1930s Landscape Prints

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...

"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...

Le Tronc de l'arbre is an artwok realized in 1935, by the French Artist Paul Emile Colin . Black and white etching on paper. Hand Signed on the right corner. Limited edition of 35, ...

Reginald Marsh (1898-1954), Skyline from Pier 10, Brooklyn, etching, 1931, signed in pencil [also signed in the plate]. Reference: Sasowsky 129. First state (of 4). In very good cond...

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...

Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...

Landscape is an Original woodcut print realized by A. Jacquol in January 1934. The beautiful artwork is in good condition included a green cardboard (25x32.7 cm). Monogrammed on th...

African Landscape is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and...

Ex Libris KRCMY is an original Modern Artwork realized in 1934. Original Ex Libris paper. Hand-signed and dated by the artist on the lower right corner in pencil. Original Colored ...

Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....

Historical Monument is an original etching on paper realized by Lino Bianchi Barriviera in 1936. Hand-signed in pencil on the lower margin. Title a...

Venice is an original modern artwork realized in the 1939 in Italy by the italian artist Giovanni Korompay (Venice, 1904 – Rovereto, 1988). Original Etching on paper. Sigled in pencil by the artist on the lower right corner. Numbered, titled and dated in pencil by the artist on the lower left corner: "Venice" 1938 98/100. Edition of 100 prints. Image Dimensions: 25 x 19.5 cm Excellent conditions. Giovanni Korompay (Venice, 1904 - Rovereto, 1988) was an Italian painter. After being a pupil of Ettore Tito at the Academy of Fine Arts in Venice, in 1922 he joined Futurism by creating works of pure abstract rhythms (see "Rumore di locomotiva", 1922). After the war he tried, together with a few others, to reorganize the Futurist movement by organizing the "International Exhibition of Futurist Painting and Sculpture" which was held in Bologna in 1951. Korompay was also a sculptor: among others, his bronze monument...

Landscape is a beautiful original lithograph on paper realized by Diego Petinelli. Monogrammed, DP. Sheet dimension: 26 x 30 Good conditions. This contemporary artwork represents...

"Trees" is an original wood engraving print by Betsy Ritz Friebert. It features a man walking down a large path underneath tall barren trees. Unsig...

Reginald Marsh (1896-1954), Pennsylvania Rail Road Loco Waiting to be Junked, 1932, etching, signed in pencil lower right and numbered “12” lower left. Reference: Sasowsky 130, fift...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

America is an original artwork realized around 1830. Original black and whiteprint Quite good conditions except for foxings especially along the margin. Original title L'America. ...

"Country Church" is an original linoleum print by Elsa E. Ulbricht. A front facing view of a country church is proudly replicated within this print. Unsigned and unnumbered, as issued. Image:7" x 5" Framed: 15.25" x 13.25" Painter, Teacher When she directed The Milwaukee Handicraft Project, Elsa Ulbricht...

Image dimensions: 25x20 cm. Edition of 100 prints, numbered and hand signed. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Ita...

Fascinating view of Ravello (Amalfi Coast) by Nicola Galante. Published in 100 prints, it is hand signed lower right by the artist. This artwork is shi...

"Engagez-Vous Dans La Marine (Battleship)" is an original color lithograph poster signed and dated in print, A. Theunissen. It depicts a battleship on the ocean with a call for engag...

Classic colour plate pencil signed by Sir Alfred J Munnings 'The Pytchley Huntsman- "Frank Freeman on Pilot" published 1930 by Frost & Reed London with a blind stamp (LL) Image Sz:...

Hotel Restaurant Le Telepherique, 1939 Offset. Little is known of this Graphic Artist, other than he designed very nice posters.

Jean-Emile Laboureur (1877-1943), Maisons au Bord de la Mer, etching, 1936, numbered bottom right (26/66) and inscribed in the bottom margin by Suzanne Laboureur (see below). Referen...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

Limited Edition of 999 published by Currier & Ives 1930 Print Sz: 11 1/4"H x 16"W Frame Sz: 16 1/4H x 21 1/4"W

HUGO SCHEIBER 1873-1950 1873 - Budapest-1950 (Hungarian) Title: Landscape with Tree and Houses, circa 1930's Technique: Signed Gouache and Pastel Painting on Paper Size: 67.5 x 48...

A natural landscape painting is beautiful because it connects us to the innate tranquility and majesty of the natural world. The harmonious colors, such as the greens of forests, the...

Limited Edition of 999 published by Currier & Ives 1930 Print Sz: 11 1/4"H x 16"W Frame Sz: 16 1/4H x 21 1/4"W

FRANCES H. GEARHART (1869 – 1958) ON AND UP c. 1937 Color block print. Signed and titled in pencil. Edition unknown but rarely appears on the market. Large image 12 1/8 x 11 3/4”, ...