Impressionist Prints and Multiples

This artwork titled "Masquerade" c.1960 is an original color lithograph by French artist Jacques Lalande, 1921-2003. It is hand signed and inscribed E.A (Artist Proof) in pencil by t...

The Goethe House (Goethes Wohnhaus) is the main house lived in by the writer, poet, and statesman Johann Wolfgang von Goethe whilst in Weimar, Germany, though he did live in severa...

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Zannias (sic) Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 24 x 19 inches. Sheet size: 30 x 22.5 inches Signature: Signed lower right Edition size: 295 This one: 114/295 Condition: Very good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in very good condition. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

A street scene in the Parisian district of Montmartre created for the portfolio Le Village inspire, Chronique de la Boheme de Montmartre (1920-1950)..... after Maurice Utrillo edited by Vertex in 1950 and limited to 550 copies. Signed within the plate lithograph with hand coloured pochoir. The Le Village Inspire suite, which consisted of 12 pochoirs after the Utrillo gouaches...

Auguste Rodin, French (1840 - 1917) - Nude Woman Lying on her Stomach, Year: 1899-1905, Medium: Lithograph, signed in the plate lower left, Size: 12....

"Killers from Space", Original vintage theater linen backed with original fold marks restored vintage movie poster. Very good to excellent condition and ready to frame. RKO Pictures. NSS 54/76 Killers From Space, the 1954 W. Lee Wilder giant-insect-alien science fiction (sci-fi) thriller ("Earth Attacked!"; "Astounding drama as bulb-eyed men invade Earth from flying saucers! ... The Last Word In Science-Fiction Sensation!"; "The last word in science-fiction thrills!"; "See the space killers plan to wipe out the human race! See strange monsters, flying saucers, giant creatures... SENSATIONAL!"; "Attack by monsters from another planet!"; "INVASION from another planet!"; "Staggering scenes, astounding sensations... As bulb-eyed monsters in flying saucers attack earth! An astounding science-fiction thrill!"; "From a story by Myles Wilder") starring Peter Graves...

Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Marcia Marx (1931 - 2005) - 4th of July, Year: 1976, Medium: Offsett Lithograph, signed and numbered, Edition: 54/100, Size: 23 x 29.5 in. (58.42 x 74.93 cm)

It is a GICLEE PRINT with my original oil painting Woman Universe Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas – I make a couple of strokes with palett...

Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin Wonderful French Impressionist winter landscape of Loire hills by Andre Jacquemin (French, 1904-1992), 1950. The bare trees and undulating landscape and hills draws the viewer in and evokes a peaceful and serene feeling. Signed and dated: Within etching and below image Series Number: 161/200 Condition: Good Image size: 8.25"H x 15"W Paper size: 15"H x 22"W Mat size: 20"H x 24"W André Jacquemin was born in Epinal, France in 1904. While attending art school in Paris he studied under Charles Walter, where he learnt the techniques of etching and practiced by copying the most famous artists and visited all the museums to learn more about the masterpieces of past and present. In 1925, he underwent military service at Fort de Domont outside Paris together with Louis-Joseph Soulas and Edouard Mac-Avoy. Four years later, with a few other up-and-coming artists including Yves Alix, Amédée de la Patellière and Jacques Villon, André Jacquemin founded "la jeune Gravure Contemporaine", a society of Printmakers. In 1930, he simultaneously received the Foundation Florence Blumenthal prize and an allowance to go on a study trip from Spain to Morocco for 14 months. Back from Morocco, his career developed very rapidly. At the beginning of 1932, he exhibited his work at the Simonson gallery. It was a success: he sold everything he had done in Morocco and Spain. The same year, he was elected as a fellow of the French Society of Painter-Etchers/Engravers (Peintres Graveurs Français). In 1936, he was awarded the national arts prize, given for the first time to an etcher. The following year he along with Jacques Villon, Marcel Gromaire 1937 Venice Biennale to represent French gravure...

This artwork "Still Life With Lamp and Fruits" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXV/L...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 10.63 x 7.87 inches Inscription: Signed in th...

Auguste Rodin, French (1840 - 1917) - Seated Nude with One Arm Behind Head, Year: 1899, Medium: Lithograph on thin laid paper, signed in the plate, Size: 12.5 x 9.75 in. (31.75 x 24...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Grand Canyon, Framed Size: 17" x 21" x 0.8''inch, 23x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrap...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 6.69 x 9.05 inches Inscription: Unsigned and ...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.42 x 9.05 inches Inscription: Signed in th...

Signed lower center, in pencil, '(nach) Luigi Kasimir' (Austro-Hungarian, 1881-1962) by a member of the artist's family workshop. Paper dimensions: 17.5 x 24 inches Austrian etcher ...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 9.84 x 7.48 inches Inscription: Signed in the...

Original poster, lithograph, linen-backed, Nathan Hale poster reading," I only regret that I have but one life to lose for my country." Step into history with this 1939 Kelly Read & Co. Rochester (NY) poster, a testament to the principles our patriots died for. This very rare original poster is the only documented copy remaining. Archival linen-backed and ready to frame. The poster features a stylized image of Nathan Hale, an American Revolutionary War soldier...

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 7.9 x 5.25 inches Edition Size: 75 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early e...

Edouard MANET (after) Spanish Guitar Player, 1873 Original Etching Engraved by Courtry under the supervision of MANET Printed signature in the plate ...

This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Red Wood Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. ...

Printed on Arches paper, a high-quality, heavyweight paper known for its durability and fine texture, this lithograph belongs to the printer's proofs. These proofs are typically prod...

Harold ALTMAN New York : Break in Central Park MEDIUM : Stone lithograph SIGNATURE : Handsigned LIMITED : Artist Proof PAPER : Arches vellum SIZE : 56 x 76 cm (c. 22 x 30 in) INFORMATION : Bears the blind stamp of the printer "Atelier Desjobert...

Artist: John Maxon (American, born 1947) Title: Dust Time Year: 1993 Medium: Color lithograph Edition: Numbered 146/210 Paper: Arches Image size: 26.5 x 39.75 inches Paper size: 31.5 x 44 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua Guatemala, Guatemala 2015 Desert Art Collection - Palm Desert California 2015 Galeria Antigua – Antigua, Guatemala 2014 Galeria Panza Verde – Antigua, Guatemala 2008 Linda Durnell Gallery – Los Gatos, California 2006 Linda Durnell Gallery – Los Gatos, California 2005 Robert Allen Fine Art Gallery – Sausalito, California 2004 Ellis West Gallery – Durango, Colorado 2002 Ellis West Gallery – Durango, Colorado 2001 Robert Allen Fine Art Gallery – Sausalito, California 1997 Stanford University Faculty Club – Stanford, California Selected Group Exhibitions 2018 Chemers Art Gallery – Los Angeles, California 2009, 2010, 2016, 2017 & 2018 Robert Allen Fine Art – Sausalito, California 2017 Christopher Hill Gallery - St Helena, California 2013 / 19 Gallery North - Carmel, California 2015 Desert Art Collection - Palm Desert, California 2014 Paul Scott Gallery - Bend, Oregon 2014 Christopher Hill Gallery Healdsberg, California 2013 Firehouse Art Center - Pleasanton, Ca. 2013 2011 - 2013 Robert Allen Fine Art – Sausalito, California 2010 - 2012 Susan Street Gallery – Solano Beach, California 2010 (Awarded 1st place) and 2012 “Contemporary Landscape Painters of California” – Awarded 1st Place 2011 - 2012 Salisbury Fine Art – Avila Beach, California 2010 Bryant Street Gallery – Palo Alto, California 2009 Museum Art and History – Santa Cruz, California 2008 Cabrillo College – Aptos, California 2006 Christopher Hill Gallery – St. Helena, California 2005 Fort Lewis College – Durango, Colorado 2001 St. Supery Winery & Fine Art Gallery, Napa California 2001 Napa Valley Wine Auction – St. Helena, California 1997 West Coast Painting and Sculpture – Ocean Side, California 1997 Wolk Gallery – St. Helena, California Selected Museum Collections Interior Museum, Department of the Interior, Washington D. C. Santa Cruz County Art Museum – Santa Cruz, California University of California – Berkeley, California University of California – Davis, California Napa Valley Art...

Artist: Emil Fuchs (Austrian, 1866-1929) Title: "Confidences" *Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left Circa: 1920 Medium: Original Drypoint Etching on unbranded white wove paper Limited edition: Unknown Printer: the artist Fuchs himself, New York?, NY Publisher: likely the artist Fuchs himself, New York?, NY Sheet size: 7" x 8.5" Image size: 5" x 7" Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition Extremely rare. Lovely work Notes: Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931. Biography: Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century. He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

Lost Shadow by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1990 Screenprint, signed and numbered in pencil Edition of EA 55 Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)

Claude MONET (after) Windmills in Holland, 1873 Original Etching Engraved by Gaucherel under the supervision of Monet Printed signature in the plate (with misspelled signature Monnet) On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Medium: lithograph (after the painting). Printed by Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Richard Shepard, American (1926 - 2000) - The Pretzel Man, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 23/350, Size: 21 x 11.5 in. (53.34 x 29.21 cm),...

Published by The Metropolitan Museum of Art, this first edition poster commemorates the 1995 exhibition featuring Alfred Sisley's Boats on the Seine from the Courtauld Collection. A ...

Avril (April) Color aquatint and etching, c. 1906 Signed in pencil lower right Edition: c. 100 Excellent impression, fresh colors Reference: Merrill Chase Volume 1, No. 9 Condition: ...

CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

This artwork "After Lunch" 1994 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) It i...

This artwork titled "Paris, Le Pont Neuf" c.1990 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed with...

Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Canoe. Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

This artwork "Trois Danseuses" (Three Dancers) c.1940 is an etching in sepia on Wove paper after French artist Marie Laurencin, 1883-1956. It his signed in the plate as issue. This is a posthumous impression from the canceled plate. The image (plate mark) is 14.60 x 10.75 inches, sheet size is 16.5 x 12.85 inches. It is in excellent condition, hanging tape mark, small piece of tape and 3 small skinned area are visible on the back only. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...

Lovely impressionist portrait lithograph titled "Feather Head" of a woman in a decorated hat dated 1974, edition 8/16 by artist Dan Allison. Artist Biography: Allison first made his mark on the art world in the late 1970's with his instantly recognizable aquatint etchings, created through a revolutionary, one-plate, three-color printmaking process the artist pioneered and refined while attending Sam Houston University in Huntsville, Texas. The artist earned a Bachelor of Fine Arts degree with an emphasis on printmaking from the university in 1978. In 2000 Allison turned his attentions to first establishing a printmaking studio, Texas Collaborative Arts, with an emphisis on the collaborative aspects between printer and artist and in 2007 established the Nau-haus art venue where he presented more than 60 exhibitions between 2007 and 2011 before moving to his present location in Houston's Upper Kirby Gallery district on Gallery Row, where the d. m. allison gallery...

Autumn Trees Close Up - Woodblock Print on Paper #12/15 Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange. Numbered "12/15" in the lower left corner. Signed "Janet P Wheeler...

James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...

This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...

Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...

Circular Fence Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed in pencil Edition of Trial Proof Size: 10 x 14 in. (25.4 x 35.56 cm) ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...