Post-Impressionist Figurative Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, The Circus by Toulouse-Lautrec, 1...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1952
Paper Size: 12.125 x 9.25 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, The Circus by Toulouse...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Femme à la Glace-La Glace à Main - Lithograph after H. de Toulouse-Lautrec
Located in Roma, IT
Femme à la Glace - La Glace à Main is a color lithograph realized by Henri de Toulouse Lautrec in 1896.
cm. 58,5 x 45,5; matted.
Monogrammed in the plate.
Good conditions.
This...
Category
1890s Post-Impressionist Figurative Prints
Materials
Paper, Lithograph
La Loge au Mascaron Doré
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
La Loge au mascaron doré
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
19th Century Post-Impressionist Figurative Prints
Materials
Lithograph
"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster
Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under.
Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle
Presented in a white mat.
Mat: 36"H x 28"W
Paper: 26"H x 21"W
Image: 25 1/2"H x 19 1/2"W
Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category
1960s Post-Impressionist Figurative Prints
Materials
Screen, Laid Paper
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Figurative Prints
Materials
Woodcut
Femme couchée - Réveil - Lithograph after H. de Toulouse-Lautrec-1896
Located in Roma, IT
Femme couchée - Réveilis a color lithograph realized after Henri de Toulouse Lautrec in 1896.
cm. 58 x 45,5; matted.
This specimen belongs to an edition of 1900 ca., whose dimensi...
Category
1890s Post-Impressionist Figurative Prints
Materials
Paper, Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
La Chute d'Icare (The Fall of Icarus)
Located in Washington, DC
“After Matisse” La Chute d’Icare, pochoir, from Verve, Vol. IV, No. 13, “De la couleur” Éditions de la Revue Verve, Paris 1945. An unsigned and unnumber...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Femme qui se peigne-La Coiffure - Lithograph after H. de Toulouse-Lautrec-1900s
Located in Roma, IT
Femme qui se peigne - La Coiffureis a color lithograph realized after Henri de Toulouse Lautrec in 1896.
cm. 59 x 46 ; matted.
Monogrammed on plate.
Good conditions.
This specim...
Category
1890s Post-Impressionist Figurative Prints
Materials
Paper, Lithograph
Cecy Loftus
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
Cecy Loftus
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
19th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Moulin Rouge. La Goulue and her sister after H. de Toulouse-Lautrec-20th Century
Located in Roma, IT
Moulin Rouge. La Goulue and her sister is a modern artwork realized in the mid-20th century.
Mixed colored lithograph after H. de Toulouse-Lautrec.
Original title: Moulin Rouge. La...
Category
Mid-20th Century Post-Impressionist Figurative Prints
Materials
Paper, Lithograph
Boxeurs - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Boxeurs is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signed on the lower right corner, numbered on the left.
Luc-Al...
Category
Early 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, Fragrant, Fragrant (Noa Noa), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm.
Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
Category
Mid-20th Century Post-Impressionist Figurative Prints
Materials
Etching
Etude de femme
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
Etude de femme
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
19th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Vuillard, Intimite, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Figurative Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 158-159, 1966. Published by...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Figurative Prints
Materials
Etching
Jesus Sera en Agonie Jusqu'a la Fin Du Monde - Etching by G. Rouault
Located in Roma, IT
Aquatint, Drypoint, Burnisher and Roulette.
Image dimensions: 58x41 cm
Monogram on plate - final state on 5.
Edition of 450 prints, belonging to the suite “Miserere”, considered as ...
Category
1940s Post-Impressionist Figurative Prints
Materials
Etching
'Rue du Hallage - Rouen' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category
1920s Post-Impressionist Figurative Prints
Materials
Monotype
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Figurative Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Two Women - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Two Women is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition, included a white cardboard passpartout (64.5x50 cm).
Hand-signed o...
Category
Early 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Portrait of a Man - Lithograph by Luc-Albert Moreau - 1940
Located in Roma, IT
Portrait of a Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau in 1940.
The artwork is in good condition.
Hand-signed and dated on the lower right corner, n...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
Vuillard, Les Sapins, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Tavern - Etching by Marcel Gromaire - 1952
Located in Roma, IT
Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971).
Monogrammed on plate on the lower left corner.
Good conditions except for some foxing...
Category
1950s Post-Impressionist Figurative Prints
Materials
Etching
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
La Tétée de la Mère et ses Enfants - Etching by F. Charlet - Early 1900
By Frantz Charlet
Located in Roma, IT
La Tétée de la Mère et ses Enfants is a color etching realized by the Belgian artist Frantz Charlet in the early 20th century.
It is a beautiful and touching domestic scene portrayi...
Category
Early 20th Century Post-Impressionist Figurative Prints
Materials
Etching
"Les Fausses Confidences" Large original color lithograph
Located in San Francisco, CA
This art work titled "Les Fausses Confidences" 1988 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
"Le Lac du Bois de Boulogne" Large original color lithograph
Located in San Francisco, CA
This art work titled "Le Lac du Bois de Boulogne" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbe...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
Post-impressionist figurative prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Pierre Bonnard, (after) Henri Matisse, and Henri Matisse. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist figurative prints, so small editions measuring 3.94 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $250,000, while the average work sells for $891.