17th Century Prints and Multiples
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Period: 17th Century
Exodus 16 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Exodus 16 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Exodus 2 - Old Testament Story - Etching by Sisto Badalocchio - 1607s
Located in Roma, IT
Exodus 2 - Old Testament Story is an Etching print realized by the artist Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout in...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Les Grandes Misères de la Guerre, Baroque Etching by Jacques Callot
Located in Long Island City, NY
Jacques Callot, French (1592 - 1635) - Les Grandes Miseres de la Guerre (The Miseries of War), Medium: 2 Etchings on paper from Les Grandes Miseres de La Guerre portfolio, Image Size...
Category
Baroque 17th Century Prints and Multiples
Materials
Etching
Joshua 26 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Joshua 26 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork is in good condition with some foxing.
Together Giovanni Lanfranco with Sisto Badalocchio (q.v.), he was a pupil in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's death, to work under Annibale Carracci (1560-1609), where the two assisted him with, among other projects, the completion of the decoration of the Galleria Farnese.
Lanfranco's return to Rome in 1612, he was for long the close rival of Domenichino (q.v.) for some of the most prestigious commissions of the day. Lanfranco's reputation was secured by his 'proto-Baroque', illusionistic fresco in the style of Correggio in the dome of S.Andrea della Valle, painted in 1625-7.
In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S. Martino (1637-8/9; see 1967,0211.2); SS Apostles (1638-46; see 1895,0915.728); and the Cappella del Tesoro in the cathedral of S. Gennaro. He returned to Rome in 1646, where his last major commission from him was his fresco decoration of the 'Glory of St Carlo Borromeo...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Genesis 7 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 7 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607ca.
Passpartout included 29 x 39 cm
The ...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Genesis 31 - Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Genesis 31 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607ca.
Passpartout included 29 x 39 cm
The artwork...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco after Agostino Carracci
About The Old Testament Story, 1607 ca.
...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Shepherd With Cattle On A Wooden Bridge by Antonie Waterloo - 17th Century
Located in Roma, IT
Shepherd With Cattle On A Wooden Bridge is an etching on ivory-colored paper realized by Antonie Waterloo in the late 17th century.
Good conditions with slight foxing.
The artwork ...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Man and Satyrs - Etching by Marcantonio Bellavia - 17th Century
Located in Roma, IT
Man and Satyrs is an old master artwork realized in 17th Century by Marcantonio Bellavia.
Black and white etching.
Good conditions (some foxings and stains on paper).
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Character - Etching - 17th century
Located in Roma, IT
Character is an etching realized by a Flemish artist of 17th century.
The little picture is in good conditions except for lack of paper on the edges and left corner.
Small inscript...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Soldier - Etching - 17th Century
Located in Roma, IT
Soldier is an old master artwork realized in 17th Century.
Black and white etching.
Good conditions except for signs of time.
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Clare College, Cambridge 1690 aerial view engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The Organs - Etching -De Humani Corporis Fabrica - by A. Vesalio - 1642
Located in Roma, IT
The Internal Organs is an original etching realized for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio.
It shows the human internal org...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Habit de Remouleur Gaigne Petit - Original Etching - Late 17th Century
Located in Roma, IT
Habit de Remouleur Gaigne Petit is an original hand-colored caricature etching realized by an anonymous french artist in the late 17th Century.
Titled on the lower.
Good conditions...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Anatomy of the Child - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
Anatomy of the Child is an original etching realized as plate no. 2 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
The Internal Organs - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Internal Organs is a original etching realized as plate no. 37 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is...
Category
17th Century Prints and Multiples
Materials
Etching
The Human Skeleton- De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Human Skeleton is a original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major ad...
Category
17th Century Prints and Multiples
Materials
Etching
The Circulatory System - From "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The circulatory system is an original etching realized as table 31 of the 1642 edition of "De Humani Corporis Fabrica" by Andrea Vesalio.
The "De Humani Corporis Fabrica is commonly...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
David Loggan: Peterhouse, Cambridge college engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Peterhouse, Cambridge
Engraving, 1690
50.5 x 64cm (framed)
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Landscape - Etching by Israel Henriet - Late-17th Century
By Israel Henriet
Located in Roma, IT
Landscape is an original Modern artwork realized by Israel Henriet (Nancy, 1590 - 1661) in the second half of the XVII Century.
Original B/W Etching on ivory cardboard.
Inscripte...
Category
Naturalistic 17th Century Prints and Multiples
Materials
Etching
The Legaments and Muscles - from "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The Ligaments and Muscles is an original etching, table no. 18 of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio.
The "De Humani Corporis Fabrica is common...
Category
17th Century Prints and Multiples
Materials
Etching, Paper
The Human Skeleton - De Humani Corporis Fabrica - Andrea Vesalio - 1642
Located in Roma, IT
The Human Skeleton is an original etching realized as plate no. 21 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica i...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Theodoor Galle Martin de Vos 17th Century Engraving Jesus' Tomb Easter
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The Horse - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including ...
Category
17th Century Prints and Multiples
Materials
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Image Dimensions: 5 x 7 / 8 ...
Category
17th Century Prints and Multiples
Materials
Etching
Le Bouffon et les Deux Couples Amoureuses - Original Etching - 1514
Located in Roma, IT
Image dimensions: 7 x 9 cm.
Les Bouffon et les deux couples Amoureuses is an original artwork realized after Hans Sebald Beham in 1514.
Original burin on paper; late 17th century edition.
Good conditions.
The artwork is a very small yet well-balanced composition representing a genre scene.
The original artwork was realized after Hans Sebald Belham (Neuremberg, 1500 – 1550). Belham was a German painter and etcher, mainly known for his very small engravings, like this artwork itself. He spent the latest part of his career in Frankfurt. He was one of the most important so-called "Little Masters...
Category
17th Century Prints and Multiples
Materials
Etching
Urias - Original Etching by Crispijin van de Passe - Early 1600
By Crispijn van de Passe
Located in Roma, IT
Urias is an original artwork realized by Crispijn van de Passe in the first half of the XVII Century.
Original burin after an original by Martin de Vox chez Sadeler. Passepartout i...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Michael Drayton 1622 Cambridgeshire Map for Poly-Olbion original antique vintage
By Michael Drayton
Located in London, GB
Visit our other items to see a large selection of views of Oxford and Cambridge.
Michael Drayton (1563-1631)
Map of Cambridge and the Isle of Ely (1...
Category
Surrealist 17th Century Prints and Multiples
Materials
Engraving
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Etching realized by an unknown French artist in 17th century.
Late 18th century edition.
Good condition except for a missing co...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
The Smoker and the Drinker
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: The Smoker and the Drinker
Year: 1650
Medium: Etching
Paper: Laid paper
Image (plate mark) size...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Academie de l’Espee Tabula 2 prints Girarld Thibault Tab. XXXIII & Tab.IIII
Located in Paonia, CO
Two hand colored engravings from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...
Category
Other Art Style 17th Century Prints and Multiples
Materials
Engraving
Map of Oxfordshire by Joan Blaeu with college crests
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
17th Century Prints and Multiples
Materials
Engraving
Cap. Cerimonia, Sig. Lauinia
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Cap. Cerimonia, Sig. Lauinia
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 3.15 x 3.85 inches
Condition: Very good con...
Category
Realist 17th Century Prints and Multiples
Materials
Etching
Map of Northumberland by Joannem Janssonium 17th century
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
17th Century Prints and Multiples
Materials
Engraving
Frontispiece for "Diversi Animali" - Etching by A. Tempesta - 17th Century
Located in Roma, IT
Diversi Animali is an original Etching realized by Antonio Tempesta in the 17th Century.
Good Conditions.
The artwork is depicted through strong strokes with perfect Hatchings.
Category
Modern 17th Century Prints and Multiples
Materials
Etching
17th century etching black and white landscape scene forest sheep figures sky
Located in Milwaukee, WI
"Shepherd and Shepherdess Conversing in a Landscape (Berger et Bergere Conversant)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolita...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Male Portrait - Etching - Late 17th Century
Located in Roma, IT
Male portrait is a marvelous etching on ivory-colored paper presumably made by a Mannerist artist of the XVII century.
This original print, with the inscription "932. b." on the upp...
Category
17th Century Prints and Multiples
Materials
Etching
The Circulatory System - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Circulatory System is an original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabric...
Category
17th Century Prints and Multiples
Materials
Etching
Plates of Old Testament- Etching by Antonio Tempesta - 17th Century
Located in Roma, IT
Plates of Old Testament is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century.
The ten plates depicting scenes of the Old testament WITH Inscriprions on plates
They are mounted on a cardboard passepartout and in a gilded frame.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th century etching black and white landscape scene forest trees figures sky
Located in Milwaukee, WI
"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Bull - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Bull is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Image Dimensions: 5 x 7 cm. 8 x 10 cm.
Not signed.
I...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Healing Peter's Mother-in-law
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The Human Body - De Humani Corporis Fabrica- by Andrea Vesalio - 1642
Located in Roma, IT
The Human Body is a original etching realized as plate no. 8 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major advanc...
Category
17th Century Prints and Multiples
Materials
Etching
Vegel - Etching on Paper by George Braun - Early 17th Century
Located in Roma, IT
This Vegel is an original etching realized in 1616 by George Braun (1541 – 1622)
The state of preservation of the artwork is good but aged with trace of foxing that doesn't affect ...
Category
17th Century Prints and Multiples
Materials
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
The Monkey - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions, except for some stains.
Image Dimensions: 5 x 7 / 8 x 10 cm.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573).
Good conditions, except for some foldings.
Included a Passepartout: 34 x 49 cm
The artwork repres...
Category
Baroque 17th Century Prints and Multiples
Materials
Etching
Ox - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Ox is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Image Dimensions:...
Category
17th Century Prints and Multiples
Materials
Etching
St. James - Etching on Paper - XVII Century
Located in Roma, IT
St. James is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions.
The artwork represents St. James. T...
Category
17th Century Prints and Multiples
Materials
Etching
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
St. Matthew - Original Etching on Paper - 17th Century
Located in Roma, IT
St. Matthew is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions except for the trace of humidity on...
Category
17th Century Prints and Multiples
Materials
Etching
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