Miniature Nude Prints

Jean Baptiste VALADIE Nude Model with Seagulls Original Etching Hand Signed in pencil Numbered on 225 copies On vellum 38 x 28 cm (c. 14.9 x 11 inches) Excellent condition

Alméry Lobel-Riche The bath Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Untitled Plate 7 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Untitled Plate 4 from Paroles Peintes Suite is an etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of 85 ...

Music is an original woodcut on ivory-colored paper, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower margin, the printed inscriptions with the title and the author: "Music / Martini de la Valle...

Signed, titled and numbered screenprint by gay Chicano artist Miguel Angel Reyes. He currently is instructor of model drawing in the Fashion Department of the Otis College of Art. M...

Alméry Lobel-Riche The meeting Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...

Limited edition, 8/20. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

Andre DERAIN Two Nude Women Discussing with Men Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Nude is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 June...

This is a unique working proof for one of six images that comprise the group of prints called The Gathering. Signed and titled in pencil, Studio Proof...

Michel CIRY Woman in my Dreams Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

Untitled Etching from Paroles Peintes Suite is a wonderful limited edition print. Etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lowe...

Nude is an origina etching realized by Pierre Dubreuil in the mid-20th Century. Hand-signed. Numbered. Edition, 83/100. Good conditions.

Jean Baptiste VALADIE Winter : Woman with Cover Original Etching Signed in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inches) Excellent condition

Signed, titled and numbered by the artist from an edition of 125. Portrait of a young Rabbit against an abstract background. Trevor Southey was born in Rhodesia, Africa (now Zimba...

Female nude etching, from a series of 6 male and 6 female images. Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine Arts degree in 19...

10/25 Signed Mounted 14 x 11 inches Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife opened a gallery specialising in original, hand made prints by artists working in that medium. His own hobby of sketching soon became etching and it wasn't long before he was producing his own limited edition etchings...

Luc-Albert MOREAU Lovers Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Signed Limited Edition , 6 /25 , etching by this collected Scottish artist Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry ...

Young Girl Posing Beneath Chandelier is an original hand drawn stone lithograph attributed to the American Pop artist Mel Ramos, printed by hand at Bank Street Atelier NYC (the New York branch of the renowned lithographic printshop Atelier Mourlot Paris, France) circa 1970 using opaque slate blue ink on Buff color ARCHES paper 100% acid free. Young Girl Posing Beneath Chandelier portrays a topless young girl, eyes closed, wearing a floppy hat, striking a pose on the lower portion of the composition with a silhouetted image of a chandelier positioned at the very top. Print size - 16.5 x 12 inches, Image size - 10 x 9.5 in., unframed, excellent condition, rare unsigned Printers Proof/trial proof from an unknown early edition, fine hand printed impression Historic Note on Bank Street Atelier - Bank Street Atelier was founded in 1969 by George J. Goodstadt (Fine Arts Publisher) along with Jacques Mourlot, third generation of the famous Mourlot print shop in Paris, France. Bank Street Atelier became one of the premier lithography print studios in NYC at that time and became a major graphic center, which attracted many of the Modern American Masters of the 1970’s, including Alexander Calder, Willem deKooning, Red Grooms, Al Hirschfeld, Ellsworth Kelly, Romare Bearden, Fairfield Porter, Jasper Johns, Frank Stella, Alex Katz and many more. The resulting prints were produced with the highest quality and earned a reputation in the art world for professionalism and excellence in lithographic printmaking. About the artist - Mel Ramos(1935 - 2018, California) Mel Ramos is an American Pop artist best known for his female nudes painted alongside brand logos. The artist’s coupling of women with familiar products like martini glasses and bananas serves as a commentary on the ways in which capitalism has employed the female body. “I make sure that my pictures are not too erotic and that they always have a trace of humor,” he said of his work. “I make sure they are ‘in good taste.’ Either you understand it or not.” Born on July 24, 1935 in Sacramento, CA, Ramos like Roy Lichtenstein and Andy Warhol, found inspiration through the comic books Wonder Woman and Superman growing up and later pinup posters...

Louis LEGRAND (1863-1951) Bather, 1911 Original drypoint etching Pencil signed bottom right (also plate signed on the right) Numbered 38/50 Bearing G Pellet editor stamp On vellum ...

The Dance is an original etching realized by Louis Jou in the Early 20th Century. Monogrammed on the lower. Good conditions with some foxing. Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...

Nude is an etching artwork on paper realized by Joseph Darche (1846 - 1906) The state of preservation is very good. Included a white Passepartout: 32.5 x 49.5 cm The artwork repr...

Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

Female Figure with Hat is an original modern artwork realized by the French artist Jean Hippolyte Marchand in the 1920s. Original Lithograph on ivory paper. Passepartout included (...

Nude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Jan Matulka (1890-1972), Four Nudes in a Landscape, drypoint, c. 1923, signed in pencil lower right margin [also with initials in the plate lower left]. Ref...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) G MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 66/95 MEASUREMENTS: 15" x 11" ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good condit...

Woman is an original screen print realized by Nicola Simbari in 1975. Hand-signed on the lower right. Numbered . Edition 89/90. The artwork represents a female nude in profile wit...

Artist: After Pablo Picasso (1881-1973) Title: La Bonne dans l'Atelier de Sculpture (after Bloch 184) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

Commemoration Of Leopardi is a wonderful black and white lithograph onpaper, realized in the late 19 century by the French artist Henri Fantin-Latour (Gre...

Ex Libris - Ernest Monteux is an Etching print created by Michel Fingesten in 1930s. Hand signed on the lower margin. Numbered on the left corner, ex. 149/150 Good conditions. Mi...

Woman Lying is an original offset realized by Renato Guttuso. The picture is in very good conditions, no signature. Renato Guttuso, born Aldo Renato Guttuso (26 December 1911 - 18 ...

L'heure de Berger (Hour of the Shepherd) Color lithograph, 1898 Signed in the stone lower right As published in L'Estampe Moderne, Paris, March, 1898 Edition: 2000 (there was also a ...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Unknown Artist - Lament for Aubrey Beardsley - Garden of Dreams, Year: 1952, Medium: Etching, signed, titled and dated in the plate, Image Size: 7 x 9 inches, Size: 9 x 10 in. (22....

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

The Smoking Girl is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...

Henri Matisse, French (1869 - 1954) - Stephane Mallarme Poesis Pg 143, Year: 1939, Medium: Etching, Size: 13 x 9.75 in. (33.02 x 24.77 cm), Printer: Roger Lacouriere, Paris, Publis...

Andre Masson, French (1896 - 1987) - Assemblage de femmes, Year: 1966, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 24/50, Image Size: 6.75 x 7.75 inches, S...

La Première Conscience Du Chaos is a lithograph realized after Odilon Redon. It belongs to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 19...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

Femme Nue Recroquevillée is a beautiful color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions. This touching artwo...

Nude Women is an original etching on paper, realized by an Anonymous artist of the XX century. There is The state of preservation of the artwork is very good. Sheet dimension : 31 x...

Felicien Rops, Belgian (1833 - 1898) - La Lyre, Year: 1958, Medium: Etching, Image Size: 8.75 x 6 inches, Size: 12.5 x 9.75 in. (31.75 x 24.77 cm), Description: From the collection...

Nude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions....

Serena is an original woodcut realized by Arturo Martini. Title and signature printed on the lower margin. The State of preservation is good. The artwork is representing a woman beside a vase of flowers in a frame through intense bla...

Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. ...

Drei Grazien (Three Graces) Etching and drypoint, 1920 Signed and titled in pencil (see photo) Total Edition 100: 30 on Japan and 70 on Butten paper as here Published by von Wohlgemu...

Hand signed. Includes passepartout (cm. 53x37). Lino Selvatico was an Italian painter. The elegance of his portraits is close to the atmosphere of the Post-Impressionism. This artwo...