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Period: Early 1800s
Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
Category
Victorian Early 1800s Landscape Prints
Materials
Engraving
The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
James Basire II (1769 - 1822) after Edward Dayes...
Category
Realist Early 1800s Landscape Prints
Materials
Engraving
Biensennyo-ko Japanese Woodblock Print
By Keisai Eisen
Located in Houston, TX
Japanese Woodblock print of a Biensennyo-ko a powder face women. Behind the women is a framed cityscape. The print is possibly from the series "Eight Favorite Things in the Modern World". The woodblock print is printed on rice paper. The print is not framed.
Artist Biography: Keisai Eisen...
Category
Edo Early 1800s Landscape Prints
Materials
Woodcut
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Other Art Style Early 1800s Landscape Prints
Materials
Etching, Aquatint
1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
North East View of St George's Chapel, Windsor
To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x40cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Realist Early 1800s Landscape Prints
Materials
Etching, Aquatint
1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...
Category
Realist Early 1800s Landscape Prints
Materials
Etching, Aquatint
Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category
Naturalistic Early 1800s Landscape Prints
Materials
Engraving
Little Devils Bridge over the Russ, above Alt Dorft Swiss
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss
From: Liber Studiorum
Etching and mezzotint, 1809
Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category
Romantic Early 1800s Landscape Prints
Materials
Mezzotint
1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Realist Early 1800s Landscape Prints
Materials
Engraving, Etching
Paris - Lithograph by Horace Vernet - 1805
Located in Roma, IT
Paris is an Original Lithograph realized by Horace Vernet in 1805.
Good condition on a grey paper.
No signature.
Émile Jean-Horace Vernet (30 June 178...
Category
Modern Early 1800s Landscape Prints
Materials
Lithograph
$423 Sale Price
25% Off
Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category
French School Early 1800s Landscape Prints
Materials
Engraving, Paper
1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Realist Early 1800s Landscape Prints
Materials
Etching, Aquatint
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Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
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This is an exclusive handprinted limited edition cyanotype.
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"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing.
This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
The print is in excellent condition.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
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H 21.75 in W 23.75 in D 0.88 in
Hounds Gentlemen Please by Tom Carr - Engraving 26x31 cm
Located in Geneva, CH
Work on paper
Ed: 63/75
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Original Lisieux Centre Mondial de Pelerinage (pilgrimage) vintage French poster
By Fred Money
Located in Spokane, WA
Original linen-backed Lisieux travel poster, printed by the French State Railways. Centre Mondial de Pèlerinage. Archival linen-backed and in very fine condition, ready for framing. Artist: Fred...
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H 39.5 in W 2,475 in D 0.3 in
'Sister, A portrait of the Moon' , Signed Etching c2021
Located in Frome, Somerset
'Sister' , by contemporary printmaker and artist Rosie McLay (British)
Edition 59 of 75 in total, handmade etching by the artist.
Ink on paper layed on Dutch gold leaf.
Hand etched ...
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H 17.72 in W 17.72 in D 1.19 in
The Pathfinder
By Mark Maggiori
Located in Draper, UT
Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag.
28 × 32 in from an Edition of 539.
O...
Category
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Original Orangina Lady on the beach suntan, orange drink poster
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Original Orangina vintage horizontal poster. This poster is not linen-backed and is in Grade A—A—condition, ready to be framed. It was designed in 1984 and is documented as image #38...
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H 17.5 in W 23.3 in D 0.3 in
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
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Cambridge Midsummer Fair
Located in Middletown, NY
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A 1930s Etching & Aquatint of Palmolive Building Chicago by S. Chester Danforth
Located in Chicago, IL
A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14".
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Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
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SALVO, Landscape, Color aquatint
Located in Torino, IT
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Previously Available Items
Sea Onion & Crinum Plants: A Pair of 19th Century Hand-colored Curtis Engravings
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
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Basle
By J.M.W. Turner
Located in Storrs, CT
Basle. c. 1806-07. Published by J.M.W. Turner, ?11 June 1807. Etching and mezzotint. Finberg 5.ii/vi. Series: Liber Studiorum Part I. Image: 7 1/4 x 10 1/4; plate: 8 1/4 x 11 1/4; sh...
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Kakegawa from the series "Fifty-three Stations of the Tokaido Folk Art Woodblock
Located in Long Island City, NY
Katsushika Hokusai - Kakegawa, from the series "Fifty-three Stations of the Tokaido, Year: circa 1806, Medium: Woodblock, Size: 8.5 x 6.5 in. (21.59 x 16.51 cm)
Category
Folk Art Early 1800s Landscape Prints
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First and Second Pyramid of Gizah, Ancient Memphis /// Luigi Mayer Egyptian Art
By Luigi Mayer
Located in Saint Augustine, FL
Artist: (after) Luigi Mayer (Italian, 1755-1803)
Title: "First and Second Pyramid of Gizah, Ancient Memphis"
Portfolio: Views in Egypt
Year: 1801 (First edition)
Medium: Original Hand-Colored Aquatint on J. Whatman paper
Limited edition: Unknown
Printer: Thomas Bensley, London, UK
Publisher: Robert Bowyer...
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Old Masters Early 1800s Landscape Prints
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Head of the Colossal Sphinx (of Giza) /// Luigi Mayer Ancient Egyptian Landscape
By Luigi Mayer
Located in Saint Augustine, FL
Artist: (after) Luigi Mayer (Italian, 1755-1803)
Title: "Head of the Colossal Sphinx (of Giza)"
Portfolio: Views in Egypt
Year: 1801 (First edition)
Medium: Original Hand-Colored Aquatint on J. Whatman paper
Limited edition: Unknown
Printer: Thomas Bensley, London, UK
Publisher: Robert Bowyer...
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Old Masters Early 1800s Landscape Prints
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JMW Turner & Charles Turner, Drawing Of The Clyde, Liber Studiorum, Etching
By J.M.W. Turner
Located in Cheltenham, GB
This early 19th-century etching by British engraver Charles Turner (1774-1857) was produced in collaboration with JMW Turner (1775-1851) and forms part of the Liber Studiorum (book o...
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Academic Early 1800s Landscape Prints
Materials
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VACCINATION
Located in Santa Monica, CA
CHARLES WILLIAM (1797- 1830)
VACCINATION, c. 1802 (BM/DG vol. VIII, London 1947, no. 9925)
Etching with probably later coloring. F.L. Smyth Stuart Esq. 63 Fleet Street.
Sheet 7 ½ x...
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Old Masters Early 1800s Landscape Prints
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Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi.
Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
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Baroque Early 1800s Landscape Prints
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Flowering Sea Onion: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Ornithogalum Squilla" (Common Red-rooted Sea-Onion or Officinal Squill), plate 918, published in...
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Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour North
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Wilkins (1778-1839)
North Front of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge
Engraved by James Basire
for the Society of Antiquaries and published on 23 April 1809
Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. We have all three engravings of the Gate of Honour from this publication listed.
Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges.
Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy.
This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
Category
Realist Early 1800s Landscape Prints
Materials
Engraving
Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour Flank
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Wilkins (1778-1839)
Plan and Flank of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge
Engraved by James Basire
for the Society of Antiquaries and published on 23 April 1809
Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. One of three engravings, we additionally have the other two listed.
Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges, and became a fellow of Caius College in 1803.
Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy.
This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
Category
Realist Early 1800s Landscape Prints
Materials
Engraving
Gonville & Caius College Cambridge William Wilkins (Fellow) Gate of Honour South
By William Wilkins 1
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Wilkins (1778-1839)
South Front of the Porta Honoris, one of the entrances to Gonville & Caius College Cambridge
Engraved by James Basire
for the Society of Antiquaries and published on 23 April 1809
Published in Vestuta Monumenta iv as 'Observations on the Porta Honoris of Caius College, Cambridge'. He published three engravings of the Gate of Honour, all three of which we have listed.
Wilkins designed the National Gallery, University College London and buildings for several Cambridge Colleges.
Born in Norwich, his father was a successful builder and following Norwich School and a scholarship to Caius College (graduating as 6th wrangler) he spent three years on a Grand Tour of the classical antiquities of Greece, Asia Minor and Italy.
This Grand Tour inspired the commencement of his architectural career, with his Greek-revival designs for the newly-founded Downing College...
Category
Realist Early 1800s Landscape Prints
Materials
Engraving
