Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Pietro Fontana
Bacchanalia - Etching by P. Fontana After A. Tofanelli - 1821

1821

About the Item

“Baccanale con Bacco, Sileno, Fauni, e Menadi” is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Agostino Tofanelli (Lucca 1770 - Rome 1834), as the inscriptions on plates on lower margins report “Agostino Tofanelli del../ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on right margin: “Tom II. /Tav. XI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Baccanale con Bacco, Sileno, Fauni, e Menadi, scolpiti attorno al gran vaso di marmo Pentelico Translated Title: Bacchanal with Bacchus, Silenus, Fauns, and Maenads, carved around the large Pentelic marble vase This old master’s original prints shows a precious piece of the Borghese's collection, a wonderful bacchanal with allegorical scenes. In excellent conditions with some light signs of the time with some sporadic minor stains along the margins, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen, and is best known for his complete series of engravings of the neoclassical sculptures of Canova. He became a member of the Accademia di San Luca. Agostino Tofanelli (Lucca 1770 - Rome 1834) Son of the engraver Andrea, Agostino Tofanelli studied with his father and his brother Stefano. In 1781 he settled in Rome to attend the courses of the Accademia del Nudo. Until the early years of the century it had a good name with a prestigious client as a draftsman and engraver; in 1807 he was appointed custodian of the Capitoline Museum, a position he held until his death. The first important assignments as a painter I saw in Rome in Palazzo Spada (1808) and in the renovation of the apartments of the Quirinale (Salon de Musique of the Empress, 1812). In 1813 he was appointed member of the Accademia di San Luca to follow the interventions in Palazzo Taverna , in the Palazzi Vaticani and in the chapel of the Quirinale. In Lucca, he was also commissioned by Maria Luisa di Borbone , for family portraits and works of biblical theme.
  • Creator:
    Pietro Fontana (1762 - 1837)
  • Creation Year:
    1821
  • Dimensions:
    Height: 17.33 in (44 cm)Width: 23.23 in (59 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1015871stDibs: LU65034441441

More From This Seller

View All
Le Sacre - Etching by Bernard Baron - 1771
Located in Roma, IT
Le Sacre is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...
Category

18th Century Modern Figurative Prints

Materials

Etching

Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...
Category

1730s Modern Figurative Prints

Materials

Etching

View of Ostia - Etching by Alexandre Segé - 1860ca.
Located in Roma, IT
Etching realized bu Alexandre Segé (1818-1885) in 1860 ca.  Rare and in good condition except for some foxing.
Category

1860s Modern Figurative Prints

Materials

Etching

The Patriarch Dressed with Papal Clothes - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The artwork belongs to the "Gerarchia ecclesiastica considerata nelle vesti sagre e civili usate da quelli li quali la compongono", composed by 112 engraved and hand-colored tables, ...
Category

1820s Modern Portrait Prints

Materials

Etching

Antonio Macchia - Etching - 19th Century
Located in Roma, IT
Antonio Macchia is an etching artwork realized in the 19th century. Good conditions.
Category

19th Century Modern Figurative Prints

Materials

Etching

Basse Cour - Etching by Eugène Cottin - 1870s
Located in Roma, IT
Basse Cour is a black and white etching realized by Eugène Cottin (1840-1902) in 1870s. Titled in the lower. Image size: 22.5cmx10.5cm. Very Good condition. Realized by Cadart fo...
Category

1870s Modern Figurative Prints

Materials

Etching

You May Also Like

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Stoops in Snow
$35,000 Sale Price
30% Off
Paysans, French, Workers in a Landscape, Aquatint, Modernist, Print
By Georges Rouault
Located in Wiscasset, ME
Born in Paris, France in 1871, Georges Rouault’s early apprenticeship under a stained glass maker had a strong influence on his mature painting style. Rouault attended Ecole des Art...
Category

Early 20th Century Modern Figurative Prints

Materials

Aquatint

A Hong Kong Canal Boat
By John Taylor Arms
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Watercolor, Aquatint

Salvador Dali, signed and numbered drypoint etching, Les Coche et la Mouch, 1974
By Salvador Dalí­
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904-1989) Les Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower rig...
Category

20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Mother and Child
By Henry Moore
Located in London, GB
Etching on paper.
 Hand-signed and numbered by the artist.
 Paper size: 52 x 44 cm
 Framed 57.3 x 48.5 cm Edition of 65 Henry Moore’s Mother and Child...
Category

1980s Modern Portrait Prints

Materials

Etching

Mid Century Modern Figurative Etching of a Man & Woman, Signed Limited Edition
By Gianpaolo Berto
Located in Soquel, CA
Detailed mid-century modern figurative abstract etching by Gianpaolo Berto (Italian, 1940-2003). This etching features a central female figure, with layers of detailed embellishments...
Category

1970s Modern Figurative Prints

Materials

Paper, Etching

Recently Viewed

View All