17th Century Prints and Multiples
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Period: 17th Century
Landscape - Etching by Israel Henriet - Late-17th Century
By Israel Henriet
Located in Roma, IT
Landscape is an original Modern artwork realized by Israel Henriet (Nancy, 1590 - 1661) in the second half of the XVII Century.
Original B/W Etching on ivory cardboard.
Inscripte...
Category
Naturalistic 17th Century Prints and Multiples
Materials
Etching
Genesis 18 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 18 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork ...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Samuel 14 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 14 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Genesis 27 - Old Testament Story - Etching by Sisto Badalocchio - 1607
Located in Roma, IT
Genesis 27 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout i...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Genesis 2 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 2 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork is...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Giosuè 6 - Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Giosuè 6 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco after Agostino Carracci.
About The Old Testament Story, 1607 ca.
Passpartout included ...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Genesis 37 - Old Testament Story - Etching by Sisto Badalocchio - 1607
Located in Roma, IT
Genesis 37 - Old Testament Story is an Etching print realized by the artist Sisto Badalocchio.
About The Old Testament Story, 1607 ca.
Passpartout ...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Habit de Remouleur Gaigne Petit - Original Etching - Late 17th Century
Located in Roma, IT
Habit de Remouleur Gaigne Petit is an original hand-colored caricature etching realized by an anonymous french artist in the late 17th Century.
Titled on the lower.
Good conditions...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
The Circulatory System - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Circulatory System is a original etching realized as plate no. 124 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a m...
Category
17th Century Prints and Multiples
Materials
Etching
Soldier - Etching - 17th Century
Located in Roma, IT
Soldier is an old master artwork realized in 17th Century.
Black and white etching.
Good conditions except for signs of time.
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Urbino Under the Snow - Etching - 17th Century
Located in Roma, IT
Urbino con la neve is an original artwork realized by an artist of the 17th century.
Beautiful etching on ivory paper. Image Dimensions: 20...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Character - Etching - 17th century
Located in Roma, IT
Character is an etching realized by a Flemish artist of 17th century.
The little picture is in good conditions except for lack of paper on the edges and left corner.
Small inscript...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm.
Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630).
Monogramm ...
Category
Baroque 17th Century Prints and Multiples
Materials
Etching
Grande Curia Palace - Original Etching by Pierre Mortier - 17th Century
Located in Roma, IT
Grande Curia Palace is an original hand-colored print realized by the Dutch artist Pierre Mortier in the second half of the XVII century.
Original etching on paper.
Signed on the p...
Category
17th Century Prints and Multiples
Materials
Etching
The Brain - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Brain is a original etching realized as plate no. 39 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly cons...
Category
17th Century Prints and Multiples
Materials
Etching
David Loggan: Oriel College, the Hall of the Blessed Virgin, Oxford (1675)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Oriel College, the Hall of the Blessed Virgin, Oxford
Engraving, 1675
25 x 35cm
To see our other views of Oxford and Cambridge...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Valsavia Superiore e Inferiore - Etching by V. M. Coronelli - Late 17th century
By Vincenzo Maria Coronelli
Located in Roma, IT
Valsavia Superiore e Inferiore is a beautiful historical etching on ivory-colored paper, realized by Vincenzo Maria Coronelli (1650-1718) in the late 17th century.
This interesting ...
Category
17th Century Prints and Multiples
Materials
Paper, Etching
The Circulatory System - From "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The circulatory system is an original etching realized as table 31 of the 1642 edition of "De Humani Corporis Fabrica" by Andrea Vesalio.
The "De Humani Corporis Fabrica is commonly...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Putto - Original Etching after Polidoro da Caravaggio - 17th Century
Located in Roma, IT
Putto is an original black and white etching, after Polidoro da Caravaggio, realized by Giovanni Battista Galestruzzi during XVII century. Latin...
Category
17th Century Prints and Multiples
Materials
Etching
New College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
New College, Oxford (1705)
Engraving
31 x 49 cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645 - 1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Map of Methoni - Etching by George Braun - Late 16th Century
Located in Roma, IT
This Map of Methoni is an etching realized by George Braun (1541 – 1622)
The state of preservation of the artwork is good but aged and the trace of foxing that doesn't affect the i...
Category
17th Century Prints and Multiples
Materials
Etching
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Etching realized by an unknown French artist in 17th century.
Late 18th century edition.
Good condition except for a missing co...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573).
Good conditions, except for some foldings.
Included a Passepartout: 34 x 49 cm
The artwork repres...
Category
Baroque 17th Century Prints and Multiples
Materials
Etching
Anatomy of the Child - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
Anatomy of the Child is an original etching realized as plate no. 2 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Engraving Mary Washes Jesus' Feet
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert early engraving Martin de Vos The Circumcision of Christ
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Chiesa di Sant'Athanagio e Collegio della Natione de Greci - Original Etching
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
The Human Skeleton - De Humani Corporis Fabrica - Andrea Vesalio - 1642
Located in Roma, IT
The Human Skeleton is an original etching realized as plate no. 21 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica i...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
City with Travellers - Etching - 17th Century
Located in Roma, IT
City with Travellers is an original and little etching of an unknown artist of 17th century.
The artwork is in good conditions with some little stains on a yellowed paper.
No signa...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
The Legaments and Muscles - from "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The Ligaments and Muscles is an original etching, table no. 18 of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio.
The "De Humani Corporis Fabrica is common...
Category
17th Century Prints and Multiples
Materials
Paper, Etching
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Goat - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century engraving The woman and the Pharisees
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
St. Matthew - Original Etching on Paper - 17th Century
Located in Roma, IT
St. Matthew is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions except for the trace of humidity on...
Category
17th Century Prints and Multiples
Materials
Etching
Theodoor Galle Martin de Vos 17th Century Engraving Pilate Washed his Hands
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Vegel - Etching on Paper by George Braun - Early 17th Century
Located in Roma, IT
This Vegel is an original etching realized in 1616 by George Braun (1541 – 1622)
The state of preservation of the artwork is good but aged with trace of foxing that doesn't affect ...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Engraving Annunciation of Our Lady
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Tempo di Minerva Medica" is an original engraving by Israel Silvestre, titled along the lower edge. This miniature print depicts the ruins of the Temple of Minerva Medica in the Rom...
Category
Baroque 17th Century Prints and Multiples
Materials
Engraving
Place di Porta a Boulogne - Original Etching by G.B. Falda
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Prints and Multiples
Materials
Etching
17th Century Dutch engraving by Pieter Nolpe of a man on skates carrying a baske
By Pieter Nolpe
Located in Petworth, West Sussex
Pieter Nolpe (Dutch, 1613-1653) after Pieter Jansz Quast
Man on skates carrying a basket, from a set of twenty four Peasants and Beggars
engraving
7.3/4 x 6.1/4 in. (19.7 x 16 cm.)
P...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Pasquariello Truonno, Meo Squaquara
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Pasquariello Truonno, Meo Squaquara
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 2.35 x 3.95 inches
Condition: Very g...
Category
Realist 17th Century Prints and Multiples
Materials
Etching
Eurito Echione e Etalide Argonote
Located in Fairlawn, OH
Eurito Echione e Etalide Argonote
Etching, 1664
after Remigio Cantagallina
From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14)
Depicts Three Argonauts conveyed on aquatic peacock
Published by Pierre Giffart, Paris
Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608
Condition: Trimmed to the border line of the image
Slight foxing and staining to the sheet
Tipped on an "English Mount"
Image size: 3 9/16 x 4 15/16 inches
Reference: Bartsch XX.63.37 (copy after)
Drugulin 1179
Balthasar Moncornet
printmaker; publisher/printer
Tapissier, engraver and print publisher in Paris, specialist in ornament prints...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
Category
Baroque 17th Century Prints and Multiples
Materials
Engraving, Laid Paper
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
New College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Theodoor Galle Martin de Vos Engraving Jesus in Purple Robes and Crown of Thorns
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan King's College Cambridge engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
King's College Cambridge
Engraving
1690
40x51cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and it is thought largely no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Exeter College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
David Loggan: Queen's College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Oriel College, Oxford
Engraving, 1674
30 x 41cm
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and belo...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Old Master Royal Stallion Engraving by Crispin de Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670)
Untitled (Royal Stallion), c. 1620-1660
Engraving
Sight: 11 3/4 x 15 3/4 in.
Framed: 18 3/4 x 22 5/8 in.
Inscribed in plate: Le Bonit...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Franciscus de Neve C17 engravings: Landscape with Shepherdess/Echo & Narcissus
By Franciscus de Neve
Located in London, GB
Franciscus de Neve (c.1632-1704)
'Landscape with Shepherdess Playing a Tambourine' and
'Echo & Narcissus'
Engravings
Both signed in the lower margin: 'Franciscus de Neue In. e fecit' and 'Si Stampano in Roma da Gio: Iacomo de Rossi alla Paca'
Each 31.5 x 38.5cm (plate)
Franciscus (or Frans) de Neve was a Flemish painter and engraver, born in Antwerp in 1632. His father, also an artist, was called by the same name, resulting in some confusion for art historians. The younger de Neve was working in Rome from 1660-1670, producing paintings for the Palazzo Doria-Pamphili (alongside Pietro da Cortona) and was known for his religious subjects, mythological scenes and landscapes. He was part of a network of Dutch and Flemish artists in the city, who helped to promote and support his career. Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples). After 1670 he travelled to Augsburg and Munich, then to Austria and Moravia, where he completed numerous commissions for altarpieces. Towards the end of his life he returned to his native Flanders and became Master of the Guild of Saint Luke.
De Neve had a reputation as a gifted landscape painter, and these two engravings show his keen interest in the details of the natural world, as well as the influence of Claude Lorrain in the extensive vistas. The painting of ‘Narcissus and Echo...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Jesus College...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Adrian Collaert Martin de Vos 17th Century engraving The Transfiguration
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
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