Skip to main content

Building Landscape Prints

to
147
891
349
226
102
44
Overall Width
to
Overall Height
to
561
203
154
41
18
16
14
14
7
2
1
1
1
114
84
45
39
28
288
433
717
183
24
15
31
48
25
33
39
144
97
43
231
1,065
526
16
7,329
3,663
3,044
2,330
1,842
1,641
1,626
1,500
1,101
1,091
991
983
874
835
740
583
531
520
517
675
473
247
229
75
124
691
853
569
Art Subject: Building
Giralda in Sevilla - Original Lithograph by B. Metzeroth - 19th Century
Located in Roma, IT
Giralda in Sevilla in Cordova is an original lithograph on paper realized by B. Metzeroth in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on...
Category

19th Century Modern Landscape Prints

Materials

Lithograph

Sanctuary (St. Anthony's Garden at rear of St. Louis Cathedral on Royal Street)
Located in New Orleans, LA
This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...
Category

1990s American Modern Landscape Prints

Materials

Mezzotint, Aquatint

Boardwalk Empire in the Mist, Atlantic City, New Jersey - American Color Photo
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Alfred Bendiner, Place St. Andre des Arts (Paris)
Located in New York, NY
The Place St. Andre des Arts, on the Left Bank in Paris, would have been a natural environment for Bendiner. It was the Latin Quarter, just south of the Louvre and near everything im...
Category

1950s American Modern Landscape Prints

Materials

Lithograph

Chateau de Verneuil
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

18th Century Etching of "Chiesa di S. Lucia" in Rome by Giuseppe Vasi
Located in Alamo, CA
This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Etching

From the Ponte Vecchio
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Landscape Prints

Materials

Etching, Aquatint

Collegio Romano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Collegio Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled on ...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Antonino Temple - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Antonino Temple is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins with some foxi...
Category

18th Century Modern Figurative Prints

Materials

Etching

Le Tricolore, Regards sur Paris, Maurice Brianchon
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1962. Published by André Sauret, Paris;...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Above and Beyond, London Landscape, blue and silver aluminium art
Located in Deddington, GB
Above and Beyond [2015] limited_edition Brushed aluminium Edition number 25 Image size: H:58 cm x W:88 cm Complete Size of Unframed Work: H:58 cm x W:88 cm x D:0.3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Michael Wallner - Above and Beyond, 2016, print on brushed aluminium. Limited edition of 25 (11 remain). Aerial view of London, stretching from the South Bank as far as Kent in the distance. I am always looking for great views of London, views that best illustrate the beautiful lines and shapes that make it such an iconic city. To achieve this view I hung out of a helicopter with the doors taken off. It was worth the extra heartbeats. The image is then digitally manipulated to trace the outlines of the buildings, coloured on a graphics tablet, and printed directly onto brushed aluminium. This gives the piece an etched effect. A smart aluminium frame on the back makes it very easy to hang. The piece is also available in a larger size: 104 x 152 cm. Please note, this piece is made to order. It can usually be created and delivered in around 10-14 days. Michael Wallner has original artworks for sale with Wychwood Art both in their art gallery and online. Michael has spent more than twenty years in the media industry working on entertainment programmes, talk shows, documentaries, animations and a children’s novel. But creating original and innovative art is his true passion. His latest work celebrates the beauty of the city through the shapes, outlines and colours that define its character. London, New York, Hong Kong, Singapore, Miami, Paris and Dubai all feature in Michael’s portfolio. The art is created by digitally manipulating and colouring his own photographs to produce unusual prints on aluminium, reclaimed wood, brass, even 1930’s copper-lite windows. He also creates neon, magnetic, and L.E.D installations. The metal pieces are printed on very thin sheets of brushed aluminium, giving the work an etched appearance. Michael works out of his studio at Wimbledon Art...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Mixed Media

Loggia of Raphael, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Loggia di Raffaello, in Vaticano' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. Benoist was one of France's...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Clarendon Building Oxford, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson Clarendon Building, Oxford Signed, published by Stafford Gallery, with their blindstamp Lithograph 32x26cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...
Category

Early 1900s Realist Landscape Prints

Materials

Lithograph

Cistine Chapel, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

The city of Ghent - Belgium - Gallery Print Edition - Panoramic Photography
Located in Brussels, BE
Panoramic view from the city of Ghent Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my head spin serie - Tribute to Belgium The technique...
Category

2010s Photorealist Color Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

The Lych Gate; Little Church Around the Corner - New York
Located in Middletown, NY
Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching, Laid Paper

Touchagues, Jours de gloire, Histoire de la libération de Paris (after)
Located in Auburn Hills, MI
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category

1940s Modern Landscape Prints

Materials

Etching

Power Station - Lithograph on vellum - 1968
Located in Paris, IDF
Bernard BUFFET Power Station, 1968 Lithograph (Printed in Atelier Mourlot) Printed signature in the plate On vellum 40 x 75 cm (c. 16 x 30in) Excellent...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Piazza e Basilica de Santi Apostoli, Rome, Italy. Lithograph, Philippe Benoist
Located in Melbourne, Victoria
'Piazza e Basilica de Santi Apostoli. Palazzi Odescalchi e Colonna' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 18...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Basilica di Santa Croce-in-Gerusalemme, Rome, Italy. Lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Basilica di Santa Croce-in-Gerusalemme, ed avanzi del Tempio detto di Venere e Cupido' Tinted lithograph by Eugene Cicero after Felix Benoist (1813-1881...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Basilica di San Paolo, Rome, Italy. Tinted lithograph, Philippe Benoist
Located in Melbourne, Victoria
'Basilica di San Paolo fuori delle mura' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

MANHATTAN
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Landscape Prints

Materials

Etching

Cathedral of Tarragona - Lithograph by Ossi Czinner - 1970
Located in Roma, IT
The Cathedral of Tarragona is a beautiful lithograph realized by Ossi Czinner in the 1970s.  Hand signed. Artist's proof. Good conditions!
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

St John's College, Oxford, Lithograph by William Nicholson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Early 1900s Landscape Prints

Materials

Lithograph

Composition, Portrait de A. Decaris, Albert Decaris
Located in Auburn Hills, MI
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings. ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24. In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category

1950s Modern Landscape Prints

Materials

Engraving

The Temple of Glory - Etching by Giuseppe Vasi - mid-18th Century
Located in Roma, IT
The Temple of Glory is an original etching artwork realized by Giuseppe Vasi. Good conditions. The artwork represents the artificial Fire Machine and the temple of glory, with the ...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Orleans (New Orleans) - Original Woodcut - 1848
Located in Roma, IT
Image dimensions: 8.3 x 13.7 cm. Orleans is a beautiful black and white xylograph on paper, realized in 1848 by Biyandt. Signed on plate on the lower right margin. Title in German on plate, on lower margin at the center and in Gothic font. With an excellent game of lights and shadows and a good final effects of tones, this original print representing a colonial building in the New Orleans city...
Category

1840s Modern Figurative Prints

Materials

Woodcut

Coutances
Located in Middletown, NY
Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...
Category

Early 20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper
Located in Soquel, CA
Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...
Category

1980s Modern Landscape Prints

Materials

Paper, Ink, Lithograph

Exterior of the Parthenon - Lithograph - 1862
Located in Roma, IT
Exterior of the Parthenon is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...
Category

1860s Modern Figurative Prints

Materials

Lithograph

Wytham, Oxfordshire Oxford Almanac 1975 lithograph after Peter Brooke
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

20th Century Landscape Prints

Materials

Lithograph

Eton College Courtyard 19th Century Victorian lithograph
Located in London, GB
Anonymous (19th century) Eton College Courtyard Lithograph 29 x 38 cm Mounted to board.
Category

Late 19th Century Modern Figurative Prints

Materials

Lithograph

Christ's College, Cambridge 1690 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Christ's College, Cambridge (1690) Engraving 39 x 48 cm Loggan's view of College, Cambridge from the 'Cantabrigia Illustrate', with later hand colouring. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...
Category

1670s Realist Landscape Prints

Materials

Engraving

Duff House, Bamffshire, Scotland. Cordinier C18th landscape engraving
Located in Melbourne, Victoria
‘Duff House, the Seat of the Earl of Fife, in Bamffshire’ Engraving by P Mazell After C Cordiner, From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Sco...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category

1980s American Modern Landscape Prints

Materials

Etching, Aquatint

The Hall & Chapel, Oriel College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Hall & Chapel, Oriel College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm ...
Category

19th Century Naturalistic Landscape Prints

Materials

Engraving

'Stanford University, the Quad', Palo Alto, Vienna Academy, Metropolitan Museum
Located in Santa Cruz, CA
Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right, Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...
Category

1930s Impressionist Landscape Prints

Materials

Paper, Color, Etching

Manhattan Nocturne
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category

1930s American Realist Landscape Prints

Materials

Drypoint

William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794. Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category

Late 18th Century Victorian Landscape Prints

Materials

Engraving

West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

The Tourney - Original Etching Late 18° Century
Located in Roma, IT
The Tourney is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue des jeux Tournois dans le Sup be Manege de son ASM le Duc ...
Category

Late 18th Century Figurative Prints

Materials

Etching

EAST 15TH STREET
Located in Portland, ME
Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...
Category

1970s Landscape Prints

Materials

Lithograph

"Landscape with Pond" Large original color serigraph
Located in San Francisco, CA
This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...
Category

Late 20th Century Impressionist Landscape Prints

Materials

Screen

Montparnasse, A La gloire à Paris, Moise Kisling
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

1930s Modern Landscape Prints

Materials

Etching

Le chateau de Chillon, Switzerland by Albert Emil Kirchner - Engraving 20x27 cm
Located in Geneva, CH
Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...
Category

1850s Realist Landscape Prints

Materials

Engraving

N.Y. - Lithograph by Pedro Cano - 1990
Located in Roma, IT
Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5 cm x 33 cm. Excellent condition, no defects.  Pedro Cano (Blanca, 1944), one of the greatest contem...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi . Beautiful etching representing Palazzo Borghese in Rome. Signed and...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Songes de Passy, A La gloire à Paris, Edmond Céria
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...
Category

1930s Modern Landscape Prints

Materials

Etching

View of Trinità dé Monti - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Trinità dé Monti is an artwork realized by Giuseppe Malandrino in the 1970s. Hand colored Etching on paper. Hand-signed and numbered on the lower margin. Edition of 3/199....
Category

1970s Contemporary Landscape Prints

Materials

Etching

Ann Nooney, (Loading the Lumber Barge, NYC)
Located in New York, NY
The dimensions are for the image. There are large margins. Signed in pencil. A native New Yorker, Ann Nooney (1900-1970), recorded the urban scene while on the Works Progress Admini...
Category

1930s American Realist Landscape Prints

Materials

Lithograph

Wadham College, Oxford lithograph by William Nicholson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872 - 1949) Front Quad, Wadham College...
Category

Early 1900s Realist Landscape Prints

Materials

Lithograph

Veduta del Ponte Lugano sull'Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6. Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category

1740s Landscape Prints

Materials

Etching

Palm Springs Hotel
Located in New York, NY
ABOUT THIS PIECE: Ludwig Favre photographed California's most iconic mid-century architecture. The Saguaro Hotel in Palm Springs is a perfect example of California's mid-century move...
Category

2010s Landscape Prints

Materials

Photographic Paper

Placement Des Vosges, A La gloire à Paris, Georges Dufrénoy
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

1930s Modern Landscape Prints

Materials

Etching

East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Colosseo Quadrato - iconic neoclassical architectural elements in Rome
Located in San Francisco, CA
Colosseo Quadrato (2020) by Frank Schott, from a series of photographic observances capturing Roman urban textures and color palettes of timeless ar...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Giclée, Archival Ink, Photographic Paper

New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Paris : Louvre Museum - Original handsigned lithograph - 275ex
Located in Paris, IDF
Rolf RAFFLEWSKI Paris : Louvre Museum Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condi...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Recently Viewed

View All