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Post-Impressionist Landscape Prints

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Derain, Londres, La Tamise et Big Ben, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signature on the lower right corner, numbered ...
Category

Early 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (T...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939) Title: "Pavillon dans les Arbres (Pavilion in the Trees)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left Year: 1928 Medium: Original Etching on Rives BFK paper Limited edition: Unknown Printer: Unknown Publisher: Galeries Georges Petit and Henri Floury, Paris, France Reference: Bibliothèque Nationale No. 12 Sheet size: 11" x 8.38" Image size: 9.25" x 7.13" Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition Notes: Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...
Category

1920s Post-Impressionist Landscape Prints

Materials

Drypoint, Etching, Intaglio

Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Series - Monet's House by Lélia Pissarro - Screenprint
Located in London, GB
Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...
Category

21st Century and Contemporary Post-Impressionist Landscape Prints

Materials

Screen

Boissy Les-Perches
Located in Santa Monica, CA
MAURICE de VLAMINCK (1876 - 1958) BOISSY LES-PERCHES, 1951 (W148) Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches. Full sh...
Category

1950s Post-Impressionist Landscape Prints

Materials

Drypoint

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.24 x 7.48 inches Inscription: Unsigned and unnumbered, as issu...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Landscape Prints

Materials

Woodcut

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 5.71 x 8.86 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris
Located in Surfside, FL
Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris T...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Seurat, Au concert Européen, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category

2010s Post-Impressionist Landscape Prints

Materials

Screen

Vuillard, Bouquet De Fleurs, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Bacchanale, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...
Category

1980s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Seine River - Original lithograph, Handsigned
Located in Paris, IDF
Paul COLLOMB Paris : Seine River Original lithograph Handsigned in pencil Justified Epreuve d'artiste (artist proof) On Arches vellum 55 x 65 cm (c. 22 x...
Category

Late 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Seaside, Modern Seascape Lithograph by Georges Lambert
Located in Long Island City, NY
Seaside by Georges Lambert, French (1919–1998) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 200 Size: 21 in. x 30 in. (53.34 cm x 76.2 cm)
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

(tariff free*) La Potinière à Rueil (Walterskirchen 275), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.7 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

(tariff free*) Vallée de l'Avre (Walterskirchen 277), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.3 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

(tariff free*) Maisons dans la Beauce (Walterskirchen 274), Vlaminck
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 8.3 x 10.6 inches. Catalogue raisonné references: W...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La baie des Trépassés, Vlaminck (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the album, Vlaminck, ...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La maison dans la plaine, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Allainville sous la neige, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), L'église de Saint Lubin, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La route de Brezolles, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Coucher de soleil Forêt de Senonches, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.5 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La route de Mortagne, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La Haute Folie, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 9.4 inches. Notes: From the album, Vla...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La Seine à Chatou, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.9 x 10.2 inches. Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La Seine à Poissy, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.1 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), La route de Longny, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Paysage d'hiver, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 6.3 x 8.7 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Nature morte au lard, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Nature morte au whisky, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Nature morte au pots, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 9.5 x 12.25 inches; image size: 7.1 x 9.4 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Les fleurs au pot de grès, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 9.4 x 6.7 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Les Anémones, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 9.1 x 6.7 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Les Reines-Marguerites, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 9.4 x 6.7 inches. Notes: From the...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Les Delphiniums, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 9 x 6.5 inches. Notes: From the a...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Vlaminck (tariff free*), Portrait de l'Artiste, Vlaminck (after)
Located in Southampton, NY
Lithograph in fifteen colors on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.25 x 9.5 inches; image size: 8.875 x 7.25 inches. Notes: From ...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Cowdray Castle (with cows)
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...
Category

1880s Post-Impressionist Landscape Prints

Materials

Drypoint, Etching

Vuillard, Une Galerie au Gymnase, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Vuillard, Maternité, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 7.87 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Signac, St-Tropez. Le jardin, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Matisse (tariff free*), Triomphaux, Poésies de Stéphane Mallarmé (after)
Located in Southampton, NY
Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Landscape Prints

Materials

Woodcut

Woods in Chatou - Lithograph, 1972
Located in Paris, IDF
Maurice de VLAMINCK (after) Woods in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

Signac, St-Paul-de-Vence, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Chemin forestier from Notre Pain Quotidien
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

London Tower Bridge Viewed from the Thames - Original etching - 1910
Located in Paris, IDF
Paul-Adrien BOUROUX London Tower Bridge Viewed from the Thames Original etching with aquatint Printed signature in the plate On Japan paper 28 x 19 cm (c. 11 x 8 inch) Excellent co...
Category

1910s Post-Impressionist Landscape Prints

Materials

Etching, Aquatint

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Signac, Rotterdam, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Post-impressionist landscape prints for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maria Bertrán, Maurice de Vlaminck, Raoul Dufy, and Georges Lambert. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist landscape prints, so small editions measuring 4.97 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $250,000, while the average work sells for $750.

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