Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Salvador Dalí­
Rembrandt (Field 68-4K; Michler & Löpsinger 292)

About the Item

Rembrandt (Field 68-4K; Michler & Löpsinger 292) Salvador Dali (Spanish, 1904-1989) Signed Lower Right "E.A." (Artist Edition) Lower Left 12 x 10 inches 23.25 x 19.25 inches with frame Salvador Dali was born in May 11, 1904 in the small agricultural town of Figueres, Spain, located in the foothills of the Pyrenees, only sixteen miles from the French border in the principality of Catalonia. The son of a prosperous notary, Salvador Dali spent his boyhood in Figueres and at the family's summer home in the coastal fishing village of Cadaques where his parents built his first studio. As an adult, he made his home with his wife Gala in nearby Port Lligat. Many of his paintings reflect his love of this area of Spain. The young Salvador Dali attended the San Fernando Academy of Fine Arts in Madrid. Early recognition of Salvador Dali's talent came with his first one-man show in Barcelona in 1925. He became internationally known when three of his paintings, including The Basket of Bread (now in the Museum's collection), were shown in the third annual Carnegie International Exhibition in Pittsburgh in 1928. The following year, Dalí held his first one-man show in Paris. He also joined the surrealists, led by former Dadaist Andre Breton. That year, Dali met Gala Eluard when she visited him in Cadaques with her husband, poet Paul Eluard. She became Dalí's lover, muse, business manager, and chief inspiration. Dalí soon became a leader of the surrealist movement. His painting, The Persistance of Memory, with the soft or melting watches is still one of the best-known surrealist works. But as the war approached, the apolitical Dalí clashed with the surrealists and was "expelled" from the surrealist group during a "trial" in 1934. He did however, exhibit works in international surrealist exhibitions throughout the decade but by 1940, Dali was moving into a new style that eventually became known as his "classic" period, demonstrating a preoccupation with science and religion. Dalí and Gala escaped from Europe during World War II, spending 1940-48 in the United States. These were very important years for the artist. The Museum of Modern Art in New York gave Dali his first major retrospective exhibit in 1941. This was followed in 1942 by the publication of Dali's autobiography, The Secret Life of Salvador Dali. As Dali moved away from Surrealism and into his classic period, he began his series of 19 large canvases, many concerning scientific, historical or religous themes. Among the best known of these works are The Hallucinogenic Toreador, and The Discovery of America by Christopher Columbus in the museum's collection, and The Sacrament of the Last Supper in the collection of the National Gallery in Washington, D.C. In 1974, Dalí opened the Teatro Museo in Figueres, Spain. This was followed by retrospectives in Paris and London at the end of the decade. After the death of his wife, Gala, in 1982, Dali's health began to fail. It deteriorated further after he was burned in a fire in his home in Pubol in 1984. Two years later, a pace-maker was implanted. Much of this part of his life was spent in seclusion, first in Pubol and later in his apartments at Torre Galatea, adjacent to the Teatro Museo. Salvador Dalí died on January 23, 1989 in Figueres from heart failure with respiratory complications. As an artist, Salvador Dalí was not limited to a particular style or media. The body of his work, from early impressionist paintings through his transitional surrealist works, and into his classical period, reveals a constantly growing and evolving artist. Dali worked in all media, leaving behind a wealth of oils, watercolors, drawings, graphics, and sculptures, jewels and objects of all descriptions. Whether working from pure inspiration or on a commissioned illustration, Dalí's matchless insight and symbolic complexity are apparent. Above all, Dalí was a superb draftsman. His excellence as a creative artist will always set a standard for the art of the twentieth century. "Every morning when I wake up I experience an exquisite joy—the joy of being Salvador Dalí—and I ask myself in rapture, 'What wonderful things this Salvador Dalí is going to accomplish today?'" —Salvador Dalí.
  • Creator:
    Salvador Dalí­ (1904 - 1989, Spanish)
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 10 in (25.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU747314093812

More From This Seller

View All
"Mlle Landsberg" (grade planche, pl. 16)
By Henri Matisse
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category

1910s Fauvist Figurative Prints

Materials

Drypoint, Etching

The Hymn Singer
By Thomas Hart Benton
Located in Missouri, MO
Signed in Pencil Lower Right Ed. 500 Circulated by Twayne Publishers, New York City Image Size: 16 x 12 3/8 Framed Size: 24 1/4 x 20 1/2 inches The legendary actor actor and musici...
Category

1950s American Realist Portrait Prints

Materials

Lithograph

l Teatro delle Maschere
By Marino Marini
Located in Missouri, MO
Marino Marini "ll Teatro delle Maschere" 1973 Lithograph Signed and Numbered Ed. 25 Sheet Size: approx 27.5 x 39 inches Framed Size: approx 35 x 47 inches Marino Marini (February 27...
Category

1970s Modern Figurative Prints

Materials

Etching, Aquatint

Canyon Road, Sante Fe
By Will (William Howard) Shuster
Located in Missouri, MO
Canyon Road, Santa Fe By. William Howard Shuster (American, 1893-1969) Signed Lower Right Edition of 100 Lower Center Titled Lower Left Unframed: 4" x 4.75" Framed: 15.75" x 15.25" A realist and early modernist painter, graphic artist, illustrator, and sculptor, Will Shuster became known primarily for his work in New Mexico where in 1920, he settled in Santa Fe, having been encouraged to come there by John Sloan. He had studied electrical engineering at the Drexel Institute in Philadelphia and later was a student of Sloan's in Santa Fe in both etching and painting. He was in World War I, where he suffered a gas attack. On his return, he studied with J William Server in Philadelphia but was advised to go West for his health. In Santa Fe in 1921, he became one of the founding members of Los Cinco Pintores...
Category

20th Century American Modern Landscape Prints

Materials

Etching

Qua-Ta-Wa-Pea or Col. Lewis. A Shawnee Chief.
By McKenney & Hall
Located in Missouri, MO
MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...
Category

1830s Portrait Prints

Materials

Lithograph

Tshusick, An Ojibway Woman
By McKenney & Hall
Located in Missouri, MO
Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...
Category

1830s American Realist Portrait Prints

Materials

Lithograph

You May Also Like

Souhaits - Original Etching by Roger Wild - Mid-20th Century
By Roger Wild
Located in Roma, IT
Souhaits is an Original Etching realized by Roger Wild in the 20th Century. Good conditions. Numbered. Edition, 34/99. The artwork is depicted through soft lines in a well-balance...
Category

Mid-20th Century Modern Figurative Prints

Materials

Etching

Extase Poétique - Original Etching by Alphonse Legros - 1876
By Alphonse Legros
Located in Roma, IT
Extase Poétique is an original artwork realized by the french artist Alphonse Legros (1837-1911). Etching print, 1876. Hand-signed on plate, on the lower left , titled on plate. Passepartout cm 50x32. The artwork was edited by A. Cadart Paris. Good conditions except some light foxings. Alphonse Legros was born on May 8, 1837 in Dijon, France. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to an interior decorator. In 1851, Legros left for Paris, but passing through Lyon he worked for six months as journeyman muralist for painter/art restorer Jean-Baptiste Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.In Paris, Legros studied with theater scene painter Charles-Antoine. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found made friends with Jules Dalou and Auguste Rodin. In 1855, he attended the evening classes of the École des Beaux Arts.Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Francois Bonvin...
Category

1990s Modern Figurative Prints

Materials

Etching

Sleeping Man - Original Etching by Jules de Goncourt - Mid 19th Century
Located in Roma, IT
Sleeping Man is an Original Etching realized by Jules de Goncourt (1830-1870). The artwork is based on Gavarni. Good condition, included a white cardboard passpartout (50.5x35 cm). Signature on the lower right corner. Jules de Goncourt (17 December 1830 - 20 June 1870) was a French naturalist.
Category

Mid-19th Century Modern Figurative Prints

Materials

Etching

OPHELIA (Jeunesse Dorée / Golden Youth - the artist's mistress / second wife)
By Gerald Leslie Brockhurst
Located in New Orleans, LA
This elegant etching titled the gilded youth is of the second wife of the artist The edition is 75 and is referenced as Fletcher #80 Gerald Brockhurst is best known for his portrai...
Category

1940s American Modern Portrait Prints

Materials

Etching

Young Woman from Lucerne - Etching - 19th Century
Located in Roma, IT
Young woman of Lucerne is an original artwork realized by Anonymous artist in 19th Century. Mixed colored etching hand-watercolored by the artist. Includes frame 20 x 14 cm Good c...
Category

1810s Modern Figurative Prints

Materials

Etching

Young Boy of Salzburg - Etching - 19th Century
Located in Roma, IT
Young boy of Salzburg is an original artwork realized by Anonymous artist in 19th century. Mixed colored etching hand-watercolored by tha artist. Includes frame 20 x 14 cm Good co...
Category

1810s Modern Figurative Prints

Materials

Etching

Recently Viewed

View All