Woodcut Prints and Multiples

The Couple is an original etching realized by Mino Maccari in the mid-20th Century. Good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist...

Cheers! is a woodcut print on creamy-colored paper realized by Hermann Paul, in the 1910s. Good condition with slight folding and repaired cutting. René Georges Hermann-Paul (27 De...

Figure is a print realized in the Early 20th Century. Hand-Signed, unreadable signature. Woodcut on paper Good condition with slight foxing.

Bouquet of Callas is an Artwork realized in 1990s.,  realized by the french artist Corinne Veret (Paris 1956). Woodcut B./W. print on ivory paper. Hand signed on the right margin. ...

Shiga City is an original artwork realized by Unknown Artist, in the early 20th Century. Beautiful woodcut print on cardboard. This artwork represents three different representatio...

The Painter is an original Woodcut realized by Ebba Holm in 1925. Good conditions. The artwork is depicted by harmonious colors in a well-balanced composition.

Singer is a modern print realized by Emile Bernard in the Early 20th Century. Wood cut. Numbered, Edition, 5/50. Good conditions.

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.

John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 33, 1950. Published by Aimé...

A 1928 woodcut on paper of a self-portrait of Notable Chicago Modernist artist Emil Armin. artowrk size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...

Short-Eared Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870...

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

Artist: Kiyoshi Saito – Japanese – (1907-1997) Title: Katsura, Kyoto (L) Year: 1964 Medium: Woodblock Image size: 18 x 24 inches. Sheet size: 21.5x 28.5 inches. Signature: Signed, ...

Sculptor at work is an artwork realized in the Early 20th Century after Takakane Fujiwara. Sheet dimensions: 30 x 19.5 cm. Reprint. Good conditions.

Fujikawa is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

This artwork "Christ, from La Passion" 1939, is a wood engraving by French artist Georges Rouault, 1871-1958. (Block engraved by Georges Aubert) It is signed in the block as issue. ...

Ex Libris Karol Izakovic is an Artwork realized in 1982, by the Artist Josef Weiser (1914-1994). Woodcut B./W. print on paper. Signed on plate and dated on back. Good conditions. ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

John DePol, 'Floating Crap Game, chiaroscuro wood engraving, 1958, edition 145. Signed, titled, numbered 'Ed. 145' and dated '3/1958'. Signed in the block, lower right. A fine, rich ...

Salvador Dali (1904-1989) Paradadise 6 - The Heaven of Mercury From the Divine Comedy (Dante) Woodcut in color Signature printed in the plate 1960/63 On BFK Rives vellum 32,8 x 26,4...

Death of Goetz von Berlichingen is a woodcut print on ivory-colored paper, realized by Hotelin et Reguier after Eugène Delacroix in 1845, and published in "Magazin Pittoresque". Sig...

Death of Goetz von Berlichingen is a woodcut print on ivory-colored paper, realized by Hotelin et Reguier after Eugène Delacroix in 1845, and published in "Magazin Pittoresque". Sig...

Death of Goetz von Berlichingen is a woodcut print on ivory-colored paper, realized by Hotelin et Reguier after Eugène Delacroix in 1845, and published in "Magazin Pittoresque". Sig...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Fisherman is an artwork realized after Giuseppe Viviani, in 1960s .  Woodcut print on paper. Limited edition of 200. The state of preservation is very good.  Signed by the Artist ...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

LILIAN MILLER (1895 - 1943) LANTERN ON A HILL - NKKO - AUTUMN, 1934 (Brown 104) Color woodcut, signed and dated in ink in the image. Titled in pencil by the artist at lower sheet edge. Circular, 10 inches in diameter. Beautiful fresh impression In very good condition with full margins, sheet 10 5/8 x 10 1/2 inches. Miller carried on a tradition started by woman, Americans Helen Hyde, Berta Lum and Englishwoman Elizabeth Keith, who learned and used Japanese color woodcut making techniques in the first part of the 20th century. Illustrated in "Between Two Worlds - The Life and Art of Lilian May Miller...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 5 x 6.75 inches ( 12.7 x 17.145 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRIN...

Charles Quest, 'Work Bench', 1949, wood engraving, edition 40. Signed, dated and numbered 9/40 in pencil. Titled and annotated 'wood engraving 1949' in pencil, in the artist’s hand, lower right margin. A fine, richly-inked impression, on off-white wove Japan, with full margins (1 3/4 to 2 inches), in excellent condition. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, a successful artist, and fine art instructor, worked in a variety of mediums including mosaic, stained glass, mural painting, and sculpture, but remains best known as a printmaker. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929, and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium which he apparently learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting a lot of critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’ were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’ and the print ‘Still Life with Vise’, was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in the Graphic Arts Division of the Smithsonian's National Museum (now known as the American History Museum). This one-man exhibition was a remarkable achievement for Quest, who had been working in the medium for only about ten years. In the press release for the show, Kainen praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had also won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. Charles Quest retired from teaching in 1971 and made relatively few prints in his later years, as the rigors of the medium were too demanding. He moved to Tryon, North Carolina, with his wife Dorothy, an artist and portrait painter, and remained active as a painter until his death in 1993. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted the interest of Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for the University's collection. In 1990 Georgetown University Library's Special Collections Division became the grateful recipient of a large body of Quest's work including prints, drawings, paintings, sculpture, and stained glass, as well as his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

MARY TRAVIS (Active 1935 - 40) LOTUS FLOWER ROEDING PARK. c.1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...

Mase Magoshiro Masatatsu ia a woodcut print realized by Utagawa Kuniyoshi n 1847 ca. Includes wooden and leather frame. Good conditions: some stain...

This is a superb polychrome woodblock print (nishiki-e, ink and color on paper), likely realized by Utagawa Hiroshige (Japanese, 1797-1858) at the middle of 19th century. This plate ...

William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...

Actor Iwai Hanshiro as a Samurai is an artwork realized by Utagawa Toyokuni (1769-1825), in the early 19th Century Color woodcut, signed or inscribed in the top right and bottom lef...

La Nouvelle Orléans is a wonderful black and white xilograph on paper, realized in 1876 by an unknown artist, whose signature is not completely readable on lower right corner, after the German artist and marine painter Theodore Alexander Weber (1838-1907). With high meticulousness of sign this original print describes the new port...

"Chamber Music" is an original wood engraving by Robert Franz von Neumann. It features a room full of men in the thralls of creating music together. A small audience stands outside their circle. Image: 5.5" x 7" Framed: 14" x 15.56" 1888 - 1976 Born in Rostock, Mecklenburg, Germany, Robert von Neumann...

Nude is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

The Fame is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. B./W. Woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled on the lef...

Totem is an original woodcut print realized by an anonymous artist in the mid-20th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composi...

John DePol, 'Endless Day', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb impression, on off-w...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Monogrammed in plate upper left. Excellent condition. Ref. F.H. Bool, J.R. Kist, J.L. Locher and F...

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 178), Year: 1958, Medium: Double-Sided Woodcut on Japanese Nacred paper, Edition: 130, Size: 13 x 10 in. (33.02 x 25.4 cm), Pri...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...

Ex Libris - Anna Lisa Egart Andersson is a Modern Artwork realized in Mid 20th Century. Ex Libris. B/W woodcut on paper. The work is glued on cardboard. Total dimensions: 20x ...

Ex Libris - V. Martinez Yuste  is an Artwork realized in 1951, by the artist Jocelyn Mercier.                                                                  Woodcut print on ivory...

Luke Gilliam has a highly unusual woodcut technique. Here it is used to contain a fruit plate in an impressionistically-inspired environment made up of earth tones. It's a fascinatin...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Monogrammed in the plate upper right. Excellent condition. Prov. Collection W.F. Veldhuysen, Baarn...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

In 1991 Harry Sternberg published a book with Brighton Press, San Diego. It was My Life in Woodcuts. At the time it was the only known woodcut autobiography. The deluxe editions of...

René Quillivic Brittany : Traditional Costume, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears ...