Abstract Expressionist Figurative Prints

Willem de Kooning de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978 Offset lithograph poster (Hand signed by de Kooning) Boldly s...

The lithograph features a large soft red armchair. In the background, the artist sketches the shadow of the woman who used to sit in this chair. The overall impression leans towards ...

Artist: Paul Wunderlich (1927 - 2010) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph Poster mounted on linen Edition: 3000 ...

Ting Shao Kuang (b. 1939) Chinese American) "Emerald Valley" (S.49), 1987, color screen print, signed and numbered 118/275 in penc...

Artist: Peter Phillips (1939 - ) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph Poster mounted on linen Edition: 3000 Size:...

Self-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

John Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L.,...

Artist: Willem de Kooning, Dutch/American (1904 - 1997) Title: Rainbow - Thelonious Monk - Devil at the Keyboard Year: 1972 Medium: Six Color Lithograph on Thin Velin, printed signat...

The lithograph features a woman with a hat in backlight. The artist gave to its subject a meditative posture. The overall impression leans towards a calm and thoughtful environment t...

Artist: Arman (1929-2005) Title: Yves Kline Violins Year: 1978 Edition: 102/150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 22.25 inches Cond...

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...

Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...

Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...

Artist: Willem de Kooning (1904-1997) Title: Composition for Lisa Year: 1984 Medium: Color silkscreen on wove paper Edition: 250, plus proofs Size: 17.75 x 23.25 inches Condition: Ex...

Extremely rare lithograph on mulberry paper. Floated on linen with 23K gilded hand made 1978 H Benevy frame. Purchased from the artist 1980. A signed artist proof from an edition...

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemi...

Gallery on the Square London by Susan Brown [2021] limited_edition and hand signed by the artist Giclee print on paper Edition number 150 Image size: H...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 88/100 in pencil by Neel. Published by Eleanor Ettinger, Inc., New York, with the blind stamp lo...

A very good impression of this scarce, early lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a...

Michael David (b. 1954) Hand signed, Prestige Art blind stamp; edition of 45; 1993 Color Etching on Arches Buff "The Mugual Series" Printed by the artist with master printers Sylvia Roth and Mary Seibert at Hudson River Editions and published by Prestige Art Ltd., Mamaroneck, New York. 22 X 18 framed Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA 2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA 2004 The Lowe Gallery, Atlanta, GA 1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ “Forty Years of American Drawings,” Raab Galerie, Berlin, Germany 1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL 1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY 1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL 1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY 1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY “Important Works on Paper,” Meredith Long and Company, Houston, TX “New Editions,” Pace Prints, New York, NY 1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY 1987 “Monotypes,” Pace Editions, New York, NY “Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY “Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY “Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL 1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc) “Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA “Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY “Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY 1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ 1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc) Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.) “Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY 1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY 1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.) 1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...

Tosin Oyeniyi is Inspired by his unquenchable passion to preserve and project the African culture to the global arena. Through my craft, I am unrepentantly determined to give beauty to the sight; heal emotional wounds and injuries; emphasis on love; preach peaceful co-existence; highlight societal ills and injustices; advocate for the teeming poor; unite families and bind lesions that are occasioned by inevitable disagreements; educate the black youths...

Agent X Solaset mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31.5 inch - 96 x 80 CM Signed COA provided Ref.: 92480...

A very good impression of this scarce, early lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a. p. II" in ink, lower margin. P...

Agent X Alfuderm mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 37 x 35 inches Signed COA provided Ref.: 924802-853 -----...

While McNeil was a pioneer of the New York Abstract Expressionism movement, later in his life his work became more figurative, he focused on dancers and discos, like this piece. Alth...

"Hombre Blanco" by Rufino Tamayo is a Figurative Abstraction mixografia in color limited edition measuring 30x22 in. The piece is framed beautifully with...

Original India Feasts of Fairs & Festivals vintage travel poster. Conservation linen backed in very fine condition. Ready to frame. A slight lower fold mark was professionall...

Milton Avery. Dancer, 1954. Woodcut. Signed, dated, and numbered in pencil. A fine impression, on cream wove Japan paper, with full margins (7/8 to 3 1/8 inches); in good conditio...

"Dos Figuras en Ochre" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 22x24 in. The piece is framed beautifully with a white matt and gold frame ....

Miniature contemporary black and white abstract expressionist lithograph of a highly abstracted face in white by Bay Area artist Peter Foley (American, 20th/21stCentury). Signed "P.F...

Assemblee des Rabbins et Notables au 16 siecle  dans un village de Lithuanie is an original artist proof ( E. A. ) lithograph by  Theo Tobiasse (b.1927 -2012) , an internationally successful French painter, engraver, illustrator, and sculptor. He grew up in Paris during the Nazi occupation. His work has great depth and originality as he seeks to express the inner world of man.  Perhaps the hardships he and his family endured helped define his artistic expression. He has had many exhibitions around the world, in Paris at the Drouant gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lauzanne, Los Angeles, Kyiv. He also had a solo exhibition in New York and many more shows world wide over the years.  A visit to Jerusalem in 1970 brought him closer to his Jewish origins. He created his first stained glass windows on the theme of “Jewish Holidays” for the Jewish Community Center in Nice and a monumental oil on canvas entitled Que tes tentes sont belles, ô Jacob (1982). He traveled and immersed himself in the cultures he encountered, the jazz of New Orleans, Mexican archaeological sites and Native American totems. In New York, he met Elie Wiesel...

Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece titled "Seated Woman, With Legs and Arms Crossed" 1965 is an original lithograph on B.F.K Rives paper. Hand signed, dated and numbered 67/100 in ink by the artist. The artwork was created in 1965 and published by Original Press, San Francisco, printed by Joseph Zirker, San Francisco. The image size is 25 x 19.35 inches, sheet size is 27.85 x 22.15 inches, framed size is 38 x 31,5 inches. It is custom framed in a wooden gold frame, with bevel and fabric matting. It is in excellent condition. About the artist Diebenkorn was one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide-open spaces of California, where he spent virtually his entire life. By the mid-1950s, Diebenkorn had become an important figurative painter, in a style that bridged Henri Matisse with abstract expressionism. Diebenkorn, Elmer Bischoff, Henry Villierme...

Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...

ITALO SCANGA Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist, sig...

Daybreak is a very energetic image of three female figures symbolizing the joy of the beginning of a new day. Strong tones of black and greys make this piece very dynamic. Aquatint...

Assisi is an original etching realized by Paolo Menni, mid 20th century. Hand-signed, on the lower right. Titled, on the lower left. Good conditions.

Abstract figurative lithograph with a lively jumble of abstracted animal and figurative forms by Michael William Eggleston (American, 20th Century). Titled (illegible), numbered ("5/...

Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, known as "Fima" or "Pima", was born 22 December 1914 and grew up in Harbin, China. Harbin was a Russian-Chinese city with a large white émigré community. Roytenberg was the son of Russian-Jewish parents. His father was an engineer who worked on the construction of the Chinese Eastern Railway. Roeytenberg studied in a Russian high school in Harbin, where he learned Chinese as well. After graduating secondary school in 1933, he moved to Shanghai, where he studied architecture while taking painting classes at night. During the 1940s, he worked in Shanghai painting...

"Venus Noire" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and black frame u...

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Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76" lower right. Slight crease to lower center and s...

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"Femme Au Collant Rose" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and bla...

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**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating Spain in this original unique series by ...

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Celebrating Spain in this original unique series by Mauro Oliveira. The colors represent the friendship between the matador and the bull. Limited edition of 30 museum quality Giclee...

Theo Tobiasse (1927-2012) "Woman" Original Color Lithograph Signed / Numbered c.1960s Titled "Woman" Dimensions 27" x 20.5". The frame measures 36.5" x 30.25". Signed and numbered...

**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating Spain in this original unique series by ...

Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece title...

"Manos en Rojo" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 22x30 in. The piece is framed beautifully with a white mat in a silver and black fr...

The present unique collagraph is an excellent example of Joseph Rozman's pictographic style. The composition is organized like a tiled floor, each square containing an abstracted ima...

"Torso" by Rufino Tamayo is a Figurative Abstraction Mixographia limited edition measuring 34X26 in. The piece is mounted onto a piece of black board and floated between two pieces o...

"Cabeza en Gris" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat with a silver liner and ...

The present color collagraph, from the portfolio 'Los Animales,' is an excellent example of Joseph Rozman's pictographic style. Rozman's work often looks to ancient and non-western a...

Artist: Louisa Chase Title: Untitled (Feet) Year: 1990 Medium: Etching and Chine Colle, Signed and numbered in pencil Edition: 30 Paper Size: 50.5 x 35 in. (128.27 x 88.9 cm)

Artist: Corneille, Belgian (1922 - 2010) Title: Les Femmes de la Bible IV Year: 2000 Medium: Terragraph, Signed and numbered in ink Edition: 120 Size: 21 x 24 inches