1970s Prints and Multiples

Untitled is a contemporary artwork realized by Primo Conti in 1970. Mixed colored lithograph. Hand signed, dated and numbered on the lower margin Includes frame Edition of 7/90

This original 1971 poster was created by Ida van Bladel, then art director at the Young & Rubicam agency in Brussels, for the European market of Levi’s. It has since become an iconic...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Color lithography on paper, edited in 1970 limited edition in 125 copies signed in pencil by artist in lower right corner, numbered in lower left corner paper size: 60 x 58 cm framed...

Salvador Dali Jack of Clubs, from Playing Cards, 1972 Lithograph Hand-signed lower right Edition 43 / 150 Image size: 36.2 x 23.5 cm Sheet size: 65.5 x 51 cm Reference Field, 72-4

Hollywood Stars 20th Century Litho - K. Hepburn, J. Wayne, S. Davis. J. Garland Al Hirschfeld (1903-2003) "Hollywood" Hand-signed Limited Edition Etching, 79/175 Plate Size: 18 3/4...

" Zodiaque " is an etching realized by Max Ernst in 1971. This print is hand signed and numbered. This is an edition of 100 prints. Reference: Catalogue Spies n. 144. Originally a ...

Salvador Dali James the Greater from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 4...

Portfolio of 10 Original Signed Engravings by Salvador Dali Title: Decameron Signed in Pencil by Salvador Dali Dimensions: 45 x 32 cm Edition EA 1/5 1972 References : Field 72-8 (p. ...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Composition is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut on cardboard. Good conditions. Image Dimensions: 14 x 12.5 cm Lojze Spacal, also known as Luigi Spacal, was born on the Trieste Karst, at the time of the Austro-Hungarian Empire, from a family of Slovenian nationality.In 1930 he was arrested on charges of anti-fascism and confined for some time to Accettura, in Basilicata. Here he discovered his artistic vocation. In 1934 he graduated in Venice. He began to exhibit his first works in 1937. In 1942 he was again sent to confinement, this time in Abruzzo and, later, assigned to a special working battalion in Forte dei Marmi. Nevertheless, he managed to continue to exhibit his works so much that, in 1944, he set up his first solo show. In 1948 he participated for the first time in the Venice biennial. In 1958 he won the International Grand Prix "for a draftsman and engraver" at the Venice Biennale. In 1959 he received the 2nd prize at the International Biennial of Graphic Art in Ljubljana. In 1974 he was awarded the Prešeren prize, the highest Slovenian artistic recognition, and the “San Giusto d'Oro” in 1977. In 1998 a museum was dedicated to him in the castle of San Daniele...

Wifredo Lam (7303) Taureau trois graines s est laisee pousser les dents, 1973 Lithograph EC 25 x 19 in

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Nu a la Guitarre (Serenade) from the Nudes Suite Year: 1970 Medium: Lithograph on Rives, Signed and numbered in Pencil Edition: C...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

This provocative portrayal of a male nude figure by Lowell Blair Nesbitt is very different from many of his other works featuring floral decoration and close-up depictions of flowers...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

Signed and numbered etching by Donald J. Handel, executed mid‑20th century, possibly part of a larger thematic portfolio. His work often combines allegorical subject matter with tech...

Victor VASARELY (1908-1997) - Zither Serigraphy on cardboard with silver background in relief signed lower right Height: 60 cm - Width: 40 cm 1973 900€

Victor Vasarely Olympia : Sky and Sun (Op art spiral), 1971 Original 15 colors screenprint Printed signature in the plate On paper 100 x 78 cm (c. 40 x 31 in) REFERENCES : Catalog...

Pablo PICASSO (1881-1973) The 156, Rest, Two Girls Chatting (plate 99), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum, 50 x 66 cm (c. 19,...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Also acc...

Discover the charm of vintage graphic design with a page from "The David Lance Goines Poster Book," published in 1978. This page showcases David...

Artist: Raul Anguiano, Mexican (1915 - 2006) Title: Muchacha de Cuetzalan Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 29 x 22 in. (73.66 x 55.88 cm)

Pablo PICASSO (1881-1973) The 156, On the threshold, man talking with a girl, 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum, 33 x 25 cm (...

Mao is a contemporary artwork realized by Andy Warhol in 1974. Colour screenprint on wallpaper. Includes frame: 113 x 86 x 3 cm Hand signed by lower left. Prov. Galerie Vayhinger...

Artist: Joan Miro, Spanish (1893 - 1983) Title: San Lazzaro Year: 1975 Medium: Lithograph Edition: 400/575 Paper Size: 14 x 10 inches (35.6 x 25.4 cm) Fram...

Composition is an interesting b/w lithograph realized by the Italian artist Pietro Annigoni in 1973. Hand-signed and numbered.Edition,77/100. Good Co...

Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

This original 1972 poster by Alex Katz was created for an exhibition at Zabriskie Gallery, supporting the Passage of the Equal Rights Amendment (ERA). A striking example of Katz’s si...

Salvador Dali The Frozen Watches of Space-Time, 1974 From 'The Conquest of the Cosmos' portfolio. Embossed etchings with lithograph Image size: 75 x 55.5 cm Sheet size: 97 x 67.5 ...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition Artist Proof. There are 200 pieces in the edition, plus 35 Artist Proofs all sign...

Claude Tabet, French (1924 - 1979) - City Square II. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, EA, Image Size: 23 x 19 inches, Size: 30 x 22 ...

Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Artist: Peter Max, German/American (1937 - ) Title: Saturn Messenger Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: HC 11 Image...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Agnes Martin Recent Paintings, 1977 Offset Lithograph invitation on Vellum 12 × 12 inches Edition of 2000 Unframed This early print is an exhibition invitation to the Pace Gallery's 1977 Agnes Martin show in New York. The image is a reproduction of a painting from the show, approved by Martin to be used on the invitation to the show. It is printed on a fragile, almost transparent vellum that captures the delicate power of the art. Less than 2000...

This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...

Image dimensions: 27 x 34 cm. A Surrealist Composition is an original artwork realized by Henry Goetz in the 1970s. Colored etching on paper. The print i...

Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 10/100, plus proofs Condition: Good Inscripti...

Color screenprint on J. B. Green paper, 1970-71. Initialed by the artist and numbered 123/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by Marlborough Gra...

From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 188) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). There is t...

Medium: original lithograph. Printed in 1972 for the art revue XXe Siecle (issue No. 38). Size: 12 1/4 x 9 1/4 inches (310 x 237 mm). Not signed.

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Etching, 1974 Handsigned by the artist in pencil and numbered 44/75 Publisher : Yves Rivières (Paris) Printer : Lacourière-Frélaut (Paris) Catalog : [BNF 30] 56.50 cm. x 38.00 cm. 2...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph, 1971 Handsigned by the artist in pencil and annotated HC Edition : 20 Publisher : Broder (Paris) Printer : Mourlot (Paris) Catalog : Maeght 815 41.00 cm. x 56.00 cm. 16....

Etching and aquatint, 1975 Handsigned by the artist in pencil and annotated XXVII/XXX Publisher : Georges Visat (Paris) 54.00 cm. x 42.00 cm. 21.26 in. x 16.54 in. (paper) 30.50 cm....

Explore the visual brilliance of an advertisement from "The David Lance Goines Poster Book," published in 1978. This features David Lance Goines' iconic ...

Pablo Picasso (After) Bouquet of Peace Flowers, Circa 1970 Lithograph on Arches Paper Signed in plate Size: 24.5 x 19.5 in. Printed by S.P.A.D.E.M. Paris, Embossed in the lower righ...

Artist: John Hultberg Title: Fragments of a Dream Year: 1977 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 32.5 inches Paper Size: 26 in. x 3...

A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...

David Roth (b. 1942) Untitled 1, 1979 Silkscreen in colors on wove paper Edition 11/150 Each signed, numbered, and dated in pencil along lower edge Image 22 3/4in H x 22 3/4 in L In...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imagina...

Friedensreich Hundertwasswer (Austrian 1928-2000) Serigraph on Metal on Layered Plexiglas, 1979 “Fall in Cloud, Fall in Fog, Fall Out” Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d. Prese...

Paul Herrmann Form on Black Background (Abstract, Modern, Mid-Century) Linocut 1970 Signed, titled and dated in stone on verso (along lower margin) Edition: 100 (not individually num...

Salvador DALI The Vitraux : Elephant-stork, 1973 Original lithograph Handsigned in pencil Numbered 3/250 On Arches vellum, 65 x 48 cm (c. 25.6 x 18.9 inch) References : - Catalo...