Skip to main content

Framed Landscape Prints

to
192
500
397
447
277
395
Overall Width
to
Overall Height
to
389
276
203
131
57
45
42
29
20
13
6
5
3
2
92
90
79
49
43
132
185
835
864
19
14
35
50
26
34
73
81
109
55
65
1,212
591
208
498
340
280
191
149
138
133
125
121
110
103
103
100
92
84
79
78
77
71
63
548
526
526
477
348
555
1,573
404
Frame Included
Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category

Late 18th Century Baroque Landscape Prints

Materials

Paper, Watercolor, Ink

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category

Late 19th Century American Realist Landscape Prints

Materials

Monotype

"Waterloo Volunteers" From the suite "History of England"
Located in San Francisco, CA
This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...
Category

Late 20th Century Romantic Figurative Prints

Materials

Etching

Redwoods (6 glass panels) - large format abstract nature forest panorama
Located in San Francisco, CA
a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Giclée

Antique Dog Lithograph, Taste of Alfred De Dreux, France circa 1870 Greyhounds D
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...
Category

1870s Romantic Animal Prints

Materials

Lithograph

Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820
Located in San Francisco, CA
Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820 Remarkable early 19th century etching Plate dimensions 14.75" wide 11.25" high The frame measures 24.75" wi...
Category

Early 20th Century Figurative Prints

Materials

Etching

Cala Conta Black Dog - large scale Mediterranean beach scene (artist framed)
Located in San Francisco, CA
large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Plexiglass, Photographic Film, Photographic Paper, Wood, Archival Paper

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Landscape Prints

Materials

Ink, Handmade Paper, Woodcut

“Flower Picking”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

1880s Impressionist Landscape Prints

Materials

Lithograph, Watercolor, Gouache

Harney County, Oregon
Located in New York, NY
Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Photogravure

Albany E. Howarth (1872-1936) - 1913 Etching, View of Asolo
Located in Corsham, GB
A charming etching of Asolo in the Veneto region of northern Italy. The town is known as the "city of the hundred horizons" due to its mountainous setting. Signed and dated within th...
Category

Early 20th Century Landscape Prints

Materials

Etching

Fisherman with Windmill - Antique Monotype
Located in Soquel, CA
Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...
Category

1910s Impressionist Landscape Prints

Materials

Paper, Ink, Monotype

Maja Zürcher (1945-1997) - Framed Contemporary Woodcut, Sinuous River
Located in Corsham, GB
An original woodcut print by the Swiss contemporary artist Maja Zürcher (1945-1997). Signed and dated in pencil to the lower margin. Editioned 3/125. Presented float mounted in a con...
Category

21st Century and Contemporary Landscape Prints

Materials

Woodcut

Wolf Kahn, Memorial Bridge, Springfield, Mass, signed, dated & inscribed, Framed
Located in New York, NY
Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...
Category

1980s Contemporary Landscape Prints

Materials

Etching

Ellen K. Hallett (1888-1988) - c.1920 Etching, Leigh Woods, Bristol
Located in Corsham, GB
This delicate etching depicts a serene rural landscape featuring a winding stream or small river that meanders through gently rolling terrain dotted with vegetation and rustic fencin...
Category

Early 20th Century Landscape Prints

Materials

Etching

Farmhouse and the Wheat Field at Sunset - Landscape Lithograph in Ink on Paper
Located in Soquel, CA
Farmhouse and the Wheat Field at Sunset - Landscape Lithograph in Ink on Paper Rich and saturated landscape by Edward Ripley (British, b. 1929). A vibrant yellow sun hangs over a farm landscape, set against a bold red sky. The foreground is made up of yellow and red wheat, with a few red poppies in the very front. A two story farmhouse stands...
Category

1960s Modern Landscape Prints

Materials

Paper, Ink, Lithograph

The Band, Impressionist Lithograph by Raoul Dufy
Located in Long Island City, NY
Artist: Raoul Dufy, French (1877 - 1953) Title: The Band Year: 1949 Medium: lithograph, signed in the plate Size: 19 x 29.5 inches Frame Size: 25.5 x 36 inches Printed by Baynard Pr...
Category

1940s Impressionist Landscape Prints

Materials

Lithograph

Brandywine Farm Collotype Lithograph Hand Signed Henriette Wyeth Americana Art
By Henriette Wyeth
Located in Surfside, FL
Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...
Category

1980s American Realist Landscape Prints

Materials

Lithograph

"Windy Hill" Lawrence Beall Smith, Mid-Century Realist Scene, American Life
Located in New York, NY
Lawrence Beall Smith Windy Hill, 1948 Signed in pencil lower right margin Lithograph on wove paper Image 10 3/8 x 13 1/16 inches Sheet 11 15/16 x 16 inches From the edition of 250 ...
Category

1940s American Realist Figurative Prints

Materials

Lithograph, Paper

Sitting on a Park Bench - Figurative Landscape Lithograph
Located in Soquel, CA
Lithograph of a person sitting on a park bench by Mercado (20th Century). Signed by the artist in pencil in the lower right corner ("Mercado 69"). Numbere...
Category

1960s American Impressionist Landscape Prints

Materials

Paper, Lithograph

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist Landscape Prints

Materials

Paper, Ink, Lithograph

“Untitled”
Located in Southampton, NY
Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...
Category

1930s American Modern Landscape Prints

Materials

Archival Paper, Linocut

Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Newfoundland
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Newfoundland France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits...
Category

1870s Romantic Animal Prints

Materials

Lithograph

Wien
Located in San Francisco, CA
This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...
Category

Early 20th Century Realist Figurative Prints

Materials

Etching

Lindsey Row, Chelsea
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category

Late 19th Century American Modern Landscape Prints

Materials

Lithograph

Poem 5 from 9 Poems from Nature, 1959
Located in Bournemouth, Dorset
Morris Cox (1903-1998) Poem 5 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.5 x 41.5 cm Provenance: Morris Cox Archive Morris C...
Category

1950s Landscape Prints

Materials

Watercolor, Lithograph

2 Lovely Robert Kipniss Lithographs titled "Leaning" & "Interiors"
Located in New York, NY
Robert Kipniss (American, b. 1931) Left: Leaning, c. 1988 Lithograph Sight: 5 1/4 x 4 in. Framed: 11 x 9 3/4 x 3/4 in. Numbered lower left: 53/175 Signed lower right: Kipniss Right...
Category

1980s American Modern Landscape Prints

Materials

Lithograph

Sea Trout of the Solway
Located in Bristol, CT
Classic angling colour plate No.10 by Sir William Jardine (1800-1874) depicting 'Sea Trout of the Solway' Print Sz; 16 3/4"H x 25 3/4"W Frame Sz ...
Category

19th Century Landscape Prints

Materials

Lithograph

"Alcyon, " Framed Limited Edition Giclee Print, 48" x 72"
Located in Westport, CT
This realistic coastal limited edition print by Michel Brosseau features a light blue and white palette and captures a large sailboat as it sails through the ocean, carrying four pas...
Category

2010s Contemporary Landscape Prints

Materials

Digital, Giclée

"Birmingham Meeting House"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...
Category

1930s American Impressionist Landscape Prints

Materials

Etching

Aloha
Located in San Francisco, CA
This artwork "Aloha" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 22/50 in pencil by the artist. The artw...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

"Spring Valley Willows"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...
Category

1940s American Impressionist Landscape Prints

Materials

Etching

Bridgehampton, Photorealist Screenprint by Arne Besser
Located in Long Island City, NY
Bridgehampton by Arne Besser, American (1935–2012) Portfolio: Cityscapes Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250, 30 AP Size: 30 in. x 22 in. (76.2 cm x ...
Category

1980s Photorealist Landscape Prints

Materials

Screen

Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry
Located in Manchester, GB
Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...
Category

2010s Contemporary Landscape Prints

Materials

Offset

"Vineyard Haven Dinghy, " Framed Limited Edition Giclee Print, 18" x 24"
Located in Westport, CT
This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

Parc Monceau, Paris
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Parc Monceau, Paris Year: c.1985 Medium: Color lithograph Edition: Inscribed H.C. (Hors Commerce) ...
Category

Late 20th Century American Impressionist Landscape Prints

Materials

Lithograph

After Giovanni Battista Piranesi - Early 20th Century Etching, Villa of Maecenas
Located in Corsham, GB
A charming etching depicting Giovanni Battista Piranesi's Villa of Maecenas at Tivoli. Inscribed with artist name in plate. Presented in a black and gilt frame. On paper.
Category

20th Century Landscape Prints

Materials

Etching

PINK LADIES STATE 2 - Floral Art Photography / Water Lily / Botanic Garden
Located in New York, NY
Bucolic pink waterlily rests in a botanic garden. Artwork exhibited in New York in the famed Chelsea Art District. It is a Photographic print by California artist Susan Goldsmith, wh...
Category

2010s Contemporary Landscape Prints

Materials

Mixed Media

Rowboats, Print on Canvas, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Canvas Subject: Rowboats, Framed Size: 14" x 17" x 1.5''inch, 36x43x4cm Ready to Hang All works are copyrighted and all rights are reserved by ...
Category

2010s Impressionist Landscape Prints

Materials

Canvas, Color

Les Belles et La Bête I: The Rehearsal
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category

1970s American Modern Interior Prints

Materials

Engraving, Archival Paper, Etching

Damien Hirst 'Blizzard' Limited Edition, Signed Print
Located in San Rafael, CA
Damien Hirst (B. 1965) Blizzard, 2023 From the series 'From Where the Land Meets the Sea' Laminated Giclée print on aluminum composite panel Edition: 244/500 Signed and numbered on t...
Category

2010s Abstract Abstract Prints

Materials

Giclée

Paysage, Impressionist Giclee Print after Marc Chagall
Located in Long Island City, NY
Marc Chagall, After, Russian (1887 - 1985) - Paysage, Medium: Giclee, facsimile signed, Edition: 375, Image Size: 12.5 x 18.25 inches, Frame Size: 26 x 31 inches, Publisher: L...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Giclée

AMETHYSTINUS - Floral Art Photography / Water Lily Reflections / Botanic Garden
Located in New York, NY
Photographic print by California artist Susan Goldsmith. Susan Goldsmith (b. 1955, Los Angeles, CA) attended the California College of the Arts in Oakland, CA, where she completed a...
Category

2010s Contemporary Landscape Prints

Materials

Digital

Salzburg View
Located in San Francisco, CA
This artwork titled "Salzburg View" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate m...
Category

Late 20th Century Realist Figurative Prints

Materials

Etching

Falls Ten - Contemporary Waterfall Landscape Silver Pale Grey Blue Woodcut, 2022
Located in Kent, CT
A contemporary woodcut print of a waterfall in a forest in silver ink. The monotype brings to mind the tradition of Japanese printing while being distinctly contemporary. Edition 1...
Category

2010s Contemporary Abstract Prints

Materials

Ink, Archival Paper, Woodcut

David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade. This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition. There are four additional listings of David Roberts hand colored engravings of Egypt...
Category

1840s Realist Landscape Prints

Materials

Lithograph

West Texas Morning [Hand Embellished]
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist. Edition 2 of 5. In this new series of paintings, Moore explores themes ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

The Four Seasons (Autumn)
Located in Chesterfield, MI
Michael Schofield created "The Four Seasons" . This is a limited edition lithograph (Artist Proof) of the Summer Season. (282/800) It is also remarqued. It may be purchased alone fo...
Category

Mid-20th Century Realist Landscape Prints

Materials

Lithograph

Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry
Located in Manchester, GB
Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...
Category

2010s Contemporary Landscape Prints

Materials

Offset

The Lonesome Road (FRAMED + FREE US SHIPPING) (Provence, landscapes)
Located in Kansas City, MO
Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

Lionel Arthur Lindsay (1874-1961) - Etching, A Doorway, Castello Nouvo, Naples
Located in Corsham, GB
A charming etching depicting a man sat on the steps to Castel Nuovo in Naples, Italy. Signed and numbered '100' in graphite below the plate lines. Presented in contemporary black fra...
Category

Early 20th Century Landscape Prints

Materials

Etching

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching, Engraving, Drypoint

Birds at Evening
Located in Bournemouth, Dorset
John Copley (1875 - 1950) Birds at Evening 1932 Image: 15 x 21.2 cm Frame: 33.0 x 38.2 cm Painter and printmaker John Copley was born in Manchester in 1875. He trained at Mancheste...
Category

1930s Land Landscape Prints

Materials

Etching

Two lovers in a garden above Paris
By Lionello Balestrieri
Located in Genève, GE
Ed: 31/300 Work on paper Golden wooden frame with glass pane 68 x 85.5 x 2.5 cm
Category

Mid-20th Century Landscape Prints

Materials

Engraving

Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Saint Bernard A
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Saint Bernard France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portrait...
Category

1870s Romantic Animal Prints

Materials

Lithograph

Danzig
Located in San Francisco, CA
This artwork titled "Danzig" c.1920, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 16 x 20 inches, framed size is 26.5 x 30 inches. Custom framed in a wooden silver frame, with light brown matting and dark brown fillets . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Figurative Prints

Materials

Etching

"Covered Bridge Near Columbia" California - Woodblock Landscape on Tissue Paper
Located in Soquel, CA
"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...
Category

Mid-20th Century American Impressionist Landscape Prints

Materials

Ink, Tissue Paper, Woodcut

Ten O'clock in Taxco, Mexico
Located in Grand Rapids, MI
Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...
Category

Mid-20th Century Landscape Prints

Materials

Etching, Aquatint

Fete Champetre
Located in San Francisco, CA
This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...
Category

Mid-20th Century Fauvist Figurative Prints

Materials

Lithograph

Recently Viewed

View All