Skip to main content

1930s Landscape Prints

to
244
362
98
27
21
8
Overall Width
to
Overall Height
to
297
26
16
13
7
6
2
17
12
9
9
8
980
2,043
10,536
4,121
113
170
687
662
1,293
1,852
1,816
1,154
560
637
324
189
2
271
178
132
70
61
56
52
51
38
36
26
26
20
20
19
19
18
17
15
14
218
161
87
57
51
53
65
461
55
Period: 1930s
Milwaukee Bay From Pumping Station
Located in Milwaukee, WI
Framed 19.38 x 16.50 in 8.88 x 12 inches (sheet), 8.88 x 11.88 inches (block) linoleum block print on green laid paper signed in plate
Category

1930s Landscape Prints

Materials

Linocut

Klimt, Erwartung, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.36 x 7.36 inches. Inscription: Signed in the plate and unnumbered, as issued. ...
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Early Modern Railroad Travel Advertising Serigraph of a Church in Taxco, Mexico
Located in Houston, TX
Vintage early modern railroad advertising travel poster based on an original oil painting by Californian artist Samuel Hyde Harris and printed by Velvetone Poster Co. The work featur...
Category

Modern 1930s Landscape Prints

Materials

Screen

Les étoiles, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

Stevan Dohanos, Backyard
Located in New York, NY
Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

Comets, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

W H Tittel Rastkogelhütte Original Vintage Skiing Climbing Travel Poster Austria
By W.H. Tittel
Located in London, GB
To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

1930s Black & White Print of Grand Lake Yacht Races in Colorado Mountain Lake
Located in Denver, CO
This vintage 1930s black and white lithograph by Arnold Ronnebeck (1885-1947), a prominent Colorado artist from the WPA era, beautifully captures the Grand Lake...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

St. Moritz – Swiss Original Winter Poster, Ski Race
Located in Zurich, CH
Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...
Category

Modern 1930s Landscape Prints

Materials

Paper

SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA.
Located in Portland, ME
Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 in...
Category

1930s Landscape Prints

Materials

Etching

OLIVE TREES, CAPRI
Located in Portland, ME
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...
Category

1930s Landscape Prints

Materials

Aquatint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

L’air (Dupin 1310; Mourlot 6), Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dupin, J...
Category

Surrealist 1930s Landscape Prints

Materials

Lithograph

Klimt, Bauerngarten mit Hühnern, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.69 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Klimt, Brautzug, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 10.51 x 12.05 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

Vienna Secession 1930s Landscape Prints

Materials

Paper

"Road to Cripple Creek, Colo., " Wood Engraving by Gerhard H. Bakker
Located in Milwaukee, WI
"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

Harps Once Played (Surrealist Landscape)
Located in Wilton Manors, FL
Benton Murdoch Spruance (1904-1967). Harps Once Played, 1935. Edition of 30. Lithograph on wove paper, plate measures 10.75 x 14 inches. Sheet measures 13 x 18 inches. Signed in p...
Category

Surrealist 1930s Landscape Prints

Materials

Lithograph

Oscar Weissbuch, Westchester Hills (NY), New Deal, WPA-era wood engraving
Located in New York, NY
New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category

Showa 1930s Landscape Prints

Materials

Woodcut

Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...
Category

Vienna Secession 1930s Landscape Prints

Materials

Paper

MANHATTAN MINARETS
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category

1930s Landscape Prints

Materials

Drypoint

Mine Near Continental Divide – 1930s Winter Landscape of Colorado Mountains
Located in Denver, CO
This rare 1933 lithograph by renowned modernist artist Arnold Rönnebeck captures a dramatic black-and-white winter scene of a Colorado mountain mine, blanketed in snow. The bold cont...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Shadows, Garage at Night
Located in New York, NY
Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...
Category

American Realist 1930s Landscape Prints

Materials

Drypoint

David Feinstein, Negro District, Brooklyn, 1936-39, WPA lithograph
Located in New York, NY
David Feinstein's Negro District, Brooklyn, a lithograph of 1936-39, is a marvel. It's a construction of every detail the artist could think of to show the nature of the locale: The ...
Category

Ashcan School 1930s Landscape Prints

Materials

Lithograph

Wine and Childhood Aliments
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

1933 American Art Lithograph, Clear Creek Canyon by Ross Braught, Colorado
Located in Denver, CO
This striking original lithograph, Clear Creek Canyon I (Colorado), was created in 1933 by acclaimed American artist Ross Eugene Braught (1898–1983). A master of landscape and form, ...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Le Soleil, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

“Untitled”
Located in Southampton, NY
Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...
Category

American Modern 1930s Landscape Prints

Materials

Archival Paper, Linocut

Le Vin est Necessaire aux Artistes
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

Farm in the Woods
Located in New York, NY
Werner Drewes (1899-1983), Farm in the Woods, woodcut, 1933, signed and dated in pencil lower right (also numbered 1-xxx and titled lower left). Reference: Rose 83. In very good cond...
Category

American Realist 1930s Landscape Prints

Materials

Woodcut

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Coal Boat, Milwaukee
Located in Milwaukee, WI
9.75 x 12.63 inches (sheet), 9 x 11.88 inches (block) Framed 20 x 17.25 in linoleum block print on laid paper Signed and titled to lower margin
Category

1930s Landscape Prints

Materials

Linocut

Dimanche en Bretagne
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...
Category

Realist 1930s Landscape Prints

Materials

Etching

"Country Church, " Town Landscape Linoleum Cut by Elsa E. Ulbricht
Located in Milwaukee, WI
"Country Church" is an original linoleum print by Elsa E. Ulbricht. A front facing view of a country church is proudly replicated within this print. Unsigned and unnumbered, as issued. Image:7" x 5" Framed: 15.25" x 13.25" Painter, Teacher When she directed The Milwaukee Handicraft Project, Elsa Ulbricht...
Category

American Modern 1930s Landscape Prints

Materials

Linocut

"Sur la rivière (Marne)" - On the River Marne - Hand Colored Lithograph
Located in Soquel, CA
"Sur la rivière (Marne)" - On the River Marne - Hand Colored Lithograph Serene depiction of a house along the Marne River by unknown artist "Charlot." This piece was commissioned and printed by Camilla Lucas Publishing in New York. A two-story house with a red roof sits on the bank of the river. Lush trees line the banks, some of which are depicted with orange-brown leaves, indicating that autumn has arrived. The color in this piece was added by hand. Titled "Sur la riviere (Marne)" in the lower left corner. Signed "Charlot" in the lower right corner. Presented in a wood frame with a double mat. Frame size: 20"W x 16"W Image size: 11.5"H x 9"W In 1928, Hungarian-born Sidney Zoltan Lucas founded "Camilla Lucas Publishing" which encompassed a wholesale art publishing house and a retail art gallery. This business was both wholesale and retail and dealt in reproductions of antique, modern, and contemporary prints. It also sold original art including etchings, lithographs, and paintings. Starting in the 1930's and continuing into the 1950's, Sydney Lucas traveled to Europe periodically and contracted with French and Flemish artists to publish their work under the banner of the "Paris Etching Society." During his career, Sydney published many thousands of images. He brought art into the homes of people at all levels of income through his etchings, serigraphs, woodblock prints, restrikes and reproductions. The various subjects included Redouté and Prevost Flowers, Barraband and Gould Birds, Piranesi, French Landscapes, Urban Scenes, Women, Children, Animals, Hunting and much more. Later on in the 1950s, Sydney and his wife Phyllis Lucas became the first North American publishers of original signed, limited edition lithographs by the famous surrealist artist Salvador Dali. They worked directly with Mr. Dali over several years and the three created such fine images that in 1985 the Lucas’ Collection of limited edition lithographs from Salvador Dali’s paintings were displayed alongside his original paintings at the Salvador Dali Museum...
Category

Impressionist 1930s Landscape Prints

Materials

Paper, Ink, Watercolor

Tête et Feuille, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Fauvist 1930s Landscape Prints

Materials

Lithograph

Klimt, Bildnis Friederike Maria Beer, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.48 x 9.69 inches. Inscription: Signed in the plate and unnumbered, as issued. ...
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Fauvist 1930s Landscape Prints

Materials

Lithograph

PLOUGHING IT UNDER
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975) PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8) Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Original Norwich Castle England lithographic vintage British travel poster
Located in Spokane, WA
Original linen-backed NORWICH CASTLE vintage travel poster, printed in England in 1935 by artist C. W. Hobbis and published by Page Brothers (Norwich) Ltd. It features a city center ...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

LANDSCAPE WITH SHEEP
Located in Portland, ME
Nason, Thomas. LANDSCAPE WITH SHEEP. BPL 178. Chiaroscuro woodcut printed from three blocks, 1935. Edition of 75, numbered "49/75," signed in pencil, and titled in pencil at the bott...
Category

1930s Landscape Prints

Materials

Woodcut

Composition, Alice's Adventures in Wonderland, Marie Laurencin
Located in Auburn Hills, MI
Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

Le Banquet (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Original Byrd Map of Antartic Expedition 1934 vintage poster map
Located in Spokane, WA
Original Authorized Map of the Second BYRD Antarctic Expedition vintage poster map. Printed in 1934 by G.F. Corp. Artist: George Annand. Authentic 1934 Print: This is the genuin...
Category

American Realist 1930s Landscape Prints

Materials

Offset

SPOTLIGHT ON MANHATTAN
Located in Portland, ME
Freeman, Mark (American, born Austria, 1908-2003). SPOTLIGHT ON MANHATTAN. Linocut, 1930. Signed and titled in pencil, and inscribed "Ed 40." 10 x 8 1/8inches (image), margins. Frame...
Category

1930s Landscape Prints

Materials

Linocut

Maurice Robert Dey, Rainbow on the Hudson
Located in New York, NY
Biographical information on Maurice Robert Dey is hard to find. He was born on 1899 (or maybe 1900), in Switzerland. As an adult he lived and worked in Woodstock, the NY artists' c...
Category

American Modern 1930s Landscape Prints

Materials

Linocut

Deux vieux au bord de la mer avec une pelle et une barque (B. 267-272; C. 24)
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Original Germany, St Mary's Church in Rostock vintage poster, 1930s
Located in Spokane, WA
Original Germany, Mecklenburg. St Mary’s Church in Rostock vintage German travel poster. Conservation mounted and ready to frame. Ready to frame. Photo: Wilh. Miesler, Lippsta...
Category

Art Nouveau 1930s Landscape Prints

Materials

Lithograph

"Set x Grand National Steeplechasing Scenes" c1931 by Paul D. Brown
Located in Bristol, CT
"Valentines The First Time" Ex- Deschamps-Robertson Gallery Print Sz: 5"H x 8"W Frame Sz: 7 3/4"H x 10 5/8"W
Category

1930s Landscape Prints

Materials

Paper, Lithograph

Composition, Alice's Adventures in Wonderland, Marie Laurencin
Located in Auburn Hills, MI
Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

La Lune, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

De la Sante aux Gobelins, A La gloire à Paris, Jean Frélaut
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

Montparnasse Street
Located in New York, NY
Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...
Category

American Realist 1930s Landscape Prints

Materials

Etching

"Nightrise" Public Works Art Color Woodcut
By Ruth Chaney
Located in Soquel, CA
Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...
Category

American Impressionist 1930s Landscape Prints

Materials

Paper, Ink, Woodcut

John W. Gregory, North End Street Scene (Boston)
Located in New York, NY
Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...
Category

Ashcan School 1930s Landscape Prints

Materials

Lithograph

Recently Viewed

View All