Post-Impressionist Landscape Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Vuillard, Le Jardin des Tuileries, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.5 x 19.25 inches; image size: 11.42 x 16.54 inches, with centerfold, as issued
Inscription: Unsigned and unnu...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Une Galerie au Gymnase, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, La petite fille au volant, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 8.66 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Le Jardin devant l´atelier, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 19.25 x 12.5 inches; image size: 15.35 x 11.42 inches, with centerfold, as issued
Inscription: Unsigned and unnu...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Les deux belles-soeurs, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, La Cuisiniere, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, La Pâtisserie, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, L´Atre, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Intérieur aux tentures roses, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Intérieur aux tentures roses, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Intérieur aux tentures roses, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Intérieur a la suspension, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 12.2 x 9.45 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From ...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Switzerland : View on the Lake - Original lithograph, Handsigned
Located in Paris, IDF
Jules CAVAILLES
Switzerland : View on the Lake
Original lithograph
Handsigned in pencil
Justified EA (artist proof)
On vellum 36 x 56 cm (c. 14 x 22 in)
Very good condition
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Reims Cathedral, France poster after Maurice Utrillo Post-Impressionism
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want.
after Maurice Utrillo (1883 - 1955)
France: La Cathédrale de Reims
Original vintage poster
100 x 62 cm
Commissioned by the Ministère des Travaux Publics et des Transports and the Commissariat général au Tourisme. Printed in France, by and for the French Government. Printed by Braun & Cie, Mulhouse-Paris.
This poster, featuring a Utrillo painting of Reims Cathedral, was printed by the French tourist board to encourage holidays to France. Utrillo's depiction of Reims is highly post-impressionist, with thick layers of impasto and an inventive colour palette.
Maurice Utrillo was a French painter who specialised in post-impressionist cityscapes...
Category
20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Woods in Chatou - Lithograph, 1972
Located in Paris, IDF
Maurice de VLAMINCK (after)
Woods in Chatou
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
Excellent condition
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, La Partie de dames, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Paysages et Intérieurs, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 19.25 x 12.5 inches; image size: 10.63 x 11.02 inches, with centerfold, as issued
Inscription: Unsigned and unnu...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Maternité, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 7.87 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From ...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, La Pâtisserie, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Signed in the plate and unnumbered, as issued
...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
'Place du Tertre, Montmartre', Paris, Ecole des Beaux-Arts, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, b. 1931), inscribed lower left with number and limitation, '87/150' and created circa 1975.
Born in ...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
"Woods Cove" Contemporary Impressionist Serigraph of Laguna Beach
Located in Laguna Beach, CA
"Woods Cove" is an beautiful 90 color hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist pai...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
'Provençal Landscape', French Post-Impressionist, Benezit, Academie Chaumiere
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'.
A vibrant Artist's Proof, stone lith...
Category
1960s Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Vuillard, Les Sapins, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
'Hills at Baptiste Lake' Limited Edition Lithograph by Group of 7 Artist
Located in Toronto, ON
After the original oil painting 'Hills at Baptiste Lake' this piece is one of 51 lithographs included in 'Casson's Cassons Vol. 1' printed in 1990 by Paul Duval and AJ Casson in Toro...
Category
20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
'Breton Village with Lighthouse', Post-Impressionism, Brittany, Modernism
Located in Santa Cruz, CA
Signed lower right, 'De Montfort' and printed circa 1950 by F.A.R. Gallery for Rudolf Lesch Fine Arts Inc., New York.
Category
1950s Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
Post-impressionist landscape prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maria Bertrán, Maurice de Vlaminck, Raoul Dufy, and Georges Lambert. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist landscape prints, so small editions measuring 4.97 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $250,000, while the average work sells for $750.