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Art Subject: Building
Uses and Customs - Cathedral Square in Florence - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Cathedral Square in Florence is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...
Category
1860s Modern Figurative Prints
Materials
Lithograph
Le chateau de Chillon, Switzerland by Albert Emil Kirchner - Engraving 20x27 cm
Located in Geneva, CH
Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885
He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022
The theme of the engraving is one of the most famous castle in Switzerland "le chateau...
Category
1850s Realist Landscape Prints
Materials
Engraving
Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755.
Good condition.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
1750s Modern Figurative Prints
Materials
Etching
$142 Sale Price
40% Off
Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Yoshida Hiroshi -- The Golden Pavilion 金阁
By Yoshida Hiroshi
Located in BRUCE, ACT
Title "The Golden Pavilion" 金阁
Date 1933; (posthumous edition, likely 1950's/60's).
Publisher Yoshida Family Studio
Image Size 9 5/8 x 14 3/4
Impression Very Fine. Sk...
Category
Early 20th Century Landscape Prints
Materials
Woodcut
$704 Sale Price
20% Off
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Landscape Prints
Materials
Mezzotint
Boardwalk Empire in the Mist, Atlantic City, New Jersey - American Color Photo
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk.
This artwork is a limited edition of 25, gloss photograph...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Michael Dal Cerro, End of the Line, 2020, Linocut, Urban Landscape, Modern Art
Located in Darien, CT
Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...
Category
2010s Op Art Landscape Prints
Materials
Ink, Archival Paper, Linocut
The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
$850 Sale Price
43% Off
Nocturnal, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotin
Year: 2022
Edition: 50
Image Size: 17.75 x 23.5 inches
Signed, titled and numbered in pencil by the artist
Dramatic image of the streets of New York from the air. ....
Category
2010s Contemporary Landscape Prints
Materials
Mezzotint
Chateau de Verneuil
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4...
Category
Mid-17th Century Old Masters Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Laid Paper
Arch - Original Etching by Luigi Rossini - 19th Century
Located in Roma, IT
Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower.
In good conditions with some folding. Image Dimensions: 25 x 18 cm
The ...
Category
19th Century Modern Landscape Prints
Materials
Etching
Pennsylvania Dutch, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Pennsylvania Dutch, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Siz...
Category
1980s Folk Art Landscape Prints
Materials
Screen
Almshouses, St. Cross
Located in Middletown, NY
Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...
Category
Early 1900s Modern Landscape Prints
Materials
Etching
Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Old Houses, Byres Road, Partick (Scotland)
Located in Middletown, NY
Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto.
[Rinder 191].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 1900s Modern Landscape Prints
Materials
Laid Paper, Etching
Veduta della Basilica di San Giovanni in Laterano by G.B.Piranesi - 1749
Located in Roma, IT
Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749.
S. Giovanni in Laterano with palace and Scala Santa on t...
Category
18th Century Modern Landscape Prints
Materials
Etching
Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Si...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Early 17th Century Old Masters Landscape Prints
Materials
Engraving, Etching
Etching Piazza delle Erbe in Verona 1928 by Ettore Fagiuoli
Located in Vicenza, VI
Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona.
Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...
Category
1920s Other Art Style Landscape Prints
Materials
Etching, Aquatint
"North Channel, " Framed Limited Edition Giclee Print, 24" x 32"
Located in Westport, CT
This traditional Limited Edition print by Daniel Pollera captures a small coastal New England home that is reminiscent of the artist's frequent Long Island Bay Houses subjects. The h...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
View of the Capitoline Hill - Etching by G. B. Piranesi - 1775
Located in Roma, IT
View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775.
Very precious and rare lifetime impression. Roman edition. II ...
Category
1770s Figurative Prints
Materials
Etching
Infrared Torino
Located in New York, NY
ABOUT THIS ARTIST: Paolo Pettigiani is an Italian photographer and art director. He combines graphic design and photography in one single image, playing with colors, shapes and contr...
Category
2010s Color Photography
Materials
Photographic Paper
Architecture Parlante
By Peter Paul 3
Located in Kansas City, MO
Peter Paul
"Architecture Parlante"
From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy
Year: 1973
Medium: Color Lithograph on Arches
Edition: 80
Size: 25.59 x 19.88 in.
Pu...
Category
1970s Modern Prints and Multiples
Materials
Lithograph
$175 Sale Price
65% Off
Bonn, Bethovenhaus (Bonn, the House of Bethoven)
Located in San Francisco, CA
This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition.
About the artist.
Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman.
His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category
Mid-20th Century Realist Figurative Prints
Materials
Etching
Temple of Neptune Pesto - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Temple of Neptune Pesto is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...
Category
1860s Modern Figurative Prints
Materials
Lithograph
14829 East 14th Street
Located in Burlingame, CA
'14,829 East 14th Street' Hand Colored Aquatint Etching 2015
image size 10” x 15” with the paper being larger. Edition of 3' (one of three)
Hand Colored...
Category
21st Century and Contemporary American Realist Still-life Prints
Materials
Watercolor, Etching, Aquatint
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
New York Skyline at Night - Offset Poster, 2008
Located in Paris, IDF
Andreas FEININGER
New York Skyline at Night, 2008
Offset original vintage poster
On paper 68 x 74 cm (c. 27 x 29 in)
Original poster for artist's exhibition in Fundation Juan March ...
Category
Early 2000s American Modern Landscape Prints
Materials
Screen
Landscape - Etching by Luigi Kasimir - Early 1900
Located in Roma, IT
Landscape is an original etching on paper realized by the Austrian artist Luigi Kasimir (1881-1962),Hand-signed on the lower left.
In very good conditions.
Sheet dimension: 38 x 27...
Category
Early 20th Century Landscape Prints
Materials
Etching
$414 Sale Price
30% Off
Pierre Gabriel Bernhault ca. 1800 Engraving "Vue intérieure de Paris"
Located in Chicago, IL
A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...
Category
Early 1800s French School Landscape Prints
Materials
Engraving, Paper
Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Chiesa di Paolo Primo Eremita - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower mar...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Richard Haas, The Rookery Courtyard, Chicago, s/n etching architecture and art
By Richard Haas
Located in New York, NY
Richard Haas
The Rookery Courtyard, Chicago, 1974
Etching on etching rag paper
Signed, titled and numbered 11/50 in graphite pencil on the front
Frame included
Etching on etching ra...
Category
1970s Realist Landscape Prints
Materials
Rag Paper, Etching
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Maurice Utrillo, The Sacred Heart, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision.
Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: After Maurice Utrillo (1883–1955)
Title: Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo)
Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper
Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued
Inscription: Unsigned and unnumbered, as issued
Date: June 5, 1956
Publisher: Editions d'Art Manuel Bruker, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956
Notes:
Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$796 Sale Price
38% Off
View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807.
The f...
Category
19th Century Modern Landscape Prints
Materials
Etching
John W. Gregory, Approaching Night, Atwood Avenue, Provincetown, MA
Located in New York, NY
Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...
Category
1930s Ashcan School Landscape Prints
Materials
Lithograph
Maurice Utrillo, Church of Amiens, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillo's mastery of atmospheric nuance, architectural harmony, and poetic stillness, distilling the emotional resonance and delicate tonal balance that define his vision of the French landscape.
Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: After Maurice Utrillo (1883–1955)
Title: Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo)
Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper
Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm)
Inscription: Unsigned and unnumbered, as issued
Date: June 5, 1956
Publisher: Editions d'Art Manuel Bruker, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956
Notes:
Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$796 Sale Price
33% Off
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Landscape Prints
Materials
Etching
Palazzo Ruspoli sul Corso - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for worn margi...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Untitled
Located in Kansas City, MO
Unknown Artist
Title: Untitled
Year: 2018
Medium: Lithograph
Size: 18 x 24 inches
COA provided
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph
$99 Sale Price
50% Off
Bazaar of the Coppersmiths, David Roberts Lithograph
Located in London, GB
DAVID ROBERTS RA
1796 - 1864
Bazaar of The Coppersmiths, Cairo
First Edition lithograph
Full plate: 230
Presented in a acid free mount
We pride ourselves in the hand colouring of our antique David Roberts lithographs...
Category
1840s Realist Landscape Prints
Materials
Lithograph, Laid Paper
Reflections of Lake Como
Located in Chesterfield, MI
Howard Behrens is Chicago born artist famous for his heavy palette style. This giclee of Lake Como is a signed limited edition, embellished and an artist print. It is numbered 22...
Category
Late 20th Century Abstract Expressionist Landscape Prints
Materials
Giclée
$400 Sale Price
20% Off
Barns, Folk Art Screenprint by Ted Jeremenko
Located in Long Island City, NY
Ted Jeremenko, Yugoslavian/American (1938 - ) - Barns. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Size: 27 x 30.5 in. (68.58 x 77.47 cm), Des...
Category
1980s Folk Art Landscape Prints
Materials
Screen
Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99)
Portfolio: Architectural Antiquities of Normandy
Year: ...
Category
1820s Victorian Landscape Prints
Materials
Etching, Intaglio
Charles Pinet (1867-1932) - Pair of Late 19th Century Etching, French Towns
Located in Corsham, GB
A charming pair of etchings of a French town scenes overlooking the cathedral. The artist has signed in graphite to the lower edge and has inscribed t...
Category
Late 19th Century Landscape Prints
Materials
Etching
Mabel Oliver Rae, etching of Tom Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
Category
Early 19th Century Old Masters Landscape Prints
Materials
Engraving
SPORT, SPIRIT, SPLENDOR Signed Lithograph, Town Landscape, Special Olympics
Located in Union City, NJ
In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...
Category
1990s Contemporary Landscape Prints
Materials
Lithograph
Manhattan - Fifth Avenue Mirror Effect
Located in Kansas City, MO
Wolff Buchholz
Title: Manhattan - Fifth Avenue Mirror Effect
Medium: Photograph
Year: 1990
Signed, dated and titled by hand
Edition: 6
Size: 11.9 × 16.4 inches
COA provided
Category
1990s Contemporary Photography
Materials
Silver Gelatin
$199 Sale Price
63% Off
Macbeth, Frontispice, Shakespeare, Macbeth, Eaux-fortes de Gromaire
Located in Southampton, NY
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category
1950s Modern Figurative Prints
Materials
Etching
$3,996 Sale Price
20% Off
View of Avellino - Etching by Tommaso Piroli - Mid-19th century
Located in Roma, IT
View of Avellino is a print realized by Tommaso Piroli in the mid-19th century.
Etching Hand-watercolored on paper.
Signed and titled on the plate.
Good conditions with foxing
Category
Mid-19th Century Contemporary Figurative Prints
Materials
Etching
Palazzo Borghese - Etching by Giuseppe Vasi - 1747
Located in Roma, IT
Palazzo Borghese is original black and white etching realized by Giuseppe Vasi .
Beautiful etching representing Palazzo Borghese in Rome.
Signed and...
Category
Mid-18th Century Old Masters Figurative Prints
Materials
Etching
Baalbec, Western Portico
Located in London, GB
First edition lithograph in stock
Full plate: 79
Presented in a acid free mount
Modern hand-coloured lithograph for the first edition of David Roberts’ The Holy Land available.
Pub...
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written i...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching
The Pyramid of Caius Cestius
Located in Middletown, NY
London: c1850.
Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...
Category
Mid-19th Century English School Landscape Prints
Materials
Handmade Paper, Engraving, Watercolor
