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Medium: Engraving
David Loggan Trinity College Cambridge Bishop's Hostel engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
The Bishop's Hostal, Trinity College Cambridge...
Category
1690s Realist Engraving Landscape Prints
Materials
Engraving
David Loggan Winchester College 1675 engraving Wykehamist
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Winchester College
Engraving
1675
40x46cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studyin...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams...
Category
Early 18th Century Realist Engraving Landscape Prints
Materials
Engraving
David Loggan St John's College Oxford Canterbury Quad engraving 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
St John's College Oxford - Canterbury Quad
Engraving 1675
31x50cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category
1670s Realist Engraving Landscape Prints
Materials
Engraving
Isle of View, Etching & Aquatint Signed Edition of X, University of Mass Gallery
Located in New York, NY
George Trakas
Isle of View, 2006
Aquatint and dry point etching printed on Lana Gravure paper
Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front
18...
Category
Early 2000s Contemporary Engraving Landscape Prints
Materials
Mixed Media, Drypoint, Etching
Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category
Early 1800s French School Engraving Landscape Prints
Materials
Engraving, Paper
"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328)
Portfolio: Buck's Antiquities or Venerable R...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Byland Abbey Yorkshire UK - 1770 engraving by Samuel & Nathaniel Buck
Located in London, GB
Samuel & Nathaniel Buck
Byland Abbey, Yorkshire
Engraving
“Byland Abbey is an interesting ruin about five miles from Helmsley. It was a fine specimen of ecclesiastical architecture,...
Category
Mid-18th Century Realist Engraving Landscape Prints
Materials
Engraving
New South Wales, Australia, antique mid 19th century engraved John Tallis map
Located in Melbourne, Victoria
'New South Wales'
With decorative border surrounds and vignettes of 'Sydney Cove'. 'The Murray' and 'Xanthorrhea'.
'Drawn and engraved by J Rapkin'. Published by John Tallis.
375m...
Category
1840s Victorian Engraving Landscape Prints
Materials
Engraving
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Three Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.75"
Image size (each): approx. 7" x 11.88"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Engraving Landscape Prints
Materials
Engraving, Laid Paper
Vue d'un Village près de la Ville de Berne, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un Village près de la Ville de Berne'
French copper-line engraving by Masquelier after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illust...
Category
1780s Naturalistic Engraving Landscape Prints
Materials
Engraving
Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques'
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Early 19th Century Victorian Engraving Landscape Prints
Materials
Engraving
Coupang : Ile Timor. Vue d'un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction'
Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet.
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Early 19th Century Victorian Engraving Landscape Prints
Materials
Engraving
Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
Category
Early 1800s Victorian Engraving Landscape Prints
Materials
Engraving
"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Engraving Landscape Prints
Materials
Drypoint
Leonard R. Squirrel (1893–1979) - Early 20th Century Mezzotint, Notre Dame
Located in Corsham, GB
This charming mezzotint depicts the façade of Notre Dame in Paris. Signed in graphite below the plate lines. On paper.
Category
Early 20th Century Engraving Landscape Prints
Materials
Mezzotint
The Quadrangle of Jesus College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Quadrangle of Jesus College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
St Alban Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'St Alban Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
The New Bridge, On The River Dee, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'The New Bridge, On The River Dee, Near Chirk Castle'
Engraving by Peter Mazell After Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in...
Category
18th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Set of Two Mezzotint Engravings from Constable's "English Landscape Scenery"
By John Constable
Located in Saint Augustine, FL
Artist: (after) John Constable (English, 1776-1837)
Title: "Noon" (Plate 36) and "A Lock on the Stour, Suffolk" (Plate 18)
Portfolio: English Landscape Scenery: A Series of Forty Mez...
Category
1850s Victorian Engraving Landscape Prints
Materials
Engraving, Mezzotint
Northamptonshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved view of 'Peterborough...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Hertfordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Monmouthshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Nottinghamshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Derbyshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Cumberland, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Huntingdonshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Aube, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de L'Aube', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area of France is known for its production of Chaou...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Aude, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de L' Aude', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area of France is famous for its wide variety of v...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Calvados, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Calvados', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area of France is known for its production of Cal...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Hautes Pyrenees, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Hautes Pyrenees', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to the wine producing region, ...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Indre and Loire, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. d'Indre et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is known for its production of Chenin b...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Jura, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Jura', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
The Jura wines are very distinctive and unusual, such as V...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Saone and Loire, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
The French department of Saone et Loire is at the ...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
L'Isere, France. Antique map of French department, 1856
Located in Melbourne, Victoria
'Dept. de L'Isere', Steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is known for its production of Bleu du Vercor...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Loir and Cher, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Loir and Cher', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is mainly known for its production of Sel...
Category
19th Century Naturalistic Engraving Landscape Prints
Materials
Engraving
Early 20th Century European Architecture Drypoint Etching c.1930
Located in San Francisco, CA
Early 20th Century European Architecture Drypoint Etching c.1930
This fine etching is pencil signed in the lower right corner (illegible - see i...
Category
Early 20th Century Impressionist Engraving Landscape Prints
Materials
Drypoint
Composition, Alternance, Jacques Maret
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
Battersea Morn (also Battersea Dawn)
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist Engraving Landscape Prints
Materials
Drypoint
Woolworth Building, No. 2
By John Marin
Located in New York, NY
A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...
Category
1910s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Slope w.five trees
Located in New York, NY
“Slope w/five trees” is a drypoint engraving created by Robert Kipniss in 2020. The paper size is 12.50 x 10.50 inches and the printed image size is 6.75 x ...
Category
21st Century and Contemporary Modern Engraving Landscape Prints
Materials
Engraving, Drypoint
A small copse in a field.
Located in New York, NY
The drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...
Category
21st Century and Contemporary Modern Engraving Landscape Prints
Materials
Engraving, Drypoint
Western Hills Viaduct Under Construction
Located in Fairlawn, OH
Western Hills Viaduct Under Construction
Drypoint, June 1931
Signed in pencil lower right (see photo)
Initialed and dated in the plate lower right above pencil signature (see photo)
From: Cincinnati Series, 1930-1931, 8 plates, this No. 5
Small edition, not specified
From Greenfield Hill
Condition: Excellent
Image/Plate size: 8 1/2 x 15 1/4 inches
Sheet size: 11 1/4 x 18 1/2 inches
Louis Conrad Rosenberg
1890-1983
An American architectural etcher...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Summer
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category
1910s Modern Engraving Landscape Prints
Materials
Drypoint
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
By Aileen Mary Elliot
Located in Saint Augustine, FL
Artist: Aileen Mary Elliot (English, 1896-1966)
Title: "Crab Boats, Southampton Water"
*Signed by Elliot in pencil lower right
Circa: 1925
Medium: Original Drypoint Etching on laid p...
Category
1920s Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching, Laid Paper, Intaglio
"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11" x 18.25"
Image size (platemark) (each): approx. 7.75" x 14.75"
Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
THE TRAWLERS
By George Elmer Browne
Located in Portland, ME
Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.
Category
20th Century Engraving Landscape Prints
Materials
Drypoint
Late 19th century color cityscape Milwaukee trees figures lake churches
Located in Milwaukee, WI
"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882.
9" x 13 3/8" art
17 5/8" x 21 3/4" frame
Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker.
The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[
During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States.
Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast.
After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting.
Theodore Davis was a staff artist at Harper's Weekly.
Many of his drawings were published as wood engravings in Harper's Weekly.
Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...
Category
1880s Other Art Style Engraving Landscape Prints
Materials
Engraving
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Engraving Landscape Prints
Materials
Woodcut, Drypoint
Evening II
Located in New York, NY
"Evening II" is a mezzotint engraving created by Robert Kipniss in 2008. Printed in an edition of 60, this impression is signed in pencil and inscribed “8/60.” The paper size is 12...
Category
21st Century and Contemporary Modern Engraving Landscape Prints
Materials
Mezzotint
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Pavillon dans les Arbres (Pavilion in the Trees)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left
Year: 1928
Medium: Original Etching on Rives BFK paper
Limited edition: Unknown
Printer: Unknown
Publisher: Galeries Georges Petit and Henri Floury, Paris, France
Reference: Bibliothèque Nationale No. 12
Sheet size: 11" x 8.38"
Image size: 9.25" x 7.13"
Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...
Category
1920s Post-Impressionist Engraving Landscape Prints
Materials
Drypoint, Etching, Intaglio
Spring (Fruling) (also known as Street in Frankfort)
By Max Beckmann
Located in New York, NY
Max Beckmann, Spring (Fruling) (also known as Street in Frankfort), etching and drypoint, 1918, signed lower right. Reference: Hofmaier 133IIb, from the edition of 60 on laid paper; ...
Category
1910s Expressionist Engraving Landscape Prints
Materials
Drypoint, Etching
Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category
1920s Realist Engraving Landscape Prints
Materials
Watercolor, Pencil, Drypoint
"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Engraving Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
New Viaduct
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s Engraving Landscape Prints
Materials
Drypoint
Engraving landscape prints for sale on 1stDibs.
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