17th Century Prints and Multiples
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Period: 17th Century
Soldier - Etching - 17th Century
Located in Roma, IT
Soldier is an old master artwork realized in 17th Century.
Black and white etching.
Good conditions except for signs of time.
Category
Modern 17th Century Prints and Multiples
Materials
Etching
The Donkey - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Donkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including...
Category
17th Century Prints and Multiples
Materials
Etching
Mule - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Mule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cre...
Category
17th Century Prints and Multiples
Materials
Etching
Human Muscles - from "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
Human Muscles is an original etching realized as tile no. 16 of the 1642 edition of "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio.
The "De Humani Corporis Fab...
Category
Modern 17th Century Prints and Multiples
Materials
Paper, Etching
Map of Methoni - Etching by George Braun - Late 16th Century
Located in Roma, IT
This Map of Methoni is an etching realized by George Braun (1541 – 1622)
The state of preservation of the artwork is good but aged and the trace of foxing that doesn't affect the i...
Category
17th Century Prints and Multiples
Materials
Etching
Valsavia Superiore e Inferiore - Etching by V. M. Coronelli - Late 17th century
By Vincenzo Maria Coronelli
Located in Roma, IT
Valsavia Superiore e Inferiore is a beautiful historical etching on ivory-colored paper, realized by Vincenzo Maria Coronelli (1650-1718) in the late 17th century.
This interesting ...
Category
17th Century Prints and Multiples
Materials
Paper, Etching
Malaga - Etching on Paper by George Braun - Early 17th Century
Located in Roma, IT
Malaga is an original etching realized in 1616 by George Braun and Franz Hogenberg.
The state of preservation of the artwork is good but aged with trace of foxing that doesn't affec...
Category
17th Century Prints and Multiples
Materials
Etching
Putto - Original Etching after Polidoro da Caravaggio - 17th Century
Located in Roma, IT
Putto is an original black and white etching, after Polidoro da Caravaggio, realized by Giovanni Battista Galestruzzi during XVII century. Latin...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Engraving Annunciation of Our Lady
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Portrait of Thomas Moore - Original Etching by B. Moncernet - 17th Century
Located in Roma, IT
Portrait of Thomas Moore is an original etching on paper realized by Balthasar Moncernet in the second half of 17th Century.
The state of preservation is good.
With the descriptio...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Anatomy of the Child - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
Anatomy of the Child is an original etching realized as plate no. 2 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
17th century etching black and white landscape scene forest trees figures sky
Located in Milwaukee, WI
"Le Temps, Apollon, et les Saisons (Time, Apollo, and the Seasons)" is an etching by Claude Gellée (Le Lorrain). This etching is the Fifth state (A). This state is also in collections in Paris (BN, L, PP) and Washington; Mannocci cat. no. 43. The inscription reads: "Apollo in atto di obedire al tempo. La Primavera a cominciare il ballo. Lestate no manca del suo calore. L'aurunno colsuo licore / Seguita. Linvernno tiene la sua staggione, Claudio Gillee inven.Fec.Roma 1662 con licenza de super."
A powerful example of Claude's staging of landscape in the classical manner is the etching "Time,
Apollo, and the Seasons," done in 1662 after Poussin's painting of 1624-1636, "Dance to the Music of Time...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
The Circulatory System - From "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The circulatory system is an original etching realized as table 31 of the 1642 edition of "De Humani Corporis Fabrica" by Andrea Vesalio.
The "De Humani Corporis Fabrica is commonly...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Christ's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century engraving Christ Cleansing the Temple
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Etching realized by an unknown French artist in 17th century.
Late 18th century edition.
Good condition except for a missing co...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Category
Old Masters 17th Century Prints and Multiples
Materials
Engraving
Chiesa di Sant'Athanagio e Collegio della Natione de Greci - Original Etching
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Prints and Multiples
Materials
Etching
Principi Etruriae Duci - Etching by Charles Simonneau - Late 1600
By Charles Simonneau
Located in Roma, IT
Principi Etruriae Duci is an original artwork realized by the French artist Charles Simonneau in the second half of the XVII Century.
Original Etching on paper. D'aprés Charles Le B...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Frontispiece for "Diversi Animali" - Etching by A. Tempesta - 17th Century
Located in Roma, IT
Diversi Animali is an original Etching realized by Antonio Tempesta in the 17th Century.
Good Conditions.
The artwork is depicted through strong strokes with perfect Hatchings.
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Camel Study - Etching by Stefano Della Bella -1640s
Located in Roma, IT
Camel Study is an original old master artwork realized by Stefano Della bella in 1640 ca.
Black and white etching. The plate is from the suite "Têtes de différents animaux".
Includ...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
The Brain - De Humani Corporis Fabrica Tav. 42 - Original Etching - 1642
Located in Roma, IT
The Brain is an original etching realized for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist Andrea Vesalio.
It shows the human brain from different p...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Urias - Original Etching by Crispijin van de Passe - Early 1600
By Crispijn van de Passe
Located in Roma, IT
Urias is an original artwork realized by Crispijn van de Passe in the first half of the XVII Century.
Original burin after an original by Martin de Vox chez Sadeler. Passepartout i...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Exeter College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Plates of Old Testament- Etching by Antonio Tempesta - 17th Century
Located in Roma, IT
Plates of Old Testament is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century.
The ten plates depicting scenes of the Old testament WITH Inscriprions on plates
They are mounted on a cardboard passepartout and in a gilded frame.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
Modern 17th Century Prints and Multiples
Materials
Etching
Male Portrait - Etching - Late 17th Century
Located in Roma, IT
Male portrait is a marvelous etching on ivory-colored paper presumably made by a Mannerist artist of the XVII century.
This original print, with the inscription "932. b." on the upp...
Category
17th Century Prints and Multiples
Materials
Etching
David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis
By David Loggan
Located in London, GB
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Category
Realist 17th Century Prints and Multiples
Materials
Engraving
The Human Skeleton- De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Human Skeleton is a original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major ad...
Category
17th Century Prints and Multiples
Materials
Etching
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Harbor - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
Harbour is an original etching on paper realized by Italian artist Stefano Della Bella (1610 –1664).
Plate signed on the lower left.
Included a Passepartout: 40 x 60 cm
Titled on...
Category
Modern 17th Century Prints and Multiples
Materials
Paper, Etching
St. Matthew - Original Etching on Paper - 17th Century
Located in Roma, IT
St. Matthew is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions except for the trace of humidity on...
Category
17th Century Prints and Multiples
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Prints and Multiples
Materials
Etching
Goat - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
The Horse - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including ...
Category
17th Century Prints and Multiples
Materials
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Prints and Multiples
Materials
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Image Dimensions: 5 x 7 / 8 ...
Category
17th Century Prints and Multiples
Materials
Etching
Adrian Collaert Martin de Vos 17th Century Healing Peter's Mother-in-law
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Le Bouffon et les Deux Couples Amoureuses - Original Etching - 1514
Located in Roma, IT
Image dimensions: 7 x 9 cm.
Les Bouffon et les deux couples Amoureuses is an original artwork realized after Hans Sebald Beham in 1514.
Original burin on paper; late 17th century edition.
Good conditions.
The artwork is a very small yet well-balanced composition representing a genre scene.
The original artwork was realized after Hans Sebald Belham (Neuremberg, 1500 – 1550). Belham was a German painter and etcher, mainly known for his very small engravings, like this artwork itself. He spent the latest part of his career in Frankfurt. He was one of the most important so-called "Little Masters...
Category
17th Century Prints and Multiples
Materials
Etching
Vegel - Etching on Paper by George Braun - Early 17th Century
Located in Roma, IT
This Vegel is an original etching realized in 1616 by George Braun (1541 – 1622)
The state of preservation of the artwork is good but aged with trace of foxing that doesn't affect ...
Category
17th Century Prints and Multiples
Materials
Etching
St. James - Etching on Paper - XVII Century
Located in Roma, IT
St. James is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions.
The artwork represents St. James. T...
Category
17th Century Prints and Multiples
Materials
Etching
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Three Varieties of Leucoium , Hortus Eystettensis, ( after ) Besler
By (After) Basilius Besler
Located in Paonia, CO
Three Varieties of Leucoium (I. Leucoium purpureum variegatum flore pleno. II Leucoium pleno flor album purpureis maculis signatum. III. Leucoium pleno flor album sanguine maculis signatum), from B. Besler, Hortus Eystettensis possibly (after) Basil Besler...
Category
17th Century Prints and Multiples
Materials
Engraving
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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Realist 17th Century Prints and Multiples
Materials
Engraving
Smoker Leaning on the Back of a Chair
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685)
Title: Smoker Leaning on the Back of a Chair
Year: 1672
Medium: Etching
Paper: Laid paper
Image size: 4.1 x 3.55 inches
Signature: Si...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
Heracles with the Club - Original Etching by Anonymous Master 17th Century
Located in Roma, IT
Image dimensions: 14.6 x 9.6 cm.
Heracles with the Club is a fine black and white etching on rosaspina paper, realized by an anonymous master of the Italian school of the end of XVII century.
This original print with lifetime impression describes with incredible hatching the male anatomy...
Category
17th Century Prints and Multiples
Materials
Etching
Place di Porta a Boulogne - Original Etching by G.B. Falda
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Prints and Multiples
Materials
Etching
Chiesa di Sant'Athanagio e Collegio della Natione de Greci - by G.B. Falda
Located in Roma, IT
Chiesa di Sant'Athanagio e Collegio della Natione de' Greci is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanni Battista Falda.
Signed on plate on the lower left margin "Giò Batta Falda dis. et fece".
Title etched on plate at the center, with a urbanistic caption and a dedication to "Gio. Iacomo Rossi" on plate on the right corner of the lower margin.
In excellent conditions, except for the wavy paper. An ivory-colored cardboard passepartout is included (34 x 49 cm).
A beautiful urban landscape of Rome with full blacks and precise lines, to admire a disappeared view of the eternal city.
Giovanni Battista Falda (Valduggia, 1643 - Rome, 1678) was an Italian engraver, who documented architectures and urban planning in Rome in the second half of the seventeenth century. Born in the province of Vercelli, he soon showed a passion for drawing. He was thus placed in the workshop of a local painter, and then, at the age of 14, sent to Rome to stay at his uncle's, who spoke about him to Gian Lorenzo Bernini. He also studied with Giovanni Giacomo De Rossi. From De Rossi, the adolescent...
Category
Old Masters 17th Century Prints and Multiples
Materials
Etching
David Loggan: Jesus College, Oxford engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Jesus College, Oxford
Engraving, 1675
30 x 41cm
To see our other views of Oxford and Cambridge, scroll down to "More from this ...
Category
17th Century Prints and Multiples
Materials
Engraving, Etching
Map of Northumberland by Joan Blaeu
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
17th Century Prints and Multiples
Materials
Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Realist 17th Century Prints and Multiples
Materials
Engraving
Pasquariello Truonno, Meo Squaquara
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Pasquariello Truonno, Meo Squaquara
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 2.35 x 3.95 inches
Condition: Very g...
Category
Realist 17th Century Prints and Multiples
Materials
Etching
17th Century map of Cumberland, UK by Robert Morden
Located in Petworth, West Sussex
Robert Morden (British, circa 1650 – 1703)
A map of Cumberland with hand colouring
An engraving
14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)
Category
Academic 17th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
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Realist 17th Century Prints and Multiples
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Engraving
Theodoor Galle Martin de Vos 17th Century Engraving Jesus Nailed to the Cross
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603)
Jesus is Nailed to the Cross
46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23.
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
17.5x22cm
From the Gospel of Luke, chapter 3 "When they came to the place called the Skull, they crucified him there."
Theodoor Galle was the son of Philip Galle...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Clare College, Cambridge 1690 aerial view engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 17th Century Prints and Multiples
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Triumphal Entry Jerusalem
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Prints and Multiples
Materials
Engraving
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