Cubist Prints and Multiples

Shaded in soft hues of grey and yellow, the woman represented in Pablo Picasso's print is rendered in a Cubist style with flowing lines and forms. With her arms stretched over her head as she rests, the woman's top has fallen and her chest is exposed. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Femme Couchee...

Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now-famous logos for companies and institutions such as the Smithsonian, Nationa...

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

Artist: Juan Gris (after), Spanish (1887 - 1927) Title: Still Life with a Lemon Medium: Silkscreen, printed signature and date Image: 27 x 22 inches Size: 32 x 26 inches Frame: 37 x...

Lithograph in colors on paper. Hand signed and numbered by Max Papart. Image size 39 x 31 inches. Sheet size 47.25 x 35.75 inches. Frame size approx 51 x 42 inches. Edition of 15...

Jean Emile Laboureur (French, 1877-1943) Masque aux cheveux d'or (1912) Woodcut Signed `J E Laboureur’ (lower right) and stamped `The London Studio’ (l...

Standing with one hand on his hip and his other hand lifting his tights from his leg, the harlequin in this Pablo Picasso print is rendered with detail and depth. Relying on line and...

In this print after Pablo Picasso, the artist depicts a mythological scene in which a little girl leads a blind minotaur. Set against a seascape, the artist’s use of flowing lines and minimal color creates a whimsical and mysterious scene. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso artwork "Minotaure Aveugle Conduit par une Petite Fille". The original painting was completed in 1934. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Accompanied by a Certificate of Authenticity. Minotaure Aveugle Conduit par une Petite Fille Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Leaning against the draped walls, the nude figure in this print by Pablo Picasso print is geometric and fragmented, divided into different shapes. A lithograph from the Marina Picass...

Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulai...

Viewed from an angle, Pablo Picasso's print of this woman showcases his versatility as an artist. Set against a deep plum background, the angled sitter is represented in a less radic...

Artist: Pablo Picasso Title: The Eye (Plate X) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed and numbe...

Signed with artist stamp lower right, numbered lower left: 21/50 Shown in: Georges Bloch, Pablo Picasso Catalogue of the printed work 1970-72, Band I...

La Place de la Concorde Depicts La Place d la Concorde, Tour Eiffel and Sacre-Couer on Montmarte Hill in the back left Lithograph, 1926 Unsigned. as issued From the book edition, Jos...

Le Palais de Justice (Ile de la Cite, Paris) Lithograph printed on chine paper, 1926 Signed in pencil; Atelier blindstamp l.l. (see photo) Edition: Rare proof on chine, outside of th...

Pablo PICASSO (1881-1973) The 156, Painting : Riddle Selfportrait (plate 11), 1978 Original etching with aquatint (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum...

Pablo PICASSO (1881-1973) The 156, Four Women and Rembrandt (plate 42), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum, 33 x 25 cm (c. 13 ...

Artist: After Pablo Picasso (1881-1973) Title: Le Viol VII (after Bloch 202) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen process by Druck- und Verlag GmbH, 4200 Oberhausen, Germany; lithographically printed by Druck- und Verlag GmbH on japon handmade 200 g/sqm paper by created by Richard de Bas in Ambert, France and imported by Japico Drissler Feinpapiere, Frankfurt, Germany. Paper Size: 18 x 12.75 inches; a size slightly reduced from the original Vollard edition for differentiation Condition: Excellent Inscription: Artist’s signature posthumously lithographically reproduced from the original Vollard edition, and numbered in pencil by the curators of the Municipal Museum Mülheim an der Ruhr, Germany. 168/300. Notes: Published by Municipal Museum Mülheim an der Ruhr, Germany in cooperation with the Society for the Promotion of the museum in 1992 and the Fundación Picasso; printed by Plitt Druck- und Verlag GmbH, 4200 Oberhausen, Germany. The following is a German to English translation of the original text issued by the Municipal Museum Mülheim an der Ruhr, Germany in the following from which this graphic is a part, “In order to give a broad public access to this unique print work by Pablo Picasso in its entirety and at the highest quality level, the support group for the city. Museum Mülheim an der Ruhr initiated and significantly supported the new edition of the “Suite Vollard.” The reprint of the "Suite Vollard" includes a limited edition of 300 copies of 100 loose sheets each in a linen cassette. The copies were numbered from 1 to 300 on the leader sheet. The reproductions were produced in grain screen mode, a process in which which eliminates the traditional line grid and achieves maximum originality. The paper was hand-made specifically for this work by Richard de Bas in Ambert, France, one of the most traditional paper mills in Europe. The paper for the original edition also comes from this factory. The quality Blane narcisse, belin, 200 g/sqm was selected and imported from Japico Drissler Feinpapiere, Frankfurt. Reproduction and paper format has been slightly reduced compared to the original edition. The technical development and overall production was carried out by Plitt Druck- und Verlag GmbH, 4200 Oberhausen.” PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Woman Eternal Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 35 Image Size: 3...

Artist: Pablo Picasso Title: The Eye (Plate XXXVIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed and...

Artist: Will Mentor, American (1958 - ) Title: Cubist Composition Year: 1990 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 13/75 Paper Size: 33.5 x 24 in. (8...

Artist: Max Papart Title: Five Dancers Year: Circa 1980 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Edition: 3/25 Image Size: 34 x 34 inches Paper Size: ...

Artist: Jacques Lipchitz, Lithuanian (1891 - 1973) Title: Tree of Life Year: 1972 Medium: Portfolio of Three Lithographs, each signed and numbered in pencil Edition: 250 Size of eac...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 2 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 15 x 22 inches...

Artist: Pablo Picasso Title: Abstract Design (Plate VI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed ...

"Galerie Maeght Theogonie" announces an exhibition of the drawings Georges Braque produced to illustrate "Theogony", the 7th century BCE work by Hesiod that narrates the birth of the...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

From the Reflections Collection. Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 10.7 x 13.75 inches Inscription: Signed in the plate...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Homme nu assis en Tailleur, Plate 121 from Series 347 (B. 1600; Ba. 1616). Etching on wove paper. Hand signed and numbered by the artist. Edition of 50. Image size 3.5 x 2.5 inches...

"Braque Graveur" is an original color lithograph poster. It depicts a moth or butterfly landed on a black abstract form. There are blue and reddish-brown abstract shapes as well, and...

From the Reflections Collection. Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition...

Rodolphe-Théophile Bosshard Cubist Portrait, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Pablo Picasso (after) Histrion Head, 1965 Linocut (Printed in Arnera studios) On paper 90 x 58 cm (c. 36 x 23 in) REFERENCES : Catalog raisonne Czwiklitzer #262 Very good conditon...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Paper Size: 12.99 x 9.84 inches. Catalogue raisonné reference: Orozco, Miguel. T...

MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches vellum SIZE : 18 x 23" CONDITION : E...

Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 16.5 x 27.5 i...

This etching and aquatint is hand signed in pencil by the artist "G.Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower left m...

PABLO PICASSO, Malaga 1881 - Mougins 1973 Femme couchée et homme au grand chapeau, 1962 Linoleoumography d'après in color. (mm270x325) Perfect specimen published by the Cercle d'Art ...

Jean-Emile Laboureur (1877-1943), L’ile Desert, etching, 1914, signed in pencil lower left and numbered lower right (33/35). Reference: Laboureur 135, only state, from the edition of...

Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 18.5 i...

Jean-Emile Laboureur (1877-1943), Negres Americains a Saint-Nazaire, 1917-1920, engraving on cream wove paper, signed in pencil lower left, titled lower left margin edge, and numbere...

Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches. Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin. A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr. The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching. Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Éluard, Paul. Liberté j’écris ton nom. Paris (Seghers), [1953]. Folding broadside (leporello), with continuous color silkscreen by Fernand Léger, integrated with text, extending th...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Jean-Emile Laboureur (1877-1943), Le Facteur Rural, engraving, 1924, signed in pencil lower right. Reference: Laboureur 283, third state (of 3), from the total printing of about 80. ...

Still Life with mandolin is an original artwork realized by George Braque d'apres in 1986. Offset poster realized for the "Collection of European Master Paintings...

Jean-Emile Laboureur (1877-1943), Chez la Fleuriste, etching, 1919-1920, unsigned [with initials and date in the plate]. Reference: Laboureur 192, second state (of 2), from the editi...

ean-Emile Laboureur (1877-1943), La Fille au Litre (Grande Planche), engraving, 1921, signed in pencil lower left and inscribed “ep d’art”. Reference: Sylvain Laboureur 217, third st...

Quartier de Boef is an original lithograph on paper realized after Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 30 x 24 On both...

Arthur B. Davies (1862-1928), Baptism (or, Group of Ten Men – One Seated), drypoint on zinc, 1917, signed in pencil , printed in black on very thin laid paper. In very good condition...