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Medium: Engraving
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Engraving Landscape Prints
Materials
Engraving, Archival Paper, Etching
Jacques and the Wounded Stag. Mezzotint by Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Jacques and the Wounded Stag, Scene from 'As you like it''
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. ...
Category
Mid-19th Century Victorian Engraving Landscape Prints
Materials
Mezzotint
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Architectural view of Exeter Cathedral (1797), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural view of Exeter Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisa...
Category
1810s Realist Engraving Landscape Prints
Materials
Engraving
West Coast of Africa; Guinea & Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
Category
1740s Old Masters Engraving Landscape Prints
Materials
Engraving
The Dance of Death. 1914-1918
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Engraving Landscape Prints
Materials
Drypoint
Pyrenees Orientales, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Pyrenees Orientales', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is well-known wine producing reg...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Prospect of Oxford 18th century engraving by William Williams
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 18th Century Realist Engraving Landscape Prints
Materials
Engraving
Composition, Portrait de A. Decaris, Albert Decaris
Located in Auburn Hills, MI
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings.
ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24.
In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
St. Jerome in the Desert
Located in Chicago, IL
Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder
Category
16th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Aquatint
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Engraving Landscape Prints
Materials
Engraving
Landscape with an Obelisk - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Landscape with an Obelisk is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1650 ca. This wonderful piece of art belongs to an edition of the late 1...
Category
19th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category
1780s Engraving Landscape Prints
Materials
Engraving
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression.
Rinder 325
[Rinder 325 iii/vii].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Laid Paper, Drypoint, Etching
La Place Saint Georges, Paris
Located in Middletown, NY
London: Gebbie & Husson Co., 1879.
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Photogravure
Tual, Surrealist Landscape Mezzotint by Robert Kipniss
Located in Long Island City, NY
Artist: Robert Kipniss, American (1931 - )
Title: Tual
Year: circa 1980
Medium: Mezzotint, signed and numbered in pencil
Edition: Trial Proof
Image Size: 14.75 x 11.75 inches
Frame:...
Category
1980s American Impressionist Engraving Landscape Prints
Materials
Mezzotint
$960 Sale Price
20% Off
Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category
Late 20th Century Contemporary Engraving Landscape Prints
Materials
Mezzotint
Salvator Rosa et les Brigands; ..L'Art adoucit même les plus féroces
Located in Middletown, NY
"Art softens even the most ferocious."
Paris: Cadart & Luquet, 1865.
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 12 1/2 x 9 1/2 inc...
Category
Mid-19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870.
Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Etching
$300
The Philanthropic Reform in St. George's Field
Located in Middletown, NY
London: James Whittle & Richard Holmes Laurie, 1814.
Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include signif...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Watercolor, Engraving
On the Hard
Located in Middletown, NY
An elegant and delicate seascape of Brightlingsea Hard, Essex
circa 1925
18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...
Category
1920s Realist Engraving Landscape Prints
Materials
Drypoint, Laid Paper
Alexandria, Egypt & Lighthouse: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...
Category
Early 19th Century Romantic Engraving Landscape Prints
Materials
Engraving, Aquatint
Arundel Mill and Castle. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Arundel Mill and Castle'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Engraving Landscape Prints
Materials
Mezzotint
Road To Ampurdam (Rome and Cadaques), Letterpress and Engraving by Salvador Dali
Located in Long Island City, NY
A letterpress and engraving print by Salvador Dali on Japon paper, made in 1973. Numbered as 7/250, this piece was published by EGI and referenced in Field as 73-21.
Road To Ampurda...
Category
1970s Engraving Landscape Prints
Materials
Engraving
(after) John Constable mezzotint "Mill Stream"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Engraving, Handmade Paper, Etching, Aquatint
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
Statue d'Homme d'État
Located in Middletown, NY
Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...
Category
Late 19th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Engraving, Handmade Paper, Etching, Aquatint
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
Mid-18th Century English School Engraving Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category
Early 1700s Realist Engraving Landscape Prints
Materials
Engraving
Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Mezzotint, Aquatint
Hall of Bermondsey Abbey, English School, 19th Century (attributed to Dale)
Located in Middletown, NY
London: Robert Wilkinson, 1820
Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x 247 mm) full margins. In good condition with some minor toning and surface soiling ...
Category
Early 19th Century English School Engraving Landscape Prints
Materials
Handmade Paper, Engraving
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
Mid-18th Century French School Engraving Landscape Prints
Materials
Handmade Paper, Engraving, Laid Paper
(after) John Constable mezzotint "Summer Evening"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
Category
1690s Engraving Landscape Prints
Materials
Engraving
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
1760s Naturalistic Engraving Landscape Prints
Materials
Engraving
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
(after) John Constable mezzotint "River Stour, Suffolk"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
(after) John Constable mezzotint "East Bergholt"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
AMERICA
By John Speed
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND
JOHN SPEED (1552-1629)
AMERICA - With Those Known Parts In That Unknown Worlde (sic),
1626-(76)
(Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and
published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676
15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the
World”. Generally good condition. A repaired split in lower centerfold. This
is the most common version of this important map...
Category
1620s Old Masters Engraving Landscape Prints
Materials
Engraving
$4,000 Sale Price
52% Off
(after) John Constable mezzotint "A Dell, Helmingham Park, Suffolk"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...
Category
1850s Engraving Landscape Prints
Materials
Mezzotint
Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu's Atlas Major
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662.
The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
the tuna fisheries.”
This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition.
Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
Category
Mid-17th Century Old Masters Engraving Landscape Prints
Materials
Engraving
The Orbits of Venus and Mercury: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...
Category
Early 18th Century Engraving Landscape Prints
Materials
Engraving
William Woollett after Annibale Carracci - 19th Century Engraving, Italian Town
By William Woollett
Located in Corsham, GB
A charming engraving by William Woollett (British 1735-1785) after Annibale Carracci (Italian 1560-1609) depicting a picturesque rural landscape on the outskirts of an Italian town. ...
Category
19th Century Engraving Landscape Prints
Materials
Engraving
The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
Category
Early 19th Century Old Masters Engraving Landscape Prints
Materials
Engraving
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Engraving Landscape Prints
Materials
Engraving
Nasciamento, Modern Mezzotint by Gatja Helgart Rothe
Located in Long Island City, NY
Gatja Helgart Rothe, German (1935 - 2008) - Nasciamento, Year: 1986, Medium: Mezzotint, signed, titled and dated in pencil, Image Size: 7.75 x 11.75 inches, Size: 11.75 x 15 in...
Category
1980s Modern Engraving Landscape Prints
Materials
Mezzotint
Vie de Trianon, Hand-Colored Baroque Engraving by Hyacinthe Rigaud
Located in Long Island City, NY
Vie de Trianon
Hyacinthe Rigaud (After), Catalan/French (1659–1743)
Date: of original: 1750
Hand-Colored Engraving, signed in the plate
Edition of ~1000
Image Size: 8.75 x 18.5 inche...
Category
1970s Baroque Engraving Landscape Prints
Materials
Engraving
Edinburgh, Scotland: An Original 17th C. Hand-Colored Engraved Sea Chart
By Captain Greenvile Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
Category
Late 17th Century Engraving Landscape Prints
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Late 18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving, Etching, Aquatint
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
Two Figures on the Shore - Minimalist Landscape Drypoint Etching in Ink on Paper
Minimalist landscape with two figures walking along the shore by Doris Ann Warner (American, 1925-201...
Category
1980s Minimalist Engraving Landscape Prints
Materials
Paper, Ink, Drypoint
$460 Sale Price
20% Off
Winter Chestnut, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category
2010s Contemporary Engraving Landscape Prints
Materials
Drypoint, Etching
L'Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Mid-18th Century Rococo Engraving Landscape Prints
Materials
Engraving
Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist Engraving Landscape Prints
Materials
Drypoint, Etching
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available
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