Building Landscape Prints
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Art Subject: Building
View of Piazza Navona - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
Navona Square - Fountain of 4 Rivers is an artwork realized by Giuseppe Malandrino.
Print in etching technique.
Hand-signed by the artist in pencil on the lower right corner.
Numb...
Category
1970s Modern Landscape Prints
Materials
Etching
Landscape - Etching by Marco Bonechi - 1990s
Located in Roma, IT
Landscape is a etching print realized by Marco Bonechi in the 1990s.
Hand-signed on the lower in pencil
Numbered. Edition 35/99.
Good conditions.
The artwork is depicted through ...
Category
Late 20th Century Contemporary Figurative Prints
Materials
Etching
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Terry Buchanan (b.1938) - 1998 Etching, Sacre Coeur II
Located in Corsham, GB
Print 4/10. Signature, title and date inscribed below plate lines. On watermarked wove.
Category
1990s Landscape Prints
Materials
Etching
Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern Landscape Prints
Materials
Aquatint, Laid Paper, Etching
Parthenope
Located in Brooklyn, NY
Daniel Rothbart, Parthenope, 1966-2021, printed on Epson Cold Press Bright paper with archival ink, 20.32 x 24 in. (51.6 x 61 cm.), edition of 3 with t...
Category
21st Century and Contemporary Surrealist Landscape Prints
Materials
Giclée
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Late 18th Century Victorian Landscape Prints
Materials
Engraving
Visitors
Located in Brooklyn, NY
Daniel Rothbart, Visitors, 1948-2021, printed on Epson Cold Press Bright paper with archival ink, 24 x 16.35 in. (61 x 41.5 cm.), edition of 3 with two APs, signed and numbered.
Category
21st Century and Contemporary Surrealist Landscape Prints
Materials
Giclée
Palazzo Vecchio
Located in Brooklyn, NY
Daniel Rothbart, Palazzo Vecchio, 1911-2021, printed on Epson Cold Press Bright paper with archival ink, 24 x 15.9 in. (61 x 40.3 cm.), edition of 3 wi...
Category
21st Century and Contemporary Surrealist Landscape Prints
Materials
Giclée
Metropolis, Andy Mercer, Contemporary art, Digital print for sale
Located in Deddington, GB
Andy Mercer
Metropolis (Green)
Digital Print and hand signed by the artist
Sheet Size: H 45cm x W 32cm x D 0.1cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look.
Metropolis (Green) is a limited edition neo Dadaist print by Andy Mercer. “A work from my Metropolis series.”
Discover new original artworks by Andy Mercer with Wychwood Art. Artist Andy Mercer blurs the boundaries between graphic and ‘traditional’ art. He began experimenting with creating art digitally in 2006 and since then has been part of a group of artists who have embraced the internet and incorporated digital technology into their creative process. Andy Mercer sees no distinction between art created digitally and conventional methods. “We don’t describe music created digitally as “digital music”; it’s all just music. I think the same applies to art.” The former chair...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Paper, Giclée
Palazzo Ruspoli sul Corso - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for worn margi...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Bonn, Bethovenhaus (Bonn, the House of Bethoven)
Located in San Francisco, CA
This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition.
About the artist.
Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman.
His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category
Mid-20th Century Realist Figurative Prints
Materials
Etching
Sacré-Coeur Church of Montmartre - Lithograph
Located in Paris, FR
Maurice UTRILLO (1883 - 1955)
Paris, Sacré-Coeur of Montmartre
Lithograph
Printed signature in the plate
On vellum Arches
This edition is autentified by the blind stamp S.P.A.D.E.M
...
Category
Late 20th Century Modern Landscape Prints
Materials
Lithograph
House at Gregory Point (Colorado), 1930s Black and White Landscape Lithograph
Located in Denver, CO
Original Arnold Ronnebeck (1885-1947) lithograph of a home in Gregory Point, near Central City, Colorado from the 1930s. Edition of 25 printed. Presented in a custom frame, outer dimensions measure 23 ¼ x 18 ½ inches. Image size is 19 ¼ x 13 ¼ inches
Print is clean and in very good vintage condition - please contact us for a detailed condition report.
Provenance: Estate of Arnold Ronnebeck
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926.
After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth.
After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York.
After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz."
In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan.
In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News.
His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...
Category
1930s American Modern Landscape Prints
Materials
Paper, Lithograph
Basilica e Monasterio di S.Paolo Fuori le Mura by G. Vasi - Late 18th century
Located in Roma, IT
Basilica e Monasterio di S.Paolo Fuori le Mura is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions ...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed...
Category
Late 18th Century Old Masters Landscape Prints
Materials
Etching
Flamingo, Las Vegas Lithograph by David Gallegos
Located in Long Island City, NY
David “Kawika“ Maes Gallegos b.1954 – was born in Denver, Colorado. He works primarily as a pop artist and does multiple luminous cityscapes. This piece is a Lithograph on Arches, si...
Category
2010s Pop Art Landscape Prints
Materials
Lithograph
Old Town, paper, etching, 32x24.5 cm
Located in Riga, LV
Old Town, paper, etching, 32x24.5 cm
Piotr Petrovich Belousov (1912-1989)
was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Paintin...
Category
Mid-20th Century Realist Landscape Prints
Materials
Etching
Alexander Kachinsky, Cloudy Day
Located in New York, NY
Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of the Library of Congress, the Smithsonian American Art museum, and the Baltimore Museum of Art. He came to this country in the 1920s.
An impression of this subject in the Smithsonian.
"Cloudy Day," about 1940, is an idyllic country scene, possibly the artist's White Plains...
Category
Mid-20th Century Ashcan School Landscape Prints
Materials
Etching
St Mark's Square, Venice - Lithograph by Sergio Mari - 1989
Located in Roma, IT
St Mark's Square, Venice is a modern artwork realized by Sergio Mari in 1989.
Lithograph on paper.
Hand signed, titled and datet on the lower right margin.
Numbered on the lower l...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph
Silverwood, Chris Keegan, Contemporary Style Art, Blue Art, Handmade Prints
By Chris Keegan
Located in Deddington, GB
Silverwood [2022]
limited_edition
Screen print
Edition number 50
Image size: H:56 cm x W:25 cm
Complete Size of Unframed Work: H:56 cm x W:25 cm x D:0.1cm
Sold Unframed
Please note ...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Screen
"The Neighbors" by Gary Barsumian. New York Graphic Society, 1979.
Located in Clinton Township, MI
Published By New York Graphic Society, 1979
Plate signed
In Good Condition
Measures 23 in x 37 in
Category
20th Century Landscape Prints
Materials
Lithograph
Portman Square - Etching by Rudolf Ackerman - 1816
Located in Roma, IT
Portman Square is an etching watercolored realized by the german engraver Rudolf Ackerman in 1816.
Good condition on a yellowed paper.
No signature, titled on the lower margin.
Category
19th Century Modern Figurative Prints
Materials
Etching
'The Basilica of St. Josapha' Giclée Print on Watercolor Paper
By Julia Taylor
Located in Milwaukee, WI
Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020'
Art: 22" x 21"
Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life.
In college, my small stained glass...
Category
2010s Prints and Multiples
Materials
Giclée
PONTE DEL TRINITE, FLORENCE
Located in Portland, ME
Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...
Category
Early 1900s Landscape Prints
Materials
Etching
Ray Turrefield: Hitcham Building, Pembroke College, Cambridge 20th century print
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Ray Turrefield (active late 20th century)
Hitcham Building, Pembroke College...
Category
1970s Landscape Prints
Materials
Color
Midnight Observatory, Landscape Art, Architectural Art, London Art
Located in Deddington, GB
Midnight Observatory [2012]
limited_edition
etching and aquatint
Edition number 69
Image size: H:20 cm x W:13.5 cm
Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Copper
Independence Day, Folk Art print by Colette Raker
Located in Long Island City, NY
Independence Day by Colette Raker, French (1938)
Date: circa 1980
Screenprint, signed and numbered in pencil
Edition of 250
Image Size: 33 x 26 inches...
Category
1980s Folk Art Figurative Prints
Materials
Screen
Freedom Tower and Sentinels 1090- Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Kings Cross Rain, Evening Train and Coastal Trains, John Duffin, London Art
By John Duffin
Located in Deddington, GB
Kings Cross Rain by John Duffin [2018]
limited_edition
Etching on paper
Edition number 15/150
Image size: H:30 cm x W:25 cm
Complete Size of Unframed Work...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Paper, Etching
The Defenders I Want To Be 1086 - Signed, Limited Edition Contemporary Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Midnight Observatory, Landscape Art, Architectural Art, London Art
Located in Deddington, GB
Midnight Observatory [2012]
limited_edition
etching and aquatint
Edition number 69
Image size: H:20 cm x W:13.5 cm
Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Copper
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Mettle and Grit 1111 - Signed, Limited Edition Contemporary Fine Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Running My Fastest, Hugging 1095- Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category
1980s American Modern Landscape Prints
Materials
Aquatint, Etching
G Cooper: Oriel College, Oxford watercolour
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
G. Cooper
Oriel College...
Category
19th Century Realist Landscape Prints
Materials
Etching
Memory 9/11 1099 - Signed, Limited Edition Contemporary Fine Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
I’m Not Brave Like That 1100 - Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Misty Ones Breathe and Blow 1098- Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Confronting the Villain 1094 - Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Defenders Standing Guard 1093 - Signed, Limited Edition Contemporary Art Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Shapeshifters Above Skyscrapers 1085- Signed, Limited Edition Contemporary Print
Located in New York, NY
This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from both her...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment
Roman Temples and Ruins - Etching After G. Engelmann- Late 20th Century
Located in Roma, IT
Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann(1788-1839), in the late 20th century.
The artwork is signed on the plate. In very goo...
Category
Late 20th Century Modern Landscape Prints
Materials
Etching
Walter Hoyle: St Catharine's College, Cambridge linocut print
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922-2000)
St Catharine's College, Cambridge (Cambridge Series 1956-66)
Linocut
59 x 39 cm
Signed lower right; inscribed and numbered 35/75 in pencil.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
View of Piazza Navona - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching
View of Piazza Navona - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching
Alwyn Court (180 West 58th Street, NYC)
By Richard Haas
Located in New York, NY
Richard Haas
Alwyn Court (180 West 58th Street, NYC), 1973
Etching on wove paper
Edition 4/50
Signed, titled and numbered 4/50 on the recto
Measurements:
Artwork:
19.25 inches (vert...
Category
1970s Photorealist Figurative Prints
Materials
Etching
View of Piazza Navona - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
1730s Modern Figurative Prints
Materials
Etching
View of Piazza Navona - Original Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching
Chartres, The Magnificent
Located in Middletown, NY
Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Laid Paper
View of Piazza Navona - Original Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching
The Hague - Le Fameux Vivier de la Haye - Etching - 18th Century
Located in Roma, IT
The Hague - Le fameux Vivier de la Haye is an original print realized on peep-leaf in the 18th century.
A beautiful watercolored etching (on copper plaque) sold at the time by Daumi...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
View of the Mall From a Castle Tower
By Richard Haas
Located in New York, NY
Richard Haas
View of the Mall From a Castle Tower, 1983
Seven-Color Lithograph: Hand Drawn on English Somerset Satin 100% rag paper
14 1/4 × 43 3/4 inches...
Category
1980s Photorealist Landscape Prints
Materials
Lithograph
View of Piazza Navona - Original Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979).
Etching on cardboard.
Hand-sign...
Category
1970s Modern Landscape Prints
Materials
Etching