Vertical Nude Prints

Untitled (Baby in vase) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Willibrord Haas (*1936 Schramberg), Kufi poses, 2012. Etching, 44 cm x 32 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by the artist, dated “2012”,...

Untitled (Gossip) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

ARTIST: Salvador Dali TITLE: The Mythology Judgment of Paris MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 141/150 MEASUREMENTS: 18" x 29...

Full Length Mirror Lithograph 16/20 14 x 10 inches Framed: 22 x 18 inches

Undressing for the Bath Color lithograph Ed. A.P. 12.5 x 9.5 inches Framed: 22 x 18 inches

Etching , fifth state , numbered 14/50, signed with stamp used for the edition of 50 by Lucien Pissarro on 1920. provenance : collection Henri PETIET , stam...

Artist: Corneille, Belgian (1922 - 2010) Title: Eluard from the Portfolio of Six Reves Peints Year: 1989 Medium: Lithograph, signed and numbered in pencil Edition: XVI/XXX Image Siz...

ARTIST: Salvador Dali TITLE: Hommage a Albrecht Durer Venus & Cupid MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Vision Nouvelle EDITION NUMBER: EA MEASUREMENTS: 22" x 30" ...

Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 7/9 lower left. Printed in 1974 by the artist. Image is from her "Succubus Festival" series. Catalogue of a postumous re...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

Artist: Mel Ramos (American, b. 1935) Title: Playboy Bunny Year: 2012 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 16....

This original lithograph is hand signed in 13/90 pencil by the artist "Alberto Giacometti" in the lower right margin. It is also hand numbered in pencil from the edition of 90, at th...

Icon 2010. Paper, mixed media, 30.5x21.5 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of t...

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Quatre Nus au Harem”. The original painting was completed in 1920. In the 1970’s after Picass...

For sale is an exceptional fine art print titled "Midnight in the Tropics" by the talented Brazilian artist João Ruas. This beautiful giclée print is printed on 350 gsm 100% Cotton H...

Artist: Peter Max Title: Ballet Story Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 165 Image Size: 24.5 x 18.5 inches Paper Size: 30 in. x 22.5 in. (76.2 cm...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Pool boy – Fluro by Gavin Dobson [2021] Limited Edition CMYK screen-print Signed by artist Edition number 40 Image size: H:50 cm x W:35 cm Complete Size of Un...

Willibrord Haas (*1936 Schramberg), Reproachful, 2010. etching, 33.5 cm x 20 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by the artist, dated “201...

Nude by Ludovic-Rodo Pissarro (1878-1952) Monotype 63.5 x 46 cm (25 x 18 ⅛ inches) Signed lower left, Ludovic Rodo Female nudes are often considered amo...

Salvador Dali - Sator, from "Faust" Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 K / Michler & Lopsinger 305 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael. Salvador Dali and Gala. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States. Gala was legally divorced from her husband in 1932. In 1934 Dali and Gala were married in a civil ceremony...

Artist: After Pablo Picasso (1881-1973) Title: Deux Modèles se regardant (after Bloch 209) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone s...

"Nude" is a lithograph by Otto Dix. It depicts the bust of a nude woman. The artist signed the piece lower right and wrote the edition number (28/XL) in the lower left. This piece wa...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

UNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...

PICTOPOETRY 3 signed #20/20 by Paula Craioveanu Photograph 20x16in in mat 28x20 Surreal Nude, part of my "Pictopoetry" series. Printed on Hahnemuhle art photo paper with white bord...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Artist: After Pablo Picasso (1881-1973) Title: La Bonne dans l'Atelier de Sculpture (after Bloch 184) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

L'heure de Berger (Hour of the Shepherd) Color lithograph, 1898 Signed in the stone lower right As published in L'Estampe Moderne, Paris, March, 1898 Edition: 2000 (there was also a ...

Artist: Man Ray, American (1890 - 1976) Title: Sonia from La Ballade des Dames Hors du Temps Year: 1970 Medium: Aquatint Etching, Si...

Finis le Paradis Jan Peter Tripp German (1945) Date: 1994 Etching, signed, numbered, dated, and titled in pencil Edition of 6/66 Image Size: 39 x 20 inches ...

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

Artist: Leonor Fini Title: Erotica Medium: Etching Signed: Hand Signed Edition Number: 65/150 Measurements: 14" x 18" Framed: 20.75" x 26" Condition: Excellent. This piece has...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Salvador Dali - Cut Cucumber - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

A unique, one-of-a-kind, monoprint by the listed British artist Peter Ford (b.1937). Entitled 'Torso II'. Pencil signed below plate lines. Presented in a contemporary wooden frame. L...

ROBERT WEIL (American, b. 1945). Poster-Multiples, March 9-April 17, Jerome Zucker & Assoc., NY, Paris, Rome, Zurich, Sidney. Measures 24 x 18 in. Unframed...

Contemporary figurative mezzotint print by Polish artist Krystyna Jaszke. Artwork is monochromatic, it comes from limited edition of 20. Print depicts portrait of a woman holding a r...

Contemporary figurative mezzotint print by Polish artist Krystyna Jaszke. Artwork is monochromatic, it comes from limited edition of 20. Print depicts portrait of a woman, a fantasti...

Modern abstract red and purple toned offset lithograph of a female figure by Italian artist Bruno Bruni. The work features a loosely rendered nude woman bent over in the process of c...

Artist: Mel Ramos (American, b. 1935) Title: Gee Gee Year: 1997 Medium: Lithograph, signed and numbered in pencil Edition: 200 Image Size: 19 x 18.5 in. Size: 28.5 in. x 22 in....

Artist: John Kacere (1930-1999) Title: Jill Year: 1979 Edition: 166/300, plus proofs Medium: Lithograph on Waterford paper Size: 29.75 x 22.25 inches Inscription: Signed by the artis...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the subject: a provocative sexuality and an impassive perception of a plastic form. As a matter of fact, aggressive approaches are increasingly predominant in taking photos of a naked body. For example, paparazzi are keen to shoot women with a candid camera in bed, bathrooms, etc. Characteristically, Vladimir rejects using bright colors and deliberately limits himself in methods of expression. All the characters are shot sitting back to the viewer, and the sensual message is conveyed through fine outlines, plasticity of a woman's body and definite parts of the background. In the Film Divas project, the portraits are given in the form of a definite film symbol, while Sensuality is a sort of a poster imbued with sensuality. In his portraits Vladimir uses still life elements, which are helpful in revealing the objects: a woman's back, a child sitting next to her, flowers, a hand with a string of pearls on an opened book, a branch of winter berries against the background of home-made open-work fabric. Sensuality presents expressive and vivid images of young women. In their midst you can see a girl in a carnival mask with expensive rings...

Les yeux noirs (The dark eyes) Lithograph, 1913 Lacking the artist's signature in pencil as sited in Duthuit. We have found numerous other impressions of this image with the initials...

ROBERT WEIL (American, b. 1945). Poster-Orlando Orsini, Fine Arts Roma. Measures 32 x 22 in. Unframed. Excellent/Good Condition.

Salvador Dali - George Washington - Original Handsigned Etching Dimensions: 38 x 28 cm 1967 Signed in pencil EA in Sanguine Jean Schneider, Basel References : Field 67-3

Standing Woman Andre Minaux, French (1923–1986) Etching, signed and numbered in pencil Edition of EA 8/10 Image Size: 17.5 x 15.25 inches Frame Size: 29.7...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker...

Artist: Georges Rouault, French (1871 - 1958) Title: La Fille from Maitres et Petits Maitres d’Aujourd’hui Year: 1925-1927 Medium: Lithograph on ivory Japanese paper, signed and numb...

Pearlstein, Philip. NUDE. Etching, 1976. Edition of 30, signed, dated and numbered 26/30 all in pencil. 7 7/8 x 5 7/8 (plate), 14 1/8 x 11 1/8 inches (sheet). In excellent condition.

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

XXe Siecle Color lithograph, 1974 Signed in the stone on right (see photo) From: XXe Siecle, Volume 42, 1974 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, P...

Mel Ramos (American, 1935-2018) Peek-A-Boo Marilyn 1, 2002 Lithograph on wove paper 31 1/2 × 23 in 80 × 58.5 cm Edition of 199: Hand-signed and numbered Condition: Excellent

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Jamaican Kool-Aid Body Piece (Blue) Colette (aka Colette Justine), Tunisian/American (1952) Date: 1979 Lithograph, signed and numbered in pencil Editio...

after Henri Matisse - Zulma - Lithograph Artist : Henri MATISSE posthumous edition of 200 after the original paper cut-out signature printed in the plate 80 x 60 cm With stamp of t...

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, This is unframed print. Custom frame as seen on the additional images is also available upon order - please enquiry 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...