Mid-20th Century Figurative Prints

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

Medium: Lithograph on vélin du Marais paper Year: 1957 Paper Size: 14.5 x 11 inches Catalogue raisonné reference: Cramer, illustration 84 Inscription: Inscription: Unsigned and unnum...

Lithograph and stencil on vélin pur chiffon d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Faunes et Flore d'Antibe...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.4 x 8.39 inches. Inscription: Signed in the plate and unnumbered, as issued. N...

Marc Chagall (1887-1985) - The Candlestick Lithograph from 1962. Printed by Mourlot.. Dimensions of work: 47 x 32 cm. Publisher: André Sauret, Monte Carlo. The work is in Excell...

Andy Warhol Original vintage Christmas Card, ca. 1957 Offset lithograph card Plate signed on the front (see close up image) Unnumbered Frame included Offset lithograph card, ca. 1957...

This was just a man is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.

(after) Pablo PICASSO The Parade Lithograph, 1954 With the blind stamp of the editor (Ed. Verve) Size 27 x 37 cm (c. 10.65 x 14.6 inch) A lithograph on wove paper after a drawing b...

Geo Ham: 1900-1972. Well listed French artist who is best known for his posters of car racing. He has auction results over $32,000 for a single poster. This original lithographic pos...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 139-140, 1963. Published by Aimé Maeght, Éd...

Medium: original lithograph. This Marino Marini lithograph was printed in 1963 for XXe Siecle (issue No. 21), published in Paris by San Lazzaro. Sheet size: 12 x 9 1/8 inches (310 x ...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

Pablo Picasso ( 1881 – 1973 ) –Portrait de Famille , Six Personnages ( Ref Bloch 1031; Mourlot 385 ) lithograph on Arches paper, edited in 1962 Limited edition of 50 copies signed ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

The Disastrous War is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris and d...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Salvador Dali - Nude and Lobster - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 Editor : Au Cercle du Livre Précieux On Rives Vellum From the Serie Casanova Unsigned as ...

Marc Chagall (1887-1985) The Circus : a Breathtaking Spectacle, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raiso...

Lithograph in cream and black, on Rives BFK paper, (with watermark) Edited in 1967 , signed in pencil by artist in lower right corner, numbered 25/100 published by Published by Le Pa...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Mary Lee Bendolph, born in 1935 in Boykin, Alabama, is a renowned American quilt maker associated with the Gee's Bend Collective. Her work has been exhibited in prominent institution...

Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory : Canto 29 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Si...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...

Pablo PICASSO (1881-1973) Diurnes, The Satyr, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in) REFERENCE ...

Joe Goode Floating Cards - Part IV, 1969 Lithograph on Arches paper with two deckled edges. Hand signed, dated and annotated Artists Proof on the lower front 22 1/4 × 29 4/5 inches Unframed Part of Joe Goode's five part 1960s series "Floating Cards". Rarely to market. The provenance of this print is from the Reese-Palley Gallery. The famous dealer and adventurer Reese Palley of Atlantic City New Jersey - was the second gallerist in the 1960s - after Paula Cooper - to set up shop in SOHO. Hand signed, dated, and annotated Artist's Proof aside from the regular edition. Pop art pioneer Joe Goode (born 1937) was born in Oklahoma City, Oklahoma, in 1937. In 1959 he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. First recognized for his Pop Art milk bottle paintings and cloud imagery, Goode's work was included along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Robert Dowd, Edward Ruscha, and Wayne Thiebaud, in the 1962 ground-breaking exhibit New Painting of Common Objects, curated by Walter Hopps...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Beatrice and Rachele from the Series "The Divine Comedy" - Song 32 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" b...

Lithograph on vélin paper. Paper Size: 7.875 x 9.06 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Li...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Original “Radio Point Bleu Musical!” vintage French antique poster. Archivail linen backed in very fine condition, ready to frame. Signed J.L.B. in the plate at upper right. No specific year is indicated on the poster. Point Bleu / Radio Musical! Paris: Bedos & Cie. Lithograph poster for the French radio manufacturer, showing a woman’s face in silhouette with a treble clef over her ear; red and blue lettering against a bright yellow background. Printer: Paris: Bedos & Cie. The poster does not have a date, but most of the Point Bleu radio posters...

Salvador Dali - The Atomic Era - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 19...

Yves BRAYER Rape of the Sabine Women Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haase...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.66 inches Inscription: Signed in th...

Graciela Rodo Boulanger: she is a Bolivian artist born in 1935. She is best known for her paintings and prints of children. This beautiful colored lithograph sold for over $1800 at a...

Jean Jansem, French (1920 - 2013) - Girl From Behind, Year: circa 1965, Medium: Lithograph, Size: 14.5 x 11 in. (36.83 x 27.94 cm), Frame Size: 21 x 17 inches

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante." Catalogu...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.75 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.06 x 12.17 inches. Inscription: Signed in the plate and unnumbered, as issued....

Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...

Original Lithograph by Jean Cocteau Title: Blue Lady Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumb...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. This composition is sourced from Paolo Uccello’s St George and...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.42 x 7.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...