Early 19th Century Prints and Multiples
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Period: Early 19th Century
Roman - Oskar Schlemmer
Located in Winterswijk, NL
Art print on heavy paper
After the original from 1925
In great condition
Category
Early 19th Century Prints and Multiples
Materials
Color
Temple de la Concorde, Rome - Etching by C.-L. Clérisseau - Early 1800
By Charles-Louis Clérisseau
Located in Roma, IT
Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma".
In very good conditions.
Sheet dimension: 31 x 21 cm
Included a white passepartout: 49 x 34 cm
The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome.
Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...
Category
Early 19th Century Prints and Multiples
Materials
Etching
The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833)
" The Dentist ", 1806
Hand Colored Engraving
Published by Bowles & Carver
Sight Size: 6 3/4" x 8 5/8"
Overall Size: 14 3/4" x 15 3/4"
Light foxing to the print as well as the matt, losses to the frame.
A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’.
**Please check my other listings for MORE SATIRICAL DENTAL prints...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Located in Soquel, CA
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print
"The Courtesan Kashiwagi and...
Category
Realist Early 19th Century Prints and Multiples
Materials
Printer's Ink, Rice Paper, Woodcut
Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches.
Originally published 1739, this impression c1820.
360mm by 230mm (platemark)
Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833)
Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Engraving
23 x 32 cm
Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
FLOWERS - Exhibited in 1997 Smithsonian Monotype Exhibition
By Karl Yens
Located in Santa Monica, CA
KARL YENS (1868 – 1945)
(FLOWERS) 1919
Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½”
Monotypes are unique works of art that fall between printmaking a...
Category
American Impressionist Early 19th Century Prints and Multiples
Materials
Monotype
The Custody is as Barbarous as The Crime, Etching and burin by Francisco de Goya
Located in Long Island City, NY
Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...
Category
Surrealist Early 19th Century Prints and Multiples
Materials
Etching
Roman - Oskar Schlemmer
Located in Winterswijk, NL
Art print on heavy paper
After the original from 1925
In great condition
Category
Early 19th Century Prints and Multiples
Materials
Color
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185)
Tokyo c. 1830
Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art.
The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category
Edo Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Woodcut
Birth of Telefon, on a Bas-Relief - Original Etching by A. Campanella
By Angelo Campanella
Located in Roma, IT
“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth.
In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Angelo Campanella (Rome, 1748 – 1815)
Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Cottage in the Forest of Arden"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
Year: 1829
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.07" x 21.13"
Image size: 9.63" x 13.82"
Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Intaglio
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
The Courtesan - Original Woodblock Print by Eisen Keisai - First Half of 1800
Located in Roma, IT
The Courtesan is an original print realized between in the beginning of XIX century by Keisai Eisen
This is a mixed colored xylograph. Include passeparto...
Category
Early 19th Century Prints and Multiples
Materials
Woodcut
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Edo Early 19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
Ancient View of Schloss Borgholm - Original Lithograph - Early 19th Century
Located in Roma, IT
Ancient View of Schloss Borgholm is an original modern artwork realized in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the lower margin:...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Testa Quasi Colossale di Marco Aurelio - Etching by P. Fontana
Located in Roma, IT
“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard.
In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Pietro Fontana (Bassano Romano,1762 – Rome, 1837)
The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Nuova Raccolta di Cinquanta Costumi - Suite of Original Etchings by B. Pinelli
Located in Roma, IT
Complete Title: Nuova Raccolta di Cinquanta Costumi Pittoreschi Incisi all'Acquaforte".
Suite of original colored etching realized by the italian engraver Bartolomeo Pinelli in 1815-...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting two fishermen in a boat with a seated nymph from an Apulian bell-krater. Naples, Museo Nazionale 1142...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Ancient Etruscan Greek vase painting. Early 19th century engraving, 1808
Located in Melbourne, Victoria
Etruscan Vase-painting
Copper-line engraving with later hand-colouring. 1808. From Millin's 'Peintures de Vases Antiques' published in Paris in 1808.
Depicts scene from an ancient ...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Nature Morte
Located in Belgrade, MT
This colorful lithograph is part of my private collection since the 1970's. It is signed in the plate and also pencil signed on the print on the lower left corner.
Publisher: La Guil...
Category
Abstract Impressionist Early 19th Century Prints and Multiples
Materials
Ceramic, Tapestry, Oil, Lithograph
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Edo Early 19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Ancient View of Kloster Braunau - Original Lithograph - First Half 19th Century
Located in Roma, IT
Kloster Braunau is an original modern artwork realized in the first half of the 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Let...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
Portrait of Vergnaud - Lithograph - Early 19th century
Located in Roma, IT
Portrait of Vergnaud is an original Lithograph realized by an unknown artist in the early 19th Century.
Good conditions.
The artwork is depicted with perfect hatching and strong s...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
The Gentleman - Original Lithograph by Horace Vernet - Early 19th Century
Located in Roma, IT
The Gentleman and the Vicar is an original lithograph realized by Horace Vernet. Signed on plate on the lower left corner. Edition I. Lith de Delpech. P...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting two women and two youths from an unidentified vase.
Technique : Copper-line engraving with original hand-colouring
Background inf...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Portrait of Clemency - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Clemency is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London.
'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Etching
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
"Plymouth" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Don-Key – English School, 19th century
Located in Middletown, NY
A rare, extensively hand-colored impression of this charming British satirical image.
London: 1830.
Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Lithograph
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Etching
Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression.
[Delteil 61.1]
______
At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school. He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life. In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault. His first exhibited work was Dante and Virgil...
Category
Barbizon School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Lithograph
Island of Philae, Egypt. Early 19th century engraving, 1820
Located in Melbourne, Victoria
'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments'
(Island of Philae : View of the east building and other monuments)
Elephant folio engraving, by Baltard after...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
American sketches: A Negro congregation at Washington
Located in Middletown, NY
A poignant and highly affecting 19th century image of an African American church congregation in Washington DC after the emancipation of slaves, published in London.
London: The Ill...
Category
English School Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Pastoral Scene After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Pastoral Scene After Rembrandt is an original Etching realized in the Early 18th Century by Francesco Novelli (1767-1836).
Signed on the plate.
In good condition.
The artwork is ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Actor Iwai Hanshiro as a Samurai by Utagawa Toyokuni I - Early 19th Century
Located in Roma, IT
Actor Iwai Hanshiro as a Samurai is an artwork realized by Utagawa Toyokuni (1769-1825), in the early 19th Century
Color woodcut, signed or inscribed in the top right and bottom lef...
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm.
[Paris 1805].
Prevost came from a lo...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
English School Early 19th Century Prints and Multiples
Materials
Paper, Ink
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a departure scene with a young warrior between two women.
Technique : Copper-line engraving with original hand-colouring
Back...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Testa Colossale Creduta Rappresentare la Spagna - Etching by F. Cecchini
Located in Roma, IT
"Testa colossale creduta rappresentare la Spagna" (Kolossal head commonly belived to represent Spain) is a wonderful black and white etching on paper, realized by the Italian artist Francesco Cecchini (1790 - 1820 ca), after Agostino Tofanelli (Lucca 1770 - Rome 1834) , as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II /Tav XX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio () date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints representing a precious piece of the Borghese collection is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time (some little wormholes on the left margin beyond the marginal line of the matrix and a thinning of the paper along the margins) but with fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Sarah Whitehead; The Bank Nun, or the Lady in Black – English School, 19th Cent.
Located in Middletown, NY
A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street.
Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Lithograph
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum.
Technique : Copper-line engraving with original han...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
The Cat's Paw
By John Doyle
Located in Middletown, NY
An iconic image satirizing the Prime Minister at the 1832 London Conference.
The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Lithograph
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School Early 19th Century Prints and Multiples
Materials
Paper, Engraving
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
Academic Early 19th Century Prints and Multiples
Materials
Engraving
La Liberté - Original Etching - Early 19th Century
Located in Roma, IT
La Liberté is an original colored etching realized by an anonymous artist. Titled on the lower center
"La Liberté". The State of preservation is excellent.
Sheet dimension: 29x20.5 ...
Category
Early 19th Century Prints and Multiples
Materials
Watercolor, Etching
The Child - Original Lithograph by N. Toussaint Charlet - Early 19th Century
Located in Roma, IT
The child with the pony is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Is not dated but we can attribute...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Persepolis Ruins - Original Lithograph - Early 19th Century
Located in Roma, IT
Persepolis Ruins is an original modern artwork realized in Germany in the Early 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin Letters: Ruine...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Intaglio
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Not framed, but matted in a handmade custom French matting
Matted size: 30" x 38.75"
Sheet size: 25.5" x 36"
Platemark size: 20.75" x 30.25"
Image size: 18.5" x 27.75"
Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors
Rare
Notes:
Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right.
Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Aquatint, Intaglio
Biensennyo-ko Japanese Woodblock Print
By Keisai Eisen
Located in Houston, TX
Japanese Woodblock print of a Biensennyo-ko a powder face women. Behind the women is a framed cityscape. The print is possibly from the series "Eight Favorite Things in the Modern World". The woodblock print is printed on rice paper. The print is not framed.
Artist Biography: Keisai Eisen...
Category
Edo Early 19th Century Prints and Multiples
Materials
Woodcut
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Mezzotint
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it.
The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints.
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Walking Sticks and Round-A-Bouts. For the Year 1801
Located in Middletown, NY
An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique.
Rowlandson, Thomas (after George Murgatroyd W...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Etching
College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Lithograph
To Calais – after an illustration by Captain Frederick Marryat
Located in Middletown, NY
London: Thomas McLean, 1835.
Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Etching, Watercolor
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
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