Late 20th Century More Prints

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

FACE OF THE NIGHT (For Octavio Paz) is a limited run lithograph exhibition poster printed in multiple colors using traditional hand lithography techniques (not a photo reproduction) ...

This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California. Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...

Artist: Salvador Dali Title: Jude (Excalibur) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29 7/8" x 26 ...

In the center of a royal blue field of color, Ricard has scrawled “Jasper Johns over 34,000,000 sold”.  Ricard’s work brims with cultural references: with this statement he positions...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LVIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XIX Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Original Toyota Great Teammates Toyota and NFL. Oh, what a feeling! This linen-backed NFL promotional poster was created in 1981 by Toyota. It is in excellent condition, with pinholes in the corners repaired. This is a very difficult original vintage NFL poster to locate and one of the last ones we have been able to document. The poster features a silhouette of a football player composed entirely of football helmets, each adorned with the logo of a different NFL team. This creative design showcases all the teams in the league at the time, making it both a celebration of the sport and a clever piece of advertising. The silhouette of the football player is meticulously crafted using helmets...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XX Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Hans Hartung (1904-1989) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this...

ARTIST: Salvador Dali TITLE: Monument To Picasso MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 158/500 MEASUREMENTS: 22.25" x 30" YEAR: 1973 FRAMED: No CONDITION: ...

Act III, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate on the lower left margin. Perfect conditions. The ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Orlov, V and Denisenko За успехи в труде [Success Through Work] (1978) Moscow,...

Artist: George Rodrigue Title: Love Among the Ruins Medium: Silkscreen Year: 1994 Edition: 6/15 Sheet Size: 22" x 34" Frame Size: 29 3/4" x 41 3/4" Signed: Hand signed and numbered i...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Original poster: Blame It On The Movies!. The Reel Music of Hollywood. Theater performance of Blame it on the Movies! Acid-free archival linen-backed original; ready to frame. ...

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

This artwork titled "Paris, Le Pont Neuf" c.1990 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed with...

ROADS is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arc...

Image dimensions: 15.5 x 12 cm. Edition of 30 prints in roman numbers. Hand Signed. Very good conditions.

KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1979 54 x 37 cm, 11 (of 12) posters loosely inserted in a printed pape...

Zao Wou-Ki (1921-2013) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this l...

Double-sided lithograph on paper (Edition of 25) Signed in pencil, l.r., recto Numbered in pencil, l.l., recto This print is offered by ClampArt, located in New York City. Joan Br...

Untitled 3 is an original artwork realized in 1970 by Paul Wunderlich. Hand signed lithograph. Edition of 30 prints (in Roman Numerals). Image dimensions: 60x45 cm. Very Good Conditi...

Bernard Buffet (1928-1999) - La Mort de Marat Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work...

Vintage poster realized in occasion of Henry Moore's Exhibition in Mestna Galerija Ljubljana in 1983. Photolihtograph. Good condition.

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Reservoir Dogs 1992 Original Vintage Poster Condition excellent Original UK vintage poster release UNFRAMED (framing options available see examples) Featuring the famous cast of the iconic Quentin...

Figures allongées is a print realized by the British artist Henry Moore (Castleford 1898 - Much Hadham 1986). This color lithograph on paper, was edited by the French magazine "XXe...

Image dimensions: 31x30 cm. Interesting Colored etching on watermarked paper, representing some characters in a metaphysical theatre. Hand-numbered and hand-signed with pencil on lo...

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

This shimmering, metallic vintage poster with rainbow text and layers of texture must be seen in person to appreciate Frank Stella's masterful design. Original exhibition poster for Frank Stella’s Metal Reliefs exhibition at the Addison Gallery...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent co...

McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...

Untitled is a Lithograph on paper realized in second half of the 20th Century by Alexander Calder. Very good condition including a white cardboard passpartout (32 x 50 cm). Alexand...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 368 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXVIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions ...

Myron Stout Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper 8 × 8 inches Limited Edition of 1000 Stamped with a...

Buddy’s Truck Stop John Baeder, American (1938) Date: 1979 Etching on Arches, signed, numbered and dated in pencil Edition of AP Image Size: 15.25 x 23.75 inches Size: 21 x 30 in. (5...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "fly." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "moth." Smith has used one of her animal/insect iconic figures f...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - Real dream II, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: ...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

Graham Sutherland (1903-1980) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of...

Nunzio Vintage Poster is an original contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good con...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Graham Sutherland
 Apollinaire, Le Bestiaire, 1979 Etching and aquatint Numbered 56/75
 Signature in pencil lower right 
 Image Size: 11 x 8 cm Sheet Size: 30 x 21 cm
 Edition of 75...

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...

Leonor Fini Fantastical creatures, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Leonor Fini Dancer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185