Lithograph More Prints

JR Wombat Portfolio and Print Stamp-dated, numbered and hand-assembled The Wombat box No. 37 is a special Edition made with JR for the occasion of his new exhibition MOMENTUM at La ...

Image dimensions: 46.5 x 70.5 cm. This contemporary artwork is the Abstract Composition by Dorazio. A joyful color lithograph on paper, realized in 1968 by the Italian graphic mas...

To see our other original vintage public information and propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a me...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

This artwork titled "New Inn, Gloucester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 John Baldessari Complete set of twelve offset lithogra...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

National Savings calendar poster (1946) Lithographic poster 50 x 38 cm Printed for HMSO by Marion, Son & Hall Ltd, London. An original lithographic ...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Limited edition of 150 prints. One of the only 20 prints to be realized in black and green. Numbered and hand signed by the Artist. Excellent conditions.

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Year: 1975 Edition: Unnumbered Sheet Size: 15" x 11" Image Siz...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in th early 20th Century. Good conditions.

Lithograph in colors on wove paper 43.2 x 55.9 cms (17 x 22 ins) Edition of 38

Spoleto Festival is an original offset and lithograph on cardboard, realized by Leonardo Cremonini in 1984s. Signed on plate. Good conditions. An...

Flower Signal is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 122/125.

Ex Libris Miroslav Cinner is a Contemporary Artwork realized in the mid-20th Century. Original B/W Lithograph on ivory-colored paper. The title is inscripted on the right corner in...

Fernand Mourlot Lithographe is a splendid lithograph realized as Cover of the illustrated book "A même la pierre" after Jean Dubuffet. Edition by Pie...

Kansas City, Missouri-born artist Emmett Merrill holds a BFA from the Kansas City Art Institute and an MFA from the University of Tennessee - Knoxville, and he is returning to the Ma...

Artist: Alexander Calder Title: Cover, from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Un...

Fiore Segnale is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 115/125.

Assembly is an original lithography on paper, realized by G. Engelmann in 1825, the artwork is signed and dated on plate. Sheet dimensions: 27 x 27 cm. Includes a white passepartou...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 2...

Nature Mort lithograph by Estate Collection of Picasso After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionize...

Nude is an original lithograph artwork, realized by Sergio Barletta, hand-signed, edition of 100 prints. In very good conditions. Here the artwork represents a different pose of n...

Agrà Nero su Nero is a colored serigraph on paper realized by the Italian artist Sante Monachesi and published by Euromuseum Editore, Ancona. Signed in pencil on the lower margin, t...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Tanks (1939 - 1945) Original vintage poster 74 x 51 cm A copy of this poster is held by the Victoria and Albert Museum (E.2134-1946). Issued by the National Savings...

Image dimensions: 46 x 24 cm. Wall and Trowel is a peculiar and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around...

Poisson is an original print: a colored lithograph, hand-signed in pencil on the lower right margin. An artist's proof in excellent conditions, including passepartout: 34 x 49 cm. ...

La Prigione (The Prison) is a wonderful colored lithograph on paper, realized in 1973 by the Italian artist, Marcello Ercole, published by La Nuova Foglio, the publishing house of Ma...

Hand Signed. Edition of 75 prints. Published in the catalogue "Henry Moore: The Graphic Work 1931-1972", Gerald Cramer Editeur, Geneva 1973, N. 180. Very Good Conditions.

To see our other original vintage travel posters and labels, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Lloyd India to China Baggage Room Ticket Original Printed Luggage Label...

National Savings calendar poster (1949) Lithographic poster 50 x 37 cm Printed for HMSO by Mardon, Son & Hall Ltd, Bristol. An original lithographic...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Rhythm 15 is an original colored serigraph realized by Mario Padovan in 1969. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 26/50. Original...

Hand Signed. Edition of 110 pieces plus 30 pieces in Roman Numbers. Pino Reggiani ( Forlì, 1937). Italian painter. Many of his works are present in museums and public collections in...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Fabio Mauri (Rome, 1926 – Rome, 2009) was an italian artist, writer and dramatist. He was one of the main ital...

Hand Signed. Edition of 75 pieces. Very good conditions.

This artwork titled "George Inn, Norton St. Philipr" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 12.75 x 15 inches, sheet size is 15 x 16.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...

Richard Florsheim - Paris Seine - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 B...

This is an hand signed lithograph by André Masson, with dedication. André Masson was a French artist, well-known as part of the Surrealism. He was a painter but also a sculptor and ...

The painting is being offered with a work and authenticity certificate

Hand signed and numbered by artist with pencil. Edition of 100 prints. Very good conditions.

Temple of Mars is offset print artwork on paper, realized by G. Engelmann in 1826, the artwork is signed on the plate and dated. In very good condition. The artwork represents the roman landscape of the temple of Mars, The temple of Mars in the Circus was a temple of ancient Rome dedicated to Mars, located near the Circus Flaminio, in the IX Augustan region. the temple contained a colossal statue of...

Untitled is a beautiful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, and published by La Nuova Foglio, a publishing house of Macerata. Hand-signed and numbered in pencil on lower margin. Edition of 100 prints. This contemporary artwork representing a surreal composition in a futuristic world to decipher as a rebus game, is in excellent conditions. Maurice Henry...

JR, JR au Louvre, 29 Mars 2019, 18h08 Contemporary, 21st Century, Print, Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edition of 250 35 x ...

Color lithograph, Edition 30 Working from branches and grasses collected in the vicinity of Shark’s studio, Kushner created this composition determined by chance. Kushner dropped ...

Ex Libris Marta Cinnerova is a Contemporary Artwork realized in the late 20th Century. Original B/W Lithograph on ivory-colored paper. The work is glued on cardboard. Total di...

This lithograph by Fernand Leger is from the portfolio entitled "La Ville" (The City) which consists of 29 lithographs featuring scenes of people, life and emotions of Paris. The art...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Egyptian Orientalist image with Snake From a 2014 portfol...

Japanese Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork rep...

Decorative motifs of the German Renaissance is a vintage chromolithograph by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorative motif...

Roman Decorative motifs is a vintage chromolithograph realized by an anonymous artist. Good conditions. The artwork represents Roman Decorative motifs in a well-balanced composition.

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

ALGARVE LANDSCAPE is an original hand drawn lithograph by the American woman artist Mary Faulconer printed using traditional lithography techniques on archival paper 100% acid free. ...