1930s Landscape Prints
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Period: 1930s
YORK AVENUE TENEMENTS
Located in Portland, ME
Landeck, Armin (American 1905-1984). YORK AVENUE TENEMENTS. Kraeft 74. Etching, 1938. Ed. 100, signed and dated in pencil. 10 1/2 x 9 inches, framed to 17 ...
Category
1930s Landscape Prints
Materials
Etching
Refinery Scene
Located in Fairlawn, OH
Refinery Scene
Lithgrah, c. 1930
Signed in pencil lower right. (see photo)
Edition c. 14
Two impressions in the artist's estate. The other impression I sold to Dave and Reba Willia...
Category
American Realist 1930s Landscape Prints
Materials
Lithograph
Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype after the 1913 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Landscape Prints
Materials
Paper
Landscape with Tree and Houses
Located in London, GB
HUGO SCHEIBER 1873-1950
1873 - Budapest-1950 (Hungarian)
Title: Landscape with Tree and Houses, circa 1930's
Technique: Signed Gouache and Pastel Painting on Paper
Size: 67.5 x 48...
Category
Art Deco 1930s Landscape Prints
Materials
Pastel, Gouache
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Landscape Prints
Materials
Paper
'Jones Island' original woodcut engraving by Gerrit Sinclair
Located in Milwaukee, WI
The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year.
6 x 5 inches, image
10 x 7.13 inches, sheet
13.43 x 12.43 inches, frame
Signed "GS" in the print block,upper left
Entitled "Jones Island" lower left (covered by matting)
Inscribed "Wood Engraving" lower center (covered by matting)
Artist name "Gerrit V. Sinclair" lower right (covered by matting)
Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding.
Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors.
Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...
Category
American Modern 1930s Landscape Prints
Materials
Engraving, Woodcut
Cat and Busybody
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
American Modern 1930s Landscape Prints
Materials
Etching, Drypoint
Harry Wickey, Stallion and Mare
By Harry Wickey
Located in New York, NY
Also a sculptor, Harry Wickey was a master printmaker and Art Students League teacher.
This rural scene pre-dates the much better known, very close subject, John Steuart Curry's li...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
'Hill' — 1930s American Modernism
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category
American Modern 1930s Landscape Prints
Materials
Woodcut
African Landscape - Original Lithograph by Emmanuel Gondouin - 1930s
Located in Roma, IT
African Landscape is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934)
The artwork is depicted through strong strokes and...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
John W. Gregory, North End Street Scene (Boston)
Located in New York, NY
Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
yours in Trust, We Must Protect it From Fire original 1939 vintage poster
Located in Spokane, WA
Linen backed original 1939 James Montgomery Flagg vintage poster: Your in Trust; we must protect it from fire. "If we would have forests--we must prevent fires: Maryland State...
Category
American Realist 1930s Landscape Prints
Materials
Offset
Ann Michalov, A View of the Park
Located in New York, NY
Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like New York City's Central Park...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
La Bella Venezia
Located in Middletown, NY
(New York: John Taylor Arms, 1930)
Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232]
[Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"].
Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
Category
American Modern 1930s Landscape Prints
Materials
Etching
untitled (Fishing Boats, Normandy)
Located in Fairlawn, OH
untitled (Fishing Boats, Normandy)
Soft Ground Etching, 1930
Signed and dated in pencil by the artist
Sealed by the artist
Annotated "Paris"
Possibly a view of a fishing port in Norm...
Category
French School 1930s Landscape Prints
Materials
Etching
Schallaburg Castle
Located in San Francisco, CA
Artist: Luigi Kasimir Austrian (1881-1962)
Title: Schallaburg Castle, Austria
Year: circa 1930
Medium: Color Etching
Sight size: 17 x 22.25 inches
Sheet Size: 20 x 25 inches
Framed Size:26.5 x 31.5 inches
Signature: Signed lower right by the artist
Edition: unknown
Condition: See below
This artwork titled "Schallaburg Castle c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right. The plate mark (image) size is 17 x 22.25 inches, paper size is 20 x 25 inches, matted size is 24 x 29 inches, framed size is 26.5 x 31.5 inches. It is custom matted with a brown inner mat, gold liner and cream-colored outer mat. The wood frame is black with a faint gold inner edge. The print is in fair-to-good condition. It is attached to the mat with archival tape. It bears the residue of a previous backing on the reverse, but that does not at all show on the front of the print. The surface of the print is in very good condition with strong colors. There are small losses to the corners of the print, far from the image. The mat is in good condition. The frame is in fair condition with some pits, mostly on the lower and upper bars. I have included pictures of the reverse of the print as well as the flaws on the frame. I can ship the print with the frame or without the frame.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Realist 1930s Landscape Prints
Materials
Paper, Etching
Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Landscape Prints
Materials
Archival Paper
Original Hluboká Castle Castle Hluboka vintage travel poster
Located in Spokane, WA
Original Castle Hluboka, Czechoslovakia vintage poster. Czechozlovak State Railways. Lithograph. Archival linen backed. Very fine condi...
Category
American Realist 1930s Landscape Prints
Materials
Lithograph
Westminster Abbey, London. Rowland Langmaid signed artist etching print
Located in Melbourne, Victoria
Westminster Abbey.
Signed in pencil by the artist below the image.
Rowland Langmaid was a marine painter and etcher who studied under William Lione...
Category
English School 1930s Landscape Prints
Materials
Etching
'Queensborough Bridge', Vienna Academy of Art, Metropolitan Museum, Smithsonian
Located in Santa Cruz, CA
Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), annotated lower left, 'Queensborough Bridge' and with title and dat...
Category
Impressionist 1930s Landscape Prints
Materials
Paper, Color, Etching
Grand Lake, Yacht Races, Colorado Mountain Lake, 1930s Black White Print
Located in Denver, CO
Grand Lake, Colorado, Yacht Races, vintage 1930s modernist, WPA era black and white lithograph by Colorado artist, Arnold Ronnebeck (1885-1947). Lake with ...
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
African Village - Original Lithograph by Emmanuel Gondouin - 1930s
Located in Roma, IT
African Village is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934)
The artwork is depicted through strong strokes and is...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Emilian Countryside Landscape - Etching by Alberto Ziveri - 1937
Located in Roma, IT
Emilian countryside landscape, 1937
Etching, 7,5 x 30 cm
Signed and example lower on the sheet: A. Ziveri, proof of author; "Ziveri. Le incisioni. Catalogo generale", a cura di Netta...
Category
Modern 1930s Landscape Prints
Materials
Etching
"In the Forest" Aquatint - Mid Century Engraving Landscape
Located in Soquel, CA
Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...
Category
Impressionist 1930s Landscape Prints
Materials
Engraving, Aquatint, Paper, Ink
Prospetto della Piazza Riuarola e Fortezza in Perugia - Etching - 1930s
Located in Roma, IT
Prospetto della Piazza Riuarola e Fortezza in Perugia is an original drawing in etching technique on paper, realized by Giovanni Monotti and by engravers Carattoli and Frezzolini.
I...
Category
Modern 1930s Landscape Prints
Materials
Etching
Landscape - Lithograph on Paper by Diego Pettinelli - 1930s
Located in Roma, IT
Landscape is a beautiful original lithograph on paper realized by Diego Petinelli.
Monogrammed, DP.
Sheet dimension: 26 x 30
Good conditions.
This contemporary artwork represents...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
FISH MARKET
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
FISH MARKET 1930
Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category
1930s Landscape Prints
Materials
Woodcut
"Concrete Mixer, Moscow": Early 20th C. Woodcut Engraving by Albert Abramovitz
Located in Alamo, CA
This is a woodcut engraving entitled "Concrete Mixer, Moscow" by Albert Abramovitz created in 1935 after a visit to the Soviet Union. It depicts three Russian workers talking in front of a wooden structure housing a cement mixer...
Category
1930s Landscape Prints
Materials
Woodcut
A. Ross Pittman, Summer Home
Located in New York, NY
This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to make prints in 1936 in Trenton, New Jersey. However, scene of his home state remain...
Category
American Modern 1930s Landscape Prints
Materials
Woodcut
WARRENPOINT AND THE MOUNTAINS (Ireland) original travel poster
By Margaret Horder
Located in Spokane, WA
WARRENPOINT AND THE MOUNTAINS of MOURNE, horizontal stone lithograph. Printer: J.B. Stephens. Professional acid-free archival linen-backed, ready to frame.
B condition image with only minor wear on the 1/2" cream outer border and a horizontal tear that was repaired during linen backing (shown in image #7). The last document copy of this poster was sold in 2021 on 1st dibs for $4518. Rare Irish Railway (railroad) lithograph poster.
Warrenpoint is a small, but beautiful town in County Down, Ireland. The hamlet itself is situated on the shores of Carlingford Lough...
Category
Art Deco 1930s Landscape Prints
Materials
Lithograph
Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category
American Modern 1930s Landscape Prints
Materials
Drypoint, Etching
Standing Katy - Etching by Alberto Ziveri - 1937
Located in Roma, IT
Standing Katy, 1937
Dry-point engraving, 19,5 x 9 cm engraving (36 x 25,5 cm sheet)
Signed lower right on the engraving: A. Ziveri; Signed, dated and example lower on the sheet: A. ...
Category
Contemporary 1930s Landscape Prints
Materials
Etching
Angry Skies (Andante Cantabile) — Central Park, New York City
Located in Myrtle Beach, SC
Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
Hal Woolf: Christ of the Andes - vintage poster c. 1930s Argentina Chile border
By Hal Woolf
Located in London, GB
Hal Woolf
Christ of the Andes
Original Vintage Poster
76x50cm
Printed by the David Allen Printing Co (London) Ltd., Wandsworth, SW18
Published by the League of Nations Union, 15 Cros...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Piazzetta, Venice
By Jan C. Vondrous
Located in Myrtle Beach, SC
Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...
Category
Impressionist 1930s Landscape Prints
Materials
Etching
Harold E. Keeler, Water Fall
Located in New York, NY
Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a woodland stage set -- to me...
Category
American Modern 1930s Landscape Prints
Materials
Linocut
Stevan Dohanos, Backyard
Located in New York, NY
Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...
Category
American Modern 1930s Landscape Prints
Materials
Woodcut
"Subway Construction, Moscow": An Early 20th C. Woodcut Engraving by Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Subway Construction, Moscow" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts many Russian workers acti...
Category
1930s Landscape Prints
Materials
Woodcut
D. Sidwell Feigin, Rain, Snow, and Time
Located in New York, NY
This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category
1930s Landscape Prints
Materials
Drypoint, Etching
Le Retour Des Pecheurs
By Manuel Robbe
Located in San Francisco, CA
Artist: Manuel Robbe (French, 1872-1936)
Title: Le Retour Des Pecheurs
Year: 1933
Medium: Etching with aquatint
Paper: B.F.K Rives
Image (plate mark) size: 1...
Category
Impressionist 1930s Landscape Prints
Materials
Aquatint
The Hospital, Santa Cruz, Toledo.
Located in Storrs, CT
Samuel Chamberlain, N.A. The Hospital, Santa Cruz, Toledo. 1938. Etching. Kingslund/Chamberlain 271. 9 3/16 x 7 5/8 (sheet 13 1/8 x 10 1/8). Edition 100 for The Print Club of Albany...
Category
American Modern 1930s Landscape Prints
Materials
Etching
LANTERN ON A HILL - NIKKO - AUTUMN
Located in Santa Monica, CA
LILIAN MILLER (1895 - 1943)
LANTERN ON A HILL - NKKO - AUTUMN, 1934 (Brown 104)
Color woodcut, signed and dated in ink in the image. Titled in pencil by the artist at lower sheet edge. Circular, 10 inches in diameter. Beautiful fresh impression In very good condition with full margins, sheet 10 5/8 x 10 1/2 inches. Miller carried on a tradition started by woman, Americans Helen Hyde, Berta Lum and Englishwoman Elizabeth Keith, who learned and used Japanese color woodcut making techniques in the first part of the 20th century.
Illustrated in "Between Two Worlds - The Life and Art of Lilian May Miller...
Category
Modern 1930s Landscape Prints
Materials
Color, Woodcut
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
American Modern 1930s Landscape Prints
Materials
Etching
Original Express Train Chemins de Fer Francais vintage railroad travel poster
Located in Spokane, WA
Original EXPRESS Chemins de Fer Francais vintage travel French poster. SNCF French railroad poster. Professionally backed on acid-free archiv...
Category
Art Deco 1930s Landscape Prints
Materials
Lithograph
"Nightrise" Public Works Art Color Woodcut
By Ruth Chaney
Located in Soquel, CA
Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...
Category
American Impressionist 1930s Landscape Prints
Materials
Paper, Ink, Woodcut
Arc de Triomphe in Snow (Napoleon's Triumphal Arch)
Located in Storrs, CT
Arc de Triomphe in Snow (Napoleon's Triumphal Arch). c. 1930. Lithograph printed in grey ink. 11 1/4 x 9 7/16 (sheet 16 x 12). A tonal impression printe...
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
Landscape - Original Etching - 1930 ca.
Located in Roma, IT
Landscape is an original etching print on paper realized in 1930 ca. by an Anonymous artist of the early 20th Century.
Hand-signed on the lower right, illegible, titled on the lowe...
Category
Naturalistic 1930s Landscape Prints
Materials
Paper, Etching
Venice - Original Etching by Giovanni Korompay - 1939
Located in Roma, IT
Venice is an original modern artwork realized in the 1939 in Italy by the italian artist Giovanni Korompay (Venice, 1904 – Rovereto, 1988).
Original Etching on paper. Sigled in pencil by the artist on the lower right corner. Numbered, titled and dated in pencil by the artist on the lower left corner: "Venice" 1938 98/100.
Edition of 100 prints. Image Dimensions: 25 x 19.5 cm
Excellent conditions.
Giovanni Korompay (Venice, 1904 - Rovereto, 1988) was an Italian painter. After being a pupil of Ettore Tito at the Academy of Fine Arts in Venice, in 1922 he joined Futurism by creating works of pure abstract rhythms (see "Rumore di locomotiva", 1922). After the war he tried, together with a few others, to reorganize the Futurist movement by organizing the "International Exhibition of Futurist Painting and Sculpture" which was held in Bologna in 1951. Korompay was also a sculptor: among others, his bronze monument...
Category
Modern 1930s Landscape Prints
Materials
Etching
EARLY GUNNER
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
EARLY GUNNER, c. 1930
Etching and drypoint signed and numbered in pencil,17. Image, 9 ½ x 15 inches. Full sheet 11 3/8 x 18 1/4 inches. With deckle ed...
Category
Abstract Impressionist 1930s Landscape Prints
Materials
Drypoint
Quartier Latin - Lithograph by A. Hallman - 1930s
Located in Roma, IT
Latin District is a beautiful original lithography artwork on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman in 1930 ca.
The state of pres...
Category
1930s Landscape Prints
Materials
Lithograph
Landscape - Lithograph on Paper by Diego Pettinelli - 1937
Located in Roma, IT
Landscape is a beautiful original lithograph on paper realized by Diego Petinelli.
Monogrammed and dated on the lower right, DP, 1937.
Sheet dimension: 31 x 40.5 cm.
good conditio...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Landscape - Lithograph on Paper by Diego Pettinelli - 1936
Located in Roma, IT
Landscape is a beautiful original lithograph on paper realized by Diego Pettinelli
Monogrammed and dated on the lower left, DP, 1936.
Sheet dimension: 29.5 x 35
good conditions e...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
A CLEAN SHOT
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
A CLEAN SHOT 1930
Etching and drypoint. Signed and numbered 26 in pencil.Signed and dated in the plate 1930. Image 10 5/8 x 13 ½ inches, sheet 12 x 18 inc...
Category
Impressionist 1930s Landscape Prints
Materials
Etching
Hut in Forest Landscape Etching
Located in Houston, TX
Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...
Category
Realist 1930s Landscape Prints
Materials
Etching
From the Ponte Vecchio
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
American Modern 1930s Landscape Prints
Materials
Etching, Aquatint
Bad Gastein Church, Austria
Located in Fairlawn, OH
Bad Gastein Church, Austria
Soft ground etching & aquatint, c. 1930
Signed in pencil by the artist (see photo)
Image: 18 1/2 x 13 3/4"
Condition: Very good...
Category
Realist 1930s Landscape Prints
Materials
Etching
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