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Period: Mid-18th Century
Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762.
Image Dimensions: 43 x 63 cm
Very good condition.
Ref. Ficacci., p.442
Category
Mid-18th Century Landscape Prints
Materials
Etching
Map of Oxfordshire coloured 18th century engraving by Thomas Kitchin
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
Mid-18th Century Landscape Prints
Materials
Engraving
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
The Temple of Peace - Etching by Giuseppe Vasi - Mid-18th Century
Located in Roma, IT
The Temple of Peace is an original black and white etching realized by Giuseppe Vasi.
Good conditions except for the trace of being fold at the middle.
Sheet dimention:42 x 56
The...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
French School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames.
London: 1760.
Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category
English School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School Mid-18th Century Landscape Prints
Materials
Laid Paper, Engraving, Watercolor
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican)
Etching, 1748
From the first printing of the "Vedute di Roma"
An early impression with strong contrasts
Before the price and the addition of numbers in the later states.
A view of Michelangelo's done from behind the Piazza, redesigned in 1547
Condition: Excellent
Plate size: 15 3/4 x 24 3/4 inches
Reference: Robison 5 a/g
Hind 5 i/VII
Focillon 54.789
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Handmade Paper, Engraving, Mezzotint
Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe Vasi
Located in Alamo, CA
This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
Flowering Burning Bush: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
Glaucus, from "Le Temple des Muses" - Etching by B. Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Glaucus.
Wonderful plate with very fresh impression and an elegant line, from the volume “Le Temple des Mus...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
West Coast of Africa; Guinea & Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published.
The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points.
The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
French School Mid-18th Century Landscape Prints
Materials
Handmade Paper, Engraving, Laid Paper
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Obelisco Egizio (Egyptian Obelisk) - Etching by G. B. Piranesi
Located in Roma, IT
Obelisco Egizio (The Egyptian Obelisk in the Piazza di S. Giovanni), erected by Pope Sixtus V, is a wonderful black and white etching on fine laid and watermarked paper (with a lily inside a double circle, watermark n. 3 according to Hind) realized by Giovanni Battista Piranesi.
Signed on plate on the lower right margin "Piranesi Architetto fec." and with the address and price at lower left. Hind 53, second state of five. A lifetime Roman impression, before the Paris editions.
Excellent condition, with central fold, as issued, visible only on the left margin.
From one of the most important series of etchings by G.B. Piranesi, Views of Rome drawn and etched by Giambattista Piranesi...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
English School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Red & Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
A Pair of Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of male and female woodpecker birds entitled "1. Pie Male de la Encenada, 2. Petit Pic des Moluques (Woodpeckers)"...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Edo Period Ukiyo-e Color Woodcut of Sanjusangendo at Fukagawa
Located in Soquel, CA
Edo period Utagawa Toyohara color woodcut print on paper of Sanjusangendo at Fukagawa
Wonderful Utagawa School woodcut print of Buddhist temple Sanjusangendo by great Japanese artis...
Category
Edo Mid-18th Century Landscape Prints
Materials
Paper, Ink
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
The Temple of Glory - Etching by Giuseppe Vasi - mid-18th Century
Located in Roma, IT
The Temple of Glory is an original etching artwork realized by Giuseppe Vasi.
Good conditions.
The artwork represents the artificial Fire Machine and the temple of glory, with the ...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Salmacis et Hermaphrodite - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Salmacis and Hermaphroditus.
Wonderful plate with very fresh impression and a beautiful use of chiaroscuro,...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
L'Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi .
Beautiful etching representing Palazzo Borghese in Rome.
Signed and...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
Veduta del Ponte Lugano sull'Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6.
Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category
Mid-18th Century Landscape Prints
Materials
Etching
Landscape - Etching by Pierre Quentin Chedel - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755.
Good conditions.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized f...
Category
Mid-18th Century Landscape Prints
Materials
Etching
Landscape - Etching by Pierre Quentin Chedel - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755.
Good conditions.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized f...
Category
Mid-18th Century Landscape Prints
Materials
Etching
An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Sepolcro Regio, o Consolare , inciso nella rupe... - G. B. Piranesi - 1764
Located in Roma, IT
Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.
Ed...
Category
Mid-18th Century Landscape Prints
Materials
Etching
The South West Prospect of St. Mary's Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783)
Title: "The South West Prospect of St. Mary's Church in the Strand"
Portfolio: The History and Survey of London from its Foundation to t...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving, Laid Paper, Intaglio, Etching
Antique 1765 Wine Country Folding Map of France, Bordeau etc.
Located in Paonia, CO
Route du Carosse de Bordeaux, part de Paris tous les Mardis a 11 matin. a et pafse 1765 is a comprehensive map with two routes through the wine country of France starting in Paris going south...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Etching
La Nymphe Echo - Etching by B. Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of the nymph Echo.
Wonderful plate with fresh impression and a beautiful use of chiaroscuro, from the volume “...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
St. Christophe (St. Kitts): Bellin 18th Century Hand Colored Map
Located in Alamo, CA
Jacques Bellin's copper-plate map of the Caribbean island of Saint Kitts entitled "Carte De De l'Isle St. Christophe Pour servir á l'Histoire Genle. des V...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Engraving
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Engraving
A View of London as it was in the Year 1647 pub. by Boydell 1756
Located in Paonia, CO
A View of London as it was in the Year 1647 is a hand colored copper engraving published by the well known British publisher and engraver John Boydell (1720-1804) and engraved by R.Benning sold at Cheapside London 1756. Panoramic view on two sheets conjoined as issued linen mounted. Lettered with title in French and English along the base of the image including a numbered key to the structures. In very good condition except for one 1/8 inch tear in the sky to the left of the middle seam that is barely noticeable. This is a large very detailed panorama of London...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Etching
Rovine del Tempio de' Castori nella città di Cora - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 40.6x56.8.
Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764.
Beautiful first roman edition/1st state ...
Category
Mid-18th Century Landscape Prints
Materials
Etching
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
Land Mid-18th Century Landscape Prints
Materials
Engraving, Handmade Paper, Watercolor
