Post-Impressionist Figurative Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Recognized Seller Listings
Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs
Located in Fairlawn, OH
Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs
Color lithograph, 1896-1898
Unsigned (as issued)
From: Douze Lithographies en Couleurs, ou Passage et Interi...
Category
1890s Post-Impressionist Figurative Prints
Materials
Lithograph
Charlotte and Amalia by Lélia Pissarro - Etching
Located in London, GB
Charlotte and Amalia by Lélia Pissarro (b. 1963)
Etching
22.7 x 27.5 cm (9 x 10 ⁷/₈ inches)
Signed lower left, Lélia Pissarro
Numbered lower right, 2/15
Artist biography:
Born in P...
Category
1990s Post-Impressionist Figurative Prints
Materials
Etching
Quai Boïeldieu, à Rouen by Camille Pissarro - Landscape lithograph
Located in London, GB
Quai Boïeldieu, à Rouen by Camille Pissarro (1830-1903)
Lithograph
27.7 x 36 cm (10 ⁷/₈ x 14 ¹/₈ inches)
Stamped lower left and numbered lower right, 8/14
Executed circa 1896
Delteil...
Category
1890s Post-Impressionist Figurative Prints
Materials
Lithograph
Les Poules de Lyora by Lélia Pissarro - Etching and watercolour on paper
Located in London, GB
Les Poules de Lyora by Lélia Pissarro (b. 1963)
Drypoint and watercolour on paper
21.5 x 26.5 cm (8 ¹/₂ x 10 ³/₈ inches)
Signed lower left, Lélia Pissarro
Numbered lower right, 10/15...
Category
21st Century and Contemporary Post-Impressionist Figurative Prints
Materials
Paper, Watercolor, Drypoint
After Tea by Ludovic-Rodo Pissarro - Wood engraving
Located in London, GB
After Tea by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches)
Initialled and titled in the plate
Executed circa 1917
Artist biography
Ludovic-Rod...
Category
1910s Post-Impressionist Figurative Prints
Materials
Woodcut
Series - Les Lavandières by Lélia Pissarro - Screenprint
Located in London, GB
SOLD UNFRAMED
Series - Les Lavandières by Lélia Pissarro (B. 1963)
Serigraph
38 x 48 cm (15 x 18 ⁷/₈ inches)
Signed and numbered
Printed in an edition of 300
Artist's Biography:
B...
Category
21st Century and Contemporary Post-Impressionist Figurative Prints
Materials
Screen
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the purple address stamp upper right center (see photo)
Condition: Excellent
Aging to sheet
One spot of printers ink outside of the image in the upper margin
Block size: 7 3/8 x 10 inches
Sheet size: 10 1/8 x 12 3/4 inches
Condition: Very good, aging (yellowing) to the paper
Provenance: Edmund Sagot (1881-1917), noted Parisian art dealer and print publisher
By decent
Vallotton was a noted member of the Nabi, highly regarded for his paintings and original woodcuts. His works are in most major museums.
Thank you for your interest in the Vallotton woodcut, Les Amateurs d’Estampes (Print Lovers).
It depicts print collectors admiring the new offerings in the window of the Sagot Gallery in Paris.
The woodcut is the second published version of the address card for Edmund Sagot the noted Paris art gallery with the change of address in lavender ink. It had moved and hence the change of address was necessary for publicity.
The woodcut was created in 1892. It is unsigned as all the address cards are. There are two size variants, this being the larger of the two. It is printed on a tan wove paper. It is in excellent original condition.
The provenance is from the Heirs of Edmund Sagot (1857-1917). by decent. The Sagot family was noted for selling posters, fine prints and original works of art. Edmund’s brother Clovis, was Picasso’s first dealer in Paris.
The image is documented in the Vallotton and Goerg catalog raisonne in entry 107c
Impressions of this image can be found in many museums including:
Bibliothèque nationale de France
De Young/Legion of Honor/Fine Art Museums of San Francisco
Newfields, Indianapolis Museum of Art
National Gallery of Australia
Musee Des Beaux-Arts du Canada
Van Gogh Museum
Museum of Fine Arts, Houston
Portland Art Museum
Kunst Museum, Holland
Philadelphia Museum of Art
Yale University Art Gallery
Félix Vallotton, in full Félix Edouard Vallotton, (born December 28, 1865, Lausanne, Switzerland—died December 28, 1925, Paris, France), Swiss-born French graphic artist and painter known for his paintings of nudes and interiors and in particular for his distinctive woodcuts.
Vallotton was raised in a traditional bourgeois and Protestant household. After completing secondary school, he left Lausanne in 1882 for Paris to pursue art studies. Though he was accepted by the École des Beaux-Arts, he chose to attend the less traditional Académie Julian, where he studied with French painters Jules Lefebvre and Gustave Boulanger and enjoyed virtually free rein over his pursuits. He took the opportunity to study graphic arts—lithography and other methods of printmaking. He exhibited publicly for the first time in 1885 at the Salon des Artistes Français—the oil painting Portrait of...
Category
1890s Post-Impressionist Figurative Prints
Materials
Woodcut
Le Café Georges à Cannes by H. Claude Pissarro - Pastel
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Le Café Georges à Cannes by H. Claude Pissarro (b. 1935)
Pastel on card
37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches)
Signe...
Category
21st Century and Contemporary Post-Impressionist Figurative Prints
Materials
Pastel
Woman Embroidering (Nini) by Lucien Pissarro - Woodcut
Located in London, GB
Woman Embroidering (Nini) by Lucien Pissarro (1863-1944)
Woodcut
15 x 10 cm (5 ⁷/₈ x 4 inches)
Stamped with initials lower right
Numbered lower left, 18/20
Provenance: Private Colle...
Category
20th Century Post-Impressionist Figurative Prints
Materials
Woodcut
Curves by Orovida Pissarro, 1919 - Etching Print
Located in London, GB
Curves by Orovida Pissarro (1893 - 1968)
Etching, trial proof no. 54
20.2 x 15 cm (8 x 5 ⅞ inches)
Signed and dated lower right, Orovida 1919
Inscribed lower left Trial proof no. 54 ...
Category
1910s Post-Impressionist Figurative Prints
Materials
Paper, Etching
'Hostellerie des Chiens du Guet' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Figurative Prints
Materials
Monotype
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Figurative Prints
Materials
Etching
Chatter by Orovida Pissarro - Etching
Located in London, GB
Chatter by Orovida Pissarro (1893-1968)
Etching
26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches)
Signed and dated lower right Orovida 1927
Inscribed lower left Trial proof no. 18/25 and titled lower middle
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Figurative Prints
Materials
Etching
Three Hens by Georges Manzana Pissarro - Animal stencil
Located in London, GB
Three Hens by Georges Manzana Pissarro (1871-1961)
Pochoir
31.8 x 48.3 cm (12 ½ x 19 inches)
Signed with Estate stamp and épreuve d'état
Provenance
Private Collection, London
Artis...
Category
19th Century Post-Impressionist Figurative Prints
Materials
Stencil
The Green Woodpecker by Georges Manzana Pissarro - Animal stencil
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
The Green Woodpecker by Georges Manzana Pissarro (1871-1961)
Pochoir
31 x 47 cm (12 ¹/₄ x 18 ¹/₂ inches)
Signed w...
Category
1920s Post-Impressionist Figurative Prints
Materials
Stencil
The Four Seasons - Winter by Lélia Pissarro - Serigraph
Located in London, GB
SOLD UNFRAMED
The Four Seasons - Winter by Lélia Pissarro (b. 1963)
Serigraph
image size: 49.5 x 60 cm (19 ½ x 23 ⅝ inches)
sheet size: 60.5 x 70 cm (23 ¾ x 27 ½ inches)
Signed and numbered, 230/300
Printed in an edition of 300
Artist biography
Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy.
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro gallery...
Category
21st Century and Contemporary Post-Impressionist Figurative Prints
Materials
Paper
Rupert Rides by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Rupert Rides by Orovida Pissarro (1893-1968)
Etching
31 x 23.5 cm (12 ¼ x 9 ¼ inches)
Signed and dated lower righ...
Category
1950s Post-Impressionist Figurative Prints
Materials
Etching
Horse Pulling Hay Cart by Félix Pissarro - Animal etching
Located in London, GB
Horse Pulling Hay Cart by Félix Pissarro (1874-1897)
Etching
19.5 x 15 cm (7 ⅝ x 5 ⅞ inches)
Exhibition
London, Stern Pissarro Gallery, Camille Pissarro & hi...
Category
1890s Post-Impressionist Figurative Prints
Materials
Etching
Procede by Georges Manzana Pissarro - Monotype of a bird
Located in London, GB
Procede by Georges Manzana Pissarro (1871-1961)
Coloured monotype with gold, silver and pencil
24 x 30 cm (9¹/₂ x 11³/₄ inches)
Signed lower right, Manzana
Artist biogaphy
Like all ...
Category
20th Century Post-Impressionist Figurative Prints
Materials
Silver, Gold
Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category
1890s Post-Impressionist Figurative Prints
Materials
Aquatint, Etching
Sevillanas
Located in Fairlawn, OH
Sevillanas
Etching and color aquatint on laid watermarked paper, c. 1900
Signed by the artist in pencil lower right (see photo)
Editioned in pencil lower left corner of sheet
Publish...
Category
Early 1900s Post-Impressionist Figurative Prints
Materials
Aquatint
'Rue du Hallage - Rouen' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category
1920s Post-Impressionist Figurative Prints
Materials
Monotype
LA TOILETTE ASSISE
Located in Portland, ME
Bonnard, Pierre. LA TOILETTE ASSISE (Woman Dressing, Seated). Bouvet, 96. Lithograph printed in black, 1925. First State, before the addition of the Monogr...
Category
1920s Post-Impressionist Figurative Prints
Materials
Lithograph
Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Figurative Prints
Materials
Drypoint, Etching
Femme de Chagrin
Located in New York, NY
Theophile Alexandre Steinlen (1859-1923), Femme de Chagrin, 1894, lithograph, signed in pencil lower right [also signed in the plate lower center]. Reference: Crauzat 454, first stat...
Category
1890s Post-Impressionist Figurative Prints
Materials
Color Pencil, Lithograph
La Femme Arabe by Georges Manzana Pissarro - Monotype
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Femme Arabe by Georges Manzana Pissarro (1871-1961)
Monotype
22 x 16 cm (8 5⁄8 x 6 1⁄4 inches)
Signed lower le...
Category
Early 1900s Post-Impressionist Figurative Prints
Materials
Monotype
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Previously Available Items
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the purple address stamp upper right center (see photo)
Condition: Excellent
Aging to sheet
One spot of printers ink outside of the image in the upper margin
Block size: 7 3/8 x 10 inches
Sheet size: 10 1/8 x 12 3/4 inches
Condition: Very good, aging (yellowing) to the paper
Provenance: Edmund Sagot (1881-1917), noted Parisian art dealer and print publisher
By decent
Vallotton was a noted member of the Nabi, highly regarded for his paintings and original woodcuts. His works are in most major museums.
Thank you for your interest in the Vallotton woodcut, Les Amateurs d’Estampes (Print Lovers).
It depicts print collectors admiring the new offerings in the window of the Sagot Gallery in Paris.
The woodcut is the second published version of the address card for Edmund Sagot the noted Paris art gallery with the change of address in lavender ink. It had moved and hence the change of address was necessary for publicity.
The woodcut was created in 1892. It is unsigned as all the address cards are. There are two size variants, this being the larger of the two. It is printed on a tan wove paper. It is in excellent original condition.
The provenance is from the Heirs of Edmund Sagot (1857-1917). by decent. The Sagot family was noted for selling posters, fine prints and original works of art. Edmund’s brother Clovis, was Picasso’s first dealer in Paris.
The image is documented in the Vallotton and Goerg catalog raisonne in entry 107c
Impressions of this image can be found in many museums including:
Bibliothèque nationale de France
De Young/Legion of Honor/Fine Art Museums of San Francisco
Newfields, Indianapolis Museum of Art
National Gallery of Australia
Musee Des Beaux-Arts du Canada
Van Gogh Museum
Museum of Fine Arts, Houston
Portland Art Museum
Kunst Museum, Holland
Philadelphia Museum of Art
Yale University Art Gallery
Félix Vallotton, in full Félix Edouard Vallotton, (born December 28, 1865, Lausanne, Switzerland—died December 28, 1925, Paris, France), Swiss-born French graphic artist and painter known for his paintings of nudes and interiors and in particular for his distinctive woodcuts.
Vallotton was raised in a traditional bourgeois and Protestant household. After completing secondary school, he left Lausanne in 1882 for Paris to pursue art studies. Though he was accepted by the École des Beaux-Arts, he chose to attend the less traditional Académie Julian, where he studied with French painters Jules Lefebvre and Gustave Boulanger and enjoyed virtually free rein over his pursuits. He took the opportunity to study graphic arts—lithography and other methods of printmaking. He exhibited publicly for the first time in 1885 at the Salon des Artistes Français—the oil painting Portrait of Monsieur Ursenbach, the subject of which was an American mathematician and neighbour of the artist. In 1889 Vallotton exhibited at the Exposition Universelle in Paris as the representative from Switzerland and won honourable mention for the same portrait.
"The Starry Night," oil on canvas painting by Vincent van Gogh, 1889. In the Museum of Modern Art, New York City. 73.7 x 92.1 cm. (Post-impressionism)
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While at the Académie Julian, Vallotton had become friends with and protégè of artist and printmaker Charles Maurin, who introduced him to the art of woodcut. Maurin also introduced Vallotton to the haunts of Montmartre—the cafés and cabarets such as Le Chat Noir, where he met artist Henri de Toulouse-Lautrec. Vallotton moved to live near Montparnasse, the city’s slumlike breeding ground for artists, poets, musicians, and writers, as he drew closer to Toulouse-Lautrec and the bohemian culture of Paris. To make ends meet, he began selling prints...
Category
1890s Post-Impressionist Figurative Prints
Materials
Woodcut
La Femme Arabe by Georges Manzana Pissarro - Monotype
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Femme Arabe by Georges Manzana Pissarro (1871-1961)
Monotype
22 x 16 cm (8 5⁄8 x 6 1⁄4 inches)
Signed lower le...
Category
Early 1900s Post-Impressionist Figurative Prints
Materials
Monotype
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the...
Category
1890s Post-Impressionist Figurative Prints
Materials
Woodcut
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the...
Category
1890s Post-Impressionist Figurative Prints
Materials
Woodcut
Les Amateurs d'Estampes
Located in Fairlawn, OH
Les Amateurs d'Estampes
Woodcut, 1892
Initialed in the plate lower left
Titled below image: "Gravure originale sur bois par F. Vallotton"
Reference: Valloton and Goerg 107c, with the...
Category
1890s Post-Impressionist Figurative Prints
Materials
Woodcut
Soleil au cheval rouge
By Marc Chagall
Located in Milan, IT
Original color lithograph; Mourlot V. 945, Cramer 110; mm. 320 x 415
Perfect copy in current edition. Plate for n ° 235 of the Derrière le miroir, Paris 1979, impressed by Imprimeri...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph, Color
LA CHASSE (THE HUNT)
By Raoul Dufy
Located in Portland, ME
Dufy, Raoul. LA CHASSE (THE HUNT). Woodcut, c. 1925. Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 8 1/4 x 25 inches, framed. In excellent condition.
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
La couturiere (The Dressmaker)
Located in Fairlawn, OH
Signed in the stone lower right with the artist’s initials “EV”
From: La Revue Blanche, Tome VI, 1894, frontispiece
Note:
Commissioned by Natanson for Album de la Revue Blanche. ...
Category
1890s Post-Impressionist Figurative Prints
Materials
Lithograph
Le Chevalier n’est pas mort a la croisade (The Knight did not die in the Crusade
Located in New York, NY
Maurice Denis (1870-1943), Le Chevalier n’est pas mort a la croisade (The Knight did not die in the Crusade), 1899, lithograph in colors, signed in pencil...
Category
1890s Post-Impressionist Figurative Prints
Materials
Lithograph
LA CHASSE (THE HUNT)
By Raoul Dufy
Located in Portland, ME
Dufy, Raoul. LA CHASSE (THE HUNT). Woodcut, c. 1925. Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 8 1/4 x 25 inches, framed. In excellent condition.
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
La Fôret Fouesnant (Fouesnant Forest, Brittany).
Located in Storrs, CT
La Fôret Fouesnant (Fouesnant Forest, Brittany). 1969. Oil on c masonite. 21 5/8 x 18 1/8. Signed and dated lower left. Housed in an elegant 27 x 29-inch gold leaf frame with a silk gold-lipped liner.
André Bouquet...
Category
1960s Post-Impressionist Figurative Prints
Materials
Oil
Mme. Helleu by the Fireplace
Located in New York, NY
This exquisite drypoint by Paul Cesar Helleu of his wife was created circa 1895. The drypoints that Paul Cesar Helleu made of his wife and family are considered the finest and most ...
Category
Late 19th Century Post-Impressionist Figurative Prints
Materials
Drypoint
Post-impressionist figurative prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Pierre Bonnard, (after) Henri Matisse, and Henri Matisse. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist figurative prints, so small editions measuring 3.94 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $250,000, while the average work sells for $891.
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