801-1900). Hand-signed by the artist on the lower right corner. Good condition included a cream colored cardboard pa...

Screen print on paper. Signed and numbered with pencil at the back. This is one of the four pieces from the series "5 Km/h".

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

"Call girls 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. S...

Etching on cream laid paper, full margins. From Eaux-Fortes Animaux & Paysages. [Beraldi II.140.34] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...

Flamingo is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. . The artwork represents an interesti...

Signed lower right, 'Hirano' for Yoshito Hirano (Japanese, born 1938) and created circa 1970; titled, verso, 'Mimosa Tree Restaurant'. Paper dimensions: 28...

Ronnie Scott’s – Soho Rain [2022] limited_edition Etching on paper Edition number 10/150 Image size: H:38 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W:38 cm x D:1cm Sold...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

Jean-Michel Basquiat Enrico Navarra Gallery Paris 2000: Rare vintage Basquiat announcement published on the occasion of: Jean-Michel Basquiat, Gallery Enrico Navarra Paris during the...

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

The House is a serigraph realized by the Italian artist Sante Monachesi. Hand-signed on the lower right. Numbered, edition 65/150. In excellent conditions, This beautiful and col...

Comme la lune is a lithograph print on ivory-colored paper realized by Giorgio De Chirico and Bruno Barilli in 1945. Hand-signed in pencil by both artists, on the lower right of bot...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

"Juan Sebastian Barbera (Mexico, 1964) 'Personaje', 1991 silkscreen on paper Velin Arches 300 g. 15.8 x 11.9 in. (40 x 30 cm.) ID: BAR-202"

Victor Hugo Nuñez (Chile, 1943) 'Untitled', 2013 woodcut on paper 30 x 44.1 in. (76 x 112 cm.) Edition of Unframed ID: HUV-110 Hand-signed by author

Original engraving #5 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

This late 19th-century mixed-method engraving by George Sidney Hunt (1856-1917) after Edwin Long RA (1829-1891) is one in a series of three depicting the Old Testament story of Jephthah. Here, we see Jephthah’s daughter contemplating her fate during a two-month sojourn in the wilderness. The heart-rending story of Jephthah captured Victorian minds and inspired artist Edwin Long to produce three exhibition pieces, which are now held at the Russell Cotes Art Gallery & Museum. Prior to a fearsome battle with the Ammonites, Jephthah, a leader in Isreal, committed a vow to God that he’d make a sacrifice if his armies were triumphant. “whatever comes out of the door of my house to meet me when I return in triumph from the Ammonites will be the Lord’s, and I will sacrifice it as a burnt offering...

Screen print on paper. Signed and numbered with pencil at the back. This is one of the four pieces from the series "5Km/h".

Victorian-style drypoint etching by James Dobie (British, 1849-1911), after a painting by Walter Dendy Sadler. Printed in London by J. Brooker & Co. and ha...

Screen print on paper. Signed and numbered with pencil at the back. This is one of the four pieces from the series "5 Km/h".

lithograph on paper edited in 1953 signed in pencil by artist in lower right and numbered as: 54/90 paper size: 70 x 54 cm framed size: 82 x 65 x 4 cm Black wood frame included Blind...

Pietro Ruffo - Exhibition Poster is an offset print realized for the exhibition by Pietro Ruffo at Galerie Di Meo in 2011. The artwork is represented in ...

Danseuse et Picador is a vintage photolithograph realized after Pablo Picasso in 1960s, after the original watercolor in 1960. Signed on the plate on the lower. Very good condition...

"Embrase" Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availa...