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Period: 1930s
'New York, Central Park' — 1930s American Modernism
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category
American Modern 1930s Landscape Prints
Materials
Etching
Picasso, Composition (Cramer 30; Horodisch D14; Bloch 307; Matarasso 28) (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, L'indicatif présent ou l'infirme del qu'il est, 1938. Published by Éditions Sou...
Category
Cubist 1930s Landscape Prints
Materials
Lithograph
Schwarzer Fleck (Roethel 145), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
Modern 1930s Landscape Prints
Materials
Woodcut
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
Modern 1930s Landscape Prints
Materials
Lithograph, Stencil
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
Modern 1930s Landscape Prints
Materials
Lithograph, Stencil
Puerta del Obispo ( Romanesque Spanish Cathedral)
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category
American Modern 1930s Landscape Prints
Materials
Etching
Delaunay, Planche No. 10, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
American Realist 1930s Landscape Prints
Materials
Etching
Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
Derain, Au Jardin d'Allah, Verve: Revue Artistique et Littéraire (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with additional lithography by the artist on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 4, 1939. Printed by Mourlot Freres, Paris, 1938.
ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
Modern 1930s Landscape Prints
Materials
Lithograph, Stencil
Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
St. Moritz – Swiss Original Winter Poster, Ski Race
Located in Zurich, CH
Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...
Category
Modern 1930s Landscape Prints
Materials
Paper
Silo, Sheboygan County
By George Raab
Located in Milwaukee, WI
Linoleum block print with ink additions on orange laid paper
Framed 18.88 x 15.88 in
Category
1930s Landscape Prints
Materials
Ink, Linocut
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
American Modern 1930s Landscape Prints
Materials
Etching
La Promenade en Bateau - Lithograph by Raoul Dufy - 1930s
By Raoul Dufy
Located in Roma, IT
La Promenade en Bateau is an original modern artwork realized by Raoul Dufy in 1930s
Original Lithograph.
Good conditions.
Raoul Dufy (1877-1953) He was a French artist and design...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Delaunay, Planche No. 14, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Matisse, Scène d'intérieur, Dix Reproductions (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category
1930s Landscape Prints
Materials
Drypoint, Etching
Delaunay, Planche No. 27, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Action de Vin sur Le Moral (How Wine Affects the Morale)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
Post-Impressionist 1930s Landscape Prints
Materials
Lithograph
Klimt, Brautzug, Gustav Klimt, Eine Nachlese (after)
By Gustav Klimt
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 10.51 x 12.05 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category
Symbolist 1930s Landscape Prints
Materials
Lithograph
Mine Near Continental Divide – 1930s Winter Landscape of Colorado Mountains
Located in Denver, CO
This rare 1933 lithograph by renowned modernist artist Arnold Rönnebeck captures a dramatic black-and-white winter scene of a Colorado mountain mine, blanketed in snow. The bold cont...
Category
American Modern 1930s Landscape Prints
Materials
Lithograph
Jardins de Paris, A La gloire à Paris, Luc-Albert Moreau
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
Modern 1930s Landscape Prints
Materials
Etching
Delaunay, Planche No. 19, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Vintage Landscape Etching - The Flock
Located in Houston, TX
Vintage black and white etching of a farmer leading his flock of sheep to a pasture bordered by a small village by French artist Emile Roux Fabre, circa 1930. Signed in pencil lower ...
Category
1930s Landscape Prints
Materials
Paper, Ink
Joseph Webster Golinkin, On the Dock, Banana Boat, New Orleans
Located in New York, NY
Chicago-born Golinkin studied at the Artist Students League with George Luks. After working as an illustrator for New York papers he joined the Navy in 1939 and retired as a Rear Adm...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
Wine as a Remedy for Convalescents
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
Post-Impressionist 1930s Landscape Prints
Materials
Lithograph
Delaunay, Planche No. 35, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Kevin B. O'Callahan, (Street Scene) (Buffalo, NY?)
Located in New York, NY
This (Street Scene) is undoubtedly O'Callahan's hometown of Buffalo, NY, where he lived and spent most of his career. The artist's name appears in pencil at the bottom edge on the re...
Category
Aesthetic Movement 1930s Landscape Prints
Materials
Intaglio
Delaunay, Planche No. 25, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Derain, Au Jardin d'Allah, Verve: Revue Artistique et Littéraire (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with additional lithography by the artist on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 4, 1939. Printed by Mourlot Freres, Paris, 1939.
ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Milwaukee Bay From Pumping Station
By George Raab
Located in Milwaukee, WI
Framed 19.38 x 16.50 in
8.88 x 12 inches (sheet), 8.88 x 11.88 inches (block)
linoleum block print on green laid paper
Category
1930s Landscape Prints
Materials
Linocut
Delaunay, Planche No. 12, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
Matisse, Flowers II, Verve: Revue Artistique et Littéraire (after)
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Signed in the plate. Good condition with centerfold and binding pinholes, as issued. Notes: From the volume, Verve: Revue Artistiq...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Borès, La terre, Verve: Revue Artistique et Littéraire (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, December 1937. Printed by Mourlot Freres, Paris, 1937.
FRANCISCO BORES (1898-1972) was an important figure of twentieth-century European art. His presence was important among the second wave of Spanish artists who arrived in Paris in the 1920s, which also included Pablo Picasso, Ginés Parra, Pedro Flores...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
The Decent (Published by the WPA/Federal Arts Project)
Located in Santa Monica, CA
FRANCIS SHIELDS (1908 – 1984)
THE DESCENT c. 1937
Lithograph, signed and titled. Edition c. 25. Done for the WPA/Federal Art Pro...
Category
Surrealist 1930s Landscape Prints
Materials
Lithograph
Delaunay, Planche No. 34, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Landscape Prints
Materials
Stencil
EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
Located in Santa Monica, CA
EARLY JACOULET
PAUL JACOULET (1896 – 1960)
UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935
A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29)
Color woodcut, with metallic ...
Category
Modern 1930s Landscape Prints
Materials
Color, Woodcut
Derain, Au Jardin d'Allah, Verve: Revue Artistique et Littéraire (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with additional lithography by the artist on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 4, 1939. Printed by Mourlot Freres, Paris, 1939.
ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Venice - Original Etching by Giovanni Korompay - 1938
Located in Roma, IT
Image dimensions: 25x20 cm.
Edition of 100 prints, numbered and hand signed.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Ita...
Category
Futurist 1930s Landscape Prints
Materials
Etching
D. Sidwell Feigin, Rain, Snow, and Time
Located in New York, NY
This lithograph shows the Obelisk (Cleopatra’s Needle), 1425 BCE, in Central Park, New York City, just behind the Metropolitan Museum of Art, on Greywacke Knoll. (This makes it a double example of ‘art about art.’) Carved from a single piece of granite from Aswan, it was gifted to this country by the Khedive Ismail Pasha...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
W H Tittel Rastkogelhütte Original Vintage Skiing Climbing Travel Poster Austria
By W.H. Tittel
Located in London, GB
To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...
Category
Modern 1930s Landscape Prints
Materials
Lithograph
Dam: Decatur, Ill.
By George Raab
Located in Milwaukee, WI
Linoleum block print with ink additions on mustard laid paper
9 x 11.88 inches (sheet), 8.88 x 11.75 (block)
Framed 16.82 x 19.75
Category
1930s Landscape Prints
Materials
Ink, Linocut
Snaffles: 'The Timber Merchant' 1930s lithograph signed in pencil
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Charles "Snaffles" Johnson Payne (1884-1967)
The Timber Merchant (c. 1932)
Lithograph
47 x 43 cm
Signed in pencil...
Category
Impressionist 1930s Landscape Prints
Materials
Lithograph
Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
Vienna Secession 1930s Landscape Prints
Materials
Archival Paper
Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
Located in Chicago, IL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...
Category
Vienna Secession 1930s Landscape Prints
Materials
Paper
A 1930 Lithograph of the First House Built in Chicago by Raoul Varin
By Raoul Varin
Located in Chicago, IL
A 1930 lithograph on paper by artist Raoul Varin, titled "The First House Built in Chicago". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL
- Printed in 1930. Artwork size: ...
Category
American Modern 1930s Landscape Prints
Materials
Paper, Lithograph
Early Black and White Still Life Photograph of an Interior Fireplace Hearth
Located in Houston, TX
Early black and white still life photograph of a fireplace. The piece also documents the various items used to decorate the hearth including woven basketed and earthen pots...
Category
Realist 1930s Landscape Prints
Materials
Silver Gelatin
1930 Lithograph in Colors by Raoul Varin, Titled "Chicago in 1779"
By Raoul Varin
Located in Chicago, IL
A 1930 lithograph in colors on paper by artist Raoul Varin, titled "Chicago in 1779 (Then Called Eschikago)". Archivally matted to 20" x 24 5/8". Provenance: Arthur Ackerman & Son...
Category
American Modern 1930s Landscape Prints
Materials
Paper, Lithograph
St. Moritz – Original Swiss Winter Poster
Located in Zurich, CH
Original Swiss Travel Poster promoting St. Moritz as winter destination, featuring Germaine Aussey, then a famous French actress.
Created by Walter Herdeg who – together with Herber...
Category
Modern 1930s Landscape Prints
Materials
Paper
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
American Modern 1930s Landscape Prints
Materials
Drypoint
Ann Michalov, A View of the Park
Located in New York, NY
Originally from Illinois, Ann Michalov worked in Spokane, Seattle and Portland, where she finally settled. This lithograph however really looks very like ...
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
American Modern 1930s Landscape Prints
Materials
Drypoint
Le Vin Contre la Depression Nerveuse et l'Anemie
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
Post-Impressionist 1930s Landscape Prints
Materials
Lithograph
'Oh to be in England' signed horse racing print by Snaffles
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Charles "Snaffles" Johnson Payne (1884 - 1967)
"Oh! To Be In England Now That April's There"
Lithograph
51 x 67 cm
Signed in pencil lower left.
Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...
Category
Impressionist 1930s Landscape Prints
Materials
Lithograph
Leonard Pytlak, (Industrial Landscape, New York City)
Located in New York, NY
This lithograph is signed and number in pencil. It is numbered 18/18 indicating there were 18 impressions of this subject printed.
Category
Ashcan School 1930s Landscape Prints
Materials
Lithograph
Le Banquet (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category
Cubist 1930s Landscape Prints
Materials
Etching
