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Late 19th Century Landscape Prints

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Period: Late 19th Century
"Twilight in Arizona" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and publ...
Category

Late 19th Century Landscape Prints

Materials

Etching

"A Burro Train, New Mexico" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: White 1. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 6 1/2 x 9 3/8 inches; the sh...
Category

Late 19th Century Landscape Prints

Materials

Etching

Fin de Journée
Located in Middletown, NY
Paris: Sagot, 1889. Wood engraving on cream laid Japon paper with full deckle edges, 8 3/8 x 5 3/4 (212 x 145 mm). Signed, numbered 9/35, and inscribed "1er Etat" in pencil in the l...
Category

French School Late 19th Century Landscape Prints

Materials

Handmade Paper, Woodcut

Fly Fishing, Saranac Lake
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category

American Modern Late 19th Century Landscape Prints

Materials

Etching

Galerie Chiaramonti, Vatican, Rome, Italy. Classical sculpture. Lithograph, 1870
Located in Melbourne, Victoria
'Musee du Vatican - Galerie Chiaramonti (Pie VII) avec l'entree de la Salle dite le Bras Nouveau' Tinted lithograph by Philippe Benoist (1813-1881). Titled in French and Italian. F...
Category

Victorian Late 19th Century Landscape Prints

Materials

Lithograph

Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Drypoint, Etching

Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category

Late 19th Century Landscape Prints

Materials

Engraving

Impressionism : Girls Dancing - Original lithograph, 1898
Located in Paris, IDF
Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Lithograph

Mango Hummingbirds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right. This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

Saint-Tropez-Le Port
Located in Fairlawn, OH
Saint-Tropez-Le Port Color lithograph, 1897-1898 Signed in pencil lower right (see photo) Numbered in pencil lower right: No. 68 (see photo) From: Album des Peintres-Gravures, 1898 ...
Category

Post-Impressionist Late 19th Century Landscape Prints

Materials

Lithograph

Winslow Homer 19th Century Woodcut Engraving "Making Hay"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...
Category

American Impressionist Late 19th Century Landscape Prints

Materials

Engraving, Woodcut

19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category

Late 19th Century Landscape Prints

Materials

Lithograph

Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen' (Euphorbia) German chromolithograph, circa 1895. 240mm by 155mm (sheet)
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

One Hundred Aspects of the Moon, Mt Otawa Moon - Bright God Tamura
Located in Soquel, CA
"Mount Otawa Moon: Bright God Tamura" - Woodblock on Paper by Tsukioka Yoshitoshi From the series "One Hundred Aspects of the Moon" This piece depicts the general Sakanoe no Tamura...
Category

Edo Late 19th Century Landscape Prints

Materials

Paper, Ink, Woodcut

Frontispiece for Le Graveurs du XIX Siècle, by Henri Béraldi
Located in Middletown, NY
Paris: J & A Lamercier, 1885. Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins. Seventh state (of 7), after the remo...
Category

French School Late 19th Century Landscape Prints

Materials

Handmade Paper, Etching

FULHAM
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834-1903 London) FULHAM 1879 (K 182 ii/ii; Glasgow 181 iii/iv?) Etching 5 1/8 x 8, sheet, 9 ½ x 12 ¼ inches. In very good condition save for hint o...
Category

Late 19th Century Landscape Prints

Materials

Etching

The Battery and Castle Garden
Located in Middletown, NY
Society of Iconophiles, 1898. Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...
Category

American Modern Late 19th Century Landscape Prints

Materials

Lithograph

Antique French Print of Archway and Seascape
Located in Soquel, CA
Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent). Beautifully rendered piece of an idyll...
Category

French School Late 19th Century Landscape Prints

Materials

Lithograph, Laid Paper

Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Drypoint, Etching, Aquatint

San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...
Category

Late 19th Century Landscape Prints

Materials

Woodcut

Original Vichy stone lithograph vintage French poster
Located in Spokane, WA
Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

La Visitation à la Ville Montrouge - Lithograph by Maurice Denis - 1896
Located in Roma, IT
Edition of 100 prinst on verge crème, numbered and signed by the artist in pencil. Hand signed. Full margins. Belonging to the suite “L’Album des peintres-graveurs”. Ref. Cat. Cai...
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category

French School Late 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Original "Cycles Omnium" turn of the century vintage bicycle poster
Located in Spokane, WA
Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

View of the Island of San Mauro - Lithograph by Giuseppe Ruo- 1880s
Located in Roma, IT
Lithograph hand watercolored, realized by Giuseppe Ruo in 1880s. Good condition.
Category

Modern Late 19th Century Landscape Prints

Materials

Lithograph

A Burro Train, New Mexico
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category

American Realist Late 19th Century Landscape Prints

Materials

Laid Paper, Etching

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category

Post-Impressionist Late 19th Century Landscape Prints

Materials

Mulberry Paper, Lithograph

L'Église Saint-Jacques de Dieppe
Located in BOULOGNE-BILLANCOURT, FR
Artiste polyvalent, Paul Helleu connaît le succès de son vivant avec ses tableaux, ses pastels et ses dessins aux trois crayons, mais également en tant que graveur. En témoigne le ti...
Category

Post-Impressionist Late 19th Century Landscape Prints

Materials

Paper, Etching

A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Photogravure

Original Cabourg la plus belle plague vintage French beach poster
Located in Spokane, WA
Original poster: CABOURG. "Casino. Grand Hôtel Noël & Pattard, propriétaires du Grand Hôtel à Monte-Carlo". Caubourg, la plus belle plage. Artist: ...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category

French School Late 19th Century Landscape Prints

Materials

Laid Paper, Engraving, Aquatint

Courtiers under a wisteria draped pine tree
Located in Middletown, NY
Tokyo: Yokoyama Ryohachi, 1892 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...
Category

Edo Late 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延). Colorful and expressive court scene. Two actors...
Category

Edo Late 19th Century Landscape Prints

Materials

Ink, Rice Paper, Woodcut

Moonlight Glade (small private burial ground in New England)
By William Woodward
Located in New Orleans, LA
"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,. William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there. At the behest of William Preston...
Category

American Modern Late 19th Century Landscape Prints

Materials

Etching, Aquatint

Place de la Concorde, Paris
Located in Middletown, NY
Paris: Gebbie & Co., 1895. Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category

French School Late 19th Century Landscape Prints

Materials

Handmade Paper, Engraving, Photogravure

Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category

Edo Late 19th Century Landscape Prints

Materials

Watercolor, Handmade Paper, Woodcut

The Angelus - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Francois MILLET (after) The Angelus, 1873 Original Etching Engraved by Martinez under the supervision of PUVIS DE CHAVANNES Printed signature in the ...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Etching

Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...
Category

Symbolist Late 19th Century Landscape Prints

Materials

Handmade Paper, Engraving

The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Drypoint, Etching

Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category

French School Late 19th Century Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Fallen Rider - Etching by Max Klinger - 1881
Located in Roma, IT
Fallen Rider  is a modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...
Category

Symbolist Late 19th Century Landscape Prints

Materials

Etching

The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category

English School Late 19th Century Landscape Prints

Materials

Engraving, Photogravure

Mending the Tears
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie. This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass. “Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category

American Impressionist Late 19th Century Landscape Prints

Materials

Etching

Paris - Eglise de L'abbaye de St Denis, French lithograph, 1861
Located in Melbourne, Victoria
'Eglise de L'abbaye de St Denis', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', p...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

Opus IV, Simplicius in der Waldeinode - Etching by Max Klinger - 1881
Located in Roma, IT
Opus IV, Simplicius in der Waldeinode (Simplicius in the Wilderness) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. ...
Category

Symbolist Late 19th Century Landscape Prints

Materials

Etching

Paysage d'Italie - Etching by Camille Corot - 1870s
Located in Roma, IT
Paysage d'Italie is an artwork realized by Corot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...
Category

Modern Late 19th Century Landscape Prints

Materials

Etching

Ladies in The Paris Street - Belle Epoque Period - Original Pair
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category

Post-Impressionist Late 19th Century Landscape Prints

Materials

Oil

Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category

Late 19th Century Landscape Prints

Materials

Etching

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

Modern Late 19th Century Landscape Prints

Materials

Woodcut

Thomas Moran Chromolithograph Print 1893 of the Grand Canyon
Located in Rome, IT
Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...
Category

Late 19th Century Landscape Prints

Materials

Lithograph

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Engraving

“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

Impressionist Late 19th Century Landscape Prints

Materials

Lithograph, Watercolor, Gouache

THEBES - COLOSSAL STATUES OF AMUNOPH III Many other Roberts lithographs availabl
Located in London, GB
David Roberts R.A. 1796 - 1864 THEBES - COLOSSAL STATUES OF AMUNOPH III First Edition lithograph Full plate: 137 Presented in a acid free mount Published by F.G. Moon & Son, Londo...
Category

Victorian Late 19th Century Landscape Prints

Materials

Lithograph

Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

Woman at the Tub (Femme au tub)
Located in Bournemouth, Dorset
Henri de Toulouse-Lautrec (1864–1901) Woman at the Tub (Femme au tub) lithograph, 213/275, signed in print Image: 48.5 x 62.5 cm Frame: 69.5 x 81.5 cm Henri Toulouse-Lautrec (1...
Category

Realist Late 19th Century Landscape Prints

Materials

Lithograph

Mothu et Doria: A 19th C. Lithograph from Les Maitres de l'Affiche by Steinlen
Located in Alamo, CA
This is a framed 19th century color lithograph entitled "Mothu et Doria" created by Theophile Alexandre Steinlen and published between 1896 and 1899 in Paris, France by Jules Cheret in his famous series of miniature colored stone lithographs of popular Belle Epoch posters...
Category

Late 19th Century Landscape Prints

Materials

Lithograph

Original 'Le Rapide Grande Journal Quotidien; art nouveau vintage poster
Located in Spokane, WA
Original “Le Rapide, Grand Journal Quotidien” art nouveau vintage poster. Conservation linen backed and ready to frame. Year: 1892 Artist: Jules Cheret, referred to as the father of the poster. Le Rapide, Grand Journal Quotidien. Jules Cheret (French, 1836-1932) is a well-listed draftsman, printmaker, and designer is best known as a fin de siecle poster designer. Arguably, he is the best-known French poster designer of his age. Figure no 126; No 568; Posters of Jules Cheret. Most people overlook the fact that she is still writing for Le Rapide using a quill instead of an ink pen. Yes, this poster is over 130 years old and still presents itself well. There are telegraph wires in the sky background. The last time this poster was sold in the big NYC poster...
Category

Art Nouveau Late 19th Century Landscape Prints

Materials

Lithograph

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...
Category

Victorian Late 19th Century Landscape Prints

Materials

Lithograph

Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category

Naturalistic Late 19th Century Landscape Prints

Materials

Lithograph

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