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Post-Impressionist Figurative Prints

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Signac, L'Hôtel du Nord, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Models at Window - Stencil by Paul Iribe - 1908
Located in Roma, IT
Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908. Passepartout included : 69 x 50 cm.
Category

Early 1900s Post-Impressionist Figurative Prints

Materials

Stencil

Femme au Plateu-Le Petit Déjeuner -Lithograph after H. de Toulouse-Lautrec-1900s
Located in Roma, IT
Femme au Plateu - Le Petit Déjeuner (Madame Baron et Mademoiselle Popo) is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 45,5 x 58, matted. Monogrammed in ...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph, Paper

Portrait of Marcelle-Lithograph after H. de Toulouse-Lautrec-Mid-20th Century
Located in Roma, IT
Portrait of Marcelle is an artwork realized in the mid-20th Century after henri de Toulouse-Lautrec.  The artwork is a beautiful copy of the Portrait of Marcelle by Henri De Toulous...
Category

Mid-20th Century Post-Impressionist Figurative Prints

Materials

Lithograph, Paper

Le Chat qui Dort - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Soutine, Lièvre pendu, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, La Vague, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

"King Pin" Pointillist Lithograph in Ink on Paper
Located in Soquel, CA
"King Pin" Pointillist Lithograph in Ink on Paper Detailed lithograph of a king on a bench by E.B. Rothewell (American, 1926-2011). A stylized portrait of a king, seated on a large bench. He is looking upwards, with a somewhat dejected expression, hands near his mouth. This piece is completely made from small dots (stippling) giving the subject the feel of a fantasy illustration...
Category

Late 20th Century Post-Impressionist Figurative Prints

Materials

Paper, Ink, Lithograph

Jesus Sera en Agonie Jusqu'a la Fin Du Monde - Etching by G. Rouault
Located in Roma, IT
Aquatint, Drypoint, Burnisher and Roulette. Image dimensions: 58x41 cm Monogram on plate - final state on 5. Edition of 450 prints, belonging to the suite “Miserere”, considered as ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Etching

Le Chat Noir - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, Sur le Pont de l´Europe, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Othon Friesz, Paysage à La Ciotat, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Post-Impressionist Figurative Prints

Materials

Lithograph

Le Chat Sauvage - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Chat Perché - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Bonnard, Le Verger, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 9.05 x 10.24 inches Inscription: Unsigned and unnumbered, as issued No...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Le Chat Botté - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series C, Var. 7, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 7 (Series C, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series B, Var. 7, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 7 (Series B, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Patte de Velours - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

A L'Espagnole - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Odalisque with the Red Coffer - French Odalisque Fauvusm
Located in London, GB
This aquatint is hand signed in pencil by the artist "Henri Matisse" at the lower right margin. It is also hand numbered in pencil 103 from the edition of 200, at the lower left marg...
Category

1920s Post-Impressionist Figurative Prints

Materials

Aquatint

Vuillard, La Partie de dames, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, La Tourelle, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Le Chaton - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series C, Var. 1, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 1 (Series C, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Behind the scenes of the Folies... by H. de Toulouse-Lautrec - Mid 20th Century
Located in Roma, IT
Behind the scenes of the Folies Bergère. Lona Barrison is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: ...
Category

Mid-20th Century Post-Impressionist Figurative Prints

Materials

Lithograph, Paper

Two Women in Boat, Signed Impressionist Lithograph by Louis Marie Joseph Ridel
Located in Long Island City, NY
Louis Ridel, born February 12, 1866 in Vannes and died November 10, 1937 in Paris, is a painter, sculptor, medalist, French decorator. Louis Ridel studied at the Académie Julian then under the direction of Gustave Moreau at the Ecole des Beaux-Arts in Paris in 1889 (with Matisse, Camoin, Marquet and Rouault). He exhibited at the Salon des Artistes Français between 1893 and 1935, at the Salon des Tuileries between 1927 and 1934, the Universal Exhibition of Ghent in 1913 and the famous Georges Petit Gallery (1909-1910). The works of the artist are present in the museums of Nantes, Strasbourg, Pont-Aven but also Tokyo, Buenos Aires and Rio de Janeiro. This symbolist painter, friend of Aman-Jean, Maxence and Albert Besnard, represented essentially women of the bourgeoisie, ethereal and diaphanous or landscapes of his native region, Brittany. In 1896, he received an honorable mention from the Salon des artistes français, then a third class medal in 1898 and second class in 1900. In 1901, he was out of competition. In 1909, he was named Knight of the Legion of Honor. He receives official orders for the Senate, the Ministry of Public Works or the mayor of the 12th arrondissement of Paris. Two Women in Boat...
Category

1910s Post-Impressionist Figurative Prints

Materials

Lithograph

Soutine, Nature morte à la dinde, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (T...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series C, Var. 2, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 2 (Series C, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series B, Var. 4, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 4 (Series B, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series B, Var. 6, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 6 (Series B, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

The Pilgrim - Original lithograph, Handsigned
Located in Paris, IDF
Jules CAVAILLES The Pilgrim Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 36 x 20 cm (c. 14 x 8 in) Excellent condition
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Torse, Fond à Losanges - Drypoint on China by H. Matisse, 1929
Located in Roma, IT
Image size: 8.6x13.9 cm. Original drypoint on Chine Appliqué realized by Matisse in 1929 in an edition of only 25 prints. Signed and numbered in pencil lower right. Excellent conditi...
Category

1920s Post-Impressionist Figurative Prints

Materials

Drypoint

Derain, Londres, La Tamise et Big Ben, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 13 x 17 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

La Chatte Bleu de Perse - Lithograph by Edouard Chimot - 1932
Located in Roma, IT
Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....
Category

1930s Post-Impressionist Figurative Prints

Materials

Lithograph

Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

On the Grass - Etching and Drypoint by J. Tissot - 1880
Located in Roma, IT
Very fine print on verge crème. Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions. Full margins. Ref. Wentworth 50.
Category

1880s Post-Impressionist Figurative Prints

Materials

Drypoint, Etching

"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category

1960s Post-Impressionist Figurative Prints

Materials

Screen, Laid Paper

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.24 x 7.48 inches Inscription: Unsigned and unnumbered, as issu...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Femme sur le Dos - Lassitude - Lithograph after H. de Toulouse-Lautrec - 1890s
Located in Roma, IT
Femme sur le Dos - Lassitude is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45, matted.  Monogrammed on plate. Good conditions. This specimen belo...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph, Paper

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signature on the lower right corner, numbered ...
Category

Early 20th Century Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, Les Sapins, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Femme couchée - Réveil - Lithograph after H. de Toulouse-Lautrec-1896
Located in Roma, IT
Femme couchée - Réveilis a color lithograph realized after Henri de Toulouse Lautrec in 1896.  cm. 58 x 45,5; matted. This specimen belongs to an edition of 1900 ca., whose dimensi...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph, Paper

La Lithographie en Couleurs
Located in Roma, IT
Circulation: 1000 Format: In-8° Pages: 43 Publisher: L’Estampe et l’Affiche, Paris Original lithographs as cover (3 colours) and frontispiece (4 colours) realized by Pierre Bonnard. ...
Category

1890s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 5.71 x 8.86 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Physiology of Boxing - Original Lithograph by Luc-Albert Moreau - 19th Century
Located in Roma, IT
Physiology of Boxing is an Original Lithograph realized by Luc Albert Moreau (1882-1948). The artwork is in good condition included a cream colored cardboard passpartout (48x32 cm). No signature. In the 1920s, French painter Luc-Albert Moreau created a suite of 60 lithographs of the many aspects of boxing, which he considered a noble sport. Physiologie de la Boxe featured paintings and drawings of boxing winners and losers, as well as spectators and managers. Moreau was a painter with the Cubists up to 1912, but soon reverted to a more traditional style. He also produced lithographs of Parisian bars...
Category

19th Century Post-Impressionist Figurative Prints

Materials

Lithograph

The War - Lithograph - 300ex
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) The War Stone lithograph after a painting Printed signature in the plate Numbered /300 copies O...
Category

1970s Post-Impressionist Figurative Prints

Materials

Lithograph

Post-impressionist figurative prints for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Pierre Bonnard, (after) Henri Matisse, and Henri Matisse. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist figurative prints, so small editions measuring 3.94 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $250,000, while the average work sells for $891.

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