Early 20th Century Landscape Prints

Theodore Roussel (1847-1926), The Avon on the Road to Bexhill, drypoint, 1919, signed in pencil and dated (15.7.19) lower left [also signed in the plate]. Reference: Hausberg 115, f...

Frank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Franz Marc (1880-1916), Germany, Member of "Blaue Reiter", expressionist. Helio etching on paper. This etching comes from the portfolio no 2, it apeard in an edition of 5 in 1922. Th...

Produced by Jno T. Faber, a Milwaukee Publisher of postcards, this image shows the historic structure of the Waukesha Beach Resort on Pewaukee Lake. Before the hotel are yellow cars ...

"Font-Romeu (Tennis/Golfing Retreat)" is an original color lithograph poster by the designer Vincent Guerra. He signed the design in the lower left. This poster depicts a woman relaxing under a tree...

An early artist proof print by Adeline Illingworth (1858-1930). Titled, 'Stephen Langton's Bridge- Headcorn, Kent'. Signed in pencil below pla...

An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...

An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae...

"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...

Schweiz, Karl. Slowakisches Bauernhaus, Ca 1911. Color linoleum cut. Framed. Provenance: Galerie Michael Pabst, Munich. Noted artist, painter, illustr...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868-1956) Wadham College...

With the invention of the halftone print process, photographic postcards like this became inexpensive to produce and became widely distributed in the first decades of the 20th centur...

Maurice Utrillo - La Place Ravignan, Montmartre - transfer lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 200 copies. Printed signature, as issued 1927 From Tableaux de Paris, Emile-Paul Freres, Paris The place is now called "La Place Emile-Goudeau" Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Pierre Bonnard - The Street - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris CHARLES...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux d...

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Pari...

From portfolio "Xylographies", 1909. One of eight heliogravures after woodcuts. Dimensions: 16.85 x 16.85 in ( 42,8 x 42,8 cm ) framed, 4.53 x 6.46 in ( 11,5 x 16,4 cm ) image Refer...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Print Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

From portfolio "Xylographies". One of eight heliogravures after woodcuts. Dimensions: 16.85 x 16.85 in ( 42,8 x 42,8 cm ) framed, 6.18 x 7.87 in ( 15,7 x 20 cm ) image Reference: Rö...

A vintage helio-etching on hand-made paper, 1949, after a 1923 drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 59 Image: 7.36 x 5.31 in ( 18,7 x 1...

A vintage helio-etching on hand-made paper, 1926 after a drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 29 Image: 7.36 x 5.2 in ( 18,7 x 13,2 cm ...

Helio-etching on hand-made paper, 1929 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 50 Image: 4.72 x 7.56 in ( 1...

Helio-etching on hand-made paper, 1923 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 17 Image: 5.43 x 7.48 in ( 13,8 x 19 cm ), Framed: 13.46 x 15.16 in ...

Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 37 Image: 5.12 x 7.48 in ( 13 x 19 cm ), Framed: 13.46 x 15.16 in ( ...

Lithograph on wove paper, 1920s by Karl Holtz ( Germany ). The unsigned lithograph is probably a later, possibly posthumous print. Black and white gold frame...

Helio-etching on hand-made paper, 1927 by Paul Klee. Signatur is printed, lower right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 39 Image: 5,0 x 7.6 in ( 12,7...

Signed and numbered in pencil; Signed in the plate Edition: 75 Provenance: Frederick Keppel & Co. Inc. No. L 8621 (label) References And Exhibitions: Published by Edmund Sagot, ...

This original lithograph is hand signed in pencil by the artist "Lovis Corinth" at the lower right corner. It was printed in 1916 in a limited edition of 50 hand signed impressions,...

Etching on paper, signed bottom left Image size: 9 x 4 3/4 inches (22.75 x 12 cm) Framed

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

Aquatint of St. Mark's in Venice. Large framed vintage aquatint of St. Mark's in Venice. Europe, early 20th century Dimension: 41" L x 33.25" W; sight 33" L x 25.25" W

This artwork titled "Heiligen Bluts" 1948, is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center...

EDVARD MUNCH (1863 – 1944) GARDEN IN SNOW, II 1913 (WO 467: Sch. 418) Woodcut, 13 ½” x 16 7/8” signed in pencil. Generally very good condition. Irregular sheet of simili-japan ...

DANIEL GARBER "Harmonville, Pennsylvania" c. 1925 Etching printed in black ink on wove paper. 7 7/8 x 11 3/4 inches, full margins. Signed, titled and inscribed "DG imp" in pencil, ...

Very rare etching by John Marin. "Ponte di Donna Onesta, Venice" 1907 Original Etching Hand Signed Lower Right Titled Lower Left Edition: c. 30 Cat. Rais: ...

Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...

Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...