1910s Prints and Multiples

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Melanie Schiele", an original artwork realized by Egon Schiele in 1906. The portfolio, that includes 10 lithog...

Medium: original etching and drypoint with vernis mou. Published in Paris in 1910 by Gazette des Beaux-Arts. The catalogue reference is Sanchez and Seydoux 1910-5. Plate size: 8 1/4 ...

Title page numbered: 263/450. Includes handmade, gold-leaf frame.

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...

Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...

Raoul Dufy, 'La Danse' (Dance), woodcut, 1910. A proof impression before the second edition of 220 in 1953; with the estate stamp 'ATELIER RAOUL DUFY' in the lower right margin; the blind stamp 'GG' in the lower left sheet corner. Annotated 'E/Z' in pencil, beneath the estate stamp; and 'bois original' in the margin, lower left. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper; the full sheet with wide margins (3 1/2 to 6 3/4 inches); slight toning at the bottom and right sheet edges, well away from the image, otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 5/16 x 12 1/2 inches (313 x 318 mm); sheet size 19 3/4 x 25 3/4 inches (502 x 654 mm). Collections: Art Gallery of New South Wales (Australia), Brooklyn Museum, Cleveland Art Museum, Fine Arts Museums of San Francisco, Minneapolis Institute of Art, Museum of Fine Arts, Boston, The Nelson-Atkins Museum of Art, Nasher Museum of Art (Duke University), Toledo Art Museum. From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Peche' (Fishing), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Peche' and 'L'amore'. Collections: Brooklyn Museum, Art Gallery of New South Wales, Cleveland Museum of Art, Dallas Museum of Art, Fine Arts Museums of San Francisco, Minneapolis Art...

Medium: etching. This impression was printed on laid paper in 1914 by Porcabeuf and published by Henri Floury for the catalogue raisonne "Alexandre Lunois, peintre, graveur et lithog...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...

Original World War One: Go Over With U.S. Marines. E-E-E-YAH-YIP. This charging leather neck holds his Springfield high. The cropped design was influenced by candid photography, ...

The circa 1914 poster by Aleksandr Deineka titled Victory for Our Most Orthodox Emperor! reflects the spirit of Imperial Russia during the First World War. While primarily known for ...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Original Keep These Off the U.S.A." buy more Liberty Bonds vintage World War One posters. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you will receive. Grade A- Artist: John Norton. Printed by The Strobridge Litho Co., Cincinnati & New York. Ref: Johnson 21, Rawls 214, Full-size paper, not trimmed 31" x 40.25" in size. Bend right corner straightened during linen backing and tiny edge repair. Excellent bright colors. Clean, ready to frame. This poster was part of the Committee on Public Information (CPI) 's broader propaganda campaign to rally American support for the war effort. It shows a pair of boots with red stains, showing blood dripping onto the ground. The German Adler is on the top of each boot and is shown wearing spurs. The "Keep These Off the USA" poster was created during World War I as part of a broader American propaganda campaign to rally support for the war effort and demonize the enemy, particularly Germany. Propaganda posters...

This exquisite heliogravure and collotype after Gustav Klimt (1862–1918), titled Weibliches Bildnis (Female Portrait), from the folio Das Werk von Gustav Klimt (The Work of Gustav Kl...

Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...

Original poster: United Behind The Service Star ; Great vibrant colors. Linen backed. All the various support organizations that backed up the soldiers and war relief during World War One. A-, B+ condition. Paper tear from the bottom about 10" professionally laid down. No paper loss. A large blue star appears over the flags, and below the image reads "United Behind the Service Star". The poster features American soldiers carrying the flags of seven major service organizations: the YMCA, the National Catholic War Council, the Jewish Welfare Board, the Salvation Army, War Camp Community Service, the American Library Association, and the YWCA. These organizations were instrumental in providing various forms of support, such as food, medical care, and morale-boosting services, both to soldiers and civilians. If you have ever looked to have a 'supreme' version of this great war poster...

Original “Eat Less” 1918 vintage First World War poster. This is a less seldom seen poster variation. The other version has the wording, "This is What God Gives Us." The image i...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

This original 1917 lithographic poster by Alphonse Grebel was created to promote the Foire de Paris, held from May 1st to 15th during the final years of World War I. Far beyond a sim...

Discover a piece of history with our original WW1 antique military poster: Women Of America Work For Victory. This unique piece features a great kitchen de...

Original WW1 poster: A Wonderful Opportunity for You. Ashore, on leave. United States Navy. A pre-war recruiting lithographic poster features an ebullient sailor going home o...

Linen backed original of the official event spectacles of Paris, promoting Moulin Rouge, Salome, Musee Grevin, Sarah-Rita, Madame Butterfly, Carmen, La Vie de Boheme. Orignial in ex...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Medium: original etching. Printed in 1915 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper. Plate size: 4 3/4 x 6 ...

Original. YMCA for Your Boy. Acid-free original vintage poster in excellent condition with archival linen backing, ready to frame. Certificate o...

Ernest Stephen Lumsden RE, RSA Ernest Stephen Lumsden RE, RSA (1883 – 1948) Buddha Frame Size: 40.7cm x 52.5cm Image: 21cm x 34 cm Lumsden reference: 254 Edition 33/50 Whatman w...

Original 1919 Give The World The Once Over in the United States Navy vintage poster. Archival linen backed. This poster presents itself very fine condition. The lower text por...

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

This circa 1915 French wartime propaganda poster is a striking example of World War I-era rationing efforts, emphasizing collective sacrifice and equitable distribution. Designed under the direction of the Comité de Prévoyance et d’Économies, this poster encouraged the French population to ration essential goods, particularly sugar, during the war. At the heart of the artwork is a symbolic sugar loaf, partially cut by a saber, visually reinforcing the message of dividing resources fairly. The text reads: "Avec la carte, nous en aurons peu – mais nous en aurons tous." ("With the ration card, we will have little – but we will all have some.") This message aimed to instill a sense of national solidarity and compliance with rationing policies. The lower inscription, "Casse aujourd’hui ton sucre en deux pour en avoir demain?" ("Break your sugar in half today to have some tomorrow?"), serves as a direct appeal to personal responsibility in wartime resource management. The bold yet simple color scheme (blue, red, black, and beige) gives the poster a striking visual identity, making it both an effective propaganda piece and a historically significant artifact. This rare wartime poster is a powerful reminder of civilian resilience and the role of public cooperation in wartime economies. Due to its historical importance and striking design, it remains highly collectible, particularly among WWI memorabilia...

GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...

Original World War 1 antique poster: Go Over The Top With U.S. Marines. Artist John Coughlin. Linen backed. Grade A, Excellent condition. Rare W...

Original: THE SHIPS ARE COMING vintage poster. Artist: James H. Daugherty (1889-1974) Publisher: U.S. Shipping Board, Emergency Fleet Corporation, Publication Section, Philadelphia, 1917. Poster showing a giant eagle...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; ...

Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 10 in...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Original La Croix-Soleil, artist Leonetto Cappiello (1875 - 1942) lithograph vintage poster. This La Croix-Soleil lithograph is an original, archival linen backed and ready to fra...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

LUXIOR. Original antique French turn of the century rare antique automobile poster. Printer / atelier:: Henri Privat Livemont. Size: 15.75" ...

'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

Etching and aquatint, 1918. Wide margins. Second state (of 2) with the darker toned background. Edition of approximately only 13 (in both the first and second states combined). Si...

After JOSEPH MARIA OLBRICHT (1867-1908) DARMSTADT POSTER, 1901, (In Mascha, no. 9) One of the founding members of the Vienna Secession and a highly esteemed architect, Olbricht was c...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

Original United States Food Administration vintage poster. This is what GOD gives us United States Food Administration. Artist A. Hendee. This is what GOD gives us What are you giving so that others may live? Eat less --wheat --meat --fats --sugar Send more to Europe or they will Stave. A bounty of freshly harvested food is shown in the image. One of the more beautiful posters produced by the United States Food Administration for the war effort. World War 1 posters...

Authentic Vintage World War I Recruitment Poster - A Rare Piece of Historical Memorabilia. Archival linen backed and ready to frame. ...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

The 1916 original poster by Richard Gutz, titled "Souscrivez pour la victoire - Banque nationale de crédit", is an evocative piece of wartime propaganda produced during the height of...

Pierre Auguste Renoir (1841-1919) Maternity, 1910 Original lithograph Signed in the plate Edition of 100 copies On China paper size c. 60 x 49 cm (c. 23.6 x 19.3 in) In a beautiful ...

Amedeo MODIGLIANI (1884-1920) (after) Vlaminck smoking a pipe Lithograph from a drawing of the artist Signed in the plate On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 30...

The 1918 original poster by Adolphe Willette, created for the Banque de l'Union Parisienne, is a compelling piece of wartime propaganda, urging citizens to contribute to the fourth national loan (4e Emprunt National). This poster, titled Pour que la France soit victorieuse comme à Valmy! (So that France may be victorious like at Valmy!), is a poignant call to action, blending historical reference with patriotic fervor to inspire public support during the final year of World War I. Adolphe Willette, a prominent French painter, illustrator, and political cartoonist, was known for his evocative and often satirical works. During the war, artists like Willette played a crucial role in shaping public sentiment and encouraging national unity through their art. This particular poster exemplifies his ability to harness the power of visual storytelling to evoke a sense of duty and pride in the French populace. The poster references the Battle of Valmy...

GUSTAVE BAUMANN (1881 – 1971) THE WAGON SHOP, 1910 (Chamberlain 24) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...

Original poster: Red Cross Christmas Roll Call. “Where Columbia sets her name let every one of you follow her” Linen-backed in very good condition, ready to frame. Artist: Edwin Howland Blashfield. The Red Cross stands on the left helping hold the banner that reads Where Columbia sets her name let every one of you follow her. December 16th to 23d. World War 1...

This circa 1910 original advertising poster promotes the H. Vigneron sewing machines, a brand sold at 70, Boulevard de Sébastopol, Paris. Designed in a distinctive early 20th-century...

Original poster: Hey Fellows! Your Money Brings this Book We Need When We Want It. Original World War 1 antique military poster created by...

This 1917 original wartime propaganda poster, designed by Albert Besnard, was created to promote the Third National Defense Loan (3e Emprunt de la Défense Nationale) in France during World War I. As the war raged on, France needed financial support from its citizens to sustain military efforts, and posters like this played a crucial role in mobilizing the public to contribute to the war effort. The composition is rich with symbolism and emotion. At the forefront, a serene yet resolute woman, draped in blue and white, holds an innocent child while extending an olive branch—a universal sign of peace. Behind her, a winged allegorical figure of Victory, clad in dramatic red robes, brandishes a sword and urges forward action. This juxtaposition between maternal protection and military force highlights the dual message of the poster: peace can only be achieved through victory. The bold red typography reads: "SOUSCRIVEZ POUR HÂTER LA PAIX PAR LA VICTOIRE" ("Subscribe to hasten peace through victory"), emphasizing the patriotic duty of citizens to invest in war bonds as a means of securing France’s triumph and eventual peace. Created in the late phase of World War I, this poster reflects France’s determination and resilience. The use of dynamic lines, rich colors, and classical figures is characteristic of Besnard’s artistic style, blending Academic and Symbolist influences. This piece is not only a historical artifact but also a powerful example of propaganda art...

A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...

Raoul Dufy, French (1877 - 1953) - The Serpent, Year: c. 1911, Medium: Woodcut on laid paper, Image Size: 8 x 7.5 inches, Size: 11.25 x 8.75 in. (28.58 x 22.23 cm), Description: Fr...

'Head of Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner ...

Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...