17th Century Prints and Multiples
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Period: 17th Century
David Loggan Old Divinity School Oxford Scholae Theologicae Print 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Amelia Elisabetha, mid 17th century Flemish portrait engraving, 1651
Located in Melbourne, Victoria
Flemish portrait engraving, dated 1651, of Amalie Elisabeth of Hanau-Münzenberg (1602–1651), who was Landgravine consort and Regent of Hesse-Kassel. From a series of portraits of the Dignitaries at the Peace of Münster (Pacis Antesignani sive Icones legatorum).
Lettered in open letters around portraits: 'PVR ET LOYAL'. Lettered in cartouche below portrait: 'Amelia Elisabetha / ... / ... Nomine P.T. Regens.' and "Anselmus van Hulle...
Category
Flemish School 17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving: The Daemons and the Pigs
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th century etching black and white landscape scene forest trees figures sky
Located in Milwaukee, WI
"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Engraving Miraculous Draught of Fish
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Cambridge map 17th century engraving after John Speed
By John Speed
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Pieter van den Keere (1571 - circa 1646) after John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving
8 x 12 cm
A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. This particular miniature edition of the 'Theatre' was published in miniature by George Humble in 1627, entitled 'England Wales Scotland and Ireland Described and Abridged With ye Historic Relation of things worthy memory from a farr larger Voulume. Done by John Speed.’ Speed's original map was likely engraved for this edition by Peter van den Keere. van den Keere's maps soon came to be known as "Miniature Speeds".
John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible...
Category
17th Century Prints and Multiples
Materials
Engraving
Map of Oxfordshire by Joan Blaeu with college crests
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
17th Century Prints and Multiples
Materials
Engraving
Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Jesus College...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Map of Northumberland by Joannem Janssonium 17th century
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
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17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Mary Washes Jesus' Feet
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th century etching black and white landscape forest trees figures scene
Located in Milwaukee, WI
"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th century etching black and white landscape harbor ruins figures scene
Located in Milwaukee, WI
"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left.
7 3/4" x 9 5/8" art
18 1/8" x 20 1/4" frame
Biography
Claude Lorra...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
17th Century Prints and Multiples
Materials
Engraving
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th Century Dutch engraving by Pieter Nolpe of a man on skates carrying a baske
By Pieter Nolpe
Located in Petworth, West Sussex
Pieter Nolpe (Dutch, 1613-1653) after Pieter Jansz Quast
Man on skates carrying a basket, from a set of twenty four Peasants and Beggars
engraving
7.3/4 x 6.1/4 in. (19.7 x 16 cm.)
P...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century engraving Temple Destruction Foretold
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Franciscus de Neve C17 engravings: Landscape with Shepherdess/Echo & Narcissus
By Franciscus de Neve
Located in London, GB
Franciscus de Neve (c.1632-1704)
'Landscape with Shepherdess Playing a Tambourine' and
'Echo & Narcissus'
Engravings
Both signed in the lower margin: 'Franciscus de Neue In. e fecit' and 'Si Stampano in Roma da Gio: Iacomo de Rossi alla Paca'
Each 31.5 x 38.5cm (plate)
Franciscus (or Frans) de Neve was a Flemish painter and engraver, born in Antwerp in 1632. His father, also an artist, was called by the same name, resulting in some confusion for art historians. The younger de Neve was working in Rome from 1660-1670, producing paintings for the Palazzo Doria-Pamphili (alongside Pietro da Cortona) and was known for his religious subjects, mythological scenes and landscapes. He was part of a network of Dutch and Flemish artists in the city, who helped to promote and support his career. Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples). After 1670 he travelled to Augsburg and Munich, then to Austria and Moravia, where he completed numerous commissions for altarpieces. Towards the end of his life he returned to his native Flanders and became Master of the Guild of Saint Luke.
De Neve had a reputation as a gifted landscape painter, and these two engravings show his keen interest in the details of the natural world, as well as the influence of Claude Lorrain in the extensive vistas. The painting of ‘Narcissus and Echo...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Bacchanal
By Giovanni Andrea Podestà
Located in Fairlawn, OH
Bacchanal
Etching, 1649
Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium
Condition: Usual centerfolds from paper manufacture
Plate: 10 3/8 x 15 1/2"
Sheet: 11 1/2 x 16 1/2";
References:
Bartsch XX.4
Sopher Plate 145
An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington
An exceptionally rich impression in excellent condition.
From Wikipedia, the free encyclopedia
Putti as Allegory of Music
Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals.
Life
Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627.
His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Theodoor Galle Martin de Vos Engraving Jesus Taken Before Pilate and Herod
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Carte Particular Des Costes De Bretagne Depuis le Cap de Frehel, Jusques a Perros
Located in Paonia, CO
Carte Particulaire Des Costes De Bretagne Depuis Le Cap de Frehel, Jusques a Perros, & L’Isle Tome. This large sea scale chart shows part of the northwestern co...
Category
17th Century Prints and Multiples
Materials
Engraving
David Loggan King's College Cambridge engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
King's College Cambridge
Engraving
1690
40x51cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and it is thought largely no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan King's College Cambridge Chapel South Front engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Magdalen College, Oxford
Engraving, 1674
32 x 42cm
To see our other views of Oxford and Cambridge, scroll down ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Theodoor Galle Martin de Vos 17th Century Engraving Jesus' Tomb Easter
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Pembroke College, Cambridge engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Pembroke College, Cambridge
Engraving, 1690
36 x 45cm
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Category
17th Century Prints and Multiples
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Engraving, Etching
Adrian Collaert Martin de Vos 17th Century Engraving Samaritan Woman at the Well
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
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Engraving
Theodoor Galle Martin de Vos 17th Century Engraving The Traitor
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Prints and Multiples
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Engraving
Adrian Collaert 17th Century The Temptation of Christ Engraving Martin de Vos
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
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Engraving
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
New College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Michael Drayton 1622 Cambridgeshire Map for Poly-Olbion original antique vintage
By Michael Drayton
Located in London, GB
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Michael Drayton (1563-1631)
Map of Cambridge and the Isle of Ely (1...
Category
Surrealist 17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Healing Touch of Jesus
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
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Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Mary Visits Elizabeth
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
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Engraving
Adrian Collaert 17th C. de vos engraving Christ in the Temple with the Doctors
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
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Engraving
John Speede Map The Countye of Monmouth
By John Speed
Located in London, GB
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Realist 17th Century Prints and Multiples
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Engraving
David Loggan: Balliol College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Balliol College, Oxford
Engraving, 1675
30 x 40cm
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
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Realist 17th Century Prints and Multiples
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Engraving
David Loggan: University College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of University College, Oxford
Engraving, 1674
30 x 40cm
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Queen's College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Oriel College, Oxford
Engraving, 1674
30 x 41cm
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Category
17th Century Prints and Multiples
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Engraving, Etching
David Loggan: New College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of the interior of New College, Oxford
Engraving, 1674
48.5 x 27.2cm
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Oriel College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Oriel College, Oxford
Engraving, 1674
40 x 26.7cm
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Canterbury Quad, St John's College, Oxford (1675 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Canterbury Quad, St John's College, Oxford
Engraving, 1675
32 x 51cm
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Category
17th Century Prints and Multiples
Materials
Engraving, Etching
David Loggan: Corpus Christi College, Oxford engraving 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Corpus Christi College, Oxford
Engraving, circa. 1675
30 x 41cm
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Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges...
Category
17th Century Prints and Multiples
Materials
Engraving
David Loggan: Great St Mary's Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
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Realist 17th Century Prints and Multiples
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Engraving
David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Hart Hall - now Hertford College - Oxford - Aula Cervina
Engraving
28x39cm
Loggan was born to English and Scottish parents, a...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert early engraving Martin de Vos Pastores venerunt festinantes
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
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Realist 17th Century Prints and Multiples
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Engraving
Self Portrait, Drawing at the Window
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Self Portrait, Drawing at the Window
Year: 1648
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 6.35 x 5.25 inch...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century engraving Healing the paralytic
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan St Edmund Hall Oxford - Aula St Edmundi - 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
St Edmund Hall...
Category
Realist 17th Century Prints and Multiples
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Engraving
David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Sidney Sussex...
Category
Realist 17th Century Prints and Multiples
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Engraving
Adrian Collaert Martin de Vos 17th Century engraving The Sermon on the Mount
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
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Realist 17th Century Prints and Multiples
Materials
Engraving
Theodoor Galle Martin de Vos Engraving Jesus Washes his Disciples' Feet
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan Winchester College 1675 engraving Wykehamist
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Winchester College
Engraving
1675
40x46cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studyin...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
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