Realist Figurative Prints

"Queen Anne's Lace" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants. About the a...

Artist: Norman Rockwell, American (1894 - 1978) Title: The Four Seasons: SPRING, SUMMER, AUTUMN, WINTER Medium: Hand Drawn Lithograph on Arches paper, 100% acid free Edition size: 200 THE FOUR SEASONS by the American artist illustrator NORMAN ROCKWELL, is a set of four hand drawn lithographs printed using hand lithography techniques on Velin d'Arches paper. The lithographs are UNSIGNED trial proofs bearing the printer's registration cross markings in print margins, from the master printers private collection. These 4 examples were taken to Stockbridge, Mass. and shown to Norman Rockwell for his approval prior to editioning. This suite is was published in an edition size of 200 prints by Circle Gallery, Chicago. Hand Proofed and printed at the American Atelier, New York, NY, Dec. 1974. Very fine impressions, exquisitely detailed drawings printed in a light pencil-gray colored ink on archival Arches printmaking paper, 100% acid free. SPRING portrays two old men and a beagle curiously examining a woman's clothing left on a NO SWIMMING sign...

STANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches...

"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

OLD PRO is an original limited edition lithograph by the American artist, Merv Corning printed from hand drawn lithographic stones using traditional hand ...

This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Blessed are the pure in heart, 1948. Woodcut on yellowish wove paper, 17.8 cm x 15.4 cm (image), 35 cm x 25 cm (sheet size), signed “R...

This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

This rare original lithograph print is from 1899. It is one sheet of a huge 24 sheet poster that was created in 1899 to announce Buffalo Bills Wild West. The size of the complete 24 sheet poster would have been approx. 10 feet tall by 20 feet wide and would have been posted on barns and buildings in 1899 to promote Buffalo Bills Wild West before it would come to towns. This 1 sheet of the 24 sheet lithograph is in such good condition because it was found in the Lithographers draws of the print shop that created the poster. It is black and white because it was a proof that was used to create the final layout of the color poster. It indicates on the image that it is No. 2 Buffalo Bill San Juan Hill 1899, so it would have been the 2nd poster down on the left side of the large total image comprised of 24 separate sheets all unique to create the full image. You can see the two black printed lines on the left side indicate where the edge of the poster would have been. We have never seen a complete image of this rare 1899 poster. When we first acquired this rare proof over 20 years ago, we contacted the The Ringling Museum in Florida that houses a large Buffalo Bill poster...

This artwork "Vienna" c.1930 is a color etching (printed with the original copper plate etched by the artist) on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand si...

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...

Canoe - Peter Doig, Contemporary, 21st Century, Etching, Magic Realism, Limited Edition Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In mint conditi...

This artwork titled "Paris, Montmartre, Le Sacre Coeur" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at t...

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Garden of Eden) Year: 1986 Medium: Oil on canvas Size: 70 x 153.5 inches Inscription: Signed, dated by the artist, verso ...

Willibrord Haas (*1936 Schramberg), Entangled, 2008. etching, 28 cm (height) x 17 cm (width). Signed “Willibrord Haas” in pencil by the artist, dated “2008”, titled “Verschränkt” and...

Willibrord Haas (*1936 Schramberg), Access, 1979. etching, 40 cm x 30 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1979”, t...

"Keswick" is a limited edition poster print by the acclaimed UK artist Ed Fairburn. This captivating piece is reproduced onto 100% 290gsm cotton rag premium archival Moab paper with ...

Renowned artists and designers April Greiman and Jayme Odgers 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster - art in sports - Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher Also accompanied by Certificate of Guarantee issued by Alpha 137 Gallery 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator, the late artist Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

This artwork titled "Rothenburg, City Hall Gate" c. 1975 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Printed...

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

"The Gloves Left Behind 27 of 138" (2019) by Sophy Brown is an original mixed media collage on paper depicting a collection of gloves at different angles a...

 A Human Sacrifice in a Morai in Otaheite (Tahiti)  1784 by John Webber is from the  First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain...

This artwork titled "Koln Rhine 1850" c.1950, is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed and titled in pencil. The plat...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

Adelboden Lithograph 100 x 65 cm A fantastic original vintage poster advertising the Swiss ski resort of Adelboden, tucked away in the Bernese Oberland. Printed in Switzerland by t...

David McCullough Wiltshire Lithograph 57 x 43 cm The Countryman County Map of Wiltshire was part of the Countryman magazine’s series of illustrated county maps, designed to celebr...

Lowell Nesbitt Red Rose, 1985 Silkscreen on wove paper Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front 24 × 24 inches Unframed Hand signed,...

Incised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get ...

This artwork titled "Munich, Der Halte Hof" 1910 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. The image size is 12.35 x 10.85 inches, plate mark is 12.75 x 11.25 inches, framed size is 20.85 x 19.25 inches. Custom framed in a wooden black/silver frame, with light beige matting and black fillet. It is in very good condition, the paper is toned by age, About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...

This artwork "Little Chinese Girl" 1982 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 24.5 x 22 inches, sheet size is 28 x 24.5 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Charming early 20th century chromolithograph of young Dutch girls with their older instructor titled, "Dutch Girls" by Bernhardt T. Wall (American, 1889-195...

This artwork titled "Bell Inn, Waltham St Lawrence" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas. He also published a short series of fully illustrated books in 1923, Old Manor Houses and Old Inns. His village scenes and rural buildings were executed in chalk, pencil and wash sketching was used for country scenes. Aldin was an enthusiastic sportsman and a Master of Fox Hounds and many of his pictures illustrated hunting. An early work on a tiger in a zoo was studied from life, but found to be a copyright of the ideas in a photograph by Gambier Bolton. A popular book by Aldin was Sleeping Partners, a sequence of pastel drawings of his dogs on a couch. It included his Irish Wolfhound Micky and his favorite model, Cracker, a Bull Terrier with a dark patch over one eye. He also did some work for Cadburys advertising. Born 28 April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon. In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling. At the invitation of the fine genre painter, Walter Dendy Sadler...

In this giclée print, I have merged the grace of figurative art with symbolic elements. The serene subject, juxtaposed with vibrant florals, expresses a harmonious balance between hu...

J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...

Marsha Feigin's print Slam, brings home the drama we all love about tennis. She GETS IT! There's something about the energy and maybe torque of the body here that makes us think "I ...

Artist: Norman Rockwell, American (1894 - 1978) Title: Ye Pipe and Bowl Year: 1976 Medium: Hand Drawn Lithograph on Arches paper, 100% acid free, hand signed in pencil by Norman Rock...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The fruitless tree, 1948. Woodcut on yellowish wove paper, 15 cm x 14.6 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehm...

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13.25 x 11.15 inches, framed size is 24.75 x 21.75 inches. Custom framed in a wooden black and gold frame, with light grey matting and blue fillets. It is in excellent condition, slightly toned by age around the plate mark, see picture #7. The frame have a very small minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna...

This artwork titled "Innenhof auf Schloss Schallaburg" c.1930 is a color etching on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed by the artist's estat...

FRANCISCO MORA (1922 - 2002) DUELO (Duel) c. 1945 Lithograph signed in pencil. Published by the TGP Taller de Grafica Popular. Label on verso. 9 5/8 x...

New York Sunshine Figurative Cityscape Limited Edition Print of 'New York Woman' - Cityscape Painting by Leading British Urban Landscape Artist. 'New...

This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...

This artwork titled "Innsbruck" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed dated and dedicated in pencil. The plate mark (image) siz...

William Waitzman August Lake (from the Memorial Sloan Kettering Art Collection), 2016 Hand printed color silkscreen on wove paper Pencil signed and numbered 4/14 on the front Frame i...

This artwork titled "Vienna Scene, Austria" c. 1950 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

Paint by Anatole Vely Engraved by Herman Eichens Entered according to act of congress in the year 1878 by M. Kneeler & co in the office of the librarian of congress at Washington New...

The portrait of the David Hockney’s mother featured on this vintage David Hockney poster is currently on view at the National Portrait Gallery’s e...

This artwork titled "La Lettre du Fils" (The Son's Letter) 1938 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil by the artist, wit...

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Robert Bonfils: 1886-1972. Well listed French artist with auction results for posters and prints over $8000. This fabulously busy etching measures 12 1/2 inches wide by 9 high. It is...