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Art Subject: Building
Uses and Customs - Cathedral Square in Florence - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Cathedral Square in Florence is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...
Category

1860s Modern Figurative Prints

Materials

Lithograph

Le chateau de Chillon, Switzerland by Albert Emil Kirchner - Engraving 20x27 cm
Located in Geneva, CH
Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...
Category

1850s Realist Landscape Prints

Materials

Engraving

Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755. Good condition. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized ...
Category

1750s Modern Figurative Prints

Materials

Etching

Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Yoshida Hiroshi -- The Golden Pavilion 金阁
By Yoshida Hiroshi
Located in BRUCE, ACT
Title "The Golden Pavilion" 金阁 Date 1933; (posthumous edition, likely 1950's/60's). Publisher Yoshida Family Studio Image Size 9 5/8 x 14 3/4 Impression Very Fine. Sk...
Category

Early 20th Century Landscape Prints

Materials

Woodcut

Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category

1980s American Modern Landscape Prints

Materials

Mezzotint

Boardwalk Empire in the Mist, Atlantic City, New Jersey - American Color Photo
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching, Aquatint

Michael Dal Cerro, End of the Line, 2020, Linocut, Urban Landscape, Modern Art
Located in Darien, CT
Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...
Category

2010s Op Art Landscape Prints

Materials

Ink, Archival Paper, Linocut

The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

Nocturnal, by Art Werger
Located in Palm Springs, CA
Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

Chateau de Verneuil
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching, Laid Paper

Arch - Original Etching by Luigi Rossini - 19th Century
Located in Roma, IT
Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...
Category

19th Century Modern Landscape Prints

Materials

Etching

Pennsylvania Dutch, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Pennsylvania Dutch, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Siz...
Category

1980s Folk Art Landscape Prints

Materials

Screen

Almshouses, St. Cross
Located in Middletown, NY
Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...
Category

Early 1900s Modern Landscape Prints

Materials

Etching

Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category

Late 19th Century Naturalistic Landscape Prints

Materials

Lithograph

Trinity College, Oxford David Loggan 1705 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist Landscape Prints

Materials

Engraving

Old Houses, Byres Road, Partick (Scotland)
Located in Middletown, NY
Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category

Early 1900s Modern Landscape Prints

Materials

Laid Paper, Etching

Veduta della Basilica di San Giovanni in Laterano by G.B.Piranesi - 1749
Located in Roma, IT
Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749. S. Giovanni in Laterano with palace and Scala Santa on t...
Category

18th Century Modern Landscape Prints

Materials

Etching

Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Si...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark)...
Category

Early 17th Century Old Masters Landscape Prints

Materials

Engraving, Etching

Etching Piazza delle Erbe in Verona 1928 by Ettore Fagiuoli
Located in Vicenza, VI
Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...
Category

1920s Other Art Style Landscape Prints

Materials

Etching, Aquatint

"North Channel, " Framed Limited Edition Giclee Print, 24" x 32"
Located in Westport, CT
This traditional Limited Edition print by Daniel Pollera captures a small coastal New England home that is reminiscent of the artist's frequent Long Island Bay Houses subjects. The h...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

View of the Capitoline Hill - Etching by G. B. Piranesi - 1775
Located in Roma, IT
View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775. Very precious and rare lifetime impression. Roman edition. II ...
Category

1770s Figurative Prints

Materials

Etching

Infrared Torino
Located in New York, NY
ABOUT THIS ARTIST: Paolo Pettigiani is an Italian photographer and art director. He combines graphic design and photography in one single image, playing with colors, shapes and contr...
Category

2010s Color Photography

Materials

Photographic Paper

Architecture Parlante
Located in Kansas City, MO
Peter Paul "Architecture Parlante" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 in. Pu...
Category

1970s Modern Prints and Multiples

Materials

Lithograph

Bonn, Bethovenhaus (Bonn, the House of Bethoven)
Located in San Francisco, CA
This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

Temple of Neptune Pesto - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Temple of Neptune Pesto is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...
Category

1860s Modern Figurative Prints

Materials

Lithograph

14829 East 14th Street
Located in Burlingame, CA
'14,829 East 14th Street' Hand Colored Aquatint Etching 2015 image size 10” x 15” with the paper being larger. Edition of 3' (one of three) Hand Colored...
Category

21st Century and Contemporary American Realist Still-life Prints

Materials

Watercolor, Etching, Aquatint

Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category

Mid-18th Century Rococo Landscape Prints

Materials

Engraving

New York Skyline at Night - Offset Poster, 2008
Located in Paris, IDF
Andreas FEININGER New York Skyline at Night, 2008 Offset original vintage poster On paper 68 x 74 cm (c. 27 x 29 in) Original poster for artist's exhibition in Fundation Juan March ...
Category

Early 2000s American Modern Landscape Prints

Materials

Screen

Landscape - Etching by Luigi Kasimir - Early 1900
Located in Roma, IT
Landscape is an original etching on paper realized by the Austrian artist Luigi Kasimir (1881-1962),Hand-signed on the lower left. In very good conditions. Sheet dimension: 38 x 27...
Category

Early 20th Century Landscape Prints

Materials

Etching

Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category

Early 1800s French School Landscape Prints

Materials

Engraving, Paper

Durham. Paul Sandby C18th English landscape engraving
Located in Melbourne, Victoria
'Durham' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Chiesa di Paolo Primo Eremita - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower mar...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Richard Haas, The Rookery Courtyard, Chicago, s/n etching architecture and art
Located in New York, NY
Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...
Category

1970s Realist Landscape Prints

Materials

Rag Paper, Etching

Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category

1930s American Modern Landscape Prints

Materials

Drypoint

Maurice Utrillo, The Sacred Heart, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807. The f...
Category

19th Century Modern Landscape Prints

Materials

Etching

John W. Gregory, Approaching Night, Atwood Avenue, Provincetown, MA
Located in New York, NY
Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...
Category

1930s Ashcan School Landscape Prints

Materials

Lithograph

Maurice Utrillo, Church of Amiens, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillo's mastery of atmospheric nuance, architectural harmony, and poetic stillness, distilling the emotional resonance and delicate tonal balance that define his vision of the French landscape. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm) Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue Etching, 1743 Signed lower left corner of the plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 2 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Landscape Prints

Materials

Etching

Palazzo Ruspoli sul Corso - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for worn margi...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Untitled
Located in Kansas City, MO
Unknown Artist Title: Untitled Year: 2018 Medium: Lithograph Size: 18 x 24 inches COA provided
Category

2010s Contemporary Prints and Multiples

Materials

Lithograph

Untitled
Untitled
$99 Sale Price
50% Off
Bazaar of the Coppersmiths, David Roberts Lithograph
Located in London, GB
DAVID ROBERTS RA 1796 - 1864 Bazaar of The Coppersmiths, Cairo First Edition lithograph Full plate: 230 Presented in a acid free mount We pride ourselves in the hand colouring of our antique David Roberts lithographs...
Category

1840s Realist Landscape Prints

Materials

Lithograph, Laid Paper

Reflections of Lake Como
Located in Chesterfield, MI
Howard Behrens is Chicago born artist famous for his heavy palette style. This giclee of Lake Como is a signed limited edition, embellished and an artist print. It is numbered 22...
Category

Late 20th Century Abstract Expressionist Landscape Prints

Materials

Giclée

Barns, Folk Art Screenprint by Ted Jeremenko
Located in Long Island City, NY
Ted Jeremenko, Yugoslavian/American (1938 - ) - Barns. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Size: 27 x 30.5 in. (68.58 x 77.47 cm), Des...
Category

1980s Folk Art Landscape Prints

Materials

Screen

Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...
Category

1820s Victorian Landscape Prints

Materials

Etching, Intaglio

Charles Pinet (1867-1932) - Pair of Late 19th Century Etching, French Towns
Located in Corsham, GB
A charming pair of etchings of a French town scenes overlooking the cathedral. The artist has signed in graphite to the lower edge and has inscribed t...
Category

Late 19th Century Landscape Prints

Materials

Etching

Mabel Oliver Rae, etching of Tom Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
Category

Early 19th Century Old Masters Landscape Prints

Materials

Engraving

SPORT, SPIRIT, SPLENDOR Signed Lithograph, Town Landscape, Special Olympics
Located in Union City, NJ
In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...
Category

1990s Contemporary Landscape Prints

Materials

Lithograph

Manhattan - Fifth Avenue Mirror Effect
Located in Kansas City, MO
Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches COA provided
Category

1990s Contemporary Photography

Materials

Silver Gelatin

Macbeth, Frontispice, Shakespeare, Macbeth, Eaux-fortes de Gromaire
Located in Southampton, NY
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category

1950s Modern Figurative Prints

Materials

Etching

View of Avellino - Etching by Tommaso Piroli - Mid-19th century
Located in Roma, IT
View of Avellino is a print realized by Tommaso Piroli in the mid-19th century. Etching Hand-watercolored on paper. Signed and titled on the plate. Good conditions with foxing
Category

Mid-19th Century Contemporary Figurative Prints

Materials

Etching

Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi . Beautiful etching representing Palazzo Borghese in Rome. Signed and...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Baalbec, Western Portico
Located in London, GB
First edition lithograph in stock Full plate: 79 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts’ The Holy Land available. Pub...
Category

19th Century Victorian Landscape Prints

Materials

Lithograph

Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written i...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

The Pyramid of Caius Cestius
Located in Middletown, NY
London: c1850. Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...
Category

Mid-19th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Watercolor

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