Etching Landscape Prints

Rue St. Nicolas a Blois is a black and White etching realized by Emile Louis Vernier in 1863  Titled in the lower Image Size: 31x23 Very good impression. Realized for the "Sociét...

This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...

An evening view of lower Manhattan rooftops, looking north towards Times Square and kleig lights in the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inche...

Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...

Landscape is an artwork realized in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the ...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...

This piece titled "The Secret Life of Plants VE 8/8" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of...

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...

Jacques Villon Surrealist Mountain, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 25 x 32,5 cm (c. 9,8 x 12,7 inch) Edition limited to 300 copies (unnumb...

Henri LE SIDANER (1862-1939) House in the Woods, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page

Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full margins. Condition issues include minor uniform toning (worse at the sheet edges), hand...

Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cruach Phadraig in Irish, known as Croagh Patrick...

Signed, titled and numbered by the artist, edition of 30. This Imaginary topiary and garden scene is the smallest that Houtin completed. . François Houtin was born in Craon en Maye...

Landscape is a modern artwork realized by Michele Ricciuti in 1971. Black and white etching Hand signed, numbered, titled and dated on the lower margin. Edition of 10/15 Includes...

Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

A charming and fun acid etching in Clarke's typical naive style, showni the cottage and garden of the famous English writer, Thomas Hardy, who can be seen playing a violin out in the...

Landscape is an etching realized by Paul Emile Colin in the Mid-20th Century. hand-signed. Numbered.Edition, 1/30. Good conditions with slight foxing. The artwork is realized thr...

Wallace Putnam, American (1899 - 1989) - Migration, Year: circa 1987, Medium: Etching, signed, dated and numbered in pencil, Edition: 5/16, Image Size: 12 x 11.75 inches, Size: ...

This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...

La Durance a A St. Paul is a black and White etching realized by Paul Guigou in the 1860s.  Titled in the lower. Image size: 24x31. Very good impression with wide margins and a ve...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...

TWO WORKS / Paris: Cadart, 1865. Each an etching printed on one sheet of buff wove paper. Each impression measuring 3 1/2 x 7 inches (88 x 177 mm), full margins. With the Cadart bli...

"Le Rhone a Avignon" is an original hand colored etching signed by the artist Armand Coussens. This incredibly rare print depicts a church in Avignon, where Pablo Picasso had one of ...

The Minature Print Society of Kansas City, Mo. , 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after ...

'Bassenthwaite Water, from the Western Side' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground e...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Direct to plate photogravure and aquatint. Edition of 40.

Landscape is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Signature on the lower left corner. George Henri Tribout (Paris, 1...

Signed, titled and numbered by the artist, edition of 40. Houtin's early prints are more surrealistic and imaginary compositions, which eventually develop into the imaginary gardens...

Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In good condition with some light toning and several minor spots of light discoloratio...

This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...

This artwork titled ""Mer Pacifique (Pacific Ocean)" 1979 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dated, titled and numbered 125/125 in pencil by the artist. The image (plate mark) size is 17 x 17 inches, framed size is 31.75 x 25 inches. Framed in a mahogany style wood frame, with off white matting. It is in excellent condition, the frame has very small minor restorations, practically invisible. About the artist: Jean Solombre was born in Paris France in 1948. Solombre is an internationally respected painter, engraver, and writer. Tapestries created from images of Solombre paintings are woven at the atelier Aubsson, in France. The first Solombre fiber art created at Aubsson, was produced in 1979. Solombre, among the finest artists in France, was first acclaimed as printmaker, best known for his handsome richly textured and technically exquisite aquatint engravings which he presented with descriptive original poetry. Solombre's work has been shown in premiere art exhibitions Since 1970 including: The Great and Young of Today, at the Museum of Grand Palais, Paris; The Print Biennial at the Museum Galleria, Paris; and The International Art Fair in Paris, Basel, Dusseldorf, Washington, and New York. Solombre's printmaking intaglio technique masterfully combines the techniques of acquatint and engraving. These combination works, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions at: Jean-Marie Cupillard's la Bijougalerie in Grenoble, La Torte Gallery, Paris; Lahumiere, Paris; L'Empreinte Gallery, Strasbourg; Gallery Oliveier, Lille; Hohenloher Foundation, Langenburg West Germany; Gallery L'Angle Aigu, Bruxelles, Belgium; Gallery 410, New York USA; Frances Aronson...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

A charming etching depicting Giovanni Battista Piranesi's Villa of Maecenas at Tivoli. Inscribed with artist name in plate. Presented in a black and gilt frame. On paper.

Artist: Cuca Romley– Spanish/American, b.1933 Title: Operation Sail Year: 1986 Medium: Color etching Image size: 17.5 x 24.75 inches. Sheet size: 22.25 x 30 nches. Paper: Tiepolo Fabriano Signature: Hand signed in pencil by the artist Edition: Numbered 5/10 H.C in pencil Condition: Excellent, has never been framed Cuca Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a burin until the image is completed. For each individual print, a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet paper 100% cotton Tiepolo Fabriano covering the plate, is passed through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. 2016 Group Show - Guild Hall, East Hampton, N.Y., USA 2013-16 Barcelona Design Gallery, Barcelona, Spain 2010 Group Show - Elaine Benson Gallery, Bridgehampton, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - Gallery International Naive Art, N.Y., USA 2009 Group Show - Gallery International Naive Art, N.Y., USA 2008 Group Show - Gallery International Naive Art, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - The Winter Tree Gallery, Sag Harbor, N.Y., USA Gina Gallery, New York, N.Y., USA Guild Hall, East Hampton, N.Y., USA 2007 The Cordova Gallery, Greenport, N.Y., USA 2006 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2005 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2004 One Person Show - JP Morgan Chase, New York, N.Y., USA 2003 One Person Show - JP Morgan Chase, New York, N.Y., USA One Person Show - Galerie Select, East Hampton, N.Y., USA Group Show - Frank F. Miele Gallery, New York, N.Y., USA 2002 Group Show - Eugenia Cucalon Gallery, New York, N.Y., USA 2001 One Person Show - New York Institute of Technology, New York, N.Y., USA One Person Show - Frank F. Miele Gallery, New York, N.Y., USA 2000 One Person Show - Galerie Select, East Hampton, N.Y., USA 1999 One Person Show - Galerie Select, East Hampton, N.Y., USA 1998 One Person Show - Galerie Select, East Hampton, N.Y., USA 1997 One Person Show - Galerie Select, East Hampton, N.Y., USA 1995 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1993 Expansion of Furniture and Jewelry Lines 1992 One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1991 One Person Show - Tamames Gallery, Madrid, SPAIN 1990 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1989 One Person Show - Wenniger Graphics, Boston, Massachusetts, USA Group Show - Wenniger Graphics, Boston, Massachusetts, USA One Person Show - Beaux Arts International Gallery, Toronto, CANADA 1988 One Person Show Fontana Gallery, Tokyo, JAPAN One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1987 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1986 One Person Show - Collector's Guild, Short Hills, New Jersey, USA One Person Show - Sharon Park Gallery, San Francisco, California, USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA 1985 Group Show - "New York Hispanic Expressions", City Hall, New York, N.Y., USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA One Person Show - The Lessing Gallery, New York, N.Y., USA 1984 One Person Show - Art Works Gallery, State College, Boalsburg, Pennsylvania, USA One Person Show - JoAnn Perse Gallery, Little Rock, Arkansas, USA 1983 One Person Show - The Hyatt Gallery, Nice, FRANCE Group Show - Neville Gallery, Toronto, CANADA One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates and Furniture for the Winter Tree Gallery, New York, N.Y., USA 1979 First Prize, National Arts Club Competition, New York, N.Y., USA 1977 One Person Show - Bryant Public Library, Roslyn, New York, USA 1976 One Person Show - Cordoba Gallery...

Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...

Between full and last quarter moon, late at night or in the early morning, you may see the moon in its waning gibbous phase: less than full but more than half-lighted. A full moon ri...

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Original Ha...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

A very fine impression

Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...

Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...

Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/...

Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...

Aquatint, Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagni...

Arnulf Rainer (1929) Paris : Tribute to Louvre Museum with Orange Scratch Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Cha...

'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...