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Period: 1930s
Montmartre, A La gloire à Paris, Charles Camoin
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

PULLING CORN (FODDER HOPPER) - Scarce Print!
By Bernard Joseph Steffen
Located in Santa Monica, CA
BERNARD (JOSEPH) STEFFEN (1907 – 1980) PULLING CORN (FODDER HOPPER) c. 1935-45 Color serigraph signed with a full signature below the image at the lower right sheet edge . Unknown e...
Category

Modern 1930s Landscape Prints

Materials

Screen

Delaunay, Planche No. 38, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

L'Hôtel de Ville, A La gloire à Paris, Robert Louis Antral
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

Irving Guyer, Christmas Trees on Second Street (NYC)
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category

American Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Schwarzer Fleck (Roethel 145), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

Modern 1930s Landscape Prints

Materials

Woodcut

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Rainy Day / Fifth Avenue in New York
Located in New Orleans, LA
This is a rare New York image by Levon West Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category

1930s Landscape Prints

Materials

Drypoint, Etching

untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category

Outsider Art 1930s Landscape Prints

Materials

Drypoint

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Motiv aus Improvisation 25 (Roethel 105), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

Modern 1930s Landscape Prints

Materials

Woodcut

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Snaffles: 'The Huntsman' signed lithograph - "The 'oss loves the 'ound"
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...
Category

Impressionist 1930s Landscape Prints

Materials

Lithograph

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Le Vin Contre la Depression Nerveuse et l'Anemie
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Hal Woolf: Christ of the Andes - vintage poster c. 1930s Argentina Chile border
By Hal Woolf
Located in London, GB
Hal Woolf Christ of the Andes Original Vintage Poster 76x50cm Printed by the David Allen Printing Co (London) Ltd., Wandsworth, SW18 Published by the League of Nations Union, 15 Cros...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
Category

American Modern 1930s Landscape Prints

Materials

Drypoint

Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

Wine as a Remedy for Convalescents
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

Original "Queen of the Jungle" US 1-sheet vintage (1935) movie poster
Located in Spokane, WA
Original Queen of the Jungle vintage lithograph movie poster, archival linen backed. US 1-sheet. "The Temple of Mu." Serial. Episode No 10. St...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Squirrel - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....
Category

Modern 1930s Landscape Prints

Materials

Woodcut

Delaunay, Planche No. 33, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

Klimt, Bildnis Frau Serena Lederer, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.56 x 5.59 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Max Eisler Eine Nachlese folio "Gastein" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

Vienna Secession 1930s Landscape Prints

Materials

Paper

Présence de Paris, A La gloire à Paris, Jean Gabriel Daragnès
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

"Saint Michael's on the Danube" Church in Austria Medieval Town Landscape Alps
Located in Austin, TX
Hand colored, Copperplate Etching on Paper Image size: 9.5 x 9 in Frame size: 23.25 x 22.25 in. Date: 1935 An illustrative view of Saint Michael's, a Late Romanesque, early Gothic e...
Category

Naturalistic 1930s Landscape Prints

Materials

Ink, Archival Paper, Etching, Intaglio

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

D. Sidwell Feigin, Rain, Snow, and Time
Located in New York, NY
This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...
Category

Ashcan School 1930s Landscape Prints

Materials

Lithograph

Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...
Category

Vienna Secession 1930s Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “House in a Garden” collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GU...
Category

Vienna Secession 1930s Landscape Prints

Materials

Paper

Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Silo, Sheboygan County
Located in Milwaukee, WI
Linoleum block print with ink additions on orange laid paper Framed 18.88 x 15.88 in Signed in plate
Category

1930s Landscape Prints

Materials

Ink, Linocut

Delaunay, Planche No. 25, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

BENKEI BRIDGE
By Tsuchiya Koitsu
Located in Portland, ME
Koitsu, Tsuchiya (Japanese, 1870-1949). BENKEI BRIDGE. Color Woodblock, 1933. Printed signature and other information in the margins left and right. Vertical Oban. 14 1/4 x 9 1/2 inc...
Category

1930s Landscape Prints

Materials

Woodcut

Insel, 1933
Located in Kansas City, MO
Lyonel Feininger (after) Insel, 1933 Collotype, watercolor Size: 11.5x17in on 17.5x22in Esther Gentle, Reproduction, 1952 Signed, titled and dated in the stone Stamped and numbered b...
Category

Bauhaus 1930s Landscape Prints

Materials

Watercolor, Color

Insel, 1933
Insel, 1933
$680 Sale Price
38% Off
Cinésias et sa famille (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Delaunay, Planche No. 27, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

Marins et Femmes de Pecheurs Bretons sur les Quais
Located in San Francisco, CA
Artist: Manuel Robbe (French, 1872-1936) Title: Marins et Femmes de Pecheurs Bretons sur les Quais Year: c.1930 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark...
Category

Impressionist 1930s Landscape Prints

Materials

Aquatint

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Delaunay, Planche No. 34, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

Modern 1930s Landscape Prints

Materials

Stencil

Rainy Day, Queens
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category

American Realist 1930s Landscape Prints

Materials

Drypoint

'Oh to be in England' signed horse racing print by Snaffles
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...
Category

Impressionist 1930s Landscape Prints

Materials

Lithograph

Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Irish Setters in the Field original etching by Leon Danchin
Located in Paonia, CO
Irish Setters in the Field is an original etching by Leon Danchin showing two adult Irish Setters in a field pointing to the right.This etching is printed on Arches paper, pencil si...
Category

Other Art Style 1930s Landscape Prints

Materials

Etching

Original South Africa Express Italian Line - Genoa 1931 vintage travel poster
By Giovanni Patrone
Located in Spokane, WA
Original 1931 South Africa Express Vintage Italian Cruise Line Poster - Art Deco Masterpiece - Rare Collectible. Archival linen backed in Grade A- condition. This poster features...
Category

Art Deco 1930s Landscape Prints

Materials

Lithograph

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

Vienna Secession 1930s Landscape Prints

Materials

Archival Paper

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

"Flood Waters, " Landscape Wood Engraving by Harold Wescott
By Harold Wescott
Located in Milwaukee, WI
"Flood Waters" is an original wood engraving by Harold Wescott, It features a tree in the center, with its roots wrapping languidly over a form. High waters rise up from the back. Un...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
Located in Santa Monica, CA
EARLY JACOULET PAUL JACOULET (1896 – 1960) UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935 A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29) Color woodcut, with metallic ...
Category

Modern 1930s Landscape Prints

Materials

Woodcut, Color

City Hall Square, Milwaukee
Located in Milwaukee, WI
Framed 16.25 x 18.75 in 11.38 x 8.75 inches (sheet), 11.25 x 8.75 inches (block) Linoleum block print on laid paper. Signed in plate
Category

1930s Landscape Prints

Materials

Linocut

The Net
Located in Milwaukee, WI
This piece is an original linoleum block print created and printed by George Raab. The lower margin is titled and signed by the artist in graphite. The lower left has the title. The ...
Category

1930s Landscape Prints

Materials

Linocut

Silo
Located in Milwaukee, WI
9.25 x 12 inches (sheet), 8.75 x 12 inches (block) Linoleum block print on laid paper Framed 16 x 18.88 in Signed to lower margin
Category

1930s Landscape Prints

Materials

Linocut

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