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Period: Late 19th Century
Fin de Journée
Located in Middletown, NY
Paris: Sagot, 1889.
Wood engraving on cream laid Japon paper with full deckle edges, 8 3/8 x 5 3/4 (212 x 145 mm). Signed, numbered 9/35, and inscribed "1er Etat" in pencil in the l...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Woodcut
Fly Fishing, Saranac Lake
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category
American Modern Late 19th Century Landscape Prints
Materials
Etching
$40,000 Sale Price
20% Off
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Nile Trip Map - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Nile trip map is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt b...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
Louisiana: A Framed 19th Century Map by O.W. Gray
Located in Alamo, CA
This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...
Category
Late 19th Century Landscape Prints
Materials
Engraving
Saint-Tropez-Le Port
By Paul Signac
Located in Fairlawn, OH
Saint-Tropez-Le Port
Color lithograph, 1897-1898
Signed in pencil lower right (see photo)
Numbered in pencil lower right: No. 68 (see photo)
From: Album des Peintres-Gravures, 1898
...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen'
(Euphorbia)
German chromolithograph, circa 1895.
240mm by 155mm (sheet)
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Souvenir d'Italie
Located in Greenwich, CT
Etching "Souvenir d'Italie” by Jean Baptiste Camille
printed on laid paper (partial watermark Annonay).
rich impression
size : sight 11.5 x 9 in. , matted 17 x 14 in.
A remarkab...
Category
Romantic Late 19th Century Landscape Prints
Materials
Etching
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power"
Engraving, third printing...
Category
Symbolist Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
Antique French Print of Archway and Seascape
Located in Soquel, CA
Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent).
Beautifully rendered piece of an idyll...
Category
French School Late 19th Century Landscape Prints
Materials
Lithograph, Laid Paper
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category
English School Late 19th Century Landscape Prints
Materials
Engraving, Photogravure
La Visitation à la Ville Montrouge - Lithograph by Maurice Denis - 1896
Located in Roma, IT
Edition of 100 prinst on verge crème, numbered and signed by the artist in pencil.
Hand signed.
Full margins. Belonging to the suite “L’Album des peintres-graveurs”.
Ref. Cat. Cai...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
The Master Smith
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
$5,000 Sale Price
33% Off
San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...
Category
Late 19th Century Landscape Prints
Materials
Woodcut
Place de la Concorde, Paris
Located in Middletown, NY
Paris: Gebbie & Co., 1895.
Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Photogravure
One Hundred Aspects of the Moon, Mt Otawa Moon - Bright God Tamura
Located in Soquel, CA
"Mount Otawa Moon: Bright God Tamura" - Woodblock on Paper by Tsukioka Yoshitoshi
From the series "One Hundred Aspects of the Moon"
This piece depicts the general Sakanoe no Tamura...
Category
Edo Late 19th Century Landscape Prints
Materials
Paper, Ink, Woodcut
L'Église Saint-Jacques de Dieppe
Located in BOULOGNE-BILLANCOURT, FR
Artiste polyvalent, Paul Helleu connaît le succès de son vivant avec ses tableaux, ses pastels et ses dessins aux trois crayons, mais également en tant que graveur. En témoigne le ti...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Paper, Etching
Mango Hummingbirds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right.
This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Original Vichy stone lithograph vintage French poster
Located in Spokane, WA
Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Impressionism : Girls Dancing - Original lithograph, 1898
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
Impressionism : Girls Dancing, 1898
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFO...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Egypt - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egypt is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt between 1...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$176 Sale Price
25% Off
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
French School Late 19th Century Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching, Aquatint
Spring - Original Etching by Telemaco Signorini - 1873
Located in Roma, IT
Landscape and figures. Signed on plate.
Image Dimensions : 15x21 cm.
Publisher : Editore Lovera
Excellent conditions
This artwork is shipped from Italy. Under existing legislation, ...
Category
Realist Late 19th Century Landscape Prints
Materials
Etching
$1,052 Sale Price
25% Off
Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category
Edo Late 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph, Watercolor, Gouache
$1,120 Sale Price
20% Off
Fallen Rider - Etching by Max Klinger - 1881
By Max Klinger
Located in Roma, IT
Fallen Rider is a modern artwork realized by Max Klinger in 1881.
The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...
Category
Symbolist Late 19th Century Landscape Prints
Materials
Etching
19th C. Currier & Ives lithograph "Celebrated Trotting Team Edward & Swiveller"
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Ink, Oil
$1,760 Sale Price
20% Off
Pug, Greyhound, Terrier
Located in Columbia, MO
Pug, Greyhound, Terrier
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Original "Cycles Omnium" turn of the century vintage bicycle poster
Located in Spokane, WA
Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris
The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
$1,758 Sale Price
20% Off
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
French School Late 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Courtiers under a wisteria draped pine tree
Located in Middletown, NY
Tokyo: Yokoyama Ryohachi, 1892
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...
Category
Edo Late 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903)
Etching
7.6 x 10.9 cm (3 x 4 ¹/₄ inches)
Stamped with initials C.P. lower left, and numbered 13/18 lower right
This work was crea...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking.
This original 1st octavo edition hand-colored Audubon lithograph...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
The Battery and Castle Garden
Located in Middletown, NY
Society of Iconophiles, 1898.
Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884.
Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category
French School Late 19th Century Landscape Prints
Materials
Laid Paper, Engraving, Aquatint
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple.
Mat size: 16"H x 20"W
Paper size: 14.75"H x 9.88"W
Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category
Edo Late 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Photogravure
The Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
The Nile is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt betwe...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$175 Sale Price
25% Off
Sphinx of Giza - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Sphinx of Giza is a modern artwork realized d'apres Karl Werner
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt ...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
$219 Sale Price
25% Off
Opus IV, Simplicius in der Waldeinode - Etching by Max Klinger - 1881
By Max Klinger
Located in Roma, IT
Opus IV, Simplicius in der Waldeinode (Simplicius in the Wilderness) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881.
...
Category
Symbolist Late 19th Century Landscape Prints
Materials
Etching
Art Nouveau Lithograph 1800s Landscape Romantic Figure Floral
Located in Milwaukee, WI
"Retour (L'Estampe Moderne I)" is a color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the Art Nouveau...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Orchids: Framed 19th C. Hand-Colored Engraving of "Laelia Anceps" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26).
Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge
Pen and ink drawing, c. 1890
Signed lower left (see photo)
A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous caba...
Category
French School Late 19th Century Landscape Prints
Materials
Ink
Frontispiece for Le Graveurs du XIX Siècle, by Henri Béraldi
Located in Middletown, NY
Paris: J & A Lamercier, 1885.
Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins. Seventh state (of 7), after the remo...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Etching
Toshogu Shrine
Located in Middletown, NY
In image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko.
Tokyo: Matsuki Heikichi, 1896
Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...
Category
Edo Late 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
Ladies in The Paris Street - Belle Epoque Period - Original Pair
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) -
Paris Belle Epoque Genre Scene -
Oil on wood in pair -
Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Oil
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Lithograph, Mulberry Paper
THEBES - COLOSSAL STATUES OF AMUNOPH III Many other Roberts lithographs availabl
Located in London, GB
David Roberts R.A.
1796 - 1864
THEBES - COLOSSAL STATUES OF AMUNOPH III
First Edition lithograph
Full plate: 137
Presented in a acid free mount
Published by F.G. Moon & Son, Londo...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Mending the Tears
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie.
This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass.
“Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Etching
French architecture house design lithograph, late 19th century, 1878
By Spiegel
Located in Melbourne, Victoria
'Petits Hotels. Boulevard Berthier 45 et 47, a Paris. Elevations, Coupe et Plans, par Mr Boland, Archte.'
French architectural chromolithograph. From 'La Brique Ordinaire', by J Lac...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Arcade du Molard, Old Masters Hand colored etching by Charles Bastard
Located in Long Island City, NY
Charles Bastard, Swiss (1854 - 1924) - Arcade du Molard, Year: 1890, Medium: Hand colored etching on Arches, signed, titled and dated in the plate, Image Size: 6 x 8 inches, Size: ...
Category
Old Masters Late 19th Century Landscape Prints
Materials
Etching
His Timmer Staff
Located in New Orleans, LA
"His Timmer Staff" is an image of herding pigs by William Strang. It is a fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Binyon 119
One...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching, Engraving, Mezzotint
$125 Sale Price
35% Off
Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year.
These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6.
Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Engraving
