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Academic Prints and Multiples

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ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture. 

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds. 

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

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Style: Academic
Lust - Etching, (Ed. Goupil, 1897)
Lust - Etching, (Ed. Goupil, 1897)

Lust - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Lust, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x 1...

Category

1890s Academic Prints and Multiples

Materials

Etching

The Kiss - Etching, (Ed. Goupil, 1897)
The Kiss - Etching, (Ed. Goupil, 1897)

The Kiss - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Kiss, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7...

Category

1890s Academic Prints and Multiples

Materials

Etching

Symbolism : Melancolia - Etching
Symbolism : Melancolia - Etching

Symbolism : Melancolia - Etching

By Albrecht Dürer

Located in Paris, IDF

Albrecht Dürer (1471-1528) (after) Melencolia Engraving Signed in the plate On Arches vellum, 45 x 31 cm (c. 22 x 12 in) INFORMATION: Created in 1514, Melencolia is one of Albrecht...

Category

2010s Academic Prints and Multiples

Materials

Etching

Lovers - Etching, (Ed. Goupil, 1897)
Lovers - Etching, (Ed. Goupil, 1897)

Lovers - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Lovers, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x...

Category

1890s Academic Prints and Multiples

Materials

Etching

Mercure - Etching, (Ed. Goupil, 1897)
Mercure - Etching, (Ed. Goupil, 1897)

Mercure - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Mercury, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 ...

Category

1890s Academic Prints and Multiples

Materials

Etching

Rembrant Van Rijn "Adam and Eve"
Rembrant Van Rijn "Adam and Eve"

Rembrant Van Rijn "Adam and Eve"

By Rembrandt van Rijn

Located in Los Angeles, CA

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s only state. Signed and dated below image 6.5 x 4.75 inc 16.5 x 11.5 cm Bartsch 28 ii/ii, Hollstein 28, Hind 159, Bjorklund-Barnard 38-D, Usticke 28 Provenance From the collection of the Print Department of the Szefmuveszeti Museum (Musee des Beaux Arts), Budapest, with their collection stamp( Lugt 2000) From the collection of Wilhelm Theodor Moll (Lugt 1819a): Collector's stamp as belonging to Wilhelm Theodor Moll (Lugt 1819a). Wilhelm Theodor Moll was a German collector, dealer, and connoisseur of old master prints. His collection included works by artists such as Rembrandt van Rijn, Dürer, and other major printmakers. His collector's mark is frequently encountered on impressions from distinguished nineteenth-century collections and is catalogued in the well-known collector's marks reference by Frits Lugt.Significance of the Stamp If this is indeed the Lugt 1819a mark, it can add an important layer of provenance to the etching: Demonstrates that the print passed through a recognized nineteenth-century collection. May help establish ownership history prior to modern sales records. Can support authenticity and collecting interest, particularly for Old Master prints. Collectors of Rembrandt prints often place considerable value on documented provenance through notable collections. Prov. Pasquale Iannetti Gallery, San Francisco, circa 1982 Private collection, Utah, USA Acquired by the present owner, General Investment Group LLC, June 2026. Publication Daniel Daulby, A Descriptive Catalogue of the Works of Rembrandt (Liverpool, 1796), p. 15, no. 29.M. le chev. de Claussin, Catalogue raisonné de toutes les estampes qui forment l’œuvre de Rembrandt (Paris, 1824), p. 22, no. 34.Thomas Wilson, A Descriptive Catalogue of the Prints of Rembrandt (London, 1836), p. 46, no. 35.Charles Blanc, L’œuvre de Rembrandt (Paris, 1880), pp. 55-57, no. 1.Woldemar von Seidlitz, Die Radierungen Rembrandts (Leipzig, 1922), pp. 40-41 (ill.).Arthur M. Hind, A Catalogue of Rembrandt’s Etchings, 2 vols. (London, 1923), I:83, II:pl. 159.Ludwig Münz, Rembrandt’s Etchings , 2 vols. (London, 1952), I:pl. 197, II:87, no. 177.George Biörklund, Rembrandt’s Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.G. W. Nowell-Usticke, Rembrandt’s Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.Christopher White and Karel G. Boon, Rembrandt’s Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).James N. Wood and Sally Ruth May...

Category

1630s Academic Prints and Multiples

Materials

Drypoint, Etching

“Paris, Place du Tertre”
“Paris, Place du Tertre”

“Paris, Place du Tertre”

Located in Southampton, NY

Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...

Category

Early 1900s Academic Prints and Multiples

Materials

Archival Paper, Lithograph

The Showdown - Etching, (Ed. Goupil, 1897)
The Showdown - Etching, (Ed. Goupil, 1897)

The Showdown - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Showdown, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (...

Category

1890s Academic Prints and Multiples

Materials

Etching

Dante, Terror - Etching, (Ed. Goupil, 1897)
Dante, Terror - Etching, (Ed. Goupil, 1897)

Dante, Terror - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Dante, Terror, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm ...

Category

1890s Academic Prints and Multiples

Materials

Etching

Demon Carrying a Shadow - Etching, (Ed. Goupil, 1897)
Demon Carrying a Shadow - Etching, (Ed. Goupil, 1897)

Demon Carrying a Shadow - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) A group of damned souls suspended by their arms, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumber...

Category

1890s Academic Prints and Multiples

Materials

Etching

Shadow of a Man - Etching, (Ed. Goupil, 1897)
Shadow of a Man - Etching, (Ed. Goupil, 1897)

Shadow of a Man - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Shadow of a Man, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 c...

Category

1890s Academic Prints and Multiples

Materials

Etching

The Victors - Etching, (Ed. Goupil, 1897)
The Victors - Etching, (Ed. Goupil, 1897)

The Victors - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Victors, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (1...

Category

1890s Academic Prints and Multiples

Materials

Etching

Ugolin in Prison - Etching, (Ed. Goupil, 1897)
Ugolin in Prison - Etching, (Ed. Goupil, 1897)

Ugolin in Prison - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Ugolin in Prison, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 ...

Category

1890s Academic Prints and Multiples

Materials

Etching

“The Grand Canal, Venice”
“The Grand Canal, Venice”

“The Grand Canal, Venice”

Located in Southampton, NY

Venice, The Grand Canal, Illustrated London News: hand-colored wood engraving after drawings by Viscount Maidstone, published August 25, 1849 in The Illustrated London News, titled “...

Category

1840s Academic Prints and Multiples

Materials

Archival Paper, Engraving

Purgatory - Etching, (Ed. Goupil, 1897)
Purgatory - Etching, (Ed. Goupil, 1897)

Purgatory - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Purgatory, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16....

Category

1890s Academic Prints and Multiples

Materials

Etching

Seated Man - Etching, (Ed. Goupil, 1897)
Seated Man - Etching, (Ed. Goupil, 1897)

Seated Man - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Seated Man, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16...

Category

1890s Academic Prints and Multiples

Materials

Etching

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

1640s Academic Prints and Multiples

Materials

Engraving

“A Trip to Scarbro’”
“A Trip to Scarbro’”

“A Trip to Scarbro’”

By Thomas Rowlandson

Located in Southampton, NY

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Category

1810s Academic Prints and Multiples

Materials

Etching, Aquatint

Swans Woodblock by Hans Neumann, 1913
Swans Woodblock by Hans Neumann, 1913

Swans Woodblock by Hans Neumann, 1913

By Hans Neumann

Located in New York, NY

Hans Neumann (German, 1873 - 1957) Schwäne (Swans), 1913 Woodblock Sight: 17 x 11 in. Framed: 25 3/4 x 19 in. Signed & inscribed bottom, artist monogram lower left This outstanding ...

Category

1910s Academic Prints and Multiples

Materials

Woodcut

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...

Category

1640s Academic Prints and Multiples

Materials

Engraving

Mary Magdalene - Original lithograph
Mary Magdalene - Original lithograph

Mary Magdalene - Original lithograph

By Maurice Denis

Located in Paris, IDF

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47 cm (c. 12,7 x 18,5 inch) INF...

Category

Early 20th Century Academic Prints and Multiples

Materials

Lithograph

Greek Architecture Blueprint of Ancient Amphitheatre Cyanotype Print, Watercolor
Greek Architecture Blueprint of Ancient Amphitheatre Cyanotype Print, Watercolor

Greek Architecture Blueprint of Ancient Amphitheatre Cyanotype Print, Watercolor

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Ancient Roman Amphitheater + Year: 2022 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints...

Category

2010s Academic Prints and Multiples

Materials

Photographic Film, Emulsion, Watercolor, C Print, Lithograph, Monotype, ...

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

By John Gould

Located in Alamo, CA

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Category

1840s Academic Prints and Multiples

Materials

Lithograph

Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants

Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...

Category

Early 18th Century Academic Prints and Multiples

Materials

Engraving

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

Early 18th Century Academic Prints and Multiples

Materials

Engraving

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

1640s Academic Prints and Multiples

Materials

Engraving

Male Nude, framed hand pulled artist's proof print, brown tones
Male Nude, framed hand pulled artist's proof print, brown tones

Male Nude, framed hand pulled artist's proof print, brown tones

By Esteban Chavez

Located in Brooklyn, NY

This vintage work by Esteban Chavez illustrates his skills as a master-printer. Plate size dimension is 4.25" x 4" Framed, the work measures 16.5" x 14" Please note, there is a sm...

Category

2010s Academic Prints and Multiples

Materials

Archival Ink, Archival Paper, Etching, Aquatint

19th century color lithograph portraits patriotic American stars flags
19th century color lithograph portraits patriotic American stars flags

19th century color lithograph portraits patriotic American stars flags

By Nathaniel Currier

Located in Milwaukee, WI

"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...

Category

1840s Academic Prints and Multiples

Materials

Lithograph

19th century color lithograph indigenous portrait figure feathers bison red
19th century color lithograph indigenous portrait figure feathers bison red

19th century color lithograph indigenous portrait figure feathers bison red

By McKenney & Hall

Located in Milwaukee, WI

"Kish-Ke-Kosh, A Fox Brave (Sauk-Fox)" is an original hand-colored lithograph by McKenney & Hall. This piece features a Native American man. Reference: Page 200 of The North American Indian Portfolios in the Library of Congress. 13 1/4" x 9 3/4" art 27 1/4" x 22 3/8" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

1830s Academic Prints and Multiples

Materials

Lithograph

19th century color lithograph portrait indigenous male subject feathers signed
19th century color lithograph portrait indigenous male subject feathers signed

19th century color lithograph portrait indigenous male subject feathers signed

By McKenney & Hall

Located in Milwaukee, WI

"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...

Category

1830s Academic Prints and Multiples

Materials

Lithograph

Pastoral Care - Etching, (Ed. Goupil, 1897)
Pastoral Care - Etching, (Ed. Goupil, 1897)

Pastoral Care - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Pastoral Care, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm ...

Category

1890s Academic Prints and Multiples

Materials

Etching

Ballochbuie, Balmoral, April - Signed Lithograph, Royal Art, Scotland, forest
Ballochbuie, Balmoral, April - Signed Lithograph, Royal Art, Scotland, forest

Ballochbuie, Balmoral, April - Signed Lithograph, Royal Art, Scotland, forest

By His Majesty King Charles III

Located in Knowle Lane, Cranleigh

Ballochbuie, Balmoral, April by HM King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HIs Majesty...

Category

Early 2000s Academic Prints and Multiples

Materials

Lithograph

“On the Seine, Paris”
“On the Seine, Paris”

“On the Seine, Paris”

By Hans Figura

Located in Southampton, NY

Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...

Category

Early 1900s Academic Prints and Multiples

Materials

Archival Paper, Aquatint

Pluck (Arrancar): Giclée Print on Canvas, Figurative, 2023, 62.5x50 cm
Pluck (Arrancar): Giclée Print on Canvas, Figurative, 2023, 62.5x50 cm

Pluck (Arrancar): Giclée Print on Canvas, Figurative, 2023, 62.5x50 cm

Located in BARCELONA, ES

"I work from intuition, understanding painting as a space where images emerge before ideas fully take shape. I am interested in allowing forms and figures to develop through the proc...

Category

2010s Academic Prints and Multiples

Materials

Canvas, Giclée

Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving

Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...

Category

1710s Academic Prints and Multiples

Materials

Engraving

The Game - Etching, (Ed. Goupil, 1897)
The Game - Etching, (Ed. Goupil, 1897)

The Game - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Game, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7...

Category

1890s Academic Prints and Multiples

Materials

Etching

“La Femme aux Figues”
“La Femme aux Figues”

“La Femme aux Figues”

By Paul Gauguin

Located in Southampton, NY

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

Category

1970s Academic Prints and Multiples

Materials

Archival Paper, Etching

Naked Man - Etching, (Ed. Goupil, 1897)
Naked Man - Etching, (Ed. Goupil, 1897)

Naked Man - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Naked Man, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16....

Category

1890s Academic Prints and Multiples

Materials

Etching

“Flower Seller, Notre Dame”
“Flower Seller, Notre Dame”

“Flower Seller, Notre Dame”

Located in Southampton, NY

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts a Parisian flower girl selling her bouquets with the iconic cathedral of Notre Dame. Handwritten bottom left in pencil, original etching 136/295. Handwritten in pencil by the artist lower right, L. Marianne. Condition: excellent. Provenance: Sarasota, Florida estate. Professionally matted with a one inch solid oak frame in a medium walnut stain. Overall 24 by 19 inches. Marianne Almasy...

Category

1980s Academic Prints and Multiples

Materials

Archival Paper, Etching

DY Cameron 19th c. European Village Etching
DY Cameron 19th c. European Village Etching

DY Cameron 19th c. European Village Etching

By David Young Cameron

Located in New York, NY

D.Y. (David Young) Cameron (Scottish, 1865-1945) The Border Tower, c. 1893 Etching Sight: 9 x 13 1/4 in. Framed: 15 1/4 x 19 1/2 x 1/2 in. Signed in pencil lower right Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching...

Category

1890s Academic Prints and Multiples

Materials

Etching

Academic prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Academic prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Owen Jones, Paul Jones b.1921, John James Audubon, and Basilius Besler. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic prints and multiples, so small editions measuring 1.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $26,100, while the average work sells for $650.