Nature Figurative Prints

Cliff Edge by Ann Burnham [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 4 Image size: H:56cm cm x W:42cm cm Comple...

Luis Enrique Camejo (Cuba, 1957) 'Estudio de olas', 2022 aquatint, direct acid on paper Canson 320 g. 18.4 x 29.2 in. (46.5 x 74 cm.) ID: CAQ-102 Unframed

Nonnenwerth is a lithograph of an original artwork by the German painter and lithographer Markus Eberhard Emminger, who lived from 1808 to 1885, representing a view of the island Non...

Sundown by Ian Phillips [2022] limited_edition and hand signed by the artist Linocut Edition number 23/28 Image size: H:28.5 cm x W:41 cm Complete Size o...

Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...

Lithograph on Magnani-Pescia paper. Paper size 60cmx80cm, work size 47cmx68cm. Excellent condition, no defects. Gino Guida - Born in Naples in 1932, died in Zagarolo 2017, He moved ...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Garden of Eden) Year: 1986 Medium: Oil on canvas Size: 70 x 153.5 inches Inscription: Signed, dated by the artist, verso ...

Rock, Paper and Scissors is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 64/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silv...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Unsigned and unnumbered, as issued. Good condition. Notes: ...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

James Bond The Spy Who Loved me - Original 1977 Lobby Card #8 Vintage 1977 The Spy Who Loved Me lobby card of 007's underwater car and...

The artwork will be sent unframed Linocut/monotype print „Soothig the soul” 2022 Linocut and monotype print technique Art print from 9 matrices Limited edition, print unique number ...

Image dimensions: 21.5x39 cm. Beautiful plate from the volume "Campi Flegrei" by William Hamilton including 59 plates by Pietro Fabris. This particular plate illustrates the eruptio...

Plate 240 from Johanna Goodman's Catalogue of Imaginary Beings Giclée print on Archival Matte Paper with Archival Pigment Ink In 2017 Goodman was awarded the New York State Council...

Meadow in Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed in pencil on the lower...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Grand Hôtel Regoledo is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Aldo Mazza. This modern artwork ...

Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

Signed and titled on plate. Etching and aquatint print. Good condition.

John DePol, 'Domjulien, Haute Vosges, France', chiaroscuro wood engraving, 1971, edition 140. Signed, dated, titled and numbered '15/140' in pencil. Signed in the block, lower right....

Numbered: 193/300 Color lithograph after the 1931 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry...

Numbered: 138/275 Color lithograph after the 1967 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry...

This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...

Lamorna: Cornish Coastal Path Series by Anna Harley Hand signed by the artist Limited Edition Screen Print Edition of 12 Sheet size H 76 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required have 5 different carved wood blocks and 9 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

TECHNICAL INFORMATION: Chiho Aoshima Building Head - Palm Trees 2006 Lithograph 24 1/4 x 29 in. Edition of 300 Signed and numbered in ink Accompanied with COA by Gregg Shienbaum Fi...

The Balcony is an original digigraph realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pencil by the artist on the lower right. Hand-retouched by the artist on the lower left margin. Embossed stamp of "Fondazione Di Paolo" on the lower right margin. Very good conditions. The artwork represents a beautiful balcony with flowers. On the background, a romantic seascape...

Spring is a very brightly colored serigraph realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed i...

This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Landscape is an Etching and Aquatint realized by Enotrio Pugliese in 1967. Hand-signed by the artist on the lower. Numbered, Limited edition of 30 prints. Good conditions. Enotri...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Eduardo Naranjo (Spain, 1944) 'La creación III', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 I...

Eight Scenic Spots in Oomi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in ...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-027-200 Hand-signed by a...

The artwork will be sent unframed Linocut print „Between silence and silence” 2020 Linocut colorful print technique Limited edition, print unique number 3/7 Paper Canson Edition 250 ...

Meadow with Poppies is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed in pencil on the lo...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 10.75 x 15 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Landscape is an original colored screen print on paper realized by Ivan Rabuzin in the 1990s. Hand-signed in pencil on the lower margin. Excellent conditions. Numbered on the low...

Le Petit Troupeau is a black and white etching realized by Jean-Ferdinand Chaigneau (1830-1906) in 1870s. Titled in the lower. Image size: 23.5x18cm. Very Good condition. Realize...

Landscape is a lithograph realized by Bob Paulson in the 1980s. Hand-signed on the lower. Numbered, Edition of 11/99 prints. The artwork is depicted through harmonious colors in a...

Sergio Hernández (Mexico, 1957) 'La burra no era arisca', 2015 sugar aquatint on paper Guarro Biblos 250g. 29.2 x 29.2 in. (74 x 74 cm.) Edition of 30 Unframed ...

"Fabian Ugalde (Mexico, 1967) 'Electrocuted', 2006 silkscreen on paper 27.6 x 23.7 in. (70 x 60 cm.) Edition of 99 ID: UGA1739-001-108 Hand-signed by author in...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Medium: Serigraph Image Size: 12 x 12 inches Edition size: 12 Year” 2001 Skulls and skeletons are a common theme in Chicano and Mexican art, especially in relation to the Day of the Dead celebrations. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of the Library of Congress, the Smithsonian American Art museum, and the Baltimore Museum of Art. He came to this country in the 1920s. An impression of this subject in the Smithsonian. "Cloudy Day," about 1940, is an idyllic country scene, possibly the artist's White Plains...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

A miniature image in an edition of 30 features two beach huts and magical flying fish going by. The image is surreal and serene both at the same time, A lot of quiet emotion is comm...

The Houses on the Lake is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 29/99, on the left margin...

Landscape is a lithograph on paper, realized by E. Laport in about 1860. The state of preservation is good except for some diffused stains. Hand-colored. Plate no.5 Sheet dimens...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...