Lithograph More Prints

Original Lithograph by Jean Cocteau Title: Surrealist Creature Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

Color lithograph, Edition 25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts mom...

Marc Chagall (1887-1985) - The Offering Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

A very good impression of this early color lithograph on Arches paper. One of 6 numbered artist's proofs, aside from the edition of 96. Signed, titled, dated, inscribed "Artist's Pro...

A very good impression of this scarce, early color lithograph on Johannot cream wove paper. Artist's proof, aside from the edition of 120. Signed and inscribed "epreuve d'artiste" in...

Color lithograph with cut-outs, Edition 30. Words from the artist's poem: Swelling inside the mud, blackness damp and robust, flowers full of star’s yearning, brimming under ange...

This 1933 lithograph, Central City, Colorado 3/25, by Arnold Rönnebeck, captures the architectural essence of a historic mining town during the Great Depression. Rendered in black an...

Yayoi Kusama Lemon Squash from the Specially Bound Edition, Edition 73/150. Lithograph [2 plates, 2 colors, 2 runs]. Numbered, titled in Japanese, dated and hand signed by the artis...

Hand signed. Edition of 150 (140/150). Very good condition.

Color lithograph with chine collé, Edition 30. In this map Chagoya depicts a world beset with problems of man-made pollution: environmental, industrial and social. The planet nee...

Poster-David Meyer/Hawthorne II/McGraw Editions. Measures 22 x 39 inches and is Unframed. Fair Condition.

Color lithograph, Edition 30 In this intensely colorful print, Jacquette captured this view of early stages in the construction of the new Renzo Piano building from an elevated perch in the Standard...

Created by Takashi Murakami in 2013, Flower Ball (3D): There is Nothing Eternal in this World. That is Why You Are Beautiful is an offset lithograph in colors. The artwork is hand-si...

Iudit Abscidit Caput Holoferni is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Susannae Pulchritudo  is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

Angelus Excussit Flammag Ignis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Peccatum Originis is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

The artist describes this project: “yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...

Original poster for 1978 "Miró 100 sculptures 1962-1978" exhibition of sculptures by Joan Miró. Purchased from the Musée d'art moderne de la Ville de Paris. Beautifully printed litho...

Color lithograph with collage, Edition 30 Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, s...

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

Color lithograph, Edition 30 Kushner has collaborated with Master printer Bud Shark since 1982 on various monotypes and lithographs. These exuberant, sensuous prints often include...

Hand Signed. Edition of 99 pieces.

Fritz Glarner - Abstract Composition - Reproduction Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Born in Zurich, Glar...

Pinwheel is a lithograph realized by Pietro Carabellese in 1980. Hand-signed on the bottom right. Numbered on the bottom left 70/100. Good conditions. The artwork illustrates a...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 ...

Poster. Measures 32.5 x 21.25 inches and is Unframed. Good Condition-creasing/scratches consistent with age and handling.

Color lithograph, Patron Impression. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes ‘personal diaries’ of her life a...

A very good impression of this scarce lithograph on Arches. Signed, titled, dated and numbered 14/20 in pencil. Printed and published by the artist, Paris. From "Théâtre du Sol."

GAYLORD FLORY (American, 1919-1982). Atelier Gallery of Contemporary Art, March 26-April 21. Vintage Poster. Publishing Information: Copyright 1968 Solom...

Color lithograph, Edition 30. Bernard Cohen is a distinguished British painter (and aficionado of the American Southwest). His abstract paintings use pictorial and schematic images of jet planes, animal tracks, dinner place settings...

Color lithograph with chine collé, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural realities that I have experienced in my lifetime. I integrate diverse elements: from pre-Columbian mythology, western religious iconography...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Bernard Buffet (1928-1999) - La Route du Village Original Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, ...

Nelson Mandela, Artist's Motivation, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Motivation print, he told Anna and Laura from Belgravia Gallery of his desire to become a full time artist when he retired. This artwork is a handwritten Artist’s Motivation by Nelson Mandela and reads: “Today when I look at Robben Island I see it as a celebration of the struggle and a symbol of the finest qualities of the human spirit, rather than as a monument to the brutal tyranny and oppression of apartheid. Robben Island is a place where courage endured in the face of endless hardship, a place where people kept on believing when it seemed their dreams were hopeless and a place where wisdom and determination overcame fear and human frailty. It is true that Robben Island was once a place of darkness, but out of that darkness has come a wonderful brightness, a light so powerful that it could not be hidden behind prison walls, held back by prison bars...

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

Fioritura del Tuttocuore is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's proof. Good conditions.

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

Color lithograph with collage, Edition 20. The artist describes this project: "My recent collaboration with Bud Shark resulted in three images based on classic sailing...

The Tomb is a lithograph print on paper realized by Paolo Pasotto in the 1970s. Hand-signed. Numbered on the lower, edition of 100 prints. Good condit...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

A very good impression of this color lithograph on Special Arjomari paper. Signed and numbered 19/200 in pencil by Christo. Printed by Landfall Press, Chicago, with the ink copyright...

Portrait of Herbert von Karayan, b/w photo is a photograph realized by Lauterwasser in the 1970s. Very good conditions.

Pierre Tal Coat - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San ...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

Color lithograph, Ed. 30. Sherman’s paintings and prints propel the viewer into a claustrophobic and unstable world through a perspective that shimmies between representation and ab...

Color lithograph/woodcut, Edition 30. The Misadventures of the Romantic Cannibals is Chagoya’s fifth codex done at our studio. It is illustrated with comic book characters, religiou...

Color lithograph, Edition 30. The dense, tangled, and undulating forms of spaces and plants in Claire Sherman’s recent bodies of work address some of the complicated new environment...

Color lithograph, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade ho...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embo...

Color lithograph with copper leaf, Edition 20 Dianna Frid describes the making of the Sieve suite below: High contrast photographs of sieve-like objects are the inception of th...

Night Driver is a contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left. Edition 57/60. Good conditi...

Color lithograph, Edition 16. Woodman’s painterly prints make reference to the rich history of ceramics around the world, from the “Oribe Tray” monotypes, to “Etruscan Pot”, and “Iz...

Hommage à San Lazzaro is a lithograph realized after Marc Chagall in Honor of Gualtieri di San Lazzaro, Director of the Art Review "Xème Siècle". This print (not signed and not numb...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Night Driver is an original contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left. Edition 22/60 Goo...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Color lithograph, Edition 75 Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with "Mountaintime", followed in 1982 by their first three-dimen...