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Art Subject: Building
Wrapped Reichstag
Located in Boston, MA
Artist: Christo,
Title: Wrapped Reichstag
Series: Wrapped Reichstag
Date: 1971-1995
Medium: Offset Lithograph
Framed Dimensions: 25.25" x...
Category
1970s Conceptual Landscape Prints
Materials
Offset
Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Original Washington Pennsylvania Railroad, Go By Train vintage poster
Located in Spokane, WA
Original Washington, Go By Train, Pennsylvania Railroad vintage poster. Linen backed in fine condition. B+, A- condition. A tear in the poster was restored during linen backing. Minor scuff marks near the left edge and on the red lettering of on the bottom.
The image of a bald Eagle as the blue sky is behind the enlarged image of the Capitol dome. The lower portion of the building is resting in the shadows. The poster captures the majestic beauty of the United States Capitol dome in Washington, D.C., symbolizing American democracy and government. Including the eagle soaring in the sky behind the Capitol Dome reinforces patriotic themes and evokes a sense of national pride.
Overall, this poster exemplifies the Pennsylvania Railroad's marketing efforts to entice travelers to choose rail travel for their journeys. It promises them not only efficient transportation but also a sense of national pride and connection to iconic American landmarks.
The Pennsylvania Railroad (PRR) was one of the largest and most influential railroad companies in the United States, operating from 1846 until 1968. It played a pivotal role in developing the American railroad industry and expanding transportation networks across the country.
Today, vintage Pennsylvania Railroad posters...
Category
1950s American Modern Landscape Prints
Materials
Offset
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
CHRISTO ' PONTE NEUF EMPAQUETTE-LONG VIEW - 1985
By Christo
Located in Pembroke Pines, FL
Artist: Christo
Title: Ponte Neuf Empaquette-Long View
Medium: Photograph
Size: 25 x 38 inches
Year: 1985
Publisher: Nouvelles Image
Reference #:
Schellmann 86
Hand signed by the art...
Category
1990s Contemporary Landscape Prints
Materials
Offset
Shadows in Mexico
Located in Middletown, NY
Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
Piazza Colona
Located in Fairlawn, OH
Piazza Colona
Etching, 1752
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, ...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Richard Haas, The Rookery Courtyard, Chicago, s/n etching architecture and art
By Richard Haas
Located in New York, NY
Richard Haas
The Rookery Courtyard, Chicago, 1974
Etching on etching rag paper
Signed, titled and numbered 11/50 in graphite pencil on the front
Frame included
Etching on etching ra...
Category
1970s Realist Landscape Prints
Materials
Rag Paper, Etching
The Couples: Los Angeles Griffith Observatory
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....
Category
2010s Landscape Prints
Materials
Photographic Paper
Urban Landscapes No. 3
Located in London, GB
The complete set of eight screenprints in colours, 1981, on Fabriano Cotone paper, with full margins, signed and numbered from the edition of 50 in pencil (there were also 15 artist'...
Category
1980s Photorealist Landscape Prints
Materials
Screen
WALL #4
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933-2019). WALL #4. Etching, 1984. Edition of 100. Numbered 62/100, signed, and dated in pencil.18 1/8 x 13 1/4 inches (plate), plus full margins. Framed t...
Category
1980s Landscape Prints
Materials
Etching
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
LITTLEWOODS Signed Lithograph, Historic Stone Farmhouse, Bucks County Landscape
Located in Union City, NJ
LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...
Category
1980s Realist Landscape Prints
Materials
Lithograph
Uses and Customs - Gravedona on Lake Como - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Gravedona on Lake Como is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History ...
Category
1860s Modern Figurative Prints
Materials
Lithograph
Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Casino della Villa Patrizi Fuori - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Casino della Villa Patrizi Fuori di Via Pia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Goo...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
New York Skyline at Night - Offset Poster, 2008
Located in Paris, IDF
Andreas FEININGER
New York Skyline at Night, 2008
Offset original vintage poster
On paper 68 x 74 cm (c. 27 x 29 in)
Original poster for artist's exhibition in Fundation Juan March ...
Category
Early 2000s American Modern Landscape Prints
Materials
Screen
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
"Mordon Colledge (the original spelling) Black Heath" from Universal Magazine
Located in Alamo, CA
This beautiful hand-colored copper-plate engraving entitled "The West Prospect of Mordon Colledge (Old English Spelling) Black Heath" was published in the 'The Universal Magazine...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Early 17th Century Old Masters Landscape Prints
Materials
Etching, Engraving
A Fabulous 1950s Serigraph of Chicago's Wrigley Building by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...
Category
1950s American Modern Landscape Prints
Materials
Paper, Screen
Saltwater Taffy in the Mist, Atlantic City, New Jersey - American Color Photo
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk.
This artwork is a limited edition of 25, gloss photograph...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
View of Avellino - Etching by Tommaso Piroli - Mid-19th century
Located in Roma, IT
View of Avellino is a print realized by Tommaso Piroli in the mid-19th century.
Etching Hand-watercolored on paper.
Signed and titled on the plate.
Good conditions with foxing
Category
Mid-19th Century Contemporary Figurative Prints
Materials
Etching
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
Some Los Angeles Apartments - True, Stated 1st Edition of only 700 Artist Book
By Ed Ruscha
Located in New York, NY
Ed Ruscha
Some Los Angeles Apartments (Unsigned), 1965
True First Edition Artist Book: Stated Limited Edition of only 700
7 × 5 1/2 inches
Unframed
A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title.
"In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California."
The Getty Museum
"....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...
Category
1960s Pop Art Figurative Prints
Materials
Lithograph, Offset, Mixed Media
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Landscape Prints
Materials
Etching
Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category
1930s American Modern Landscape Prints
Materials
Lithograph
Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm.
It was realized in the 1890s.
Good conditions except for being aged.
Caption in Ita...
Category
1890s Surrealist Figurative Prints
Materials
Cardboard
Barn in Stockport, New York, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Barn in Stockport, New York, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 35, Size: 21.5 in. x 28 in...
Category
1980s Folk Art Landscape Prints
Materials
Screen
Original Le Puy En Velay, SNCF vintage travel poster
Located in Spokane, WA
Admiring the Original "Le Puy En - Velay" Vintage Poster The exquisite vintage poster for the old city of Le Puy En - Velay has inspired many art aficionados. ...
Category
1940s Academic Landscape Prints
Materials
Lithograph
Original Mantova. Italy vintage travel poster
Located in Spokane, WA
Original; linen-backed Italian travel by train to Mantova, ENIT poster. Created for the Italian railways to advertise the travel route to Mantova. E.N.I.T....
Category
Mid-20th Century American Realist Landscape Prints
Materials
Lithograph
Shed - Railroad Depot, Nevada, 2003 - After the Gold Rush - Architecture Photo
Located in Cambridge, GB
Shed - Railroad Depot, from Richard Heeps series 'After the Gold Rush', named after the Neil Young song. The series captures former American mining towns that he visited on his journ...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Early 19th Century Victorian Landscape Prints
Materials
Etching, Engraving, Aquatint
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Landscape Prints
Materials
Etching
Queen's Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Aquatint, Etching
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Roofs, Folk Art Screenprint by Ted Jeremenko
Located in Long Island City, NY
Ted Jeremenko, Yugoslavian/American (1938 - ) - Roofs. Year: 1987, Medium: Silkscreen, Signed and numbered in pencil, Edition: 100, Image Size: 11 x 16 inches, Size: 19 x 23 in. (48....
Category
1980s Folk Art Landscape Prints
Materials
Screen
Original etchings C. Bernier - International monument of the reformation, Geneva
Located in Geneva, CH
This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier
Category
19th Century Realist Landscape Prints
Materials
Etching
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
RUE ST. JACQUES
Located in Portland, ME
Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...
Category
1920s Landscape Prints
Materials
Alkyd, Lithograph
The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Corner of Cheyne Walk, Chelsea
Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category
1880s Realist Landscape Prints
Materials
Etching
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Landscape Prints
Materials
Etching, Engraving, Aquatint
Notre Dame - Original Lithograph - Mid-19th Century
Located in Roma, IT
Notre Dame is an original modern artwork realized in the Mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower central margin: Notre Dame - Cathedral i...
Category
Mid-19th Century Modern Landscape Prints
Materials
Lithograph
Villeneuve la Carenne - Etching by Alfred Taiée - 1860s
Located in Roma, IT
Villeneuve la Carenne is a black and White etching realized by Alfred Taiée in the 1860s.
Titled in the lower.
Image size: 10x28.
Very good impression with wide margins and a ver...
Category
1860s Modern Figurative Prints
Materials
Etching
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Etching, Aquatint, Engraving
South Front of Queen's College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'South Front of Queen's College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (p...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
320mm by 250mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
St Paul's School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'St Paul's School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Etching
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Lecce Cathedral, Puglia painting by Richard Beer
By Richard Beer
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category
20th Century Realist Landscape Prints
Materials
Canvas, Oil
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773
Located in Roma, IT
View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773.
Precoius roman edition. Complete title on the lower ma...
Category
1770s Old Masters Figurative Prints
Materials
Etching
Royal Palace in Genoa - Lithograph - 19th Century
Located in Roma, IT
Royal Palace in Genoa is a lithograph on paper realized in the 19th Century.
The artwork is represented in a well-balanced composition with strong strokes.
Very good condition.
Category
19th Century Modern Figurative Prints
Materials
Lithograph
