1880s Landscape Prints

Ninfe Resting is an original etching artwork realized by Eugène Charvot after Narcisse Diaz de la Pena in 1880 ca. Signed on the plate. Titl...

Sailing on the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...

Hotel Saint-Charles is a beautiful black and white xylograph on paper, realized in 1880 by Auguste Victor Deroy. Original title: Nouvelle-Orléans: Hôtel Saint-Charles Signed on pl...

Egyptian on camel is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egy...

An original chromolithograph from the Celebrated Dogs of America by Alexander Pope Jr. and published by S.E. Casino, Boston,1882. This compositio...

Image dimensions: 23.5 x 15.8 cm. La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay. Signed on plate on sides. Title ...

Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...

Egyptian barber is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt...

"Old Barns" is an original etching signed by the artist Stephen Parrish. This etching depicts two barns in a rocky forest-edge landscape. The scene suggests nature's gentle and slow ...

This splendid lithograph, realized in 1880s, is part of the series of prints dedicated to views of the Landscape, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is very good. The signature is engraved on the plate the lower right. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Original etching realized by James Ensor in 1889. Hand signed and dated. Good conditions, small stain lower right. Image Dimensions : 15 x 23 cm References: Delteil, Taevernier 74.

Minaret on the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...

Oriental scene is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt ...

Temple on the Nilo is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Eg...

Very fine print on verge crème. Some small traces of oxidation, dust and some flowerings on external edges of sheet, otherwise excellent conditions. Full margins. Ref. Wentworth 50.

Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...

Bird’s Eye View of Glascow original 1888 wood engraving is from The Graphic by H.W. Brewer who was well known for his aerial views of topographical panoramas. He was also the fa...

Beautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.

Intérieur de Forêt is an original etching realized after N. Diaz de la Pena in 1880 ca. Engraved by P. Leterrier. Titled on the lower center. The state of preservation is good. Th...

La Mare dans la clairière is an original etching realized after a painting by Narcisse Diaz de la Pena in 1880 ca. Signed on the plate. Title...

Garden is a beautiful black and white lithograph on paper, realized by Marco Calderini (Tourin 1850-1948) around 1880. Representing a luxurious and decadent garden with a central fo...

Medium: original etching. This impression on laid paper was printed by A. Salmon and published in Paris by L'Art ca. 1880. Size: 11 x 8 3/8 inches (image) -- 280 x 212 mm. Signed in ...

Dalmation & Bull Terrier 1883-84 Chromolithograph 8.5 x 11 inches

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

"The Main Bridge" is an etching by William Goodrich Beal, signed in the lower right. The etching shows a quaint scene of a small town. The foreground showed a muddy hill with some gr...

"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882. 9" x 13 3/8" art 17 5/8" x 21 3/4" frame Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker. The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[ During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States. Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast. After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting. Theodore Davis was a staff artist at Harper's Weekly. Many of his drawings were published as wood engravings in Harper's Weekly. Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...

“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...

THEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed 15...

THEODORE ROUSSEL, RBA (1847-1926) Laburnums at Battersea Etching, signed in the plate, trimmed to the plate mark and signed and inscribed on the tab: Theodore Roussel Inv. Between...

Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...

Walking along the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip t...

Interior of the Temple is a modern artwork realized d'aprés Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip ...

The Temple is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt betw...

Along the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt...

Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...

"Farm at Inlet" is an etching by Thomas R. Manley signed lower right. It depicts a waterfront scene in black and gray. 26 1/2" x 33 1/2" art 26 3/8" x 33 3/8" framed Thomas Manley...

"Castel" is an original lithograph on paper, realized by Francesco Gonin in 1880. Good conditions. The artwork represents a magnificent castel, through harmonious hatchings by delica...

Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...

View of Cheshire, Connecticut, 1882. Original lithograph was drawn and published by O. H. Bailey & Co. , a prominent 19th century map maker. The map shows a bird’s eye view of the town as it used to be, including street names and old landmarks.  Beautifully colored historic map...

Theodore Roussel (1847-1926), The Street, Chelsea Embankment, etching, 1888-9, signed in pencil on the tab and annotated “imp” [also signed lower left in the plate]. Reference: Hausb...

"Jamais Bredouille (Never Empty-Handed)" is a color lithograph after Jules Denneulin. It depicts a hunter showing his day's work to a farmer on a path at dusk. 20" x 26" art 40 1/4...

Terriers No. 1 1883-84 Chromolithograph 8.5 x 11 inches

Brendan Neiland (b.1941) R.A. (Expelled) Hampton Court (1984) Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...