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Abstract Prints and Multiples

ABSTRACT STYLE

Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.

Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.

Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.

Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.

Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.

Find original abstract paintings, sculptures, prints and other art on 1stDibs.

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Style: Abstract
Period: 20th Century
Egea, an edge - XX Century, Abstract Etching Print, Colorful
Located in Warsaw, PL
Etching on paper, épreuve d'artiste, 1973 LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art...
Category

1990s Abstract Prints and Multiples

Materials

Etching, Paper

Woodcocks return. 1970, Paper, linocut, print size 52x55 cm; total 70x65 cm
Located in Riga, LV
Woodcocks return. 1970, Paper, linocut, print size 52x55 cm; total 70x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. ...
Category

1970s Abstract Prints and Multiples

Materials

Paper, Linocut

Abstract Composition - Screen Print by Wladimiro Tulli - 1970s
Located in Roma, IT
Abstract composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered. Edition, 54/100. A b...
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1970s Abstract Prints and Multiples

Materials

Paper, Screen

Collectors Limited Edition 1980's warm colourful abstract geometric graphic 2
Located in Norfolk, GB
Canton II Limited Edition, unframed silkscreen print Size unframed: 100cm x 80cm Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listin...
Category

1980s Abstract Prints and Multiples

Materials

Screen, Archival Paper

Sonnet XIV
Located in Paris, FR
Lithograph, 1978 Handsigned by the artist in pencil and numbered 11/115 Publisher : Erker (Saint Gallen) 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 33.00 cm. x 24.00 cm. 12.99 in. x 9.45 in. (image) From "Vingt-deux poèmes" of Jean Cassou...
Category

1970s Abstract Prints and Multiples

Materials

Lithograph

Untitled #1
Located in San Francisco, CA
This artwork "Untitled #1" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.65 x 19.65 inches, sheet size is 35.5 x 24.75 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California. During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence. Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...
Category

Late 20th Century Abstract Prints and Multiples

Materials

Monotype

Structure N.1 - Original Screen Print by Carmelo Cappello - 1986
Located in Roma, IT
Structure N.1 is an original artwork realized by Carmelo Cappello in 1986. Colored screen print on paper. The print is Hand-signed and dated in pencil on the lower right. Numbered ...
Category

1980s Abstract Prints and Multiples

Materials

Screen

Michael David, Mugual Indian Star Abstract Expressionist Color Etching Print
Located in Surfside, FL
Michael David (b. 1954) Hand signed, Prestige Art blind stamp; edition of 45; 1993 Color Etching on Arches Buff "The Mugual Series" Printed by the artist with master printers Sylvia Roth and Mary Seibert at Hudson River Editions and published by Prestige Art Ltd., Mamaroneck, New York. 22 X 18 framed Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA 2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA 2004 The Lowe Gallery, Atlanta, GA 1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ “Forty Years of American Drawings,” Raab Galerie, Berlin, Germany 1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL 1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY 1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL 1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY 1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY “Important Works on Paper,” Meredith Long and Company, Houston, TX “New Editions,” Pace Prints, New York, NY 1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY 1987 “Monotypes,” Pace Editions, New York, NY “Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY “Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY “Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL 1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc) “Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA “Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY “Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY 1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ 1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc) Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.) “Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY 1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY 1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.) 1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...
Category

1990s Abstract Prints and Multiples

Materials

Etching

Cantaloupes, Abstract Silkscreen by Raymond Parker
Located in Long Island City, NY
Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 12 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 32 x 40 in. (81.28 x 101.6 cm)
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1980s Abstract Prints and Multiples

Materials

Screen

Variation on One Woodblock - P2, F2, I2, Geometric Screenprint by Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
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1970s Abstract Prints and Multiples

Materials

Screen

Graphic Tectonic: Prefacio - P1, F32, I1, Geometric Screenprint by Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
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1970s Abstract Prints and Multiples

Materials

Screen

Morning rain in the moonlight
Located in Paris, FR
Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 232/300 Printer : Crommelynck (Paris) Catalog : Maeght 1713 56.00 cm. x 65.00 cm. 22.05 in. x 25.59 in. (paper) 39.00 cm. x 48.00 cm. 15.35 in. x 18.9 in. (image) After Miro...
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1950s Abstract Prints and Multiples

Materials

Etching, Aquatint

"Black and white I" contemporary prints abstract black and white lines
Located in Ciudad de México, MX
Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...
Category

20th Century Abstract Prints and Multiples

Materials

Paper, Drypoint, Etching, Aquatint

Centre Noeuds
Located in Paris, FR
Etching, 1974 Handsigned by the artist in pencil and annotated ea 14/15 Publisher : Georges Visat (Paris) 60.50 cm. x 45.00 cm. 23.82 in. x 17.72 in. (paper) 35.50 cm. x 26.50 cm. ...
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1970s Abstract Prints and Multiples

Materials

Etching

'The Rain, Abstract in Ruby and Jade', sosaku-hanga, NMAO, Tokyo, LACMA, Benezit
Located in Santa Cruz, CA
Signed lower right outside of block, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1973 with limitation and number, '50-4', lower center and titled lower left, 'The Rain'. Paper dimensions: 19.75 x 12.5 inches An elegant abstract comprising overlapping forms in deep ruby, coral and jade. Engraver and printmaker, Hiroyuki Tajima was born in Tokyo in 1911 and graduated from Nihon University in 1932. In 1934, he graduated from the Tokyo School of Arts with a specialization in western-style painting. Tajima later studied fabric dyeing under Hirokawa Matsugoro (1889-1952) and woodblock printing with the Sosaku-Hanga artist, Nagase Yoshiro (1891-1978), a founder of the Japan Print Association (Hanga Kyokai). In 1946, inspired by Dada and Surrealism, Tajima joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. Tajima exhibited widely and with success, including with Tokyo's Modern Art Association ( Prix du Nouveau Venu, 1962), the Japanese Engraving Association, the Contemporary Japanese Art Exhibition in Tokyo (1962), the Northwest International Print Exhibition (1962-1964) and the Tokyo International Print Biennale (1964). His work is held in the permanent collections of museums worldwide including the Portland Art Museum (Oregon), the Cleveland Museum of Art, the Los Angeles County Museum of Art (LACMA), the Fine Arts Museums of San Francisco, the Art Gallery of Greater Victoria (British Columbia), the Art Gallery of New South Wales (Australia), the Carnegie Museum of Art, the National Museum of Art, Osaka (NMAO) and the British Museum in London. In describing Tajima's work, Frances Blakemore...
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1970s Abstract Prints and Multiples

Materials

Woodcut, Paper

Construction
Located in Paris, FR
Silksreen, 1954 Handsigned by the artist in pencil and numbered 70/200 Catalog : Saphire E6 38.00 cm. x 54.00 cm. 14.96 in. x 21.26 in. (paper) 25.00 cm. x 28.00 cm. 9.84 in. x 11....
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1950s Abstract Prints and Multiples

Materials

Silk

No title
Located in Paris, FR
Lithograph, 1975 Handsigned by the artist in pencil et numbered 76/400 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason 212 66.00 cm...
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1970s Abstract Prints and Multiples

Materials

Lithograph

In the Water - P1, F2, I1
Located in Long Island City, NY
Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P1, F2, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 in...
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1970s Abstract Prints and Multiples

Materials

Screen

1940s Vertical American Modern Mining Town Landscape Lithograph, Mountain Scene
Located in Denver, CO
Lithograph titled "Mining Town" by Otis Dozier (1904-1987) from 1940. Modernist scene of a mountain mining town with several buildings at the base of the mountain. Presented in a custom black frame, outer dimensions measure 25 ½ x 18 ⅜ x ¼ inches. Image sight size is 16 ¼ x 9 ½ inches. Print is clean and in very good condition - please contact us for a detailed condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Forney, Texas, Otis Marion Dozier was raised on a farm in Mesquite, Texas. Dozier was a muralist, potter, lithographer, sculptor, and painter. Dozier was a member of a group of Texas regionalist artists known as the "Dallas Nine." His surroundings in Texas became the focus of much of his art. Dozier’s first artistic training took place in the early 1920’s when his family moved to Dallas. He studied under Vivian Aunspaugh, Cora Edge, and Frank Reaugh...
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1940s Abstract Prints and Multiples

Materials

Paper, Lithograph

Alexander Calder Exhibition Poster - Vintage Offset Print and Lithograph - 1971
Located in Roma, IT
Alexander Calder - Poster Exhibition is a rare mixed colored offset and lithograph print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the ...
Category

1970s Abstract Prints and Multiples

Materials

Lithograph, Offset

Sense of Summer
Located in Boston, MA
Number 1 in an edition of 40. Titled lower left margin: "Sense of Summer"; numbered lower left margin: "1/40"; signed lower right margin: "Ruth Eckstein". From the estate of the arti...
Category

Late 20th Century Abstract Prints and Multiples

Materials

Paper, Screen

Homage to the Square - P2, F19, I1
Located in Long Island City, NY
"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...
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1970s Abstract Prints and Multiples

Materials

Screen

The Red and Yellow Structures - Original Screen print by Renato Barisani - 1983
Located in Roma, IT
The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the ...
Category

1980s Abstract Prints and Multiples

Materials

Screen

No title
Located in Paris, FR
Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5352
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1950s Abstract Prints and Multiples

Materials

Lithograph

Fleur Rouge IV
Located in Kansas City, MO
Jose Maria Sicilia Fleur Rouge IV Color Etching with Chine Colle Year: 1988 Size: 30.25 x 23.3 inches Edition: 25 Signed, dated, numbered and titled by hand Publisher: Crown Point Pr...
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1990s Abstract Prints and Multiples

Materials

Etching

Composition in Red, Yellow and Blue - lithograph - Mourlot, 1972
Located in Paris, FR
Alexander Calder Composition in Red, Yellow and Blue, 1972 Original Lithograph (4 color stones) Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Laz...
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1970s Abstract Prints and Multiples

Materials

Lithograph

Woman on Brown Background - Lithograph (Maeght 1965)
Located in Paris, FR
Joan MIRO Woman on Brown Background Lithograph (printed in Maeght / Arte workshop) Printed signature in the plate On light vellum 55 x 46 cm (c. 22 x 18 in) Authenticated by the bl...
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1960s Abstract Prints and Multiples

Materials

Lithograph

Variant - P1, F11, I1
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Press Charges, Screenprint by William Schwedler
Located in Long Island City, NY
This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Press Charges Artist: William Schwedler,...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Large Black/Silver Abstract Silkscreen by Raymond Parker
Located in Long Island City, NY
Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Size: 35 x 45 inches
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1980s Abstract Prints and Multiples

Materials

Screen

Hawaiian Flowers, Screenprint by William Schwedler
Located in Long Island City, NY
Along with several other of his abstract geometric prints, William Schwedler's fusion of tropical, bright background colors with major angular forms at the center of the composition brings the scene to life. Hawaiian Flowers...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Black and white II
Located in Ciudad de México, MX
Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...
Category

20th Century Abstract Prints and Multiples

Materials

Aquatint, Paper, Drypoint, Etching

No title
Located in Paris, FR
Lithograph Handsigned by the artist in pencil and numbered 2/25 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 45.00 cm. x 27.00 cm. 17.72 in. x 10.63 in. (image) BFK Rives Pa...
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1970s Abstract Prints and Multiples

Materials

Lithograph

Grey
Located in London, GB
Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)
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1970s Abstract Prints and Multiples

Materials

Etching

Bridge the Gap, Screenprint by William Schwedler
Located in Long Island City, NY
This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Bridge the Gap Artist: William Schwedler...
Category

1980s Abstract Prints and Multiples

Materials

Screen

The pond
Located in Paris, FR
Etching, 1972 Handsigned by the artist in pencil and numbered 4/26 Publisher : Editions Galanis (Paris) Printer : Bellini (Paris) Catalog : Moestrup 233 38.00 cm. x 28.00 cm. 14.96 ...
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1970s Abstract Prints and Multiples

Materials

Etching

Fenced - P2, F6, I1
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Flurry
Located in New York, NY
A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.
Category

1960s Abstract Prints and Multiples

Materials

Color, Screen

Centre Noeuds
Located in Paris, FR
Etching, 1974 Handsigned by the artist in pencil and annotated ea 14/15 Publisher : Georges Visat (Paris) 60.00 cm. x 45.00 cm. 23.62 in. x 17.72 in. (paper) 35.50 cm. x 26.50 cm. ...
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1970s Abstract Prints and Multiples

Materials

Etching

Biconjugate - P1, F27, I2, Abstract Geometric Screenprint by Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Fishing - Signed Drypoint - Chinese, French Abstarct Art
Located in London, GB
ZAO WOU-KI 1921- 2013 Beijing 1921 - 2013 Switzerland (Chinese) Title: Fishing La pêche, 1951 Technique: Original Hand Signed and Numbered Drypoint on Wove Paper Paper size: 25 x...
Category

1950s Abstract Prints and Multiples

Materials

Drypoint

Paperclip Suite I (brown)
Located in London, GB
Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category

1970s Abstract Prints and Multiples

Materials

Etching

Green Machine, Pop Geometric Silkscreen by Nicholas Krushenick
Located in Long Island City, NY
Artist: Nicholas Krushenick Title: Green Machine Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Image: 24 x 35 inches Paper Size: 26 x 37 inches
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1980s Abstract Prints and Multiples

Materials

Screen

Kusama Pumpkin (Kusama yellow & black large plush pumpkin)
Located in NEW YORK, NY
Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka do...
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1960s Abstract Prints and Multiples

Materials

Nylon, Screen

Hieroglyphics, Silkscreen by Jimmy Ernst
Located in Long Island City, NY
Hieroglyphics by Jimmy Ernst, American (1920–1984) Date: 1969 Screenprint, signed, numbered, and dated in pencil Edition of 41/50 Size: 22 x 18 in. (55.88 x 45.72 cm) Frame Size: 25....
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1960s Abstract Prints and Multiples

Materials

Screen

Biconjugate: Indoor - P2, F23, I1
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Prints and Multiples

Materials

Screen

FIGURE(Marie-Thérèse Walter) Lithograph, Playful Abstract Portrait, Pastel Green
Located in Union City, NJ
Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: FIGURE(Marie-Thérèse Walter ) , #20-B Year of Original Artwork: 1936 Medium: Lithograph on Coventry Paper, 100% acid free E...
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1980s Abstract Prints and Multiples

Materials

Lithograph

International Very Special Arts signed, inscribed Abstract Expressionist poster
Located in New York, NY
Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...
Category

1990s Abstract Prints and Multiples

Materials

Offset, Ballpoint Pen, Lithograph

“Pastry” Red, Blue, Yellow, and White Patterned Still Life Woodblock Print
Located in Houston, TX
Colored woodblock print by San Antonio, Texas artist Richard Conn. Red, blue, yellow, and white print depicting a still life of pastries within a patterne...
Category

1970s Abstract Prints and Multiples

Materials

Ink, Paper

Derriere le Miroir #141
Located in Washington, DC
Artist: Alexander Calder Title: Derriere le Miroir #141 Portfolio: Derriere le Miroir #141 Medium: Original lithograph Date: 1963 Edition: Unnumbered Frame S...
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1960s Abstract Prints and Multiples

Materials

Lithograph

Beauregard
Located in Paris, FR
Etching and aquatint, 1981 Handsigned by the artist in pencil and numbered 30/40 Publisher : Maeght (Paris) Printer : Atelier Lacourière et Frélaut (Paris) Catalog : Moestrup 310 37....
Category

1980s Abstract Prints and Multiples

Materials

Etching, Aquatint

Ready Answer, Screenprint by William Schwedler
Located in Long Island City, NY
Along with several other of his abstract geometric prints, William Schwedler's fusion of tropical, bright background colors with major angular forms at the center of the composition ...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Repeated and Not Repeated - P1, F26, I1, Geometric Screenprint by Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Girl at the Window - Original Lithograph - 1969
Located in Roma, IT
Girl at the Window is an original artwork realized in 1969. Hand signed, dated and numbered. Edition of 100 prints. Mixed colored lithograph.
Category

1970s Abstract Prints and Multiples

Materials

Lithograph

Variant - P2, F9, I2
Located in Long Island City, NY
Artist: Josef Albers, German (1888 - 1976) Title: Variant - P2, F9, I2 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image: 12 x 13.5 inches Siz...
Category

1970s Abstract Prints and Multiples

Materials

Screen

"Roots" Abstract Monoprint in Ink on Paper
Located in Soquel, CA
Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of dark magenta, olive green, black, and pale blue. Extending below the majority of the piece are brushstrokes resembling roots. Signed, dated, titled and marked with the artist's chop in the lower right corner (Roxanne Lu Roots FA 98) Presented in an aluminum frame with an off white mat...
Category

1990s Abstract Prints and Multiples

Materials

Ink, Archival Paper, Lithograph

Expression in Blue - Silkscreen by Tonino Maurizi - 1970s
Located in Roma, IT
Expression in Blue is an original silkscreen on white paper realized by Italian artist by Tonino Maurizi. Hand-signed on the lower right. Numbered on ...
Category

1970s Abstract Prints and Multiples

Materials

Screen

Jai-Alai Suite: Screen Print C
Located in New York, NY
Jesús Rafael Soto Jai-Alai Suite: Screen Print C, 1969 screenprint on plexi, edition of 300 24 1/4 x 19 3/5 in.
Category

1960s Abstract Prints and Multiples

Materials

Plexiglass, Screen

Abstract prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Abstract prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Joan Miró, Francisco Nicolás, Dadodu , and Josef Albers. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract prints and multiples, so small editions measuring 0.02 inches across are also available.

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