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Post-Impressionist Landscape Prints

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Dufy, Les Moissonneurs, Lettre à mon peintre Raoul Dufy (after)
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, L...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Bonnard, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 158-159, 1966. Published by...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

India 19th Century Original 1826 Three Hand-Colored Aquatints Landscapes Rare
Located in Norfolk, GB
Acknowledged as, ‘One of the most attractive early 19th century colour-plate books on India’ Three rare, hand-coloured aquatints from: GRINDLAY, Robert Melville (1786-1877). Scenery, Costumes and Architecture, Chiefly on the Western Side of India. London: Smith, Elter & Co., [1826]-1830. Each work: Image size: 28 x 19.7 cm (11 x 7.7 Inches) Sheet size: 40.7 x 31.8 cm (16.2 x 12.5 Inches) Including mount: 16” x 18.5” Original Hand-colored aquatints. A remarkable group of prints with no rips or tears. The colours are fresh with no fading and no signs of foxing. Ancient Temple at Hulwud Plate 4 Painted by F Witherington from a Drawing by Captain Grindlay. Drawn by G Hunt Coloured by J Hogarth Published London by R Ackermann, Strand 1826 View near Tonk in Rajpootana Plate 24 From a drawing by Capt. Cha. Auber of the Quarter Mast. Gen. Department, Ceylon Drawn by W Westall Engraved by R G Reeve...
Category

19th Century Post-Impressionist Landscape Prints

Materials

Paper, Aquatint

Series - Monet's House by Lélia Pissarro - Screenprint
Located in London, GB
Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...
Category

21st Century and Contemporary Post-Impressionist Landscape Prints

Materials

Screen

Soutine, Nature morte à la dinde, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Alexandre III Bridge - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET Paris : Alexandre III Bridge, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excellen...
Category

Late 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Matisse, Le Cauchemar d l'éléphant blanc, Jazz (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...
Category

1980s Post-Impressionist Landscape Prints

Materials

Lithograph

Le Village de Landel by Paulémile Pissarro - etching
Located in London, GB
SOLD UNFRAMED Le Village de Landel by Paulémile Pissarro (1884 - 1972) Etching 17.2 x 23.7 cm (6 ¾ x 9 ⅜ inches) Signed lower right, Paulémile-Pissarro and numbered lower left, 2e e...
Category

20th Century Post-Impressionist Landscape Prints

Materials

Etching

Soutine, Morte Au Morceau, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, The Circus by Toulouse-Lautrec, 1...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Dufy, Sans titre, Lettre à mon peintre Raoul Dufy (after)
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, L...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Dufy, Études: «Histoire de l'Électricité» (after)
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Lettre à mon...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Dufy, Isaac Newton, Lettre à mon peintre Raoul Dufy (after)
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 18.75 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, L...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Dufy, Fleurs peintes, Lettre à mon peintre Raoul Dufy (after)
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Serene Cove Ripples, Mediterranean Seascape Diptych in Blue & White, Cyanotype
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Details: + Title: Serene Cove Ripples + Year: 2022 + Edition Size: 100 + Medium: Handmade Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40 x 55.2 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...
Category

2010s Post-Impressionist Landscape Prints

Materials

Lithograph, Paper, Watercolor

Vuillard, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, Paysage à Chatou, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

Jeune Fille dans une Barque, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Gauguin, Women at the River (Auti te pape), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Matisse, Le Cirque, Jazz (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...
Category

1980s Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, La route de Longny, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Before the Show at Opera - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET Paris : Before the Show at Opera, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 12 x 18 cm (c. 5 x 7 in) Exce...
Category

Late 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Normandy : A Colorful Spring Day - Original lithograph
Located in Paris, IDF
Claude MANOUKIAN Normandy : A Colorful Spring Day Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...
Category

20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Sunset - Ardgour
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category

1920s Post-Impressionist Landscape Prints

Materials

Aquatint

Matisse, Le cheval, l'écuyère et le clown, Jazz (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...
Category

1980s Post-Impressionist Landscape Prints

Materials

Lithograph

Bonnard, Rue vue d´en haut, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.63 x 6.3 inches Inscription: Unsigned and unnumbered, as issued Not...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Soutine, Le Coq, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Le Bassin ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Landscape Prints

Materials

Woodcut

Paris : Lovers near Notre Dame - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET Paris : Lovers near Notre Dame, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 17 cm (c. 6 x 7 in) Excell...
Category

Late 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Sans titre (Duthuit 101), Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné reference: Matisse, ...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 8.27 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Marquet, Composition, Présence de Marquet (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, L´église de Saint-Lubin, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Bridges Seen from Seine River - Lithograph
Located in Paris, IDF
Paul Signac Bridges Seen from Seine River (Paris : La Passerelle des Arts vue des Quais de la Seine) Lithograph and stencil (Jacomet process) after a wa...
Category

Mid-20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, Les coteaux de Chatou, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 7.87 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Obelisk at Champs Elysees - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET Paris : Obelisk at Champs Elysees , c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Ex...
Category

Late 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Bonnard, Scéne de famille II, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.24 x 5.91 inches Inscription: Unsigned and unnumbered, as issued No...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, Portrait de Madeleine, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 8.66 x 7.48 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 8.27 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

de Vlaminck, Voiliers sur la Seine, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 8.27 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 10.24 x 13.78 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Tête et Feuille, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Toulouse-Lautrec, Album De Marine (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Landscape Prints

Materials

Woodcut

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Vuillard, Une Galerie au Gymnase, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Post-impressionist landscape prints for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Maria Bertrán, Maurice de Vlaminck, Raoul Dufy, and Georges Lambert. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist landscape prints, so small editions measuring 4.97 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $90 and tops out at $250,000, while the average work sells for $750.

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