Post-Impressionist Landscape Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
to
687
654
80
60
26
4
Overall Width
to
Overall Height
to
4,737
3,175
1,009
825
796
644
580
430
350
87
76
70
27
15
169
17
12
10
8
15
785
25
2
9
178
16
137
272
77
29
22
3
538
282
4
605
411
304
223
164
149
119
77
73
73
45
37
36
35
30
27
22
22
19
18
582
192
45
31
22
31
19
759
60
Style: Post-Impressionist
Seine River and Boat in Chatou - Lithograph, 1972
Located in Paris, IDF
Maurice de VLAMINCK (after)
Seine River and Boat in Chatou
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
Excellent ...
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Cafè de Paris
Located in Roma, IT
Original drypoint and etching. Hand signed. From the suite: "Visage de Maisons".
Image Dimensions : 17 x 11 cm
This artwork is shipped from Italy. Under existing legislation, any a...
Category
1920s Post-Impressionist Landscape Prints
Materials
Etching
$766 Sale Price
25% Off
Normandy : A Nice Summer Day - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN
Normandy : A Nice Summer Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
Exc...
Category
20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Normandy : A Nice Winter Day - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN
Normandy : A Nice Winter Day
Original lithograph
Printed signature in the plate
On Arches vellum 43 x 56 cm (c. 17 x 22 inch)
Exc...
Category
20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963
Colors: Black and White
Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900.
It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Maison Natale de Colette - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered ...
Category
Early 20th Century Post-Impressionist Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Bacchanale, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...
Category
1980s Post-Impressionist Landscape Prints
Materials
Lithograph
Vuillard, Le Salon Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Marquet, Auto-portrait, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
40% Off
Le Moulin de La Naze - lithograph by M. de Vlaminck - 1925-26
Located in Roma, IT
Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right ma...
Category
1920s Post-Impressionist Landscape Prints
Materials
Lithograph
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
$796 Sale Price
20% Off
'Place du Tertre, Montmartre', Paris, Ecole des Beaux-Arts, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, b. 1931), inscribed lower left with number and limitation, '87/150' and created circa 1975.
Born in ...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
'Canal Saint-Martin', School of Paris, Paris MoMA, Post-Impressionist landscape
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left.
Yves Ganne first studied at the Ecole des...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$796 Sale Price
38% Off
'Sunset over Provence', Paris Salon, Musée d'Art Moderne, Benezit
Located in Santa Cruz, CA
Signed lower right, 'P. Bisiaux' for Pierre Bisiaux (French, born 1924), and with number and limitation, '250/275', lower left. Accompanied by a Certificate of Authentication from th...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Coucher De Soleil Sur La Méditerranée, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album,...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
Working - Original Etching by A. Delasalle - Mid-20th Century
Located in Roma, IT
Working is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century.
Original etching and drypoint.
Signed and ...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Sous la neige from Notre Pain Quotidien
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Marine Noire - Lithograph after Georges Braque - 1956
Located in Roma, IT
Signed and numbered.
Editions of 400 prints.
published by Maeght, Paris
Literature Reference:
D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p.296.
Image Dimensions ：50 x 72...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$3,067 Sale Price
34% Off
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category
1930s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
"The Colors of Spring" Contemporary Impressionist Floral Serigraph
Located in Laguna Beach, CA
"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
Category
2010s Post-Impressionist Landscape Prints
Materials
Screen
Marine Noire - Lithograph After Georges Braque - 1956
Located in Roma, IT
"Marine Noire" is a lithograph after the work of Georges Braque in 1956. The print is hand signed and numbered. This is an edition of 400 prints.
Bibliography: D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p. 296.
Good conditions except for very light foxings and little folds on the corner.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$3,067 Sale Price
25% Off
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Landscape Prints
Materials
Woodcut
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Study for a Nude - Original Etching by A. Delasalle - Mid-20th Century
Located in Roma, IT
Study for a Nude is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century.
Original etching and drypoint.
Si...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Etching
Seurat, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
$796 Sale Price
20% Off
Matisse, Le Cow-boy, Jazz (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper
Year: 1983
Paper Size: 15 x 22.5 inches, with centerfold, as issued
Inscription: Unsigned and unnumbered, as issued
Notes: From the folio, Henri Mat...
Category
1980s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Landscape Prints
Materials
Woodcut
$796 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Au Bois de Boulogne - Original Etching by H. Farge - Mid 20th Century
Located in Roma, IT
Image dimensions: 16 x 11 cm.
Au Bois de Boulogne is an original modern artwork realized in the first decades of the XX Century by the French artist Henri Farge...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Etching
Toulouse-Lautrec, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Landscape Prints
Materials
Woodcut
Pascin, Salomé, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Pascin, 1954. Publishe...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Pascin, Nu à la chemisette rose, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, Pascin, 195...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Pascin, Vénus de dos, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Pascin, 1954. Publishe...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Pascin, Femme dans un fanteuil, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Pascin, 1954. Publishe...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Pascin, Portrait de Daragnès, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Pascin, 1954. Publishe...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Pascin, Jeanie Warnod, Pascin (after)
By Jules Pascin
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1954
Paper Size: 12.25 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the album, Pascin, 195...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Le Jardin De Montmagny Utrillo Estampes Robert Rey woodcut 1950 signed by artist
Located in Paonia, CO
Le Jardin De Montmagny by Maurice Utrillo. it is one of 12 signed limited edition wood engravings from the portfolio "Estampes" by Robert Rey, 1950. Edited by L'Image Litteraire, N...
Category
1950s Post-Impressionist Landscape Prints
Materials
Woodcut
Vuillard, La petite fille au volant, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 8.66 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
Post-impressionist landscape prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maria Bertrán, Maurice de Vlaminck, Raoul Dufy, and Georges Lambert. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist landscape prints, so small editions measuring 4.97 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $250,000, while the average work sells for $750.