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Medium: Engraving
View of Meissen, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
The map depicts a side view and bird's-eye view, looking across the Elbe River (labelled Albis Fluvius on the map; White River in Latin) from the northeast. In the foreground are three women in conversation on a hill above the city, along with a man and a woman in conversation by a road, all dressed in contemporary costumes of the upper class. A coat-of-arms is present in each upper corner. A great castle sits atop a hill in the background on the left. Meissen grew up around Albrechtsburg castle, built by Emperor Henry I around AD 929, and was granted a municipal charter at the end of the 12th century. From 1471 onwards, the castle complex was reconstructed as the residence of the Saxon electors on the northeast corner of the Domberg (Cathedral Hill). Meissen cathedral is a Gothic hall church begun c. 1270; in 1413 a bolt of lightning destroyed its west towers, which were replaced only in the 20th century. Meissen lies to the northwest of Dresden, Germany in Saxony. Meissen is famous for its Meissen porcelain and the Albrechtsburg castle
The following is an English translation of an excerpt from Braun's description of the city: "This city is surrounded by very many rivers, to the east flows the Elbe, to the south the Triebisch, to the west are the mountains, to the north the Meisse, after which the city is said to be named. The city is well-situated in its surroundings, the navigable rivers, the mountains and the healthy air. Around the city there is a good land to grow grain, fertile vineyards on the hillsides and without doubt the mountains are not without ore, for one mile away, up the Elbe, is Scharfenberg, where silver and lead ore are mined.."
References: Van der Krogt 4, 2684; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Engraving, Watercolor, Handmade Paper
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Early 17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Etching
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
1750s Naturalistic Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Mezzotint
Le Nid de Pauvres, Vendee (shelter for the Poor, Vendee)
Located in Middletown, NY
Etching and drypoint on cream laid paper, 7 3/4 x 8 inches (195 x 200 mm), full margins. Signed and numbered 8/35 in pencil, lower right margin. Laid down to non archival board, mat ...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Drypoint, Etching
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Drypoint, Etching, Engraving
Le Matin
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category
Mid-18th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Corpus Christi College. Oxford University. Antique English C19th engraving
Located in Melbourne, Victoria
'Corpus Christi College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Etching, Drypoint
William Hogarth . Original engravings 155 pсs., 1 piece with blend. 1822 London
Located in Riga, LV
William Hogarth (1697-1764)
Original engravings 155 pсs., 1 piece with blend. 1822 London
From A. Neibergs collection
Category
1820s Realist Engraving Landscape Prints
Materials
Paper, Engraving
Five (5) city views, 17th Century French School by Winckler and others
Located in Middletown, NY
Paris: c1675.
Five engravings: "Une Autre Partie du Palais Villa Mene a Gene" Engraving with hand-coloring, circa 1760-1790, on laid paper, with a Letters watermark (WA....), publis...
Category
Late 17th Century French School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Etching, Aquatint, Drypoint
Castle Acre Priory, Norfolk. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Castle Acre Priory'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Engraving Landscape Prints
Materials
Mezzotint
Red Roses: A Framed 17th C. Hand-colored Botanical Engraving by Basilius Besler
Located in Alamo, CA
"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...
Category
17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category
Early 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
1760s Naturalistic Engraving Landscape Prints
Materials
Engraving
Le Marché aux Puces
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Queen of Great Britain arriving in Portsmouth 25 May 1662 & The Arrival in L
Located in Middletown, NY
Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving
English School, 19th Cent. –An Interior View of the Porch ... Church St. Alphage
Located in Middletown, NY
An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster
By Johannes Kip
Located in Middletown, NY
A fine prospect image of gardens at Lincoln's Inn, London.
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster; The Fountain and Gardens in New Square, Lin...
Category
Early 18th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul'
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. Fro...
Category
Early 19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category
1780s Realist Engraving Landscape Prints
Materials
Engraving
Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Engraving Landscape Prints
Materials
Mezzotint
Plage de Villerville
Located in Middletown, NY
Paris: Gazette des Beaux-Arts, 1856.
Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...
Category
Mid-19th Century Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
Mid-18th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Watercolor, Engraving
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
No U-Turn
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2023
Edition: 25
Image Size: 9.25 x 6.25 inches
Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each...
Category
2010s Engraving Landscape Prints
Materials
Mezzotint
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
Early 18th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
Signed in plate, lower left.
Paper size: 8.5"H x 10.5"W
Mat size: 10"H x 12"W
Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe.
Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia.
One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others.
Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category
1930s American Impressionist Engraving Landscape Prints
Materials
Paper, Watercolor, Drypoint
Colosseum (First State)
Located in Middletown, NY
Copper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Engraving
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$2,000 Sale Price
20% Off
Hiboux et Chouettes #7, portrait of an owl by Marjan Seyedin
Located in Palm Springs, CA
Medium: aquatint and drypoint
Year: 2016
Edition of 21
Image Size: 16 × 12 inches
portrait of a seemingly disgruntled owl in a nocturnal setting, by Franco-Iranian artist Marjan S...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint, Aquatint
Prospect of Oxford 18th century engraving by William Williams
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 18th Century Realist Engraving Landscape Prints
Materials
Engraving
A North West View of St. Paul's Cathedral, London
Located in Middletown, NY
London: R.H Laurie, 1823
Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816.
Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Engraving, Watercolor, Handmade Paper
Composition, Portrait de A. Decaris, Albert Decaris
Located in Auburn Hills, MI
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings.
ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24.
In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category
18th Century Old Masters Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Engraving, Etching
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Tual, Surrealist Landscape Mezzotint by Robert Kipniss
Located in Long Island City, NY
Artist: Robert Kipniss, American (1931 - )
Title: Tual
Year: circa 1980
Medium: Mezzotint, signed and numbered in pencil
Edition: Trial Proof
Image Size: 14.75 x 11.75 inches
Frame:...
Category
1980s American Impressionist Engraving Landscape Prints
Materials
Mezzotint
$960 Sale Price
20% Off
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Engraving Landscape Prints
Materials
Engraving, Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Engraving Landscape Prints
Materials
Engraving, Archival Paper, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Architectural view of Exeter Cathedral (1797), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural view of Exeter Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisa...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
Jacques and the Wounded Stag. Mezzotint by Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Jacques and the Wounded Stag, Scene from 'As you like it''
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. ...
Category
Mid-19th Century Victorian Engraving Landscape Prints
Materials
Mezzotint
Landscape with an Obelisk - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Landscape with an Obelisk is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1650 ca. This wonderful piece of art belongs to an edition of the late 1...
Category
19th Century Old Masters Engraving Landscape Prints
Materials
Engraving
West Coast of Africa; Guinea & Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
Category
1740s Old Masters Engraving Landscape Prints
Materials
Engraving
The Dance of Death. 1914-1918
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Engraving Landscape Prints
Materials
Drypoint
Pyrenees Orientales, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Pyrenees Orientales', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is well-known wine producing reg...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
St. Jerome in the Desert
Located in Chicago, IL
Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Engraving Landscape Prints
Materials
Engraving
Road To Ampurdam (Rome and Cadaques), Letterpress and Engraving by Salvador Dali
Located in Long Island City, NY
A letterpress and engraving print by Salvador Dali on Japon paper, made in 1973. Numbered as 7/250, this piece was published by EGI and referenced in Field as 73-21.
Road To Ampurda...
Category
1970s Engraving Landscape Prints
Materials
Engraving
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Engraving Landscape Prints
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Engraving, Aquatint
Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category
Late 20th Century Contemporary Engraving Landscape Prints
Materials
Mezzotint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
1780s Engraving Landscape Prints
Materials
Engraving
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression.
Rinder 325
[Rinder 325 iii/vii].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
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