17th Century Prints and Multiples
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Period: 17th Century
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Chiesa di Sant'Athanagio e Collegio della Natione de Greci - by G.B. Falda
Located in Roma, IT
Chiesa di Sant'Athanagio e Collegio della Natione de' Greci is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanni Battista Falda.
Signed on plate on the lower left margin "Giò Batta Falda dis. et fece".
Title etched on plate at the center, with a urbanistic caption and a dedication to "Gio. Iacomo Rossi" on plate on the right corner of the lower margin.
In excellent conditions, except for the wavy paper. An ivory-colored cardboard passepartout is included (34 x 49 cm).
A beautiful urban landscape of Rome with full blacks and precise lines, to admire a disappeared view of the eternal city.
Giovanni Battista Falda (Valduggia, 1643 - Rome, 1678) was an Italian engraver, who documented architectures and urban planning in Rome in the second half of the seventeenth century. Born in the province of Vercelli, he soon showed a passion for drawing. He was thus placed in the workshop of a local painter, and then, at the age of 14, sent to Rome to stay at his uncle's, who spoke about him to Gian Lorenzo Bernini. He also studied with Giovanni Giacomo De Rossi. From De Rossi, the adolescent...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Amstelredam - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Amstelredam is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
from Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: carte...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Nova Zemla - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Nova Zemla is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: carte ...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Oceani Borealis - Etching by Johannes Janssonius - 1660s
Located in Roma, IT
Oceani Borealis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Moscow /Moscovia Antique Map, Civitates Orbis Terrarum by Braun and Hogenberg
Located in Roma, IT
Hand colored Etching from Civitates Orbis Terrarum. One of the first printed views of Moscow, and the first of Braun and Hogenberg,The table shows ...
Category
17th Century Prints and Multiples
Materials
Watercolor, Etching
Vienna, Antique Map from "Civitates Orbis Terrarum" - Etching - Old Master
Located in Roma, IT
Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53.
Wonderful B/W Aquatint r...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching, Aquatint
The Internal Organs - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Internal Organs is a original etching realized as plate no. 37 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is...
Category
17th Century Prints and Multiples
Materials
Etching
Putto - Original Etching after Polidoro da Caravaggio - 17th Century
Located in Roma, IT
Putto is an original black and white etching, after Polidoro da Caravaggio, realized by Giovanni Battista Galestruzzi during XVII century. Latin...
Category
17th Century Prints and Multiples
Materials
Etching
John Speede, Map of the County of Surrey, described and divided into hundreds
By John Speed
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Speed/Speede (1551/2-1629)
The County of Surrey Described and Divided into Hundreds
Engraving with later hand colouring and text to the reverse.
Dated to c.1650
36 x 49 cm
Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'.
In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam.
By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family.
This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Pembroke College, Cambridge engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Pembroke College, Cambridge
Engraving, 1690
36 x 45cm
To see our other views of Oxford and Cambridge, scroll down to "More f...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
The Circulatory System - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Circulatory System is an original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabric...
Category
17th Century Prints and Multiples
Materials
Etching
Goat - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
Christ's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Annunciation Scene
Located in Paris, Île-de-France
Pierre-Mathieu Ogier (active between 1676 and 1709)
Annunciation Scene
Engraved copper plate, dated 1691
17.5 x 11.2 cm
Provenance:
Private collection, France
This engraved copper...
Category
Old Masters 17th Century Prints and Multiples
Materials
Copper
David Loggan Botanic Gardens Oxford Engraving 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Botanic Gardens, Oxford
Engraving, later colouring
41x50cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studyi...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Peterhouse, Cambridge college engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Peterhouse, Cambridge
Engraving, 1690
50.5 x 64cm (framed)
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Prospectus Cantabrigiae Orientalis & Occidentalis
Engraving
32 x 46 cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727)
Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
In the foreground, John the Evangelist, holding a pen and writing...
Category
Old Masters 17th Century Prints and Multiples
Materials
Watercolor, Engraving, Etching, Laid Paper, Intaglio
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
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Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The Bohemians
Located in New York, NY
Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
'Portrait of Henrico van der Borcht, ' original W. Hollar engraving after Holbei
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Jesus College...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Polus Antarcticus - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Polus Antarcticus is a top rare ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, v...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
New College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Queen's College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Oriel College, Oxford
Engraving, 1674
30 x 41cm
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and belo...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Magdalen College, Oxford
Engraving, 1674
32 x 42cm
To see our other views of Oxford and Cambridge, scroll down ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Jacques Callot, Entry of the Prince of Pfaltzbourg, Nancy Court Spectacle, 1627
Located in Firenze, IT
Original 17th-century engraving by Jacques Callot (1592–1635), showing the entry of the Prince of Pfaltzbourg at the great court spectacle in Nancy, 1627.
This engraving depicts the...
Category
Baroque 17th Century Prints and Multiples
Materials
Paper, Engraving
David Loggan: Balliol College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Balliol College, Oxford
Engraving, 1675
30 x 40cm
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Jesus College, Oxford engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Jesus College, Oxford
Engraving, 1675
30 x 41cm
To see our other views of Oxford and Cambridge, scroll down to "More from this ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Great St Mary's Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Riera i Arago ELICE vERTICAL engraving.
Located in CORAL GABLES - MIAMI, FL
Josep Maria Riera i Aragó (Barcelona, 1954), is a Spanish plastic artist.
He studied at the Faculty of Fine Arts in Barcelona. Throughout his career he has dedicated himself to scul...
Category
Neo-Expressionist 17th Century Prints and Multiples
Materials
Engraving
Maris Mediterranei - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Maris Mediterranei is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
The Map is Hand-colored etching, with coeval watercoloring.
Good conditions with slight fo...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Achaiae Noua - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Achaiae Noua is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: cart...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Barbarga - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Barbarga is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: carte ma...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Freti Canalis - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Freti Canalis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: car...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Four original etchings of women from 'Aula Veneris' series by Wenceslaus Hollar
Located in Milwaukee, WI
Presented here as a group are four original etchings of women in European national dress from the master printmaker Wenceslaus Hollar's series "Aula V...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching, Paper
David Loggan Engraving, Habitus Acamedici in Universitate Oxoniensi
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Habitus Acamedici in Universitate Oxoniensi - Oxford Academical Dress
Engraving
39 x 52 cm
Loggan was born to English and Scottish parents, and was baptised...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Sadeler Engraving after Maarten de Vos – Saint Michael and the Dragon, 16th C.
Located in Firenze, IT
Saint Michael the Archangel defeating the dragon
Design by Maarten de Vos (Antwerp, 1532 – 1603)
Engraving by Johannes (Iulius) Sadeler I (Brussels, 1550 – Venice?, ca. 1600)
Copp...
Category
Northern Renaissance 17th Century Prints and Multiples
Materials
Paper, Engraving
St. Simon from Les Grands Apôtres Debout Original 17th Century Etching
Located in Soquel, CA
St. Simon from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" Original 17th Century Etching by Jacques Callot.
This portrait of St. Simon depicts him standing in a street, holding a book and leaning on a saw. The saw is typical of St. Simon's depictions as he was said to have been martyred by being sawed in half. Very good impression of this print, with bold lines and high contrast. This leaflet contains the words "Callot fec." in the bottom right, shorthand for the Latin fecit, meaning Callot made this. This edition contains no publishers mark or numbering on the piece, indicating that it is from the first printing state.
Jacques Callot was born in the Duchy of Lorraine around 1592 to an important family in the court. He started an apprenticeship as a goldsmith at the age of 15, but later began learning etching. He is known for his technical skill in etching and for developing the echoppe style etching needle. Callot's etchings featured religious figures as well as soldiers, common people, beggars, and court individuals. His series "The Miseries and Misfortunes of War," published while Lorraine was invaded during the Thirty Years War, later influenced Goya's "Los Desastres de la Guerra...
Category
Old Masters 17th Century Prints and Multiples
Materials
Ink, Laid Paper, Etching
$1,600 Sale Price
20% Off
The Plank Bridge – Landschap met een bruggetje van planken
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category
Old Masters 17th Century Prints and Multiples
Materials
Laid Paper, Etching
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
17th Century Prints and Multiples
Materials
Mezzotint
Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens
Located in New York, NY
Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
"Four Women in National Costumes, " Etchings by Wenceslaus Hollar
Located in Milwaukee, WI
"Four Women in National Costumes" is a set of four original etchings by Wenceslaus Von Prachna Hollar.
3 5/8" x 2 3/8" each print
19 1/8" x 18 1/2" frame
Wenceslaus Von Prachna Ho...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Group of seven (7) prints from Engravings of Plants + 1 Redouté
Located in Middletown, NY
Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full...
Category
French School 17th Century Prints and Multiples
Materials
Watercolor, Lithograph
Les Gueux, Baroque Etching by Jacques Callot
Located in Long Island City, NY
Jacques Callot, French (1592 - 1635) - Les Gueux, Medium: 2 Etchings on paper from Les Gueux suite appelee aussi Les Mendiants, Image Size: 5.5 x 3.5 inches, Size: 7.5 x 11 in. (19.0...
Category
Baroque 17th Century Prints and Multiples
Materials
Etching
David Loggan: Canterbury Quad, St John's College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Canterbury Quad, St John's College, Oxford
Engraving, 1675
32 x 51cm
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
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