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Medium: Engraving
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
1860s Victorian Engraving Landscape Prints
Materials
Engraving
Notre-Dame Cathedral from the Seine
Located in Middletown, NY
Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Etching, Drypoint
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Laid Paper, Etching, Drypoint
'Noonday Shadows' — Mid-Century Southwest Regionalism
By Gene Kloss
Located in Myrtle Beach, SC
'Noonday Shadows', etching and drypoint, edition 75, 1941, Kloss 376. Signed, and titled in pencil. A superb, richly inked impression, in warm black ink, on buff wove paper, in excel...
Category
1950s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
$22,800 Sale Price
20% Off
'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint
Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Lithograph, Screen
Thames Warehouses
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London)
THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37)
Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category
1850s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category
Late 19th Century English School Engraving Landscape Prints
Materials
Engraving, Photogravure
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria'
A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...
Category
Late 17th Century Naturalistic Engraving Landscape Prints
Materials
Etching, Engraving
Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Mezzotint, Aquatint
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Laid Paper, Engraving, Watercolor
Calm Water Blue Tones Diptych of Japanese Zen Pond Ripples, Feng Shui Cyanotype
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond.
Details:
+ Title: Ja...
Category
2010s Abstract Engraving Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, C Print, Color, Engraving, Lith...
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Early 20th Century Contemporary Engraving Landscape Prints
Materials
Oil, Engraving, Lithograph
$320 Sale Price
20% Off
Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category
1780s Engraving Landscape Prints
Materials
Engraving
The Plaza, Sunset Glow
Located in Myrtle Beach, SC
'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...
Category
1920s American Impressionist Engraving Landscape Prints
Materials
Drypoint
Prickles and Hairs - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This is impression #12 from an edition of 45
Born in Charleroi, Belgium, Ravaux is...
Category
Early 2000s Modern Engraving Landscape Prints
Materials
Mezzotint
$70 Sale Price
30% Off
Harry Wickey, Snug Harbor (Riverside Drive, NYC)
By Harry Wickey
Located in New York, NY
The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...
Category
1920s Ashcan School Engraving Landscape Prints
Materials
Drypoint
Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works.
(sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints.
The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...
Category
1940s English School Engraving Landscape Prints
Materials
Mezzotint, Etching
Planetary And Scatologic Vision
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989)
Title: Planetary and Scatologic Vision
Year: 1974
Medium: Engraving with embossing and color lithograph
Edition: Numbered...
Category
Late 20th Century Surrealist Engraving Landscape Prints
Materials
Engraving, Lithograph
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
1830s Engraving Landscape Prints
Materials
Engraving, Mezzotint
Italian Boat at Sunrise
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...
Category
Early 20th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$876 Sale Price
20% Off
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Venice II L'Ombre du Coleone
Located in New Orleans, LA
"Venice II L'Ombre du Coleone" is a Jean Michel Mathieux-Marie aquatint and etching of a Venetian scene. It is from an edition of 120.
Mathieux-Marie was born in Paris in 1947. He...
Category
Late 20th Century Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
$285 Sale Price
43% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Flowering Pea Plant: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s.
Etching and drypoint on paper.
Very good conditions except for some small folds on the left mar...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Southern & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Estats de L'Empire des Turqs en Europe, ou sont les Beglerbeglicz our Gouvernements" was originally created by Nicholas Sanson d'Abbeville and this version was published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts the territories of the Ottoman Empire in Europe, predominantly Eastern Europe. Highlights include, the Mediterranean Sea, the Adriatic Sea, the Black Sea, the Dalmation Coast including present day Croatia, Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, Italy, Greece, North Macedonia, Turkey, Romania, Hungary, Albania, Kosovo, Bulgaria, Transylvania, Moldova and southern portions of France, Switzerland, Germany, and Poland..
The map consists of two sheets joined as one along a vertical joint. The map has original hand-coloring. It is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 24.88" high and 38" wide. There is a central vertical joint, as issued. The map is in very good condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
1690s Engraving Landscape Prints
Materials
Engraving
Cartas de Japon by Ray Smith surreal Dali esque print Japanese portfolio
By Ray Smith
Located in New York, NY
Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan.
Cartas del Japon, 1988-89
Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper
Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs.
Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989.
Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...
Category
1980s Pop Art Engraving Landscape Prints
Materials
Drypoint
Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category
1780s Engraving Landscape Prints
Materials
Engraving
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Engraving Landscape Prints
Materials
Engraving, Etching
$5,420 Sale Price
20% Off
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Engraving Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$876 Sale Price
20% Off
A View of Kauai, Hawaii Discovered by Captain Cook: Original 18th C. Engraving
By John Webber
Located in Alamo, CA
"View of A Morai or Burial Place of Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the a...
Category
1780s Engraving Landscape Prints
Materials
Engraving
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Engraving Landscape Prints
Materials
Drypoint
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
A Drypoint etching on Wove...
Category
Early 1900s Impressionist Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Etching, Drypoint
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
1760s Naturalistic Engraving Landscape Prints
Materials
Engraving
Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category
Mid-18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Mezzotint
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Holiday Pine Cones
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion
Frederick Mershimer (American, b. 1958)
Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category
1990s American Modern Engraving Landscape Prints
Materials
Mezzotint
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...
Category
1970s Surrealist Engraving Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint, Screen
$6,000 Sale Price
20% Off
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Jean Cocteau, Untitled, from Alternation, 1946
By Jean Cocteau
Located in Southampton, NY
This exquisite etching by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, P...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
$1,436 Sale Price
20% Off
Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
Category
Early 1800s Victorian Engraving Landscape Prints
Materials
Engraving
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Degas, La Danseuse de dos, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Landscape Prints
Materials
Engraving
$1,996 Sale Price
20% Off
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Engraving Landscape Prints
Materials
Drypoint
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available