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17th Century Prints and Multiples

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Period: 17th Century
WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category

Old Masters 17th Century Prints and Multiples

Materials

Engraving

Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant. This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title. This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition. Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving. Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers. Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category

Old Masters 17th Century Prints and Multiples

Materials

Engraving

University College, Oxford David Loggan 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) University College, Oxford (1675) Engraving 29 x 40 cm Loggan's view of Univ from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

Realist 17th Century Prints and Multiples

Materials

Engraving

Shepherd With Cattle On A Wooden Bridge by Antonie Waterloo - 17th Century
Located in Roma, IT
Shepherd With Cattle On A Wooden Bridge is an etching on ivory-colored paper realized by Antonie Waterloo in the late 17th century. Good conditions with slight foxing. The artwork ...
Category

Modern 17th Century Prints and Multiples

Materials

Etching

David Loggan: Canterbury Quad, St John's College, Oxford (1675 engraving)
Located in London, GB
David Loggan (1634-1692) Canterbury Quad, St John's College, Oxford Engraving, 1675 32 x 51cm To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" ...
Category

17th Century Prints and Multiples

Materials

Engraving, Etching

David Loggan: Balliol College, Oxford (1675 engraving)
Located in London, GB
David Loggan (1634-1692) Balliol College, Oxford Engraving, 1675 30 x 40cm To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click ...
Category

17th Century Prints and Multiples

Materials

Engraving, Etching

David Loggan: Jesus College, Oxford engraving
Located in London, GB
David Loggan (1634-1692) Jesus College, Oxford Engraving, 1675 30 x 41cm To see our other views of Oxford and Cambridge, scroll down to "More from this ...
Category

17th Century Prints and Multiples

Materials

Engraving, Etching

Le Crucifiement (The Crucifixion) - Etching by Jacques Callot - 1614/24
Located in Roma, IT
Etching realized by Jacques Callot in 1619-24. Second state on two. Fair condition, with top corners missing.
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Engraving

David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
Located in London, GB
David Loggan (1634-1692) Hart Hall - now Hertford College - Oxford - Aula Cervina Engraving 28x39cm Loggan was born to English and Scottish parents, a...
Category

Realist 17th Century Prints and Multiples

Materials

Engraving

Figures in a Landscape
Located in Chicago, IL
A very fine impression
Category

17th Century Prints and Multiples

Materials

Etching

The Great Landscapes VI (2nd State)
Located in Chicago, IL
Watermark: Wappen von Amsterdam mit Nebenmarke
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

Annunciation Scene
Located in Paris, Île-de-France
Pierre-Mathieu Ogier (active between 1676 and 1709) Annunciation Scene Engraved copper plate, dated 1691 17.5 x 11.2 cm Provenance: Private collection, France This engraved copper...
Category

Old Masters 17th Century Prints and Multiples

Materials

Copper

Louis XI, Roi de France
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Jeux de boules - Near the City Gate
Located in Middletown, NY
Etching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, othe...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

Carolus de Mallery, by Lucas Vorsetman the Elder after van Dyck
Located in Middletown, NY
An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Two botanical prints after Cornelisi Bloemaert & Vincenzo Leonardi
Located in Middletown, NY
Two botanical prints after Cornelis Bloemaert & Vincenzo Leonardi "Lemon", from Hesperides. Reproductive print on thick C.M. Fabriano cotton wove paper; and Pierre Joseph Buchot (17...
Category

French School 17th Century Prints and Multiples

Materials

Watercolor, Engraving

Beggar with a Wooden Leg
Located in Middletown, NY
Etching on handmade wove paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Third state (of five), likely printed early 19th century. In very good condition with light handlin...
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching, Handmade Paper

Head of Camel - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century. Monogrammed “SDB fec.” Plate 8,1x8,5...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

The Mother Seated in an Inn
Located in Middletown, NY
Etching on cream laid paper with an indiscernible horizontal watermark, 6 1/8 x 4 11/16 inches (154 x 120 mm). Thread margins. The first state (of two), before the additional work on...
Category

Old Masters 17th Century Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

"ALS MESTRES DE CATALUNYA", 1974.
Located in Sant Celoni, ES
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...
Category

Abstract 17th Century Prints and Multiples

Materials

Lithograph

Great Britain, N. France: A Large 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored 17th century copperplate engraved map entitled "Le Royaume D Angleterre, distingué en ses Provinces. Par le Sr. Sanson. Geographe du Roy. Presenté A Monseigne...
Category

17th Century Prints and Multiples

Materials

Engraving

England and the British Isles: A Large 17th Century Hand-colored Map by de Wit
Located in Alamo, CA
This is a large hand-colored 17th century map of England and the British Isles by Frederick de Wit entitled "Accuratissima Angliæ Regni et Walliæ Principatus", published in Amsterdam in 1680. It is a highly detailed map of England, Scotland, the Scottish Isles...
Category

Other Art Style 17th Century Prints and Multiples

Materials

Engraving

The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

The organ Grinder
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Organ Grinder Year: 1647 Medium: Etching Paper: Laid paper Image (plate mark) size: 4.35 x 3.5 i...
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

Peasant Family on the Tramp – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

Portrait of Marquard Freher, aged forty-nine
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category

Old Masters 17th Century Prints and Multiples

Materials

Handmade Paper, Laid Paper, Engraving

Antique Italian Engraving - Goddess Bellona
Located in Houston, TX
Over 350 year old antique copper engraving of the female Roman goddess Bellona, the goddess of war, circa 1650. Original artwork on paper displayed on a white mat with a gold border...
Category

17th Century Prints and Multiples

Materials

Ink, Paper

Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...
Category

Baroque 17th Century Prints and Multiples

Materials

Engraving, Etching

The Brain - De Humani Corporis Fabrica Tav. 42 - Original Etching - 1642
Located in Roma, IT
The Brain is an original etching realized for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio. It shows the human brain from different p...
Category

Modern 17th Century Prints and Multiples

Materials

Etching

The Birth of Christ - With the Praying Shepherds
Located in Chicago, IL
A fine impression. With the address of P. Giffart. Mauperche produced over fifty engravings.
Category

17th Century Prints and Multiples

Materials

Etching

Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discoloration in the margins and on the verso, the image area remains clean and bright. The inscription in the lower margin reads Paulus Quintus Pont. Maxim ... anno DNI MDCXII Pontif.s sui Septimo' and in the margin 'Fontana e castello dell'acqua Paola a S.Pietro Montorio sul Gianicolo, condotta da Paolo V, vicino a Bracciano, Architett.a di Giovanni Fontana', and signed at left 'G.B.Falda del. et inc.' and at right 'G.Iac.Rossi le stampa in Roma alla pace co priv. del SP', and the number '11' in the lower right corner. Printed in 1691. [Bartsch/Le Pientre graveur XXI.241.13] Book I, plate 11: Fountain of San Pietro in Montorio, from "Le fontane delle ville di Frascati nel Tusculano con li loro prospetti" ("The fountains of the Villas of Frascati in Tusculano and their prospects"); a set of four books on fountains published by Giovanni Giacomo De Rossi (Italian, Rome 1627–1691), after Giovanni Francesco Venturini (active ca. 1650–1700) and Giovanni Battista Falda...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Head of a Laughing Peasant
Located in Middletown, NY
Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]
Category

Old Masters 17th Century Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Five (5) city views, 17th Century French School by Winckler and others
Located in Middletown, NY
Paris: c1675. Five engravings: "Une Autre Partie du Palais Villa Mene a Gene" Engraving with hand-coloring, circa 1760-1790, on laid paper, with a Letters watermark (WA....), publis...
Category

French School 17th Century Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Carlo Maratti “Mary Virgin Assumed”
By Carlo Maratti
Located in San Francisco, CA
Carlo Maratti: 1625-1713. Very well listed 17 century Italian master. He has had Auction results over $1 million for a painting and over $4000 for an etching. He often printed etchin...
Category

Italian School 17th Century Prints and Multiples

Materials

Etching

Sleeping Man
Located in Middletown, NY
A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category

French School 17th Century Prints and Multiples

Materials

Paper, Watercolor, Engraving

'Portrait of Henrico van der Borcht, ' original W. Hollar engraving after Holbei
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...
Category

Old Masters 17th Century Prints and Multiples

Materials

Engraving

Mythological Roman Alphabet Leaf with Celtic Motif, Letter X
Located in Middletown, NY
Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.
Category

Italian School 17th Century Prints and Multiples

Materials

Laid Paper, Engraving

Vincent de Paul Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...
Category

Old Masters 17th Century Prints and Multiples

Materials

Engraving

Red Roses: A Framed 17th C. Hand-colored Botanical Engraving by Basilius Besler
Located in Alamo, CA
"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...
Category

Old Masters 17th Century Prints and Multiples

Materials

Engraving

'Child and Seeing Hands' — after the artist's 1948 Surrealist masterwork
Located in Myrtle Beach, SC
Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...
Category

Surrealist 17th Century Prints and Multiples

Materials

Engraving, Photogravure

Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching, Laid Paper

The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

St. Simon from Les Grands Apôtres Debout Original 17th Century Etching
Located in Soquel, CA
St. Simon from "Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres" Original 17th Century Etching by Jacques Callot. This portrait of St. Simon depicts him standing in a street, holding a book and leaning on a saw. The saw is typical of St. Simon's depictions as he was said to have been martyred by being sawed in half. Very good impression of this print, with bold lines and high contrast. This leaflet contains the words "Callot fec." in the bottom right, shorthand for the Latin fecit, meaning Callot made this. This edition contains no publishers mark or numbering on the piece, indicating that it is from the first printing state. Jacques Callot was born in the Duchy of Lorraine around 1592 to an important family in the court. He started an apprenticeship as a goldsmith at the age of 15, but later began learning etching. He is known for his technical skill in etching and for developing the echoppe style etching needle. Callot's etchings featured religious figures as well as soldiers, common people, beggars, and court individuals. His series "The Miseries and Misfortunes of War," published while Lorraine was invaded during the Thirty Years War, later influenced Goya's "Los Desastres de la Guerra...
Category

Old Masters 17th Century Prints and Multiples

Materials

Ink, Laid Paper, Etching

"ALS MESTRES DE CATALUNYA", 1974.
Located in Sant Celoni, ES
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...
Category

Abstract 17th Century Prints and Multiples

Materials

Lithograph

Bronze Urns with Citrus Trees, 2 prints
Located in Middletown, NY
Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3...
Category

French School 17th Century Prints and Multiples

Materials

Watercolor, Handmade Paper

Two Cavaliers (after Herman Swanevelt)
Located in Middletown, NY
Etching on cream laid paper with a large foolscap watermark, 5 5/8 x 7 7/8 (150 x 200 mm), thread margins. In excellent condition with a light pencil inscription and an inventory num...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

Figure with Their Head Leaning Against...- Etching by Castiglione - 17th Century
Located in Roma, IT
Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43
Category

Baroque 17th Century Prints and Multiples

Materials

Etching

Terra Sancta - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Terra Sancta, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterdam in ca. 1680....
Category

Modern 17th Century Prints and Multiples

Materials

Etching

The Smoker and the Drinker
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Smoker and the Drinker Year: 1650 Medium: Etching Paper: Laid paper Image (plate mark) size...
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

Le Charlemagne (Foret de Fontainebleau)- 1991
Located in Brooklyn, NY
This reproduction of Eugène Bléry's etching Le Charlemagne depicts the Forêt de Fontainebleau, a renowned forest located south of Paris. The print is produced by La Calcographie du L...
Category

Renaissance 17th Century Prints and Multiples

Materials

Etching

Old man with a long beard and cap - After Rembrandt, copy
By Ferdinand Bol
Located in Middletown, NY
Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...
Category

Flemish School 17th Century Prints and Multiples

Materials

Laid Paper

N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
Located in Alamo, CA
This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...
Category

17th Century Prints and Multiples

Materials

Engraving

Shepherd talking to a young shepherd on a donkey
Located in Middletown, NY
Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....
Category

Old Masters 17th Century Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger Etching on fine ...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length
Located in New York, NY
Etching and drypoint, circa 1630s. Cream laid paper. Narrow margins.
Category

Old Masters 17th Century Prints and Multiples

Materials

Etching

St. Paul's Cross
Located in Middletown, NY
London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century. Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...
Category

English School 17th Century Prints and Multiples

Materials

Handmade Paper, Engraving

Peasant with a Crooked Back
Located in Middletown, NY
Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...
Category

Old Masters 17th Century Prints and Multiples

Materials

Laid Paper, Etching

Het leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard
By Dirk Stoop
Located in Saint Augustine, FL
Artist: Dirk Stoop (Dutch, c.1615-1686) Title: "Het leeuwendeel (The Lion's Share)" Portfolio: The Fables of Aesop Year: 1665 (an earlier state of unknown states) Medium: Original Et...
Category

Old Masters 17th Century Prints and Multiples

Materials

Gesso, Laid Paper, Etching, Intaglio

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