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Early 1800s Landscape Prints

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Period: Early 1800s
Biensennyo-ko Japanese Woodblock Print
Located in Houston, TX
Japanese Woodblock print of a Biensennyo-ko a powder face women. Behind the women is a framed cityscape. The print is possibly from the series "Eight Favorite Things in the Modern World". The woodblock print is printed on rice paper. The print is not framed. Artist Biography: Keisai Eisen...
Category

Edo Early 1800s Landscape Prints

Materials

Woodcut

The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. James Basire II (1769 - 1822) after Edward Dayes...
Category

Realist Early 1800s Landscape Prints

Materials

Engraving

Little Devils Bridge over the Russ, above Alt Dorft Swiss
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss From: Liber Studiorum Etching and mezzotint, 1809 Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category

Romantic Early 1800s Landscape Prints

Materials

Mezzotint

Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category

Naturalistic Early 1800s Landscape Prints

Materials

Engraving

"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category

Other Art Style Early 1800s Landscape Prints

Materials

Etching, Aquatint

Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category

French School Early 1800s Landscape Prints

Materials

Engraving, Paper

Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...
Category

Victorian Early 1800s Landscape Prints

Materials

Engraving

Paris - Lithograph by Horace Vernet - 1805
Located in Roma, IT
Paris is an Original Lithograph realized by Horace Vernet in 1805. Good condition on a grey paper. No signature. Émile Jean-Horace Vernet (30 June 178...
Category

Modern Early 1800s Landscape Prints

Materials

Lithograph

1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...
Category

Realist Early 1800s Landscape Prints

Materials

Etching, Aquatint

1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category

Realist Early 1800s Landscape Prints

Materials

Etching, Aquatint

1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category

Realist Early 1800s Landscape Prints

Materials

Engraving, Etching

1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category

Realist Early 1800s Landscape Prints

Materials

Etching, Aquatint

Related Items
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
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Naturalistic Early 1800s Landscape Prints

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Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
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Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
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Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
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American Modern Early 1800s Landscape Prints

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View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
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Naturalistic Early 1800s Landscape Prints

Materials

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Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

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Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper Ed: 63/75
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Realist Early 1800s Landscape Prints

Materials

Engraving

The Pathfinder
By Mark Maggiori
Located in Draper, UT
Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag. 28 × 32 in from an Edition of 539. O...
Category

Land Early 1800s Landscape Prints

Materials

Paper

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
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Naturalistic Early 1800s Landscape Prints

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'A Winter's Evening' Wood Engraving, Smithsonian, Carnegie, Brooklyn Museum, AIC
Located in Santa Cruz, CA
Signed lower right, 'G. Mortensen' for Gordon Mortensen (American, born 1938) and dated 1979. Titled lower left, 'A Winter Afternoon' with number and ...
Category

Realist Early 1800s Landscape Prints

Materials

Mulberry Paper, Engraving

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category

Naturalistic Early 1800s Landscape Prints

Materials

Engraving, Etching, Aquatint

Leaf
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...
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Contemporary Early 1800s Landscape Prints

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Mezzotint

Previously Available Items
Sea Onion & Crinum Plants: A Pair of 19th Century Hand-colored Curtis Engravings
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
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Naturalistic Early 1800s Landscape Prints

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Engraving

Basle
By J.M.W. Turner
Located in Storrs, CT
Basle. c. 1806-07. Published by J.M.W. Turner, ?11 June 1807. Etching and mezzotint. Finberg 5.ii/vi. Series: Liber Studiorum Part I. Image: 7 1/4 x 10 1/4; plate: 8 1/4 x 11 1/4; sh...
Category

Romantic Early 1800s Landscape Prints

Materials

Mezzotint, Etching

Basle
Basle
H 8.24 in W 11.25 in
Kakegawa from the series "Fifty-three Stations of the Tokaido Folk Art Woodblock
Located in Long Island City, NY
Katsushika Hokusai - Kakegawa, from the series "Fifty-three Stations of the Tokaido, Year: circa 1806, Medium: Woodblock, Size: 8.5 x 6.5 in. (21.59 x 16.51 cm)
Category

Folk Art Early 1800s Landscape Prints

Materials

Woodcut

First and Second Pyramid of Gizah, Ancient Memphis /// Luigi Mayer Egyptian Art
Located in Saint Augustine, FL
Artist: (after) Luigi Mayer (Italian, 1755-1803) Title: "First and Second Pyramid of Gizah, Ancient Memphis" Portfolio: Views in Egypt Year: 1801 (First edition) Medium: Original Hand-Colored Aquatint on J. Whatman paper Limited edition: Unknown Printer: Thomas Bensley, London, UK Publisher: Robert Bowyer...
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Old Masters Early 1800s Landscape Prints

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Watercolor, Aquatint

Head of the Colossal Sphinx (of Giza) /// Luigi Mayer Ancient Egyptian Landscape
Located in Saint Augustine, FL
Artist: (after) Luigi Mayer (Italian, 1755-1803) Title: "Head of the Colossal Sphinx (of Giza)" Portfolio: Views in Egypt Year: 1801 (First edition) Medium: Original Hand-Colored Aquatint on J. Whatman paper Limited edition: Unknown Printer: Thomas Bensley, London, UK Publisher: Robert Bowyer...
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Old Masters Early 1800s Landscape Prints

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Watercolor, Aquatint

JMW Turner & Charles Turner, Drawing Of The Clyde, Liber Studiorum, Etching
By J.M.W. Turner
Located in Cheltenham, GB
This early 19th-century etching by British engraver Charles Turner (1774-1857) was produced in collaboration with JMW Turner (1775-1851) and forms part of the Liber Studiorum (book o...
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Academic Early 1800s Landscape Prints

Materials

Paper, Etching

VACCINATION
Located in Santa Monica, CA
CHARLES WILLIAM (1797- 1830) VACCINATION, c. 1802 (BM/DG vol. VIII, London 1947, no. 9925) Etching with probably later coloring. F.L. Smyth Stuart Esq. 63 Fleet Street. Sheet 7 ½ x...
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Old Masters Early 1800s Landscape Prints

Materials

Etching

Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi. Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
Category

Baroque Early 1800s Landscape Prints

Materials

Etching

Flowering Sea Onion: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
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Naturalistic Early 1800s Landscape Prints

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Engraving

Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour North
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Wilkins (1778-1839) North Front of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge Engraved by James Basire for the Society of Antiquaries and published on 23 April 1809 Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. We have all three engravings of the Gate of Honour from this publication listed. Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges. Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy. This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
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Realist Early 1800s Landscape Prints

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Engraving

Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour Flank
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Wilkins (1778-1839) Plan and Flank of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge Engraved by James Basire for the Society of Antiquaries and published on 23 April 1809 Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. One of three engravings, we additionally have the other two listed. Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges, and became a fellow of Caius College in 1803. Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy. This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
Category

Realist Early 1800s Landscape Prints

Materials

Engraving

Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour South
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Wilkins (1778-1839) South Front of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge Engraved by James Basire for the Society of Antiquaries and published on 23 April 1809 Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. He published three engravings of the Gate of Honour, all three of which we have listed. Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges. Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy. This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
Category

Realist Early 1800s Landscape Prints

Materials

Engraving

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